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Los 269

English school (late 19th century/early 20th century),An oval bust length portrait of a young lady in lace collar with blue ribbon,Watercolour on paper,18cm x 14cm,Framed and glazed CONDITION REPORT:The picture is framed under glass and has not been removed for inspection.  The paint surface shows no obvious signs of damage or restoration.  The colours appear strong and bright, but may have faded somewhat over time.  There are some small gold coloured flecks near the mount in the lower left quadrant (possibly residue from the mount itself).  The frame is structurally sound, but shows evidence of overpainting, the odd small chip to the moulded edges and surface wear throughout.

Los 289

English school (19th century),An oval half length portrait of the Reverend Lewis Owen,Pastel on laid paper,Unsigned, inscribed sitter's name verso,35cm x 30cm,Framed and glazed Provenance: Property of 7th Baron Harlech, The Lord Harlech, Glyn & Brogyntyn Estates CONDITION REPORT:The image is framed under glass and has not been removed for inspection.  The image surface shows no obvious damage.  The frame shows various losses to the gesso layer and wear and flaking to the painted finish.  The frame is 44.5cm x 39cm.

Los 302

Continental school (19th century),A bust length portrait of a young girl in traditional dress, within a painted black border,Oil on canvas,Unsigned,19.5cm x 14cm,Framed,With a further similar example, probably by the same hand,19.5cm x 14cm, in matching frame (2)

Los 414

A Victorian Brown, Holmes & Co. of Chester jacket bodice of ivory silk, circa 1878, the front banding, centre back inset, and sleeves trimmed with midnight blue velvet, the sleeves trimmed with flounces of polychrome embroidered floral sprays and golden threads, also trimmed with artificial flowers to front bodice and sleeves, together with a 'A Portrait of a Shop, Browns and Chester' by Mass-Observation, illustrating the bodice, on dummy Condition report:  We highly advise viewing in person of our costume lots in our auction. We will endevour to illustratecondition will be illustrated via images.Overall length 57cm long Open sleeve dimension 32cm wide Shoulder to shoulder 33cm Waist 29cm wide Hip to hip 44cmUnderarm to underarm 42cmSleeve length 43cmHook and eye fasteners to the front of jacket. Staining, tears and blemishes seen throughout.Areas of repair seen throughout.   

Los 430

An oval silk work embroidered portrait, 19th century, depicting a young lady in a white silk dress standing in a landscape, in verre eglomise frame, the embroidery 24cm x 18.5cm, the frame 34cm x 29cm overall, with an oval late 19th century silk work embroidered study of a seated lady crocheting, inscribed 'Taken November 1885' and 'J.K.M November 8th 1895' verso, in ornate oval glazed frame, 23cm x 17.5cm (2) (at fault) CONDITION REPORT:The portrait of a standing lady shows no obvious damage to the embroidered silk work or background silk fabric. The verre eglomise mount shows some small areas of deterioration to the black finish around the edges. The lower left edge of the picture sits approximately 3mm above the mount.The portrait of the seated lady shows several areas of damage to the background fabric, the largest approximately 4cm x 1cm in the centre of the image. 

Los 485

A selection of five Victorian photographic portraits, 19th century, to include a portrait of a child, a portrait of a seated woman, and further group portraits, each framed and glazed, one in a leather covered travel case, 7.5cm x 6cm (5) (at fault)

Los 613

A studio pottery study of a parrot, naturalistically modelled sitting on a tree branch, unmarked, 34.5cm high, with a studio pottery study of three chickens, 17cm high, with a selection of miniature ceramics by Spode, Bloor Derby and others, and a painted egg decorated with a portrait of Elizabeth I (9)

Los 83

Early 20th century British School, portrait of a gentleman, oil on canvas, H.92cm W.71cm

Los 171A

A Sanderson de Luxe Hand & Stand Camera with Photographs,1900, black leather covered, with Carl Zeiss Jens Protarlines f/5.6 224mm lens, body, VG, lens, VG, complete with three DDS and maker's case.Provenance: This camera belonged to James Leonard Wood (1890 - 1941) who ran a photography business in Royston in Yorkshire. His commercial work specialised in photographing coal mines and was featured at the Photography in Commerce and Industry exhibition of 1938. An archive of his work is now in the National Coal Mining Museum. He was an intrepid photographer, on one occasion shooting down an open shaft from two boards placed across it.This lot includes a large quantity of wood mounted cut out photographs with some examples including a Colliery Ambulance, Brierley Central Rescue Station department showing early breathing apparatus, 'Monckton' pit pony receiving 1st prize at the Yorkshire Show 1932 and other various coal miners. Only two wooden holders are included. A large selection of resin prints from the coal mining industry are included.James Wood was an accomplished portrait photographer and his youngest daughter Betty Miller (b1926-) is a noted Post-War artist and sculptor. A major piece, ’The Village,’ was purchased by The National Coal Mining Museum in 2005 (https://artuk.org/discover/artists/miller-betty-b-1926) 

Los 26

Daguerreotype Portrait from Montreal, Quarter plate daguerreotype of a young child, labelled "A. H. E. age 7 Montreal" and "For Grandmamma". Expertly tinted. Case has monogram stamped on front cover. Condition: Cover glass marks and processing marks on image. Strong image.

Los 39

Ambrotypes Whole Plate Young Boy on Pony, and Others, Group of whole plate ambrotypes including a boy on a pony by Caldesi & Co., a family group and a portrait. Also a cased photograph by Caldesi & Co. Portrait shows chemical trouble in processing. Some wear to cases, cover glass loose. Generally very good.

Los 44

Whole Plate Ambrotype Portrait of a Seated Woman, Whole plate ambrotype of nicely dressed woman sitting with books. Glazed and framed. Part label on the back with name. Condition: Some damage to frame. Image very good with tinting.

Los 50

Frank Meadows Sutcliffe, Fishermen, Whitby Fishermen c1885, 8x6 inch albumen print. Condition: Slight discolouration and fading. Light creasing. Francis Meadow Sutcliffe, affectionately known as Frank, was an important figure in photography, leaving an indelible mark on the visual documentation of Whitby, England, and its environs during the late Victorian era and early 20th century. Sutcliffe's prolific career as a photographic artist captured the essence of life in this seaside town, earning him the moniker "pictorial Boswell of Whitby." Initially embarking on his career as a portrait photographer in Tunbridge Wells, Kent, Sutcliffe moved to Whitby, where he resided for the remainder of his life. Living initially in Broomfield Terrace in Whitby before relocating to Sleights, Yorkshire, Sutcliffe's artistic journey was influenced by his father's connections with notable art figures such as John Ruskin. Despite initial reluctance to engage in what he perceived as a commercialization of his art through photographing holiday-makers, Sutcliffe's studio in Skinner Street, a converted jet grinding and polishing works, became a pivotal space anchoring him to Whitby and the Eskdale valley. Sutcliffe's lens, however, did not focus solely on the picturesque landscapes or the fashionable elite. Rather, he delved into the lives of ordinary people, creating a comprehensive and revealing portrait of late Victorian Whitby and its denizens. Through intimate portrayals of individuals well-known to him, Sutcliffe uncovered the nuanced tapestry of a town and its inhabitants. Sutcliffe's contributions to photography extended beyond his visual artistry. He was a prolific writer on photographic topics, regularly contributing to periodicals and maintaining a column in the Yorkshire Weekly Post. His legacy endures in the collections of institutions such as the Whitby Literary and Philosophical Society and various national collections. As a founding member of the Linked Ring Brotherhood, a society dedicated to advancing photography as an art form, Sutcliffe played a crucial role in elevating the status of photography in the art world. In recognition of his significant contributions, he was honored as an Honorary Fellow of the Royal Photographic Society in 1941. Remarkably, at the age of 70, Sutcliffe assumed the role of curator at the Whitby Gallery and Museum, a position he held until his passing at the age of 87 in 1941. Through his lens, words, and curatorial efforts, Francis Meadow Sutcliffe cemented his place as a visionary photographic artist and a dedicated chronicler of Whitby's bygone eras.

Los 58

Various Period Photographs of Queen Victoria, A group of images relating to Queen Victoria. A glazed and framed print of the funeral cortège passing Apsley House by Dorrett & Martin with description, a photograph of the Queen in a cart with donkey, glazed and framed. A positive image sandwiched in glass and a small portrait mounted in marble block.

Los 7

Daguerreotype, Half Portrait of 3 Young Ladies, Very beautiful sixth plate daguerreotype, in union case, beautifully coloured in unusual style. image in very fine condition, very small chips to case.

Los 8

Daguerreotypes Half Portrait of Gentlemen, in Union Cases 2 sixth plate daguerreotypes of gentlemen. Good images. Some small chips to cases.

Los 93

A Rare Archive of Naval photograph Albums and Log books relating to Vice-Admiral George William McOran Campbell, R.N. (12 June, 1877 – 23 February, 1948) was an officer in the Royal Navy, including an account of the First ever game of rugby played in Vigo, Spain,First Album – Details Campbells early career and travels, album of 50 albumen photographs from the 1890’s, most captioned to mount, Quarto (cm x Cm) sized album bound in leather, the album bound in black leather with gilt edging, spine in poor condition, boards rubbed, corners bumped, internally pages chipped and edges oxidized, some pages lose, foxing to some pages and photographs, the large albumen photographs are mounted to album pages in both portrait and landscape, the album begins with an image of Cadets titled ‘H.M.S. Britania 91 -92’, continuing with images of teaching staff ‘H.M.S. Britania 91 -92 Adml, Cambell, Plymouth’, a portrait titled ‘George William McOran Campbell R.N. joined (as a cadet) H.M.S. Collingwood January 28th 1893’, an image of H.M.S. Collingwood at sea in the Mediterranean 1893, an image of HMS Britannia and HMS Hindostan as training ships at Dartmouth showing the gangway between the ships titled in pen ‘H.M.S. Britania 1891-92’, images of the great harbour, Malta dated 1893, showing moored tall ships, an image titled ‘H.M.S. Victoria as last seen off Tripoli, Syria, on the afternoon of the 22nd June 1893 photographed by Staff Surg: Collet H.M.S. Collingwood, Enlarged Printed and sold by R.Ellis 43 Sda. Stretta, Valleta, Malta, Copyright, with 2 identical but smaller photographs, one titled in pencil ‘Original photo’, images of Athens including Acropolis 1893, Parthenon, Temple of Thseus, Theatre of Dionysus, photographs of Corfu dated 1894, details of ships guns titled ‘Malta Feb 1894’, crew photograph titled in pen H.M.S. Collingwood 1894’, photograph of H.M.S. Repulse, 1894’ photographs of the guns of H.M.S. Repulse titled’H.M.S. Repulse cleaned for action, photograph of Gibralta sowing a signal station, photograph showing ships at anchor titled in pen H.M.S. Republic, Jan 1894, Channel Fleet Gibraltar 1894’, photograph titled ‘S.Y.M. German Emperors Yacht Hohenzollern 1895 at Kiel’, a large photograph of ships titled ‘United Squadrons Kiel’, photograph titled H.M.S. Sovereign, Fleet arriving at Kiel, 1895’, photograph of a tall ship titled ‘H.M. Brigg Seaflower, 15th March – 15th October 1896’,On the back page is a letter on headed paper from H.M.S. Repulse Channel Squadron dated Jan 27th 1895, titled "Account of football* translated from Spanish papers – Yesterday afternoon at landing place of the sailors of the British squadron played a game of football. It Is a game of ball which has never been seen by us and in its excess of barbarity it is not an attractive one. At each end of the track formed in a square were erected two posts, those on one side representing one camp those of the other the camp of the enemy:- victory belongs to the band of combatants that succeeds in passing an enormous ball between the posts the enemy camp. The ball is thrown from one to another ….at Vigo Copy of Spanish local paper 27th Jan 95, G. W McOran Campbell”* although the author of the article refers to the game as football he is clearly describing a game of RugbySecond Album - , album of approx. 60 albumen photographs from the 1890s, most captioned to mount, Quarto (cm x Cm) sized album bound in leather, the album bound in black leather, spine in poor condition, boards rubbed, corners bumped, internally pages chipped and edges oxidized, some pages lose, foxing to some pages and photographs, the large albumen photographs are mounted to album pages in both portrait and landscape, the album begins with an image of naval officers at Greenwich Navel College titled in pen ‘R.N. Col: Greenwich sept 1897’, photograph of a naval fleet titled ‘R.N.Rw 20th Jun 1897’ with the names of ships in pencil to the side, photograph of officers titled in pencil ,R. Naval Col: Portsmouth 5th Oct to 18th March 1898’, photograph titled ‘H.M.S. ISIS’, photograph titled ‘DORIS’ ‘Aug 6th 1898’, photograph of officers named in pencil, photograph of a procession titled,1st Naval Brigade Leaving dockyard 1899’, the subject of the album than changes to the Boer war, photograph of soldiers with crosses next to their names, above another photograph titled in pencil ‘Officers & men 12th ?? Battery Queens Town, photographs of horse drwn guns and camps, photograph titled ‘Wounded from Graspan arriving at Simmons town’, photograph titled ‘Modda RR Bridge Destruction by R. Es’, photograph of officers in a tent, Photograph titled ‘Field Hospital – Modda RR 12th Dec 1899, photograph of troops with telescope and gun, titled in pencil ‘Joe Chamberlain’, photograph of a destroyed interior titled in pencil ‘effects of shrapnel’, photograph of wounded soldiers, followed by various photographs of troop movements, camps, river crossings, a large show of cannons titled in pencil ‘Naval Battery’,, photograph of a large canon titled ‘4.7 manned by R.M.A. Bloemfontein’, a large and high contrast image of officers titled in pencil ‘Officers R.M. Bloemfontein’, images of Boers titled ‘Groups of Veteran Boers who fought in last war at Majuba’, ‘Boer Prisoners’, ‘Boer Prisoner camp Simons Town’, ‘Parading Prisoners Simons Town’, large photograph titled in pencil to verso of previous page ‘Annexation of Orange Free State Bloemfontein’, at the rear of the album are 4 photograhs titled in pencil ‘George Town Ascension on Voyge Home – augt 1900’ images show the town and harbour, turtles on the beach and sea birds nesting.Log Book 1 – canvas covered, title page reads ‘S.519 (late S. 625) – Established June 1888 (Queens Regulations Article 283) LOG BOOK Mr. G. W. McOran Campbell H.M.S. Collingwood, Period January 28th 1893 to October 1st 1895, London Printed for H.M. Stationary Office by WaterLow & Sons Limited 1890’ detailing the day to day account of events on the ship including delicately hand drawn maps of voyages, deaths, engineering drawing of the ship, detail of torpedo, then a change to H.M.S. Repulse in 1894, warrant for salor to be sent to prison, drawing of H.M.S. Repulse, hand drawn plan of Portsmouth Harbour, various hand drawn charts and maps, large folding hand drawn map titled ‘Chart of Vigo and Arosa Bay shewing position of fleets, hand drawn and coloured detonator,Log book 2 - canvas covered, title page reads ‘S.520 (late S. 625a) – Established June 1888 (Queens Regulations Article 291) Journal Mr. G. W. McOran Campbell mid shipman, Period October 1st 1895 to March 15th 1897, London Printed for H.M. Stationary Office by WaterLow & Sons Limited 1893’ detailing the day to day account of events on the ships H.M.S. Repulse & H.M.S. Seaflower, including delicately hand drawn maps of voyages, engineering drawings, hand drawn plan of Margate Harbour, various hand drawn charts and maps,

Los 111

FOLLOWER OF JACOPO ROBUSTI, CALLED TINTORETTO A PORTRAIT OF A GENTLEMAN WITH TEARS IN HIS EYES Oil on canvas 68 x 56cm (26¾ x 22 in.) The curtailed arms and twisted posture suggest that the painting was once a full length portrait. The unknown sitter wears a black jerkin decorated with golden buttons, a fashionable clothing item that appears in other Venetian paintings, such as Tintoretto's Portrait of a Young Man held at the Metropolitan Museum of Art. Condition Report: The canvas has a thin yellowish varnish applied across the whole surface. There are losses of paint of circa 1 cm near the borders, especially near the corners. UV light reveals very few retouches, visible near the lower right and left corner, and on the centre right - such restorations are of about 1 cm wide. Condition Report Disclaimer

Los 13

GERMAN SCHOOL (16TH CENTURY) PORTRAIT OF A GENTLEMAN HOLDING A SKULL Oil on panel Inscribed and dated 'aged 39 1556' (upper right) 79.5 x 59cm (31¼ x 23 in.)Provenance: Sale, Bonhams, Oxford, Fine Art and Antiques, 5 November 2014, lot 340 (as Netherlandish School, 1556) Condition Report: The panel presents a crack crossing the centre of the painting from top to bottom, another crack on the right of the sitter, and a last one near the right hand border. UV light reveals retouching on both hands, a small restoration at the centre, and extensive retouching on the right of the head and on the sitter's beard. Condition Report Disclaimer

Los 157

MISS S. A. HARDING (19TH CENTURY) PORTRAIT OF MARGARET CARTER, MOTHER OF ELIZABETH CARTER Oil on canvas Extensively inscribed (verso) 43.5 x 36cm (17 x 14 in.)Provenance: By descent at Carter House Deal, KentThe inscription verso reads:Copy of a portrait of Margaret wife of Nicolas Carter D:D. Rector of Woodchurch, Kent & sole daughter and heir of Richard Swayne Esq of Bere Regis in the county of Dorset. Mother of Elizabeth Carter and John Carter Esq of Deal in Kent and Margaret wife of Thomas Pennington D:D. Rector of **** in Kent and granddaughter of the Rev F Thos Pennington & the Rev Montagu Pennington. Bequeathed to Thomas Pennington by his aunt Mrs Elizabeth Carter and cleaned and repaired by his order 1836. Copied by Miss S A Harding December 1861.   

Los 168

FRENCH SCHOOL (16TH CENTURY) PORTRAIT OF A GENTLEMAN Oil on panel 42 x 32cm (16½ x 12½ in.) Provenance: Sale, Bonhams, Knightsbridge, 6 March 2021, lot 124, as French School (16th century) Condition Report: UV light reveals an unevenly spread varnish, which is distributed in patches across the surface. Although the varnish might cover restorations underneath, the most visible retouches are present on the beard, in a couple of small brush strokes, and next to the right eye, where is seems that a whole section of darker paint has been applied. The surface also presents lumps of paint in dropped-size shapes across the right hand side of the panel. Some circular patches of paint have been scratched on the centre right and left, near the border of the panel. Condition Report Disclaimer

Los 38

ENGLISH SCHOOL (17TH CENTURY) A PAIR OF PORTRAITS OF WILLIAM MITCHELL SALE OF CANTERBURY AND MARTHA PENNINGTON OF CANTERBURY Oil on canvas The woman inscribed (verso) 92 x 72cm (36 x 28¼ in.) Each unframed (2) Provenance: By descent within the Pennington family at Carter House, Deal KentThe portrait of Martha Pennington inscribed (verso):To be retained in the family, Martha Pennington wife of William Michael Sale father of Mary Sarah Sale son of the translator of the Alkoran George Sale Esq, Great great great grandfather of J.F.H.S Pennington Condition Report: The canvas depicting William Mitchell Sale presents a general craquelure across the whole surface. There is a patch of paint loss on lower right corner, small losses of paint near the borders and on the upper right corner, and a think black brushstroke crossing the right hand. UV lights reveals an uneven varnish across the whole surface and retouches in the background on the upper right corner. The canvas depicting Martha Pennington presents a general craquelure. UV light reveals retouches on the lower right corner, on the hair near the right eye, and an extensive application of paint on left of the sitter which covers a repair of a 4cm long cross-shaped tear. Furthermore, there is a yellowish varnish applied unevenly across the whole surface. Condition Report Disclaimer

Los 39

FOLLOWER OF SIR PETER LELY PORTRAIT OF A LADY Oil on panel, feigned oval 72 x 57cm (28¼ x 22¼ in.)

Los 40

CIRCLE OF WILLIAM AIKMAN (BRITISH 1682-1731) PORTRAIT OF MARY HUSEY Oil on canvas 73 x 61cm (28½ x 24 in.)Provenance: Sale, Bonhams, Knowle, 23 February 2010, lot 45 Condition Report: re-lined canvas Condition Report Disclaimer

Los 42

FOLLOWER OF SIR GODFREY KNELLER PORTRAIT OF WILLIAM III Oil on canvas, feigned oval 33 x 26cm (12 x 10 in.)

Los 49

FOLLOWER OF WILLIAM HOGARTH PORTRAIT OF THE ACTRESS MARGARET (PEGGY) WOFFINGTON Oil on canvas 67 x 54cm (26¼ x 21¼ in.) Margaret Woffington, known as 'Peg' Woffington, was a celebrated Shakespearean actress active in London and Dublin between 1737 and 1757. Known as an eccentric individual, she was famous for her resentful rivalries with other actresses (she stabbed Mrs Bellamy during a performance) and her love affair with David Garrick, who wrote her the song 'My Lovely Peggy.'  Condition Report: The surface presents a general craquelure across the whole surface, an uneven yellowish varnish, and small losses of paint near the bottom border. UV light reveals retouches on the roses at the centre right, and restorations on the sitter's hair on the left shoulder and above the right eye. Condition Report Disclaimer

Los 8

FOLLOWER OF SIR PETER LELY PORTRAIT OF KING CHARLES II Oil on canvas 41 x 28cm (16 x 11 in.) Provenance: The collection of Lord Crewe, Crewe House, Mayfair (label attached verso) Sale, The Pedestal, The Patrick Donald Collection, 19 November 2019, lot 158 Condition Report: The canvas presents a very subtle craquelure with a few losses of paint of about 2 mm near the borders. UV light reveals an unevenly applied varnish which in some areas becomes yellowish. There seems to be no evident signs of restorations. Condition Report Disclaimer

Los 94

ENGLISH SCHOOL (18TH CENTURY) PORTRAIT OF THE DUKE OF CUMBERLAND Oil on canvas 74 x 59cm (29 x 23 in.)

Los 113

A Framed Watercolour Portrait of Sir Peregrine Maitland of Brighton by Emily Scott Dated 1851 in Rosewood Frame, 30x35.5cms High

Los 150

A Framed Portrait Print, Frame 37cms High and 45cms Wide

Los 172

A Collection of Various Reproduction Portrait Miniatures

Los 423

An Oil on Board, Portrait of a Maiden, Signed Rowland Browne, 1914, Framed and Glazed, Frame AF, Subject Measuring 24x39cms

Los 481

A French porcelain coffee can and a saucer, early 20th c, painted with a portrait of a young woman, signed, or flowers, saucer 14cm diam, painted interlaced L's Rim of saucer chipped

Los 632

Tribal art. West Africa - a carved wood bambara marka face mask, 39cm and a baule portrait mask, 31cm and another, possibly Dan Tribe, mid 20th c or later The baule mask with split and chip. The Dan mask with chips and losses to reverse

Los 702

A Victorian gilt lacquered brass portrait relief of Lord Byron, approximately 10cm h, framed Good condition, in later frame

Los 703

A composition bas relief portrait of the head of a man, cast from a model by Joseph Edwards, 1846, 26 x 24cm, Victorian gilt frame Good condition

Los 749

Peter de Wint (1784-1849) - Park in the Lake District, watercolour, 23 x 34.5cm, General Sir Charles Ellicombe (1783-1871) - Roman Arch at Lincoln, dated August 1850 and inscribed, watercolour, 16 x 23.5cm, and a watercolour of Southwell Minster, 1894 (3)   Provenance: (de Wint) Gerald M Norman Gallery, London. Portrait: Collection of Wolf Mankowitz, No 843 de Wint slightly subdued by fading. Portrait a little grubby with handling marks.  Southwell watercolour has a slight peripheral mount stain

Los 760

American School, 19th c (ascribed) - Portrait of a Man, half length, in black cravat and coat, gold trimmed yellow waistcoat, a telescope under his left arm, oil on canvas, 72 x 59cm Lined, re-touched where torn from left of head to tip of nose, varnish slightly scratched and dirty, further areas of over-painting, particularly extreme upper left

Los 769

English School, 19th c - Portrait of a Girl in a Red Dress, head and shoulders, bears signature, oil on board, 29.5 x 25cm In apparently good condition, beneath glass in Victorian gilt frame in to which re-framed and on the backboard the printed trade label of Gale & Co Ltd Birmingham

Los 773

English School, 19th c - Portrait of a Young Woman before a Tree, watercolour, unfinished, oval, 23.5cm Some slight browning of the paper, unexamined out of frame

Los 792

Frank Paton (1855-1909) - Portrait of a Saddled Hunter, signed and dated 1902, watercolour and bodycolour on coloured paper, 17 x 24cm Stained lower right corner

Los 794

English School, 19th c - Portrait of a Young Boy, dressed as a page, head and shoulders, oil on canvas, 46 x 36cm Ingrained dirt, yet giving the face a haunting luminosity. Craquelure, some surface blistering. Small patched hole. Lower margins with some scuffs from the gilt inset. Could benefit from being re-stretched over stretchers. Contemporary gilt cavetto frame with some light wear and losses.

Los 797

British School, early 20th c - Portrait of a Young Woman, bust length with arms folded, seated, oil on canvas, 58 x 48cm Unlined, tiny (less than 1 square cm) patch on reverse (the figure's upper right arm), light craquelure, faint impression of stretcher showing through, varnish clean

Los 826

English School, 19th c - Portrait of George Rowbotham of Farndon near Newark, Nottinghamshire, half length, in a spotted cravat, patterned grey waistcoat and black coat, holding a letter, inscribed verso George Rowbotham of Farndon Newark Notts born 1805 died 16th March 1862, oil on panel, 34.5 x 25cm   Provenance: Anon Sale in these 'rooms, 28 February 2008, lot 738 to the present vendor   George Rowbotham is recorded in the 1851 census as a Grocer and Tea Dealer, born in Newark and married to Caroline, aged 26 (born Doncaster) In ready to hang clean gallery condition, in contemporary rosewood frame

Los 848

J.A. Hooper, late 20th c - Portrait of a Lady, head-and-shoulders length, signed, mixed media on paper, 21 x 21cm, further portraits by various hands, mixed media and sizes, (8) Mixed condition.

Los 850

A folio of Old Master and other prints, 18th c and later, including George Vertue FSA (1684-1756) after Lucas de Heere (1534-1584), Frances, Duchess of Suffolk and her Husband Adrian Stokes Esq:r, double-portrait, London, 1748, etching and engraving, 48 x 55cm, Thomas Watson (1750-1781) after Sir Peter Lely (1618-1680), [Barbara Palmer, Duchess of Cleveland, as Minerva], proof before title, London, 1779, mezzotint, 47 x 34cm, six further portrait mezzotints, 18th and 19th c, after Piranesi, Outside View of the Colosseum, s.l. [London], n.d. [c. 1775], engraving, 28 x 41cm, [satire/caricature] Anon, The Monkey's Downfall or Cat's-Paw Rescu'd, s.l. [?London], n.d. [c. 1767], etching, later laid on card, 28 x 40cm, Plate No. 117 from Sir William Hamilton's Collection of Antiquities and Vases, s.l. [Naples], n.d. [c. 1767], copperplate engraving, contemporary hand-colouring, 29.5 x 26cm, Giovanni Girolamo Frezza (1659–1730) after Carlo Maratta (1625-1713), Pan Foiled by Diana, s.l. [Rome?], n.d. [c. 1680-1720], engraving, trimmed with loss of some lettering, 36 x 25.5cm, pasted watercolour frieze mount, various other prints with conforming mounts, Francesco Bartolozzi RA (1727-1815) after Richard Cosway RA (1742-1821), Princess of Charlotte of Wales as Baby, [London], [1797], stipple engraving and etching, trimmed with loss of all lettering, 35 x 27cm, etc., others, mixed media and sizes, (approx. 40) Mixed condition.

Los 859

G. Plant, 20th c - Portrait of a Border Collie, signed, oil on canvas, 60 x 44cm Good condition.

Los 880

Harold Hume Piffard (1867-1938) - Portrait of a Lady of Fashion, half-length and in profile, wearing a fur-trimmed coat and white evening gloves, signed, oil on canvas, 59 x 49.5cm Lined, with portions of light cleaning. Now ready to hang

Los 887

After William Hogarth FRSA - Self-portrait with Trump, his pug dog, inscribed, trompe-l'œil mount, watercolour, 29 x 22.5cm Good condition.

Los 902

English School, 20th c - Portrait of a Siamese Cat, indistinctly signed, oil on canvas, 36.5 x 49cm Good condition.

Los 129

A vintage 20th century circa 1970s Rosenthal studio-line "1001 Nacht" pin dish. The plate having the side portrait of a lady in polychrome geometrical shapes with gilt detailing on a cobalt background. Signed in gilt to the front & marked to the base. With original box. Dish measures approx 11 x 11cm. 

Los 40a

Early 20th century circa 1900s Rosenthal German porcelain display cabinet plates. With side portrait study to centre, with cobalt blue and gilt ground. 21cm diameter. With maker mark to base reading Alice Bavarian. 

Los 542

A 1900 Queen Victoria 22CT gold half sovereign and issued by the Royal Mint. The obverse was designed by Thomas Brock and features the old head (also known as the 'veiled head') portrait. The reverse was designed by Benedetto Pistrucci and features the classic St George and the Dragon. Weighs approximately 3.99g.

Los 546

A 1900 Queen Victoria 22CT gold half sovereign, struck in the last year of the Queen's reign, and issued by the Royal Mint. The obverse was designed by Thomas Brock and features the old head (also known as the 'veiled head') portrait. The reverse was designed by Benedetto Pistrucci and features the classic St George and the Dragon. Weighs approximately 3.99g.

Los 207

English School (early 19th century) : Head and shoulder portrait of a lady wearing a bonnet, 7.5 cm x 6.5 cm (oval), in burr walnut frame

Los 209

Early 19th century English School : Head and Shoulders portrait of a lady, watercolour, 25 cm x 17 cm

Los 31

A Private Collection of 18th Century and Later French, English and Canadian Portrait Miniatures on Ivory, Comprising: French School, Late 18th Century, Head and shoulders portrait of a young aristocratic boy wearing a jacket and matching waistcoat, 37mm by 31mm (oval), in gold frame. French School, Late 18th Century, Head and shoulders portrait of a gentleman in a turquoise velvet waiscoat, 49mm by 36mm (oval), in gold frame with woven locks of hair to reverse. French School, Late 18th Century, Head and shoulders portrait of a gentleman in an olive-green buttoned jacket, 62mm (circular), in gilt frame. French School, Late 18th Century, Head and shoulders portrait of a gentleman wearing a powdered wig and cravat, 55mm by 45mm (oval, in gilt frame within velvet surround. French School, Late 18th Century, Head and shoulders portrait of a gentleman in a grey coat and cravat, 55mm by 45mm (oval), in gold frame with enamelled reverse inset with woven locks of hair. French School, Late 18th Century, Head and shoulders portrait of a lady with pearls in her hair, 32mm by 30mm (oval), in gilt frame. English School, Late 18th/Early 19th Century, Head and shoulders portrait of a young gentleman in a dark blue velvet coat, 63mm by 51mm (oval), in gilt (or possibly gold) frame. English School, Early 19th Century, Head and shoulders portrait of a gentleman in a dark coat and white cravat, 78mm by 65mm, in ebonised frame. English School, Early 19th Century, Head and shoulders portrait of a young man in a blue buttoned jacket, 85mm by 68mm, in ebonised frame. English School, Early 19th Century, Head and shoulders portrait of a gentleman in an olive buttoned coat, 73mm by 60mm (oval), in ebonised frame. English School, Early 19th Century, Head and shoulders portrait of Jessie Georgina Barnes, 67mm by 52mm (oval), inscribed verso, in ebonised frame. English School, Early 19th Century, Head and shoulders portrait of a lady in a black lace dress wearing a veil, 86mm by 70mm, in ebonised frame. English School, Early 19th Century, Head and shoulders portrait of a lady in a white dress with lace collar, 73mm by 59mm (oval), inscription verso (partially torn), in ebonised frame. English School, 19th Century, Head and shoulders portrait of a woman with grey hair wearing a green dress, 85mm by 61mm (oval), in stained beech frame. English School, 19th Century, Head and shoulders portrait of a lady in a white dress with a gold-coloured necklace, initialled EAS, 65mm by 52mm (oval), in gilt frame. English School, 19th Century, Head and shoulders portrait of a lady in a white dress, 73mm by 60mm (oval), in gilt frame. English School, Late 19th/Early 20th Century, Head and shoulders portrait of a lady wearing a blue blouse and pearl earrings, 69mm by 56mm (oval), in gilt frame. English School, Late 19th/Early 20th Century, Head and shoulders portrait of a lady wearing a white blouse, 49mm by 35mm (oval), in gilt frame. English School, Late 19th/Early 20th Century, Head and shoulders portrait of a lady wearing a blue blouse, 61mm by 48mm (oval), in easel frame. Gerald Sinclair Hayward (Canadian, 1845-1926) Head and shoulders portrait of a lady in a black dress wearing a pearl choker, 85mm by 67mm, inscribed verso, in ebonised frame. (20, as illustrated) CONDITION REPORT: With CITES ivory declaration reference AVV7PXH5.

Los 340

Danish school : oil on board, portrait of a man, 65 cm x 85 cm

Los 240A

including works illustrated by John Nash and Edward Bawden, 'Paul Nash: The Portrait of an Artist' by Anthony Bertram, 'The Poet's Eye' anthology by Geoffrey Grigson with lithographs by John Craxton, and five books from 'The Penguin Modern Painters' series (28)

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