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283284 Los(e)/Seite
Los 89
Georg Frederic Handel, Messiah an Oratorio in Score as it was Originally Performed composed by Mr Handel to which are added his additional alterations, publ H Wright, London, circa 1800, with Houbraken portrait frontispiece, inscribed page 'John Herbert, Barwell, May 1st 1840', 188 and 35 pages, engraved throughout, in one volume.
Los 485
Around the World on a Bicycle: From San Francisco to Teheran & Teheran to Yokohama, 1st UK Edition, 1887 & 1888, by Thomas Stevens. A two-volume worn octavo hardback set in pictorial cloth board covers with gilt lettering to the covers and spines, the first rather more worn than the second, but both appearing complete. The first, 'with over one hundred illustrations', has a full-page chromolithographic portrait by Kelly of the author atop his Ordinary, while the other has a monochrome portrait frontispiece of the author, and is described as having 'numerous illustrations'. Working copies. Both published in London by Sampson Low, Marston, Searle & Rivington. (2)
Los 27
JOHAN RUDOLF BONNET (DUTCH, 1895-1978) - PORTRAIT OF A BALINESE MAN Charcoal and pastel on paper, in original frame Located, signed and dated lower left 'BALI '49 R.BONNET' 45cm high x 33cm wide 62cm high x 46cm wide, with frame Condition: Overall in good condition, ready to hang - Additional images and detailed condition report available on request Provenance: Handed down the family of the current owner. Originally given to his grand father as alternative payment for dental work shortly after WW2, in Indonesia. About the artist: Johan Rudolf Bonnet (30 March 1895, Amsterdam - 18April 1978, Laren) was a Dutch artist who lived much of his life in the town of Ubud on Bali, Indonesia. He was born into a Dutch Huguenot-descended family who had been bakers for many generations.He attended the Rijksakademie van Beeldende Kunsten in Amsterdam. He arrived in Bali in 1929 where he met the German artist Walter Spies and the Dutch musicologist Jaap Kunst. With Kunst, hemade a trip to Nias, returning to Bali in 1930. He was invited to live in Ubud in by Cokorda Gde Raka Sukawati. Between 1929 and 1940 Bonnet stayed in Ubud. When Spies moved to Campuhan, Bonnet took over Spies' water palace in Ubud and set up his studio. He became involved in community issues including healthcare and education. He was also very involved in the Pita Maha movement,which encouraged local artists to raise their artistic standards. After the Japanese arrived in Bali, Bonnet remained free until 1942 when he was ordered to be sent to Sulawesi. He spent the remainder ofWorld War II in internment camps in Pare-Pare, Bolong and Makassar. In 1947 Bonnet returned to Bali where he built his house and studio in Campuan. Despite the deterioration in the relationshipbetween The Republic of Indonesia and the Netherlands Bonnet was able to stay due to his relationship with President Sukarno who had collected 14 of his works. He was expelled from Indonesia in1957 after he refused to finish a portrait of President Sukarno;he was able to return 15 years later. Rudolf Bonnet died in Laren, Holland on April 18, 1978 after a long illness. His body was crematedand the ashes were brought to Bali where they were burnt together in a great cremation ceremony with his friend Cokorda Gde Agung Sukawati
Los 596
* ALEXANDRA (SANDIE) GARDNER (SCOTTISH b 1945), THE ROSE oil on canvas, signed 150cm x 85cm Framed. Note: A large and very special exhibition centrepiece work. Alexandra (Sandie) Gardner studied at Glasgow School of Art under David Donaldson from 1963-1968 and lectured there until 1988. She has won many awards and her highly individual paintings encompass a remarkably wide range of subjects - still life, figure and portrait studies, the nude, landscape, moody bars, diners, restaurants and barber shops.
Los 1032
Chaucer's Canterbury Pilgrims monochrome print; one other depicting pilgrimage to Canterbury; and two portrait mezzotints framed as ovals (4)Upon closer inspection, we believe that these may be late Victorian/early C20th prints of engravings.Canterbury images are trimmed very close, no visible platemarks.Chaucer’s Canterbury Pilgrims image dimensions 22 x 59cm.Pilgrimage to Canterbury image dimensions 20.5 x 59cm.Visible plate both 22.5 x 60cm.
Los 393
A white metal and brass mounted novelty bookmark / paper-knife in the form of a sword, the clip having applied profile portrait of Napoleon, length 10.2cm; together with a white metal bookmark, the clap having applied fleur de lis decoration and the terminal in the form of an apostle, 10cm; and various other bookmarks / letter-openers (11)
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283284 Los(e)/Seite