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Los 1532
A collectable hardbound Volume ``The Noel Coward Song Book`` with an introduction and annotations by Noel Coward, illustrated in black and white by Gladys Calthrop, frontispiece portrait by Clemence Dane - printed by Simon and Schuster, New York 1953, together an envelope of contemporary newspaper cuttings reporting his death and sold together with a cream painted wooden case decorated with musical motifs
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ORIGINALE PIPE en ébène, corne et ivoire à décor alterné d`anneaux noirs et blancs, de perles et de motifs ovoïdes. Le foyer en porcelaine à décor d`un médaillon en grisaille représentant un portrait d`homme au catogan. Vers 1800. Dans son écrin en bois mouluré. (Petits éclats, manque le bec, charnière accidentée). Haut. 49 cm
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Culloden and the Highland Rebellion A complete history of the Rebellion from its first rise in 1745 to its total suppression at the glorious Battle of Culloden in April 1746...by James Ray of Whitehaven, Volunteer under his Royal Highness the Duke of Cumberland. London, Robert Brown near Christ’s Hospital, 1749. Marbled boards, appears complete, with frontispiece portrait of the Duke of Cumberland [with ms insertion ‘Ye Butcher of Culloden’] and plans of the battles of Prestonpans and Culloden. 451pp 8vo.
Los 344
Oliver Cromwell Original Art – original oil study on copper, showing a 17th c figure half length in armour, looking seriously to his left, framed. This has been identified as a portrait of Oliver Cromwell, and the features certainly conforms to known portraits of Cromwell. The painting is probably early 19th c
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ENGLISH SCHOOL, early 19th century, Portrait of a Young Man, bust length, turned dexter, wearing a white shirt with high collar and dark blue coat, oval miniature on ivory, 6.5cm by 5cm, brass mounted, moulded and ebonised frame; and three other miniatures, similarly framed. (4) See illustration
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CIRCLE OF SIR FRANCIS GRANT (1803-1878). The Rt. Hon. Albert 1st Lord Londesborough, three-quarter length portrait, standing, holding a book in his left hand, wearing a black frock coat, a royal medallion suspended on a blue ribbon around his neck, oil on canvas, attributed and titled on a wooden plaque, 127cm x 102cm. See illustration
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Nicholson (George). Fifty Years in South Africa: Being some Recollections and Reflections of a Veteran Pioneer, 1st ed., 1898, b & w illustrations, pubs. ads. at end, a few spots, original cloth, a little faded with one or two stains, 8vo, together with Twenty-Five Years Big Game Hunting, by Brigadier General R. Pigot, 1st ed., 1928, numerous half-tone illustrations, a few spots, prize-label at front, original red cloth, 8vo, plus The Life of Edmund Musgrave Barttelot, Captain and Brevet-Major Royal Fusiliers Commander of the Rear Column of the Emin Pasha Relief Expedition. Being an Account of his Services for the Relief of Kandahar, of Gordon, and of Emin, from his Letters and Diary by Walter George Barttelot, 3rd ed., 1890, mounted portrait frontispiece, two folding maps at end, some spotting, original red cloth gilt, spine lightly rubbed and faded, 8vo, with four others including East Africa Protectorate. Orders in Council, Kings (Queen`s) Regulations, Ordinances, Rules, Proclamations and Other Official Orders in Force in the East Africa Protectorate on the 1st of January 1903, and vols. II-XI, East Africa Protectorate. Ordinances and Regulations, 1900-1910, and From Korti to Khartum, by Col. Sir Charles W. Wilson, 3rd. ed., 1886 (7)
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Ackermann (Rudolph). A History of the University of Oxford, Its Colleges, Halls and Public Builings, 2 vols., 1814, 115 hand-coloured aquatint plates (including the 33 Founders plates), one uncoloured engraved portrait, occasional light offsetting to text, a few light spots, contemporary half calf, rebacked retaining original spine, 4to. Abbey Scenery 278. (2)
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Aubrey (John). Wiltshire. The Topographical Collections of John Aubrey, F.R.S., A.D. 1659-70, with Illustrations, Corrected and Enlarged by John Edward Jackson, pub. Wiltshire Archaeological and Natural History Society, Devizes & London, 1862, eng. frontis., forty-three eng. & litho plts. (inc. portrait), folding pedigrees and plans, edges rough-trimmed, orig. cloth gilt, fore-edge of boards damp mottled, 4to, together with Fowles (John & Legg, Rodney), Monumenta Britannica or a Miscellany of British Antiquities, 2 vols., mixed eds. (vol. 1 first US ed. & vol. 2 first UK ed.), Boston, Toronto & Sherborne, Dorset, 1981-82, b & w illusts., orig. cloth in worn d.j.s., small folio (vol. 1 proof copy, limited ed. of 595 copies). From the John Buchanan-Brown Collection. (3)
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Boydell (John & Josiah). An History of the River Thames, 2 vols., 1794-96, engraved portrait of Father Thames, folding engraved map of the Thames on two sheets, 76 hand-coloured aquatint plates, including three double-page, occasional light scattered spotting, p.59 vol. I with small repair in text, occasional slight offsetting to text, bookplates of Hon. William Henry Irby, contemporary diced calf gilt, neatly rebacked, folio. A good copy, with the superior early impressions of the plates in bright condition within the aquatint borders. Abbey Scenery 432; Tooley 102. (2)
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Chauncy (Sir Henry). The Historical Antiquities of Hertfordshire: with The Original of Counties, Hundreds or Wapentakes, Boroughs, Corporations, Towns, Parishes, Villages, and Hamlets; The Foundation and Origin of Monasteries, Churches, Advowsons, Tythes, Rectories, Impropriations and Vicarages..., 1700, title in red & black, engraved portrait and folding map of Hertfordshire by Herman Moll, forty-four engraved plates (complete, inc. 38 double-page), some plates toned, some browning & spotting to text mostly at rear of volume, few repaired short closed tears, a.e.g., 19th c. gilt dec. green morocco, upper joint repaired and slightly cracked at foot, folio. Wing C3741, Upcott pp.333-338. (1)
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Dugdale (William). The Antquities of Warwickshire Illustrated: From Records, Leiger-Books, Manuscripts, Charters, Evidences, Tombes and Armes, 1st ed., pub. T. Warren, 1656, engraved portrait frontispiece, title printed in red and black, 15 etched maps and plates, some double-page, numerous illustrations, errata leaf at end, one or two close-trimmed, some small tears and repairs, occasional light toning and spotting, previous owner signatures to title, later boards, rebacked, folio. Upcott pp. 1247-1259. (1)
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Harraden (Richard B.). Cantabrigia Depicta. A Series of Engravings Representing the Most Picturesque and Interesting Edifices in the University of Cambridge, 2nd ed., 1814, engraved portrait frontispiece, engraved additional title, engraved plan, 34 engraved plates (complete), occasional spotting, previous owner signature, contemporary half calf, rebacked preserving original spine, rubbed, 8vo. (1)
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Hume (David, & Smollett, Tobias). The History of England, 2 vols., n.d., c.1845, eng. portrait frontis, dec. eng. half title, fifty-eight uncoloured eng. portraits and historical scenes and forty-eight uncoloured folding engraved maps by Thomas Moule, (lacking Cheshire and Hampshire), occ. spotting throughout, contemp. half calf, hinges and joints weak, rubbed and frayed at extrems., 4to, together with two divisions of a later edition of the same work containing twelve uncoloured engraved plates and twelve uncoloured folding engraved maps by Thomas Moule, orig. pubs. gilt dec. cloth, rubbed and stained at extrems., 4to. Sold as a collection of prints and maps, not subject to return. (4)
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Loggan (David). Cantabrigia Illustrata sive Omnium Celeberrimae Istius Universitatis Collegiorum Aularum, Bibliothecae Academicae Scholarum Publicarum, Sacelli Coll: Regalis nec non Totius Oppidi Ichnographia, 1st ed., Cambridge, c. 1688, mezzotint portrait frontispiece of the Duke of Somerset, engraved title, dedication to William and Mary, preface and index, engraved double-page plan of Cambridge, 29 fine copper-engraved double-page plates, one or two leaves with marginal repaired tears along folds and reinforcements to versos, a few light spots, bookplate of Thomas Graham Jackson, Architect, 1894, a.e.g., contemporary red morocco, covers with double fillet border and gilt rectangular panels with corner volutes, rebacked retaining original spine, folio. A good copy of Danzig-born Loggan`s second major work, following on from Oxonia Illustrata (1675). After being appointed engraver to Oxford University in 1669, Loggan began work on Cantabrigia Illustrata in 1676, before becoming engraver to Cambridge University in 1690. Wing L2837. (1)
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Hill (Sir John). The Family Herbal, or an Account of all those English Plants, which are Remarkable for their Virtues, and of the Drugs which are Produced by Vegetables of other Countries; With their Descriptions and their uses, as Proved by Experience, Bungay, c. 1810, 54 hand-coloured engraved plates, some spotting, contemporary reverse calf, small tear at spine head, 8vo, together with The Complete Herbal... by Nicholas Culpeper, new ed., 1835, portrait frontispiece, 20 hand-coloured engraved plates, some spotting, repairs at front and rear, annotation to verso of portrait, contemporary reverse calf, 4to, with others related including Richard Weston`s The English Flora: Or, a Catalogue of Trees, Shrubs, Plants and Fruits... Also a General Catalogue of Seeds..., 1775, and James Edward Smith`s An Introduction to Physiological and Systematical Botany, 4th ed., 1819 (8)
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Ireland. Bowles & Carver (pubs.), Geography Bewitched! or a droll Caricature map of Ireland. This Portrait of Lady Hibernia Bull is humbly dedicated to her Husband the great Mr. John Bull, n.d., c.1830, uncoloured engraved map, one repaired marginal closed tear just affecting image, slight dust soiling largely confined to margins, 210 x 175 mm (1)
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*Title page. Ortelius (Abraham), Spectandum dedit Ortelius mortalib orbem, Orbi Spectandum Galleus Ortelium, Papius, Antwerp, [1579 or later], hand coloured portrait of Abraham Ortelius heightened with gold, engraved by Phillipe Galle, 320 x 215 mm, mounted, framed and glazed. This fine portrait appears as the frontispiece to the ÔTheatrum Orbis`. The text below the portrait translates as ÔOrtelius gave mankind an image of the world, Galle gave the world this image of Ortelius`. Marcel van den Broecke, Ortelius Atlas Maps, p.14. (1)
Los 322
Bindings. Poems of Tennyson, pub. OUP, 1921, portrait frontispiece, a.e.g., contemporary full brown morocco gilt by Riviere, spine with raised bands and gilt decoration, 8vo, together with King Edward VII. A Biography, by Sir Sidney Lee, 2 vols., 1925-27, photogravure portraits and plates, contemporary tree calf, spines with red labels and gilt decoration, a little faded, 8vo, plus Secret Court Memoirs, 20 vols., pub. Grolier, c. 1900, plates and portraits, bookplates, contemporary tan calf by Sotheran, spines with red and green labels, some fading, 8vo, (Edition de Luxe, one of 1000 copies), with 4 others (28)
Los 374
[More, Henry]. Enthusiasmus Triumphatus, Or a Discourse of the Nature, Causes, Kinds and Cure of Enthusiasme; Written by Philophilus Parresiastes, and Prefixed to Alazonomastix, his Observations and Reply, 1st ed., 1656, title printed in red and black (part of top margin torn away), some light spotting, leaves from another work bound-in as endpapers, mixed cloth and contemporary calf boards, sellotape over spine (defective), 8vo, together with Hudibras: In Three Parts, Written in the Time of the Late Wars. Corrected and Ammended with Additions, 1710, engraved portrait, 13 engraved plates only (of 17), by William Hogarth, some spotting, leaf of annotation at front, contemporary panelled calf, rubbed, 12mo, with others including Benjamin Baxter`s A Posing Question, Put by the Wise Man, viz. Solomon, to the Wisest Men. Concerning Making a Judgment of Temporal Conditions, c. 1750, and James Taylor`s A Golden Chain to Link the Penitent Sinner into God, 1704 (lacking plates) (7)
Los 397
Spottiswood (John). The History of the Church of Scotland, Begining the Year of our Lord 203, and continued to the end of the Reign of King James the VI..., 2nd ed., 1666, engraved portrait frontispiece by Hollar (slightly torn to lower outer blank corner margin), dedictaion leaf with eng. port. of Charles I, double-page uncoloured eng. map of Scotland by Saxton/Hole, paper tape repair to hinges, contemp. calf, crude reback spine and corner repairs, extrems. rubbed and lower edge of boards worn, folio. Armorial bookplate of Thomas Chilcot, Organist of Bath, 1757. (1)
![[Sterne, Laurence]. The Life and Opinions of Tristram Shandy, Gentleman, 9 vols., 1st ed., York and London, 1760-1767, with S](http://lot-images.atgmedia.com/SR/10729/2851160/398-201222712506_468x382.jpg)
Los 398
[Sterne, Laurence]. The Life and Opinions of Tristram Shandy, Gentleman, 9 vols., 1st ed., York and London, 1760-1767, with Sterne`s signature in ink in vols. 5, 7 and 9 as called-for, eng. frontis. in vol. 4 (often found incorrectly placed in vol. 3), half-titles present in vols. 4 and 9 (vols. 5 and 6 with half-titles discarded), vol. 1 with E5 printed black on both sides, vol. 3 with the inserted marbled leaf between L4 and L5, vol. 4 with L2r left blank for the reader`s imaginary portrait of the Widow Wadman, vol. 5 without initial blank, armorial bookplate of Robert Goelet loosely inserted in first vol. (faint adhesive mark on front pastedowns from a previous bookplate), blue endpapers, a.e.g., late 19th c. mottled calf by Riviere, with his ink stamp on verso of front free endpapers, extrems. rubbed, gilt rule decorated raised bands between hound`s tooth rolls, gilt lettered labels in second and third compartments, remainder with central flower tool surrounded by stars and flowers, with volute cornerpieces, date lettered direct at foot, covers with gilt double fillet border, gilt single fillet on edges, gilt dec. turn-ins, sm. 8vo, housed together in custom-made partitioned book box. Imprints correspond to Rothschild 1970. Volume 1 is the correct first York printing (i.e. without the footnote on p.134); volume 2 bears the correct York printed title-page but some of the text appears to be taken from the London edition (i.e. the title-page is A1; in the York issue it is printed as part of gathering M). Volumes 3 to 9 are all first edition, first issue (volumes 7 and 8 are the true first edition, not the concealed second edition). (9)
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ChŽron (Elisabeth Sophie, 1648-1711). A bound collection of 35 engraved plates of classical scenes and figures after ChŽron, c.1720, with a portrait frontispiece of ChŽron and 35 plates engraved by H. Simon Tomlinson, C. Simonneau, J. de la Croix and B. Picart, some bearing imprints dated between 1710-17, all plates with engraved titles in French, four plates trimmed (three subsequently relaid), sheet size 335 x 238 mm, 19th century half morocco, covers detached, folio. Extremely scarce. The British Library have a similar bound set of 48 plates. Elisabeth Sophie ChŽron was only the fourth woman to be admitted to the Acadamie Royale de Peinture et de Sculpture at the age of just 22. She was also recognised in her own time as a gifted poet and musician but is celebrated today an an influential trialblazer for women artists of the 17th and 18th century. (1)
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Suslov (Vitaly, ed.). The State Hermitage. Masterpieces from the Museum`s Collections, 2 vols., 1994, orig. cloth gilt in d.j.s, contained in slipcase, large 4to, together with Pugh (P.D. Gordon), Staffordshire Portrait Figures of the Victoria Era, new ed., 1987, col. and b&w illusts., orig. cloth gilt in d.j., 4to, plus Hughes (G. Bernard), English, Scottish and Irish Table Glass. From the Sixteenth Century to 1820, 1956, col. frontis., num. b&w illusts., orig. cloth gilt in d.j., 4to, plus twenty-four other antique reference (28)
Los 485
*Craemer (Kurt, 1912-1961). Reclining Figure, 1948, bistre chalk on pale brown paper, signed and dated in pencil lower right, 44 x 62.5 cm (17.25 x 24.5 ins), framed and glazed, together with a bistre chalk portrait of a Greek boy, signed and dated 1957, 44 x 31 cm (17.25 x 12.25 in), framed & glazed, plus an oil on canvas portrait of a boy attributed to Craemer (3)
Los 494
Ironside (Robin, 1912-1965). Costume study of a young lady in 18th century dress, pen, ink & watercolour, heightened with bodycolour, 20 x 14 cm (8 x 5.5 ins) mount aperture, framed and glazed, together with two other small gouache studies on card by the same artist, including one ornamental design, and another small scene of a putto fellating a young man, 7 x 13 cm and sl. smaller respectively, plus other various framed prints and pictures, including linocuts by Nikos Stavroslakis, a group of mid-20th century studies of heads and figures in pencil, one or two watermarks of Fabbriano 1941, an indian ink portrait of Patrick Leigh Fermor by a Greek artist, dated 1946, one or two related exhibition catalogues and pamphlets, etc. (a carton)
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Churchill (Winston S.). Lord Randolph Churchill, 2 vols., 1st ed., 1906, photogravure portrait frontispiece to each, portraits and facsimile letters, occasional spotting, previous owner signature, bookplates of Sir Algernon Boyle, original red cloth, short tears at vol. I spine head, spines faded, 8vo, together with A History of the English-Speaking Peoples, 4 vols. (vol. I 4th ed.), 1957-58, map illustrations, bookplates, original cloth, d.j.s, one or two minor tears, 8vo, with others related (12)
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Churchill (Winston S.). My African Journey, 1st ed., 1907, three maps, half-tone illustrations, pubs. list at end, a few spots, presentation inscription, original pictorial cloth, spine faded and chipped at foot, 8vo, together with Marlborough. His Life and Times, 4 vols., 1st ed., 1933-38, portrait frontispiece to each, maps and illustrations, a few spots, previous owner signature and bookplate, t.e.g., original cloth, vols. I-III spines faded, 8vo, with others related including Great Contemporaries, 1937 (3rd impression) and Step by Step 1936-1939, 1939 (15)
Los 572
Wittgenstein (Ludwig). Philosophical Investigations, Translated by G. Anscombe, 2nd ed., 1958, original cloth, spine faded, 8vo, together with Historical Eloge of James Watt, by M. Arago, 1839, portrait frontispiece (with marginal waterstain), modern boards, 8vo, . plus Sir Isaac Newton`s Mathematical Principles of Natural Philosophy and his System of the World, Translated by Florian Cajori, University of California Press, 1946, illustrations, previous owner inscription, original cloth, spine faded, 8vo, with others related by Bertrand Russell etc (13)
Los 701
*Drtikol (Frantisek, 1883-1961). Group portrait of the Czech Quartet, 2nd May 1921, mounted vintage gelatin silver print showing the group posing half length and without instruments to camera, with dated inscription to lower mount by Karel Hoffmann, followed by four signed musical quotations by the group`s members, Karel Hoffmann, Josef Suk, Jeri Herold and Ladislav Zelenka, photographer`s stamp, mount somewhat brittled and dampstained away from photograph and inscriptions (1)
Los 704
*Early Photography. A group of approx. thirty early photographs, c. 1850s/1860s, including albumen prints of a dead bird by William Craven, a mountain scene by Charles Soulier (signed in pencil on the mount), three views by James Mudd, Camber Castle, 1854, portrait of the daughter of the Earl of Craven by Herbert Watkins (blindstamp on the mount), plus a group of early amateur views including some salt prints and some signed, various sizes and some mounted as multiples to one mount (approx. 30)
Los 720
*Hill (David Octavius & Adamson, Robert). Portrait of Sir Francis Grant P.R.A., c. 1843-47, carbon print, possibly printed by Jessie Bertram, c. 1920, 20 x 14 cm, original mount with manuscript no. 1 lower right, together with ÔLady in Black`, a photogravure from Camera Work (January 1912, 37:29), 21 x 15.5 cm, tipped into old card folder. A reversed image of the photograph of Grant was published as a photogravure in the same issue of Camera Work (January 1912, 37:11). (2)
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283284 Los(e)/Seite