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Los 1

VICTORIAN SCHOOL, PAIR OF OILS, portrait of a young curly haired boy and a portrait of a young lady with lace collar to a black dress, each 12" x 9", oval

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EARLY 19TH CENTURY ENGLISH SCHOOL, PAIR OF OILS, half length portrait of a gent in black morning coat with white cravat and portrait of lady, head and shoulders, in a green dress and white lace trim, 16" x 12"

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19TH CENTURY FRENCH SCHOOL, OIL, half length portrait of a young man in black morning coat and white cravat, 10" x 9", unframed

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UNSIGNED, 20TH CENTURY ENGLISH SCHOOL, OIL, head and shoulder portrait of girl with brown ringlets and blue lace trimmed dress, 14" x 12"

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R W C T, DATED 1921, OIL, portrait of a shire horse in landscape, 12" x 16"

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18TH CENTURY ITALIAN SCHOOL, OIL, portrait of a angelic young lady praying, 16" x 12", unframed

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FOUR ASSORTED PORTRAIT PICTURES, predominantly 20th Century, various sizes

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STEPHEN BONE, SIGNED, OIL, portrait of a gent seated by a piano, 23" x 19" and DORA PROWER, SIGNED AND DATED 1962, OIL, portrait of a lady seated, 23" x 19", (2)

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19th century English School, Portrait of an Elizabethan lady wearing a patterned red dress and pearl necklace standing before an open window with church in the distance, oil on copper, 9 ½” x 7 ½”.

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ALEXANDER S BUCHANAN a portrait of a young gentleman wearing a wide brimmed hat, white cravat and red waistcoat, signed with initials and dated, 17 1/4" x 13 1/2"

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LILLIAN BUCHANAN, portrait of Mrs P Buchanan (senior) seated in a chair, signed oil on canvas, 19 1/2" x 15"

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LILLIAN BUCHANAN a portrait of Jean, her hair tied in a bun and wearing earrings, signed with initials, oils on canvas, 12" x 10", unframed

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LILLIAN BUCHANAN portrait of Mrs P Buchanan senior seated in a settee knitting, signed with initials, oils on board, 8" x 10" and another of the same sitter (2)

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ATTRIBUTED TO ALEXANER S BUCHANAN portrait of a cleric, oil on canvas, 19" x 14"

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ALEXANDER S BUCHANAN portrait of a young girl with long brown hair, watercolour, 15 1/4" x 12 1/2"

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ALEXANDER S BUCHANAN portrait of two children asleep in bed, signed watercolour, 12" x 16 1/2"

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ALEXANDER S BUCHANAN head and shoulders portrait of a lady with auburn hair, oil on canvas, 18" x 14"

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ALEXANDER S BUCHANAN portrait of a 17th century gentleman wearing a ruff, oil on canvas, 18" x 14" and four others to include self portraits (5)

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ENGLISH SCHOOL (early 19th century), portrait of a young girl seated on a chair holding a book by an open curtain and her companion in similar pose, a pair, pencil drawings, 6 1/2" x 5", in maple frames. (2)

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ENGLISH SCHOOL LATE 18TH CENTURY, head and shoulders portrait of a gentleman wearing white stock and black jacket, indistinctly signed, charcoal heightened in white, 8 1/2" x 6 1/2"

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KATHLEEN TWEED, Portrait study of a young lady, sepia chalks, 14" x 10".

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FOLLOWER OF CECIL ALDIN, Portrait of two Boston terriers, signed with initials and inscribed 'With Love from Josh and Henry', pencil heightened in white, 8" x 6"; and a reproduction print after Ernst Dorn. (2)

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19TH CENTURY ENGLISH SCHOOL, Portrait of ? Lady Richardson, half length, her hair tied in a bun and reclining on a chaise longue, pencil and watercolour, 8 1/4" x 7"; an engraving of Sir John Richardson after Stephen Pearce, and a further engraving of a lady in 18th century costume wearing a bonnet. (3)

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EDWARD WOLFE (1897-1982) portrait of a lady seated on a chair, signed, pen and inks, 13 1/2" x 9 1/2". Provenance ex. James O'Connor

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ROBERT BUHLER (1916-1989) portrait of the artists wife seated wearing a yellow jacket, pastels, 21 3/4" x 19",

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I * ROBERT, Portrait of Louis XI, pencil and sepia drawing, 5 1/2" x 4".

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SIDNEY JARVIS (20th century), Self portrait, signed and dated '54, pastels, 13 1/2" x 10".

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A GEORGE III OVAL PORTRAIT OF A GENTLEMAN wearing powdered wig, striped waistcoat and black jacket, oils on card, 11" x 9", oval, unframed.

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PAUL BOOTHMAN (English School mid 20th century), 'Chilton - A mounted figure on a country lane', signed and dated 27 4 52, oils on panel, 9" x 10"; with a 19th century school portrait verso by another hand.

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* MANDEL (? French School 19th /20th century), A portrait of a sombre peasant lady wearing a red head scarf and green coat, signed, oil on canvas, 24" x 19", with an unfinished nude study verso.

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BERNARD ADAMS (d. 1965), Portrait of a lady in black coat, her hands upon her hips, signed, oil on canvas, 33 1/2" x 31".

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20TH CENTURY BRITISH SCHOOL, Portrait of a girl in a wistful pose seated upon a chair and with her hands clasped, oil on canvas, 36" x 29", unframed.

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ENGLISH SCHOOL (early 19th century), a half length portrait of a gentleman resting against a chair and holding a letter, oils on metal panel, 8" x 6" oval.

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A Berlin porcelain framed plaque late 19th century painted with a three-quarter length portrait of Ruth holding a sheaf of corn, after Landelle, indistinctly signed impressed KPM and sceptre mark, incised numerals 330-200 the plaque 32 by 19.5cm., 12.625;by 7.625;in.

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A pair of framed Berlin portrait plaques late 19th century after Balthasar Denner, depicting bust portraits of an elderly couple, the lady signed lower right H. Stadler/ Cop..n B.Denner, the gentleman signed lower right H. Stallman, each in an elaborate gilt frame impressed K.P.M. and sceptre mark and impressed and incised letters and numerals, incised shield marks 54cm., 21.25;in. by 46cm., 18in. overall; the plaques 31.5cm., 12.375;in. by 38.7cm., 15.25;in. (2) Hans Stadler is recorded as a porcelain painter in Vienna during the second half of the 1880s; he participated in exhibitions in 1885 and 1888, when he is reported to have exhibited "portraits on porcelain, genre scenes on porcelain dishes, plates decorated and painted in the old genre" (quoted by W. Neuwirth, Porzellanmaler-Lexicon 1840-1914, vol.II, p.275).

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A group of four snuff boxes comprising: a gilt-metal and hardstone snuff box, English, circa 1760, rectangular with cut corners, the lid of agate with mossy inclusions, the sides and base pressed with rocaille, 7.5cm, 2 7/8 in; a gilt-metal portrait box, English, mid 18th century, the lid set with later miniature of a gentleman in 18th century dress, spuriously signed: Dumont, 6cm, 2 1/4 in; a gold-mounted carved shell box, possibly Italian, mid 18th century, 6.8cm, 2 5/8 in; and a silver cartouche-form box, English, circa 1760, the lid set with an agate panel, 5cm, 2in (4)

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Two horn snuff boxes, John Obrisset, circa 1712 oval, the first, signed with initials, pressed with a profile portrait of Charles I after the medal by Roettiers, the second with the arms of Sir Francis Drake each 10cm, 4in (2) The subjects on the lids of these two boxes are two of the most popular from Obrisset's oeuvre. The Drake coat of arms, which appears in a number of versions, in particular has been much discussed by P.A.S. Phillips, John Obrisset, London, 1931 and Paula Hardwick, Discovering Horn, Guildford, 1981, among others.

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A group of miniatures, the majority Continental, 19th century comprising: a portrait of a lady in red velvet, signed: Frapie; a genre scene titled: Les Fumeurs and signed: Seger; most painted on ivory or vellum, one enamel, one on wood, one of porcelain, most in gilt-metal or ivory frames (16)

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Edwardian satinwood and rosewood cross banded bedside cupboard with painted flower decoration, a single paneled door with a female portrait medallion, floral swags and ribbon ties, on square tapering legs with splayed feet, 16½" wide

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Doulton Lambeth Queen Victoria diamond Jubilee beaker with young and old portrait medallions, 5" high

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Doulton Lambeth Queen Victoria diamond Jubilee beaker with young and old portrait medallions with military trophies on the reverse and with the initials ACC, 5"

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18th century English School: Portrait of a lady wearing a black veil, unsigned, oil on board, 28" x 22"

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Portrait of a gentleman after Ruben's self portrait, unsigned, oil on canvas, 30" x 25"

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19th century Continental School: portrait of a bearded gentleman wearing a hat, oil on panel, 5" x 5½"

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A mid 19th century oval portrait miniature painted on ivory of a Boatswain, in a glazed leather case.

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A 19th century oval portrait miniature on ivory of a child, in a black papier mache frame.

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A Victorian full length silhouette portrait of a gentleman. 9.75in. x 7.5in. Indistinctly signed. Framed and glazed.

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A 19th century copy oval portrait miniature on ivory of a Queen Anne beauty. Signed Black. 2.75in. (7cm.). In a gilt hard metal glazed chased foliage frame with ribbon tied surmount.

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A 19th century copy oval portrait miniature on ivory of the Empress Josephine. Signed Bregne. 2.75in. (7cm.). In a glazed diaper decorated frame with ribbon tied surmount.

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A 19th century copy oval portrait miniature on ivory of Louis XVI. 2.75in. (7cm.). In an acanthus chased oval gilt hard metal glazed frame.

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A 19th century copy oval portrait miniature on ivory of a lady in middle life. Signed Black. 2.75in. (7cm.). In a chased gilt hard metal glazed frame with a ribbon tied surmount.

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A 19th century copy oval portrait miniature on ivory of an early 17th century miniature of Gustavus Adolphus, King of Sweden. 2.75in. (7cm.). In a chased gilt hard metal glazed frame with ribbon surmount.

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A 19th century copy oval portrait miniature on ivory of a mid 18th century French court beauty, possibly Madame de Pompadour. Signed Vestier. 3in. (7.5cm.) In an ormolu laurel decorated glazed frame.

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A Doulton Lambeth Queen Victoria Diamond Jubilee 1837-1897. salt-glazed stoneware beaker, relief decorated with portrait medallions in shades of blue, green and brown and a border of symbols of the United Kingdom beneath a pewter rim. 5in. ( 12.5cm.) high.

Los 1

*Churchill (Right Hon. Winston S.). Autograph Signature 'W.S. Churchill', c. 1905, in blue ink on a small slip of paper above his title 'Major Q.O.O.H.' in Churchill's hand, mounted on a slip of paper beneath a contemp. head and shoulders b & w portrait postcard of Churchill Churchill was created a Major of the Queen's Own Oxfordshire Hussars on 25th May 1905. (1)

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*Johnson (Lyndon B. 1908-1973). Half length portrait, c.1970, b&w photo, approx. 24 x 18cm, together with Ford (Gerald R.), half length portrait, c.1970, col. photo, approx. 24 x 18cm, both with signed presentation inscriptions to the American Club on mounts beneath, plus Rogers (Will, 1879-1935, actor and humourist), head and shoulders portrait, c. 1930, b&w photo by Kahle, signed by Rogers in the lower blank area, several deep long scratches to surface, approx. 32 x 25cm, all framed and glazed (3)

Los 1

*Hampshire - George II. Vellum Exemplification of Recovery, dated 28th November 1741, of James Shrubb's Demands against Andrew Stent for one acre of meadow and one acre of pasture with the appurtenances in Benstead, Hampshire, some rubbing and browning, large initial portrait of the King with elaborate decorated top border, ruled in red throughout, remains of orig. wax seal in tin skippet (1)

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*Rutlandshire - George IV. Attractive Exemplification of Recovery, dated Michaelmas Term [6th-28th November] 1831, of WIlliam Bowker's demands against Robert Baxter for two messuages, one malthouse, four barns, four gardens, various acres of lands and pasture, together with all manner of cattle in the Parish of Oakham, together with a large portrait of the King (George III) with elaborate decorated top and side borders (1)

Los 1

*Scrap albums. Three Regency and early Victorian scrap albums, including one early 19th c. album, containing numerous b&w mostly small-format b&w topographical engravings, humorous illusts. (including some hand-col.), fashion and historical costume interest, a.e.g., contemp. half red morocco, gilt dec. spine, rubbed and scuffed, large 4to, another album containing some chromo. greetings cards, hand-written verse, etc., a.e.g., contemp. blind-decorated full morocco, rebacked with orig. spine laid down, and one album containing a number of original pencil and ink drawings of church monuments, animals, figure studies, a small oil view of a logging station, captioned in pencil below 'by Edwin Sandys', photographs of Devon, including Plymstock, Bude, Cornwall, Isle of Wight, a small portrait photograph of Bishop Wilberforce of Oxford, a large photographic view of a canal in Amsterdam, with numerous figures, etc., a.e.g., contemp. half dark green morocco, rubbed and marked, 4to, and another album, c. 1860s-70s (3)

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