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TWO ENGLISH PORCELAIN ARMORIAL SOUP PLATES, c.1820, one with monochrome swan in chains below the motto "Fides in Amicitia" within a bright green, burnt orange, pink and gilt stiff leaf border, the other with a boy's head and shoulders portrait with an asp around his neck in colours within a gilt border, both unmarked, 9 1/2" diameter, a porcelain cup and saucer bat printed after Buck and overpainted in colours with a mother and child and a Staffordshire porcelain teabowl and saucer painted with puce and green bands (6)
A cast circular bronze commemorative plaque of J N Cabirol:, head and shoulders portrait in relief inscribed 'J N Cabirol Inventeur du Sophandre', 44cm diameter. *Note- Joseph- Martin Cabirol (1790-1874) was a French inventor who patented a standard diving dress in 1855 based upon the Augustus Siebe design. He is credited with adding the additional top window to diving helmets. * see page 208, vol 2, 'Diving Helmets and Equipment Through The Ages'.
FOLLOWER OF JOSEPH HIGHMORE PORTRAIT OF A LADY bust length in a red dress and plumed hat, architectural background, oil on canvas, 74.5 x 62cm, 18th c style carved sanded and gilded frame ++The support lined, c early/mid 20th c, on the stretcher of that period an auctioneer's stencilled number 578MX and two chalked dates June 1-62 and 7/6/95, lot 290, some localised restoration/repainting, the pigments dark in passages
†AUGUSTUS EDWIN JOHN, OM, RA (1878-1961) PORTRAIT OF JACOB EPSTEIN signed, pencil, 20 x 15.5cm Executed in 1905-6. Provenance: Mr Samuels, Liverpool; J Leger & Son, London, March 1944; acquired then or afterwards by the late grandfather of the present vendor. Illustrated: Silber (E, et al ), Jacob Epstein Sculpture and Drawings Exhibition Catalogue, Leeds City Art Galleries and Whitechapel Art Gallery London, 1987, fig 42 (as "whereabouts unknown"). Exhibited: Sheffield City Art Galleries, April - May 1970, Catalogue No 36. This marvellous newly rediscovered drawing of the head of his friend by Augustus John dates from very soon after he and Epstein first became acquainted. In 1905 Epstein left Paris and settled in London where he immediately became involved with the other young Bohemian artists and their wider circle. John made two etchings of the head of Epstein in 1906/7, and another drawing only slightly larger than the present work, that was acquired by the National Portrait Gallery in 1957. ++A superb drawing in fine condition, in the original 1940s or earlier frame as when purchased from the Leger Gallery. Not laid down
JOHN A HORSBURGH (1853-1924) PORTRAIT OF A LADY three quarter length in a black dress; Portrait of a Gentleman, seated three quarter length, a letter in his left hand,A pendant, one signed and inscribed Edinr and dated 1877, oil on canvas, 126 x 100cm (2) ++Some faults and build up of dirt and grime also showing signs of damp storage but unlined and in the original late Victorian gilt cavetto frames
ENGLISH SCHOOL, 19TH CENTURY PORTRAIT OF DR RICHARD ALLEN (1810-1885); PORTRAIT OF MRS ALLEN IN A BLUE DRESS both seated, half length, oil on canvas, 90 x 69cm (2) [for a portrait miniature of Dr Allen see lot 671] ++Both with extensive craquelure and bitumenisation, both lined, one revarnished
†MAJOR G A CATTLEY (1896-1978) EQUESTRIAN PORTRAIT OF A FOX HUNTER IN A ROLLING LANDSCAPE; PORTRAIT OF THE HUNTERS "SANDY HILL" AND "BENDUN" THE PROPERTY OF MISS ANNE HOLT two, both signed and dated 1950 or 1960 respectively, oil on hardboard, 51 x 74cm and 41.5 x 67cm (2) ++Both in good condition requiring a light clean only
†ALICE LANGFORD SPEAIGHT, NEE CUNDY (1871-1973) DOUBLE PORTRAIT OF TWO CHILDREN signed with initials and dated 1905, inscribed on the mount SPEAIGHT 157 NEW BOND STREET W, pencil and watercolour, 51.5 x 42cm ++Mild foxing and time stains, thunder flies under the glass, in the original early 20th c gilt frame
†ARTHUR WARDLE, RI, RBA (1864-1949) PORTRAIT OF THE WATERLOO CUP WINNING GREYHOUNDS "DENDRASPIS" AND "DILWYN" signed, oil on canvas, 34 x 59cm "Dendraspis" won the Waterloo Cup in 1909 and" Dilwyn" won it in 1914. ++In superb preservation, a majestic portrait of two supremely elegant dogs on a hillside, unlined, beneath glass and undisturbed in the original good quality gilt frame with titled slip
ATTRIBUTED TO DAVID DALBY OF YORK (1794-1836) PORTRAIT OF THE CHESTNUT MARE "ROSAMUND" BY A THATCHED BARN IN A LANDSCAPE inscribed Rosamund, oil on canvas, 62 x 75cm According to an old label on the stretcher "Rosamund" was bred by Gilbert Crompton in 1798, and was sired by "Buzzard" out of "Roseberry". "Rosamund's" seventeen foals included "Barefoot". "Rosamund" died in 1829. ++Unlined on the original stretchers. Canvas holed extreme right, craqueleur and old localised overpainting. In what is almost certainly the original early 19th c giltwood cavetto frame
GEORGE WRIGHT (1860-1942) PORTRAIT OF THE GREY RACEHORSE "GUEST OF HONOUR" IN A PADDOCK signed, oil on canvas, 59 x 90cm "Guest of Honour" was bred and owned by Major Henry Hawkins, OBE. The horse was sired by "Son & Heir" out of "Dyonisia". The horse won the Foxhall Stakes at Goodwood in 1934, the Birmingham Stakes in 1939 and the Lingfield Handicap in 1935. ++In superb preservation undisturbed in the original frame. Undamaged, not restored or relined
ENGLISH SCHOOL, 19TH AND 20TH C AND KETURAH ANNE COLLINGS, NEE BEEDLE (1862-1948) EIGHT PORTRAIT MINIATURES OF LADIES AND GENTLEMEN OF THE HANMER FAMILY one signed, another signed indistinctly, ivory, five oval, one rectangular, various sizes, five in silver gilt frames engraved with the sitter's names, these by George Elisha Sumner, London 1903 ++All in fine condition, secure in the original frames. The sitters are as follows: the reverend Henry Hanmer, 60 years rector of Grendon, born 1814, died 1904, Richard Hamner, son of Reverend Henry Hanmer, Catherine L A Hanmer [nee Wollaston] wife of Richard Hanmer, Richard Hanmer (1859-1944), Dorothy Kathleen only child of Richard and Catherine A L Hanmer of Sheepy Leicestershire, wife of Henry Hawkins of Everdon, Northants and Richard Henry Hawkins (b 1922)
JOHN DALBY (1826-1853) PORTRAIT OF THE CHESTNUT MARE "MARION" IN A LANDSCAPE signed (Dalby York), dated 18[-]1 and inscribed Marion, oil on canvas, 62 x 75cm According to an old label on the stretcher,"Marion" was bred by Gilbert Crompton in 1819 and was sired by "Tramp" out of" Rosamund". ++Unlined with tiny old patch on the reverse, just in front of the horse's chest, on the original stretchers and in what is probably the original giltwood cavetto frame
A VICTORIAN GOLD LOCKET, C1890 the lid set with a geometric pattern of turquoise beads, containing in a contemporary portrait miniature of a young child ++In fine condition with some light surface wear/scratches on the centre of the back, unmarked. The miniature in fine condition, size excluding suspension ring 54 x 45mm, gross weight 38.6g
SAMUEL COTES (1734-1818) PORTRAIT OF A LADY in a white dress and yellow bonnet with blue bows, signed S Cotes px and dated 1789 (in red) pastel, oval, 59 x 44cm, in contemporary giltwood and composition bead and ribbon frame ++Signature and date a little weak where affected by damp. Long in the present local private ownership. The good quality frame possibly the original with old damage and gold painted
ENGLISH SCHOOL, 17TH CENTURY PORTRAIT OF A JUDGE TRADITIONALLY IDENTIFIED AS SIR WILLIAM DOLBEN seated three quarter length in scarlet robes by a sculpture of Justice in a niche to his left, oil on canvas, 125 x 100cm, in gilt panel frame Sir William Dolben (c1627-1694) a Justice of the King's Bench was called to the Bar in 1655. He was appointed Recorder of London in 1676 and knighted the following year. After the Popish Plot (1678-1681) he tried many of the accused, subsequently incurred the displeasure of Charles II through his opposition to the King's removal of the City Corporation's Writs, and was dismissed in 1683. There is a portrait of Dolben by Henry Tilson in Guildhall Art Gallery. ++Old restoration and much old ingrained dirt, the medium uneven and retouched in various passages, lined many years ago on old pine stretchers in 18th c giltwood and composition frame
ENGLISH SCHOOL, C1850 DR RICHARD ALLEN seated half length in a red covered armchair, ivory, 12 x 9cm, maroon morocco case [for a portrait of the same sitter and his wife, see lot 870] ++The support slightly warped but not cracked or split and in good original condition, the exterior of the case scuffed and worn in places
SCOTTISH(?) SCHOOL, 18TH CENTURY PORTRAIT OF A YOUNG GIRL full length in a red dress and plumed bonnet, holding flowers in each hand, beside a pedestal, oil on canvas, 120 x 97cm, unframed ++A decorative portrait in fully restored ready to hang condition, lined with localised overpainting and peripheral loss of medium
AN ENGLISH SILVER PAIR CASED VERGE WATCH THOMAS BRASS GUILDFORD No 381, the enamel dial with date, the movement with finely pierced and engraved balance cock and foot chased with a oval portrait medallion, silver regulation, the case back engraved with contemporary initials TS, 61mm diam, both cases fully marked, casemaker IT, presumably John Taylor, London 1788 ++Inner case with solder repair beneath stem, the movement apparently complete and running when wound, dial slightly scratched with crack between 12 and 1, date hand probably later and certainly red painted, the cases with light wear but wholly original and unrestored. Suspension bow very loose
A FRENCH ORMOLU MOUNTED TORTOISESHELL AND CUT BRASS 'BOULLE' BRACKET CLOCK AND BRACKET, 19TH C the case surmounted by a child pouring water from a shell into the bill of a swan, the dial cast with portrait of Louis XIV and martial trophies, the bell striking movement stamped on the square backplate ROBLIN & FILS FRERES PARIS, 98cm h overall ++Basically complete with minor losses only, much encrusted with dirt and polish, gilding on some of the ormolu rubbed but the mounts all present (with the original large eyes for mounting)
ENGLISH SCHOOL, EARLY 19TH CENTURY PORTRAIT OF DANIEL LAMBERT OF LEICESTER (1770-1809) oil on canvas, 59.5 x 49 A celebrity on account of his prodigious girth, Daniel Lambert weighed 52st 11lbs when he died. ++Bought some years ago in poor condition by the present private vendor for whom professionally restored and now in ready to hang condition in inexpensive 18th c style cavetto frame
†CLEMENT BURLISON (1815-1899) PORTRAIT OF AN OFFICER OF THE 15TH REGIMENT OF FOOT three quarter length in uniform, wearing the Abyssinian War Medal, signed and dated 1878, oil on canvas, 124 x 98cm ++Unlined and on the original stretchers cleaned with some possible minor retouching and revarnished requiring a light clean, tiny scratch extreme centre right, slight impression of the upper stretcher showing through, in modern gold painted gilt frame
ENGLISH PASTELLIST, 18TH CENTURY PORTRAIT OF LADY ELIZABETH COMPTON half length in a white dress, a book in her hands, pastel, 50 x 40cm Lady Elizabeth Compton (1760-1835) was the daughter of Charles Compton, 7th Earl of Northampton and Lady Anne Somerset. She married George Augustus Henry Cavendish, 1st Earl of Burlington, third son of William Cavendish, 4th Duke of Devonshire and Charlotte Elizabeth Boyle, Baroness Clifford on the 27th February 1782. ++In apparently good condition, long undisturbed in the present good quality 19th century giltwood and composition cavetto frame
ENGLISH SCHOOL, 19TH CENTURY PORTRAIT OF A LADY seated three quarter length in a black dress with lace collar and bonnet, pastel, 25.5 x 19.5cm ++In fine condition, long in the present and possibly the original ornate early Victorian giltwood and composition frame, the frame with some losses from damp, the drawing undamaged
O'Donovan (Edmond). The Merv Oasis. Travels and Adventures East of the Caspian During the Years 1879-80-81, Including Five Months' Residence among the Tekkes of Merv, 2 volumes, 1st edition, 1882, portrait frontispiece to volume I, large folding map at end of volume II (folds reinforced to verso), folding facsimile documents, scattered light spotting, recent half calf, spines with black labels, 8vo (2)
Rennie (John). The Theory, Formation, and Construction of British and Foreign Harbours, 2 volumes, 1854, engraved portrait frontispiece, 122 engraved charts and plans, a little mostly marginal spotting throughout, top edge gilt, contemporary green half morocco gilt, heavily rubbed and a little soiled, large folio (2)
Machado (Antonio). Poes¡as completas, 1st collected edition, Madrid, 1917, portrait frontispiece, errata slip laid in, 8pp. publisher's adverts at rear, some scattered spotting, uncut and unopened in the original printed wrappers, dust-soiled, small tear at head of upper joint, 8vo, cloth book box, 8vo First collected edition of Machado's poetry, including the first appearance of the complete Campos de Castilla cycle (1912-1917). (1)

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