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283287 Los(e)/Seite
Los 819
Piedmontese School, late 18th century- Portrait of a gentleman, seated half-length turned to the right in a black coat holding a book; oil on canvas, bears inscription on the reverse `B Bardolinetti le 30 Julliet 1764 A Sadeler Correxit ad Anno", in a parcel gilt and ebonize Kentian stle frame, 83x68cm
Los 864
Attributed to Cosmo Alexander, Scottish 1724-1772- Portrait of a doctor, standing in a library interior, half-length, wearing a blue velvet hat and red coat, over a tied white stock; oil on canvas, held in an English 18th century Kentian style frame, with eared corners, plain moulded sight-edge, sanded fasicia and plain moulded outer edge, 77x64cm: Note: Cosmo Alexander was the son and pupil of John Alexander, an Aberdeen painter. Cosmo had a strong belief in the Jacobite cause and participated in the 1745 up Rising, after which he went to Rome to seek refuge. He stayed there from 1747 to 1751, painting portraits of members of the expatriate Jacobite community, including the family of Bonnie Prince Charlie. He travelled throughout Italy and visited Paris before settling in London in 1754. In 1766, he embarked on an extended tour of the American colonies where he once again found favour painting portraits of émigré Scots.
Los 869
Paul Montem Clarke b.1915- "An Italian Village"; watercolopur, signed, 18.5x21cm: G Barret, 20th century- Italianate landscape; pen and brown ink and watercolour, signed in pencil, 10.7x25.5cm: European School, early 20th century- Portrait of a young man head and shoulders; coloured crayon on buff paper, inscribed `Santa Maria`, 16x14cm: together with a watercolour of a garden scene and two pen and ink sketches by different hands, (6)
Los 921
Dorothea Selous RBA c.1905-1960 exh 1908-1938- Portrait of Joseph Montague Kenworthy, 10th Baron Strabolgi, seated three-quarter length turned to the right in ceremonial robes; oil on canvas, signed, bears inscription on the reverse, bears submission label to the SWA 1936 attached to the reverse, in an early 20th century carved and gilded frame with raised and pierced corners flanked by scrolling foliage, 127x101.5cm
Los 948
Circle of Gerrit Van Honthorst 1590-1656- Portrait of a young woman, bust-length wearing a black dress and white lace collar, dark hair curled and natural, with pearl necklace, earnings and head piece; oil on canvas, held in a n English 18th century carved and gilded frame, the raised and pierced corners with acanthus flanked by oak leaf and flower head sprays, 70x59cm. Note: This work compares stylistically and compositionally to the formula Van Honthorst seems to have applied to his commissioned portraits, this work having undergone an early restoration and apparent removal of the feigned oval. Van Honthorst became known for nocturnal scenes, usually religious subjects, a single candle serving as the only light source and creating a striking dramatized scene. The chiaroscuro lighting effects were influenced by Caravaggio`s works. Honthorst`s night paintings caused such a sensation in Rome that he was known as "Gherardo delle Notti" (Gerard of the Night Scenes).
Los 954
Follower of Suzuki Harunobu, Japanese 1724-1770- Portrait of a young woman; Reading the scroll; woodblock printed in colours, on a metallic background, a pair, each with inscription, 39x26cm: After Toshusai Sharaku, Japanese 20th century- "Segawa Tomisaburo, Nakamura Mnsei"; woodblock in colours: together with a collection of other 19/20th century Oriental woodblock prints, books and calligraphy by and after various hands to include various stations after Ando Hiroshige and others, (31) (unframed)
Los 1067
* Julia Margaret Cameron- Portrait group of three young ladies, albumen print, laid on card, signed and inscribed "From life registered photo copyright", image size 31 x 28.5 cm, together with a similar quarter length portrait of a lady wearing a shawl, signed, image size, 25.3 x 21cm, (2).
Los 216
A collection of ink prints on paper relating to Adolph Hitler and Nazi Germany by Evra comprising a picture of Adolph Hitler over an open grave entitled `They Have Come for the Reich` marked in pencil spoiled print, another of three portraits, one of Napoleon another of Frederick the Great of Prussia and the central portrait frame being empty with a noose hanging into the front with Adolph Hitler entitled `Where am I to Hang`, another of Jesus Christ on a crucifix being hacked down by Adolph Hitler, Mussolini and another entitled `Progress of Culture`, another of Adolph Hitler dressed as Napoleon with two nurses holding him up entitled `Poor Germany`, one in red ink of Adolph Hitler drowning with a swastika tied to his neck by a rope entitled `A Sea of Blood`, the ghost of Adolph Hitler the hand touched in red paint above a group of refuges wandering through a desolate landscape entitled `Hitler`s Salute of Blood`, Adolph Hitler in bed dreaming with above him sights of refugees, dead bodies and tortured individuals (3), another of Adolph Hitler in bed with dead bodies, refugees and faces looking at him accusingly entitled `A Good Conscience is a Soft Pillow` (3), Hitler reading Mein Kampf entitled `I Wrote This` and on the same sheet a picture of Adolph Hitler playing cards with Stalin, entitled `Gambler` (2) and another of Adolph Hitler being held in a vice like grip with an applied paper with ink alteration entitled `The Grip Gets Faster` and on the same sheet a picture of Mussolini reading a paper entitled `StŸrmer` entitled `Pillar of Culture` (2). From the collection of Erich Wolfsfeld 1884-1956 who escaped from Nazi Germany prior to World War II (illustrated).
Los 85
A pair of 19th century oval portrait miniatures in rectangular lacquered frames comprising Naval officer in uniform, and gentleman in blue tailcoat and cravat, marked indistinctly verso `Hope in despair`, each within gilt mounts and lacquered frames, height 7.3cm and 7cm respectively (2) (illustrated).
Los 86
A 19th century Naval oval portrait miniature in yellow metal mount, probably gold, the reverse with intricate hair work border containing seed pearl mounted anchor, the front with head and shoulders portrait of a Naval officer in blue tailcoat, length 6.5cm, mounted within later mahogany frame (illustrated).
Los 1023
An 18th century oil on canvas, portrait of a lady, unsigned but with inscription and date marks verso, dates and inscription as follows:- Anna Maria Elizabeth Wilder Get Wennighauson, Get Auschmern in Burg, 1708 November 24th, and further dates ranging from 1726-1827, 22 x 18cm (in later gilt frame).
Los 441
Various pieces of commemorative ware, comprising George V & Queen Mary mugs (2), Elizabeth II mugs (2) & half pint glass with handle, various small pieces of souvenir ware (4) & a pair of small jugs, different sizes, with a transfer portrait of a young lady, variable condition with some wear & some very slight chips (11)
Los 800
Spanish Colonial 8 reales: Charles IIII: 1796, Mexico mint, some areas of pitting to both sides, otherwise better than fine [Ex wreck of HMS Athenienne, Sicily, 1806] and Charles III, 1783, heavily pitted to rev. and with some pitting to obv., with some reduction in size, having clear portrait, otherwise poor [Ex wreck of El Cazador, Gulf of Mexico, 1784] (2)
Los 908
English hammered AR coins: Henry III, penny, poor and cut farthing, Edward I (II), pennies (3), one poor, Richard II, halfpenny, large segment missing at left, Edward IV, groat, clipped, Henry VII, `sovereign` type penny, holed, Henry VIII, posthumous issue portrait penny, Mary, groat, small triangular hole at top, breaking rim, otherwise fine, Philip and Mary, sixpence, indistinct date and some other flattening, Elizabeth I, sixpence, 1575, worn portrait and halfgroats (2), one almost fine and other with two die cracks, James I, penny, Charles I, shilling and halfgroat, latter worn and Commonwealth, halfpenny, plus Charles I, AE `rose` farthing, mainly fair, unless stated (19)
Los 909
English hammered AR coins: Henry III, cut halfpenny and cut farthing, Edward I, penny, plugged and halfpenny, large segment missing from bottom, Henry VIII, halfgroats, young portrait, rev. `LE`, heavily scored, with three flan cracks and posthumous issue, open crack at top, Mary, groat, crimped and worn, Philip and Mary, sixpence, 1554, poor, Elizabeth I, sixpences, "1566", chipped at top left and 1595 and threepences, 1562 and 1568, latter with large hole before bust, James I, sixpence, 1605 and penny, latter very fine, with two small holes, Charles I, Aberystwyth, threepence, hole before bust and Tower, halfgroat, plus Charles I, AE `Richmond` farthing and debased Irish shilling of Philip and Mary, 1555, latter poor, otherwise almost fair to fair, unless stated (19)
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283287 Los(e)/Seite