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283287 Los(e)/Seite
Los 247
Gemälde Giuseppe Giusti geb. 1872 Perugia Schüler Arist. Sartorio's in Rom. Seit ca 1900 in London vorzugsweise als Porträtist tätig, beschickte er die dortige Royal-Acad.-Ausst. (seit 1908), den Pariser Salon der Soc. des Art. Franç. (seit 1910) u. die Kunstausst. zu Venedig (seit 1907), gelegentlich auch die zu Berlin (1903) u. zu München (Glaspalast 1909) mit virtuos gemalten Londoner "High life"-Bildnissen in der Manier J. Lavery's. "Portrait einer Frau mit Pelzstola" o. re. sign. u. dat. Giusti 33 Öl/Lwd., 61,5 x 55 cm Provenienz: Sammlung Norbert Maiwald (1950-2019), Offenbach. Lit.: AKL
Los 27
Gemälde Theo Garvé 1902 Offenbach - 1987 Hamburg Studierte 1922-24 in Offenburg bei Richard Throll, Rudolf Koch; ab 1925 in Frankfurt a. M. bei J. V. Cissarz; 1926-30 an der Städelschule, Meisterklasse von Max Beckmann (Stip. für Reisen nach Berlin, Paris, Luxemburg), nochmals 1938/59 ebd. Graphik bei Franz Karl Delavilla. "Portrait Frau Raab" 1950 verso bez. u. dat. 1950 Öl/Lwd./Holz, 34,7 x 24,6 cm Provenienz: Aus dem Nachlaß des Malers Wilhelm Raab (1907 Frankfurt 1989). Lit.: AKL
Los 51
Gemälde Eugen Spiro 1874 Breslau - 1972 New York Ausbildung 1892-94 in Breslau; 1894-97 in München, u.a. und Franz von Stuck (1897 Meisterschüler). 1903-05 verh. mit der Schauspielerin Tilla Durieux. 1904-06 Wohnsitz in Berlin; wird Mitgl. der Berliner Secession (1915- 33 im Vorstand). 1906 zieht S. nach Paris, wo er sich im Umfeld des Künstlerkreises des Café du Dôme bewegt, an der priv. Acad. Matisse unterrichtet und sich an den Aktivitäten des neu gegr. Salon d'Automne beteiligt. Befreundet mit Hans Purrmann. Kurz nach der Machtergreifung durch die Nationalsozialisten 1933 tritt S., nun mit Ausstellungsverbot belegt, von allen öff. Ämtern zurück. 1935 emigriert er nach Paris; Um einer Verhaftung durch die dt. Besatzung zu entgehen, flieht S. 1940 über Biarritz nach Marseille, 1941 emigriert er über Lissabon nach New York. Obwohl S. als einer der bedeutendsten Porträtisten der kult. und wiss. Prominenz der Weimarer Republik sowie der nach 1933 ins Exil gezwungenen dt. Künstler, Literaten und Musiker anzusehen ist, wird sein Schaffen bis heute kaum angemessen gewürdigt. "Portrait of Mr. Henschel of Knoedler Galleries 1946" u. li. sign. u. dat. Eugen Spiro 46 verso auf einem alten Klebezettel bezeichnet. Öl/Lwd., 76 x 63 cm Provenienz: Sammlung Norbert Maiwald (1950 - 2019), Offenbach. Lit.: AKL
Los 628
Schraubflasche, Sachsen 17./ 18. Jh. Heller Scherben m. brauner Salzglasur. Ovoide Form m. leicht 4-fach abgeflachter Wandung, um- laufend besetzt m. Model-gepressten Reliefs m. Portrait-Medaillons (1 x Paar, 3 x Mann) u. versch. floralen Elementen, darüber u. darunter geritzte Linien. Zinn-Montierung m. Schraub- deckel (profil. Kante, gr. Klapphenkel) u. Zinn- Standring. Ungemarkt. Reliefs ber./ teils best. (Paar-Relief rep.)., Wandung m. Sprung, Standring erg., Deckel rep. H 29,6 cm
Los 736
Gr. Tasse mit UT "Mädchenportrait", KPM Berlin dat. 1913. Gr. Campana-Tasse m. aufschwingendem Henkel, d. weite UT leicht gemuldet. Jew. reiches Dekor m. reliefartig aufgetragenem Gold, Felder m. duftiger Blumenmalerei u. Grisaille-Zweigen rahmend, UT zusätzl. m. Blütenkränzen u. Dat. "1. Sept. 1913" sowie Monogr. "FF", Tasse schauseitig m. farbigem Portrait-Oval, innen zarte Blütengirlande u. Kranz am Boden, darin in Sütterlin "Dir kleine Gese"(?). Am Boden Zepter- marke u. div. Presszeichen, UT handschriftl. bez. "Meiner geliebten Frau Consul in steter Liebe und Dankbarkeit, Theres'chen". Dekor partiell minim. ber. UT D 16,7 cm
Los 372
DECORATIVE BINDINGS: SHAKESPEARE (W), THE WORKS OF SHAKESPEARE IN EIGHT VOLUMES, Collated with the Oldest Copies, and Corrected, With NOTES, Explanatory and Critical: By Mr THEOBALD, Printed Verbatim from the Octavio Edition, eight vols, full leather with tooled edges, portrait engraving frontispiece to vol I, printed for H. Woodsall, C. Bathurst et al, London 1767, with THE POETICAL WORKS OF LORD BYRON IN TEN VOLUMES, 3/4 leather with marble boards and endpapers, John Murray, London 1854 (18)
Los 419
English school (19th century), Watercolour on paper, A collection of landscape, portrait, interior and architectural studies, with further pencil sketches and pen and ink sketches, One portrait signed 'A.H. Searle' and dated '1892', the rest unsigned, Various sizes (the largest 34.5cm x 48.5cm), All unframed (25)
Los 451
Continental school (early 20th century), Oil on panel, Portrait of a bearded man wearing a helmet (possibly Don Quixote), Unsigned, 43.5cm x 28.5cm, Unframed For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
Los 300
A French gilt metal box, 19th century, the box of oval form with relief moulded scrolling acanthus leaves to the body, the hinged cover set with a hand painted portrait miniature of a girl in a bonnet, with bow motif above and scroll motif below against a star trellis ground, the interior with pink velvet lining, 7.5cm wide
Los 312
A Victorian watercolour on ivory bust length portrait miniature of a young boy, late 19th century, the boy dressed in lace collar with blue tunic, set to a gilt metal oval box frame with hinged back cover, the portrait 6cm x 5cm, with associated case Trevanion & Dean does not ship items containing ivory outside the EU. Trevanion & Dean recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.
![Artist: Man Ray (American, 1890 - 1976). Title: "Man Ray Self-Portrait [solizaration]". Medium: Original vintage photogravure](https://cdn.globalauctionplatform.com/8b247141-b41d-4179-bb4c-ac1d01539cbf/cd3a42ca-ea0e-4728-8ed3-ac4e0144ac1e/468x382.jpg)
Los 385
Artist: Man Ray (American, 1890 - 1976). Title: "Man Ray Self-Portrait [solizaration]". Medium: Original vintage photogravure. Date: Composed 1931. Printed 1934. Dimensions: Image size: 11 1/8 x 8 9/16 in. (283 x 217 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): The photogravure is a detailed image from the photograph taken in 1931. See: www.manraytrust.com, pg.27. Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [6618-3-600]
![Artist: Diane Arbus (American, 1923-1971). Title: "Child with a Toy Hand Grenade in Central Park, New York [medium format]".](https://cdn.globalauctionplatform.com/8b247141-b41d-4179-bb4c-ac1d01539cbf/d6ff041e-0150-4d66-8c35-ac4e0154f3ec/468x382.jpg)
Los 648
Artist: Diane Arbus (American, 1923-1971). Title: "Child with a Toy Hand Grenade in Central Park, New York [medium format]". Medium: Original vintage photogravure. Date: Composed 1962. Printed 1972. Dimensions: Overall size: 8 1/2 x 8 3/8 in. (216 x 213 mm). Image size: 8 1/2 x 8 3/8 in. (216 x 213 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $511,500 realized at Christie's, New York, 4/6/2017, lot #12. This edition authorized and supervised by Doon Arbus. Diane Arbus’s direct, confrontational approach to photography meant that her subjects did not always like their portraits. After seeing his, the writer Norman Mailer famously said, "giving a camera to Diane Arbus is like putting a live grenade in the hands of a child". Here the grenade is just a toy, yet Arbus again makes an unconventional portrait of her subject. On the contact sheet, it is evident that Arbus did make ‘typical’ portraits of the boy smiling, but she chose to print only this unusual shot. He stands stiffly, his hands clenched like claws, with a crazed expression on his face. The portrait seems sinister, yet it could reflect something more ordinary – the exasperation of any child made to stand still and have his picture taken (courtesy National Gallery of Scotland). Image copyright © 1972 The Estate of Diane Arbus, LLC. [30109-3-800]
Los 722
Artist: Shiko Munakata (Japanese, 1903-1975). Title: "At New York (Self-Portrait)". Medium: Woodcut. Date: Composed 1959. Dimensions: Image size: 11 3/4 x 7 11/16 in. (298 x 195 mm).Lot Note(s): Annotated and dated in the block. Thin cream wove paper. Fine impression. Very good condition. Comment(s): Image copyright © The Estate of Shiko Munakata. [26866-2-600]
Los 729
Artist: Evelyn Hofer (German/American, 1922-2009). Title: "Andy Warhol with His Paintings of Liz Taylor". Medium: Original toned vintage photogravure. Date: Composed c1964. Printed 1964. Dimensions: Image size: 10 7/8 x 8 5/16 in. (276 x 211 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition;affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Mexico City. Comment(s): Hofer was a German-American portrait and documentary photographer. Hilton Kramer, the former chief art critic at ‘The New York Times’, hailed Hofer’s “quality for pure observation” and once called her “the most famous unknown photographer in America.”. [26712-2-400]
Los 170
Artist: Lucian Freud (German/English, 1922-2011). Title: "Small Naked Portrait". Medium: Color offset lithograph. Date: Composed 1974. Printed 1996. Dimensions: Overall size: 8 1/16 x 9 1/8 in. (205 x 232 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29446-2-600]
Los 217
Artist: Lucian Freud (German/English, 1922-2011). Title: "Reflection (Self-Portrait)". Medium: Color offset lithograph. Date: Composed 1985. Printed 1996. Dimensions: Overall size: 9 3/4 x 9 1/4 in. (248 x 235 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29449-2-800]
![Artist: Andy Warhol (American, 1928 - 1987). Title: "Portrait of Andy Warhol [museum promotional card]". Medium: Offset litho](https://cdn.globalauctionplatform.com/8b247141-b41d-4179-bb4c-ac1d01539cbf/fad4b19b-2dad-4ae1-ad38-ac4e0143b426/468x382.jpg)
Los 246
Artist: Andy Warhol (American, 1928 - 1987). Title: "Portrait of Andy Warhol [museum promotional card]". Medium: Offset lithograph. Date: Composed 1975. Printed 1979. Dimensions: Overall size: 4 1/4 x 6 in. (108 x 152 mm).Lot Note(s): Signed by Warhol in black marker. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Provenance: Borje Bengtsson, Sweden, thence to our consignor. Comment(s): Warhol in New York City, photographed by Pepe Diniz (Portuguese/American, b.1945). The card was a gift to Borje Bengtsson from a friend of his who had met Warhol in Germany so the text (in Swedish) is addressed to Bengtsson. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29247-1-400]
Los 248
Artist: Edward Steichen (American, 1879 - 1973). Title: "Portrait of Alfred Steiglitz". Medium: Original photogravure. Date: Composed 1911/1915. Printed 1935. Dimensions: Image size: 9 11/16 x 7 3/4 in. (246 x 197 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [26123-2-300]
Los 1581
AN ALBUM OF PORTRAIT PRINTS to include approx. 35 examples after Bourdon (`Moliere` illustrated), Champaigne, Coypel, Grevedon, Hesse, Lawrence, Rigaud, Winterhalter and others, various media, none coloured, many tipped in or stuck down, the flyleaf handwritten in ink Olivia White/ To Charlotte Wood/ 1869/ Wickstead Place, boards, contemporary half morocco, folio ++ Mixed condition; generally fair-good
Los 1589
A FOLIO OF ASSORTED PRINTS to include examples after Berchem, Burney, Du Mont, Gravelot, Kobell, Moreau, Netscher, Pater, Potter, Reverdin, Swanevelt, Van Dyck (see illus.) and others, various engravers, various sizes, unframed (21) * Robert van Voerst, `Marriage Portrait of Charles I and Henrietta Maria`, 1634, this published by George Vertue, 1742 ++ Mixed condition; generally fair
Los 1605
GEORGE RICHMOND, RA (1809-1896) PORTRAIT OF EDWARD MEYRICK GOULBORN Signed and dated 1861, coloured chalks 59 x 43cm. Provenance: London, Abbott & Holder, November 1984 Literature: Raymond Lister, George Richmond (London, 1981), p158, ref.50, two sittings recorded in 1860 and 1861, total cost £42 * Goulborn (1818-1897) was educated at Eton and at Balliol College, Oxford. He was ordained in 1842 and became headmaster of Rugby before taking on a number of clerical roles throughout England, including Dean of Norwich, before finally retiring in 1889. He was an impassioned Conservative and a firm adherent to traditional orthodoxies within the Anglican church. ++ Some foxing; paper light-stained
Los 1671
EDMUND DULAC (1882-1953) AMICAL SOUVENIR Signed, inscribed to E B Lintott./ amical souvenir/ Edmund Dulac/ . Dec. 1904 - in the lower margin, watercolour and pencil 22 x 14.5cm. Provenance: In 1904, aged 22, Dulac studied at the Academie Julian in Paris (albeit for less than a month) and might have met Lintott at that time before leaving for England to establish himself in London by 1906. Edward Barnard Lintott (1875-1951) was a Paris-trained portrait- and landscape painter and produced some illustrative work in the first decade of the 20th Century. The title translates as `kind regards` but can also mean `warm recollection`. ++ Good condition
Los 1679
MANNER OF FRANCOIS CLOUET (c.1510-1572) PORTRAIT OF A LADY, POSSIBLY MARY QUEEN OF SCOTS Oil on panel, tondo, probably 19th Century 18cm. diam.; with a 19th Century (Dutch?) oil on panel, portrait study of a smiling man, framed as an oval, 16 x 13.5cm. (2) * The principal item is similar to a watercolour of Mary Queen of Scots by Clouet, c.1558 (Royal Collection) ++ Former items split at lower border, some craquelure, a little retouching; the latter item very dark, dirty varnish, fair
Los 1687
FOLLOWER OF MARCUS GHEERAERTS THE YOUNGER (1561-1635) PORTRAIT OF A LADY, WITH A CHILD Each standing full length, she wearing a silver-grey dress with a lace collar and holding gloves, the child wearing a long red tunic with mustard sleeves, oil on canvas 191 x 125cm. * This composition compares, in part, with a portrait of Anne, Lady Hope (nee Hopton) with her three children (Thomas, Henry and Jane), by Gheeraerts, 1596, (204 x 122cm) (London, National Gallery, lent from a private collection). The present composition was formerly identified as a portrait of Anne of Denmark (1574-1619). Provenance: By descent in the family of Sir Samuel Rush Meyrick (1783-1848), Goodrich Court, Herefordshire; bears inscription Purchased from the Meyrick Collection 1872 on the stretcher
Los 1688
AFTER ANTHONIS MOR (c.1516/9-1576/7) PORTRAIT OF PHILIP II OF SPAIN (1527-1598), CONSORT OF QUEEN MARY TUDOR Standing, full length, wearing armour and holding a marshal's baton, bears inscription philippe 2 Reÿ de Spañia lower left, oil on canvas 198 x 118.5cm. * A later copy, probably 18th Century, after the prime version by Mor, painted in c.1557, (Monasterio de San Lorenzo, El Escorial). Mor worked at the Court of Charles V and of Philip II in the Spanish Netherlands. Inspired by Italian Mannerists, he blended an acute study of likeness with meticulous technique and a glorification of the grandeur of his sitters. There is often a sense of quiet, sometimes almost severe, authority in his work. His pupil Alonso Sanchez Coello (1532-1588) worked closely in Mor's style and his own version of this subject, dated 1566, is in the Kunsthistorisches Museum, Vienna (now on loan to Schloss Ambras, Innsbruck). Another version from the workshop of Mor, on panel, is to be found in the Fitzwilliam Museum, Cambridge. Philip II is shown in the cuirass of the famous Cruces de Borgoña armour. This is the suit that Philip wore in 1557 at the Battle of Saint Quentin, a major Spanish victory over the French. The stern assertiveness of this imperious, uncompromising image ensured Mor's success. Provenance: By descent in the family of Sir Samuel Rush Meyrick (1783-1848), Goodrich Court, Herefordshire; bears inscription Purchased from the Meyrick Collection 1872 on the stretcher
Los 1692
MANNER OF SIR ANTHONY VAN DYCK (1599-1641) PORTRAIT OF KING CHARLES I Bust length, wearing a dark slashed doublet, white ruff and blue Garter ribbon, oil on panel 9.7 x 8cm. * Probably 18th Century, derived from a lost original of c.1631 ++ A few minor surface blemishes; needs a light clean
Los 1703
CIRCLE OF MATHER BROWN (1761-1831) PORTRAIT OF A GENTLEMAN Seated half length, wearing a dark coat, white frilled stock and holding an open book, oil on canvas, gilt frame 74.5 x 62cm Provenance: George Richmond, grandson of George Richmond RA, and thence by descent ++ Lined; some retouching; some craquelure
Los 1734
ATTRIBUTED TO BRITON RIVIERE, RA (1840-1920) PORTRAIT OF A YOUNG LADY, PROBABLY MARY ALICE DOBELL (1844-1931), THE ARTIST'S WIFE Bears later inscriptions on stretcher, Selina Williams nee (Dobell) (partially erased) and Alice Dobell/ painted/ by Briton Riviere, oil on canvas, mounted circular 39.5cm. diameter. * Riviere married Alice Dobell in 1867. His works from the 1860s are scarce, even though he showed thirteen works at the Royal Academy during that decade. His preferred subject matter, which already owed a substantial debt to the anthropomorphic and sentimental style of Landseer, was in evidence and this `Pre-Raphaelite` subject is atypical. However, the link with the Dobell family is also made through a sibling: Briton's sister, Annette Louise (1837-1887) painted a portrait miniature of Nora Selina Dobell Williams (1841-1924) in 1885. A clear similarity between the sitter in the miniature and this portrait is not apparent. ++ Retouching, particularly on the face
![•BEN HARTLEY (1933-1996) PORTRAIT OF MISS PEKE-FREAN [sic] Gouache 67 x 51cm. * Possibly Miss Peek-Frean ++ Good condition](https://cdn.globalauctionplatform.com/6b81e4e6-c479-402e-bb44-ac45011d5657/08c2fef9-6d31-435a-95e5-ac46004f56f8/468x382.jpg)
Los 18
§ Augustus John O.M., R.A. (British 1878-1961) Portrait of a Lady, 1943 signed 'John' and dated (lower left), red and black chalk(49cm x 33cm (19.25in x 13in))Footnote: The style of this portrait drawing is instantly recognisable as belonging to the 1940s, when Augustus John's fame was such that many people wanted to sit for him. Rather than using oil paint, he used red and black chalks, with white chalk for highlights, a medium that he had not used since the first decade of the 20th Century. Many portraits were executed in this way, and as in the present work, his female sitters sat for him wearing classic 1940s hairstyles, and were not always named. Comparable works are reproduced in ‘ Augustus John: 52 Drawings ’ (George Rainbird, 1957), in which the artist insisted that a selection of his recent portrait drawings should be included. We are grateful to Rebecca John for her kind assistance with the cataloguing of the present work.
Los 398
§ Victoria Russell (British 1962-) Theresa, 1996 inscribed to label (to reverse), oil on canvas(202cm x 89.5cm (79.75in x 39.5in))Footnote: Victoria Russell was winner of the National Portrait Gallery BP Portrait Award in 2000 with her portrait of the actress Fiona Shaw. She studied at the Royal Academy Schools, London and Central St. Martin’s College of Art and Design and her commissions have included the Archbishop of Canterbury, Rowan Williams, HM Margrethe II, Queen of Denmark and Dame Shirley Williams.
Los 112
§ Ronald Searle C.B.E. R.D.I. (British 1920-2011) Self Portrait as an Artist signed in pen (lower right), pen and ink on paper(27.5cm x 20.5cm (16.75in x 8in), unframed)Footnote: Provenance: Estate of the artist and by descent. Literature: Part of this self portrait is included on the back cover of Ronald Searle, Back to the Slaughterhouse and Other Ugly Moments, MacDonald & Co., 1951.
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283287 Los(e)/Seite