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283287 Los(e)/Seite
Los 1025
JOHN RUSSELL (AFTER) R. H. GEORGE PRINCE OF WALES In the Uniform of the Kentish Bowmen,Stipple engraving by Bartolozzi, 54cm x 34cm (cut to plate mark), also a mezzotint portrait of Henry Lord Viscount Melville, by G. Dawe after the original by Sir Henry Raeburn, 67cm x 42cm, each framed and glazed in Hogarth grames (2) Provenance: The William Mowat-Thomson Collection
Los 1032
ALLAN RAMSAY (AFTER) HON. THE EARL of LOUDOUN in the REGIMANTALS of his HIGHLAND REGIMENT Mezzotint by J. Faber, 48cm x 35cm (image size), also a line engraved portrait of Prince Charles Edward Stuart, a mezzotint of Flora Macdonald by J. Faber after Thomas Hudson and three other portrait engravings, of sizes, all framed and glazed (one damaged) (6) Provenance: The William Mowat-Thomson Collection
Los 1009
A REVERSE PAINTED HALF LENGTH PORTRAIT OF CHARLES EDWARD STUART, After the Mercier portrait, 25cm x 35cm, also a printed silk portrait of Charles, in leather frame, a small steel engraved portrait and a piece of modern framed Stuart tartan (4) Provenance: The William Mowat-Thomson Collection
Los 313
LATE 19TH CENTURY CONTINENTAL PORCELAIN PORTRAIT PLAQUE OF BEATRICE CENCI,in the manner of KPM, of oval form, modelled with head turned, the reverse inscribed 'H' and with paper label inscribed '...Dresden...', 11.5cm high, in brass frame with easel supportProvenance: The William Mowat-Thomson Collection
Los 1024
SIR JOSHUA REYNOLDS (AFTER) JAMES EARL of ERROLL, LORD HIGH CONSTABLE of SCOTLAND Standing on a balustraded terrace in regalia, Mezzotint by Thomas Watson, 63cm x 38cm, also a full length mezzotint portrait of Sir Nathaniel Dance, with charts, standing by an oil painting of a naval engagement, print executed by J. R. Smith, 66cm x 45cm, framed and glazed (2) Provenance: The William Mowat-Thomson Collection
Los 1067
FOLLOWER of RAEBURN THREE QUARTER LENGTH PORTRAIT OF A LADY in white dress with delicate pink silk shawl and white cap, standing in a parkland setting, her an resting on a stone plinth, oil on canvas, 125cm x 100cm, (re-lined), in a moulded gilt frame Provenance: The William Mowat-Thomson Collection
Los 1014
SIX 18th CENTURY MEZZOTINT PORTRAIT ENGRAVINGS BY VARIOUS HANDS Depicting The Rt. Hon. Philip Lord Hardwicke; Charles Duke of Queensbury & Dover; Dr. Archibald Cameron (executed 1753); John Earl of Rothes; Thomas Graham of Balgowan and Mr. Richard Steele, all framed and glazed, mostly in Hogarth frames (6) Provenance: The William Mowat-Thomson Collection
Los 1064
ENGLISH SCHOOL, MID 19th CENTURY HALF LENGTH PORTRAIT OF A GENTLEMAN in black jacket with black cravat, oil on canvas, 58cm x 52cm Hand written paperwork attached to reverse indistinctly attributing the portrait to Rear Admiral Henry ..... ............ (?) Provenance: The William Mowat-Thomson Collection
Los 1010
JACOBITE INTEREST MID 18th CENTURY QUADRUPLE ENGRAVED PORTRAIT GROUP BY B. COLE depicting William Boyd, 4th Earl of Kilmarnock and Arthur Elphinstone, 6th Lord Balmerino (both executed) and George, Earl of Cromartie and Simon, Lord Fraser of Lovat, with execution vignette to centre, 35cm x 21cm framed and glazed Provenance: The William Mowat-Thomson Collection
Los 1029
VALENTINE GREEN (AFTER) KING GEORGE IV as PRONCE of WALES and HIS BROTHER FREDERICK, DUKE OF YORK and ALBANY and BISHOP of OSNABURGH Mezzotint by Benjamin West, published 1789, cut to image, 52cm x 38cm, also a line engraved portrait of James Francis Edward Stuart, half length, as a child, with cravat and armour by Gererd Edelinck after Jean-Francois de Troy, both framed and glazed (2) Provenance: The William Mowat-Thomson Collection
Los 1205
GRAND TOUR CARRARA MARBLE TORSO OF APOLLO, on a marble rectangular base with concave sides, on a simulated scaglio marble plinth, 173cm high overall Apollo is one of the Olympian deities in both Greek and Roman mythology. He is most notably connected to being the god of archery, music and dance, truth and prophecy, the Sun and light, poetry, healing, and more. He is the son of Zeus and Leto, the twin brother to Artemis, the goddess of the hunt, and is considered to be one of the most important and recognisable deities, and a symbol for the Greek nation. He and his sister Artemis are even considered to be the inventors of archery. He is the patron deity of Delphi and is connected to the oracle at Delphi, and the prophecies foretold there. Apollo is often at the centre of a majority of Greek and Roman mythology. Apollo has been a popular subject in art, from Archaic Greece through to the contemporary period. In Classical Greece, he was often considered the epitome of the male form and was depicted as a youthful and beardless version of himself, such as in this portrait. Provenance: The William Mowat-Thomson Collection
Los 433
MID-19TH CENTURY PORTRAIT MINIATURE OF A GENTLEMAN, watercolour on paper, modelled in profile, within a gilt metal and black lacquered frame, with hanging hoop, 15cm x 13cm overall, along with two framed Victorian portrait miniatures of ladies, both watercolour on paper, and five other late 19th to early 20th century picture frames, each inset later print (8) Provenance: The William Mowat-Thomson Collection
Los 1018
SIR JOSHUA REYNOLDS (AFTER) THE RIGHT HON. JOHN LORD VISCOUNT LIGONIER on horseback with battle raging beyond, Mezzotint by E. Fisher, 59cm x 44cm, also a mezzotint portrait of Charles II after Kneller and a mezzotint of The Lord Euston, Charles Fitzroy, 2nd Duke of Grafton, as a boy, of sizes, all gramed and glazed (3) Provenance: The William Mowat-Thomson Collection
Los 1065
ENGLISH SCHOOL, EARLY 18th CENTURY HALF LENGTH PORTRAIT OF THE RT. HON. THE COUNTESS OF CARDIGAN, Oil on canvas, painted oval, inscribed ‘ The Rt. Hon. The Countess of Cardigan Dau..ter to John Duke of Montague, AD 1735, 72cm x 61cm, in 18th Century style gilt frame with replacement slip Provenance: The William Mowat-Thomson Collection
Los 1013
ALLAN RAMSAY (AFTER) HALF LENGTH PORTRAIT OF SIR PETER HALKETT of PITFIRRANE Colonel of his Majesty’s 44th Regiment of Foot, Killed in the Action near the River Monongabels, July 9th 1755 Mezzotint by J. McArdell, 34cm x 23cm (plate mark), also three other mezzotint portraits of The Rt. Hon. William Grant; Lieut. General Wills after the portrait by Michael Dahl and Prince Charles of Lorrain, of sizes, all framed and glazed in Hogarth frames (4) Provenance: The William Mowat-Thomson Collection
Los 1034
ROBERTSON (AFTER) HEAD AND SHOULDERS PORTRAIT OF MAJOR GENERAL THE MARQUIS OF HUNTLY Stipple engraving by W. Holl, 26cm x 20cm overall, also a small pair of overpainted mezzotints of Admirals, with painted glass mounts; a small coloured engraving of the Earl of Hopetoun, in Royal Archers garb.; a sepia stipple engraving of Abelard and a Clan Chief mixed method engraving, of sizes, all framed and glazed (6) Provenance: The William Mowat-Thomson Collection
Los 162
THREE RESIN PORTRAIT MEDALLIONS AFTER JAMES TASSIE, depicting David Hume, Robert Adam and Henry Raeburn, each in an oval frame with note to the reverse from the Scottish National Portrait Gallery verso, 7cm x 13.9cm overall, along with six other pictures including portraits and roundels (9) Provenance: The William Mowat-Thomson Collection
Los 1083
CYNTHIA McCRACKEN PORTRAIT BUST OF MAIRI HAY FINDLAY HAY (nee RANKIN) watercolour, signed lower right, 34cm x 24cm, framed and glazed, along with three other portrait studies of Marbaret Hepburn Dennison by Sylvia Foxlee; Beth Bowden by Keith Clements, and Mr W. M. T. by an unknown hand, of sizes (4) Provenance: The William Mowat-Thomson Collection
Los 86
JOHN ALFRED VINTNER lithograph - portrait of Brigadier-General Thomas Fox Strangways RA, printed by Day & Sons, after Edward Hayes, mid 19th Century, (I) 34 x 25cms, in period birds eye maple frame with gilt gesso slip. Auctioneer's Note: T F Strangways (1790-1854) died at the Battle of Inkerman following the loss of his leg from an enemy shell explosion, whilst commanding the RA at the side of Lord Raglan. Condition: rippled to right side, water stains to bottom margin, surface dirt
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283287 Los(e)/Seite