283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283287 Los(e)/Seite
Los 631
An 18th century long-case clock, by William Lowndes of Salop. Oak case with Doric columns supporting a canopy with blind fretwork and stepped pediment. Brass arched dial with brass spandrels, silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial. Arch contains portrait with glancing eyes and date aperture. Arched door to trunk with boxed base and ogee feet. Two train, eight-day movement striking on single bell. 218 x 54 cm; 86 x 21.5in. For condition report please see the catalogue at www.peterwilson.co.uk
Los 29
SIR THOMAS LAWRENCE P.R.A. (BRITISH, 1769-1830) PORTRAIT STUDY OF A GENTLEMAN Pencil, pen and ink and sepia wash on paper 11.5cm x 8cm (4.5in x 3in) Provenance: Spink and Sons, London. From a sketch book of 100 drawings, four of which were studies for Royal portraits at windsor and were sold to the Royal Collection
Los 11
SIMON DUBOIS (FLEMISH, 1632-1706) PORTRAIT OF AERNOUTT VAN CITTERS Signed, bears inscription and coats of arms on reverse, oil on canvas 37cm x 31cm (14.5in x 12in) Provenance: Contents of a Belgravia Apartment Inscription: ‘d'hr: Aernout van Citters. Collonel van een regement infanterij Comandeur van Sas van gent geb tot middelb 25 maart 1661. gest Jul 1718. 5’ Note: Simon Dubois was born in Antwerp in 1632, and from 1646 to 1653 lived in Haarlem where he was a pupil of both van Berchem and Wouwermans, learning his trade painting bucolic pastoral landscapes. In 1653, aged 21, he moved to Rotterdam and began a career as a painter of small battle-scenes in the Italian fashion. By 1657 we know that he was painting in Venice but four years later in 1661 he is known to have been back in Rotterdam and in 1667 in Rome, painted a celebrated portrait of Pope Alexander VII in the year of his death. Thereafter Dubois pursued a successful career making copies of Old Masters and in 1680 moved to England, where he found patronage from supporters of the Prince of Orange including Sir William Jones (Dulwich Picture Gallery). His breakthrough came with the full length portrait of William III's Lord Chancellor, John Somers, one of the key figures in the Glorious Revolution, now at Wrest Park in Bedfordshire. Dubois lived in London's Covent Garden with his brother Edward, who was also a painter. Simon's portrait painting continued to find favour with the great and the good of King William's court, sitters including the 1st Marquis of Normandy and Sir Thomas Vernon of Hanbury Hall. The present sitter Aernoutt van Citters (1661-1718), was Colonel of a regiment of infantry and Commander of the town of Sas van Ghent. His father, also Aernoutt van Citters (1633-1696) had been Ambassador to the English court from 1680 to 1694, and the family had lived in Zeeland since 1585. An unsigned version of this portrait, numbered 5 and of similar dimensions, acquired in 1876, hangs in the Rijksmuseum. Similarly, on the reverse, it bears the family coat of arms and those of eight ancestors. Dubois is known to have painted other members of the van Citters family. His portrait of Ermerantia van Citters (1666-1694) painted in 1693 is also in the Rijksmuseum, numbered 7 as are those of her sisters Anna (1664-1694) numbered 6, Josina Clara (1671- 1753), numbered 8 and Johanna (1672-1740) numbered 9. Dubois also painted a well-known and engraved van Citters' father's fellow Williamite diplomat William Bentinck, 1st Earl of Portland. Consequently Dubois became a wealthy man and in 1707, by which time he was in his seventies, he married Sarah, the daughter of the painter William van de Velde the Younger, only to die just a year later in 1708.
Los 182
A COLLECTION OF PAINTINGS AND DRAWINGS, MOSTLY INDIA, 19TH CENTURYgouache and ink on paper, comprising a scene at a Sri Nath Ji temple, a double portrait of Mughal ladies, a design for a mirror, a Qajar painting of a young man, two Anglo-Indian watercolours, six manuscript folios and five miscellaneous Indian drawings33 x 24.5cm and smaller (17)Provenance: Henry Brownrigg, London (1943-2016)
Los 462
A GERMAN ENAMEL SNUFF BOX, PROBABLY BERLIN, CIRCA 1755the lid with a half length portrait of Frederick the Great after Antoine Pesne (1683-1757) flanked by part of a map of the Kingdom of Bohemia and Duchy of Silesia, the map continuing over the sides and base, the interior lid with a portrait of his wife Elisabeth Christine, Queen of Prussia, gilt metal reeded and scalloped rim mounts8.2cm wideProvenance: The Hoffenreich Collection of Snuff Boxes, Vienna
Los 3994
Photography - a collection of a carte de visites and cabinet portrait photographs, mostly by Birmingham photographers, relating to a family named Pendre, various individual sittings, children and family groups, a gentleman in military uniform, a school group, a gentleman in a shopkeeper's apron and a lady posed with an Aesthetic arrangement of fan and vase (approx 45)
Los 4017
Photography & Ephemera - 19th century carte de visites and cabinet cards of British and Continental Grand Tour scenes, including architecture, topography, etc, including Haddon Hall, Derbyshire, from Frith's Cabinet Series; similar British and Continental carte de visite and cabinet card portrait photographs; Persian scenes; motoring group, in an early 20th century car; Victorian architectural elevations of contemporary suburban villas; a set of ten early 20th century coloured photograph glass negatives, 4.5cm x 6cm, boxed, c. 1910; another four, larger, 12cm x 16cm; Aston Hall, Birmingham, pamphlet; Victorian and later mourning cards; some postcards; stamps; qty
Los 4033
Crimean War - a set of three, Thomas Picken (1815-70), after William Simpson (1823-1899), The Ruins of Inkermann and City of Caverns, Published by Paul & Dominic Colnaghi & Co., Publishers to Her Majesty, [London] May 22nd 1855, chromolithograph, 35cm x 47cm; after William Simpson (1823-1899), A Quiet Day In The Diamond Battery: Portrait of a Lancaster 68 Pounder, 15th Decr. 1854, Published by Paul & Dominic Colnaghi & Co., Publishers to Her Majesty, [London] Feby. 5th 1855, chromolithograph, 32.5cm x 45cm; Edmund Walker (1813/14-1882), after William Simpson (1823-1899), A Hot Day In The Batteries, Published by Paul & Dominic Colnaghi & Co., Publishers to Her Majesty, [London] June 11th 1855, chromolithograph 32.5cm x 45cm (3) Condition Report: Colours generally good. The plates with occasional foxing but overall displaying fairly.
Los 4092
Gibbon (Edward), The History of the Decline and Fall of the Roman Empire, twelve-volume set, T. Caddell and W. Davies, London 1813, volume I with engraved title-piece portrait of the author after Sir Joshua Reynolds, the same volume with contemporary ink MS onwers's inscription James Wood, flyleaf with later owner W.H. Cooper 1852, speckled calf boards, later foliate embossed calf spines with red leather title labels, later endpapers, short 8vo
![Hemm (John Peck, of Nottingham), [Portraits of The Royal Family in Penmanship], [Hemm, Oliver & Co., Nottingham 1831], the po](https://cdn.globalauctionplatform.com/1ab2a156-cd91-447f-a052-a81c00e448ca/efc9210b-0465-4a2f-86e4-ee20d7653b55/468x382.jpg)
Los 4093
Hemm (John Peck, of Nottingham), [Portraits of The Royal Family in Penmanship], [Hemm, Oliver & Co., Nottingham 1831], the portraits engraved by Goodwill & Lawson, Alexander & Co., and J.H. Whitman, Printed by S. Bennet, comprising George IV, King of Great Britai; His Most Gracious Majesty William the Fourth; His Royal Highnefs (sic) the Duke of York; His Royal Highness Edward, Duke of Kent; His Royal Highness Prince Ernest Augustus, Duke of Cumberland; His Royal Highnefs (sic) the Duke of Sufsex (sic); His Royal Highnefs Prince Adolphus Frederick, Duke of Cambridge; His Royal Highness the Duke of Gloucester, each of the eight engraved portrait plates conserved and applied to later stiff leaves, George IV 55.5cm x 43cm, the rest 49cm x 32cm, clipped and pasted original title, early 20th century quarter oxblood pebble morocco and watered buckram boards, the spine with gilt-embossed title, atlas folio
Los 3028
A 19th century electrotype portrait roundel, of Emperor Franz Joseph I of Austria, King of Hungary (1830-1916), after Josef Hermann Tautenhayn (1837-1911), head-and-shoulders length, wearing laurel garland, within a legend, 7cm diam, ebonised circular frame; another similar, Leopold III of Belgium, 6.5cm diam, ebonised circular frame (2) Condition Report: But for wear to the electrotype the roundels are in good order, light wear to frames.
Los 3059
A 19th century Italian Grand Tour marble portrait profile, of Michelangelo, after Enea Vico, bust-length, red mount, oval giltwood frame, 18cm x 13cm overall, Antonio Frilli of Florence retailer's label to verso, c. 1870 Condition Report: Generally good. Some wear and scratches to marble. Worn red velvet mount. The frame good
Loading...-
283287 Los(e)/Seite