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283287 Los(e)/Seite
Los 1048
Grand Tour souvenir marble roundel depicting profile portrait of 'The Emperor Nero', mounted upon slate, within a circular ebonised frame, with hand written label verso, overall D17cmCondition Report:General wear commensurate with age and use, including some surface scratches, and infilled split through portrait.
Los 1009
Two late 19th century cabinet plates in the manner of Vienna, both finely painted with a portrait of a female beauty, the first depicting semi nude classical lady within an ornate gilt border painted with white flowers and foliage on alternating teal and light blue ground, the second depicting a lady in pink dress adorned with flowers within white border with raised gilt foliate motifs, interspersed with four deep red roundels with gilt garden scenes, both marked Wagner and with blue beehive marks, one marked Dresden, and entitled 'Babarere' and Ustana, D25cm
Los 1008
Late 19th century cabinet plate in the manner of Vienna, finely painted with quarter length portrait of the Queen of the Roses, signed Wagner, within elaborate gilt foliate scroll panelled border on white ground interspersed with raised green oval motifs painted to mimic marble, with impressed and red beehive marks, titled Konigin der Rosen no 10171 and stamped Germany, D23.5cm
Los 1010
Two late 19th century cabinet plates in the manner of Vienna, both finely painted with a portrait of a female beauty, the first depicting Sarah Siddons within interlacing foliate and floral raised gilt borders upon white ground jewelled with small blue enamel dots, the second depicting Victoire of France seated beside a tree with her bow and arrows, within ornate gilt foliate border with trellis detail and painted pink roses upon white ground, signed 'Kies' and 'Kieli' respectively, with red beehive marks, marked Germany and entitled Mrs. Siddons 10174 and Mme. Victoire 10172, D24cm
Los 1012
Set of three late 19th century Vienna cabinet plates, each finely painted with a quarter length portrait depicting a female beauty to include Louise of Mecklenburg-Strelitz and Mary Queen of Scots, all within burnished gilt urn and floral borders on alternating brown and red ground, all signed Wagner and with underglazed blue beehive and impressed marks and entitled Konigin Louise, La Pens�e and Marie Stuart beneath, D24cm
Los 184
After François Boucher: 'Portrait of Madame de Pompadour, 1758', a 19th / early 20th century copy after the original depicting the Marquise de Pompadour who became in 1745 the favourite mistress of King Louis XV, seated relining in a garden or woods wearing a sumptuous white silk dress and holding a book, in Rococo 17th-century taste, oil on canvas, unsigned, labelled verso 'The How, April 19th 1902', 66.5 by 53cm, in a gilt frame, 85 by 72cm.Condition: There is a small area of paint loss around the lady's elbow, as well as widespread craquelure.
Los 2571
Circle of Sir Godfrey Kneller (1646-1723) - three-quarter length portrait of a lady standing within a landscape, oil on canvas (re-lined and in later frame), 110 x 88cmRe-lined.Paint good and stable; some craquelure to her flesh and dress, but no breaking out.UV lamp shows some overpaint approx. 2” square to her bust, some overpaint to her left index finger, and some beneath her right arm, extensive overpaint to extremities of upper right corner and top edge.Otherwise, with minor touching-in across the picture, but generally good.Frame with minor losses and shrinkage splits to angles.
Los 2673
A late 19th century Dutch walnut and floral marquetry bookcase on chest, having a swept pediment with later inset oak ribbon and profile portrait surmount, above a glazed section enclosing fitted shelves, the base fitted with three long drawers, h.237cm, w.163cm, d.52cmSecondary wood is oak.Disassembles for transporting.
Los 2227
A French porcelain pot purri, 19th century, decorated with eastern figures and standing upon four paw feet and a square plinth, h.14cm, together with an English porcelain sauce boat, early 19th century, decorated with a European landscape within an oval cartouche, heightened in gilt, h.10cm, a French porcelain vase, 19th century, having gilt metal mounts and decorated with a bust of a lady, h.7.5cm and a French porcelain urn, 19th century, on swan supports, decorated with flowers, h.7cm (4)Swan pot – hairline to the rim, it would have had a lid originally, gilt quite rubbed, otherwise good.Sauceboat/milk – gilt a little rubbed but otherwise good.Blue with portrait – small crack to the foot, otherwise good.Pot pourri – gilt rubbed, otherwise good.
Los 2508
19th century English school, profile portrait of a young woman wearing a coral necklace, miniature watercolour on ivory, unsigned, framed as an oval, 6.5x5.5cm in gilt metal frame, inner frame and further ebonised plain outer frame, gross measurements 17.7x16.4cmIvory submission ref: 8TBKXU4A
Los 2449
A Victorian Tunbrige ware letter opener / page turner, the handle specimen wood inlaid in the tumbling block pattern with floral decoration to the opposing side, 25cm, together with a stamp box, the cover with a profile portrait, 4 x 4.3cm and a pin box, 6 x 3.4cm. (3)Page turner with chip to blade, numerous scuffs/scratches.Both boxes with handling wear.
Los 2522
A late 19th century French gilt bronze twin handled comport, the circular dish with convex inset enamel and gilt decorated panel painted with Ottoman female bust portrait, monogrammed E.M, raised on floral scroll cast supports to integral white marble square base, with six loose blue glass beads, h.22.5cm, dia.34cmEnamel good.Light tarnishing only to gilt bronze.Marble plinth with one small rim frit, otherwise excellent.
Los 2576
18th century English school - half-length portrait of a woman wearing a silk dress and pearl choker, oil on canvas (re-lined), 116 x 86cmRe-lined.Some craquelure, most noticeably to the lighter tones within the picture.Paint good and stable with no breaking out.Patched-in repair upper left corner, approx. 9x4cm.UV lamp shows some small touching-in to include 2cm square to bust, small area to midriff and some ares of the black background.
Los 2570
19th century continental school - Head and shoulders portrait of the Madonna, oil on board, 20.5 x 16cm, framed as an oval in an ebonised hardstone set and brass mounted octagonal frame measuring 35 x 35cmPaint good and stable, but some craquelure all over.Would benefit from a clean.Frame good but tarnished.Wooden elements with some small chips.
Los 2415
A late 19th century French yellow metal and enamelled porcelain backed pocket watch, having engine turned Roman dial, keywind movement, convex glass, the back cover finely enamelled on porcelain with a bust portrait of a young woman wearing a mauve dress, unmarked but tests as approx 15ct, 48.6g, dia.42mmMinor scratches to porcelain and some tarnishing to metal, otherwise condition is very good.
Los 2025
Thoresby, Ralph: Ducatus Leodiensis: or, the Topography of the Ancient and Populous Town and Parish of Leedes, And Parts Adjacent in the West-Riding of The County of York, London: Printed for Maurice Atkins, and Sold by Edward Nutt at the Middle-Tem-ple Gate in Fleet-Street, 1715, engraved portrait frontispiece, lacking map, contemporary panelled calf, red morocco spine label, folio, with T.D. Webster Antiquarian and Export Bookseller purchase receipt dated 20th January 1964. (1)
Los 1002
Adam Buck (1759-1833) Irish Portrait of a gentleman sitting at a desk in an interiorSigned and dated 1809, watercolour, 35.5cm by 28cmSignificant staining across sheet with notable bleaching or fading to colour. Various foxing spots some of which look to have undergone some restoration or form of disguising particularly within the sky area above and behind the sitter's head. Diagonal creases approx centre left-hand side edge running full width of sheet but less notable toward right-hand side edge. Some further likely infilling with chalky white paint to disguise the creasing around the lower right-hand corner of the window within the sky. Further creasing to upper left-hand corner. Odd surface scuff. No evidence of cockling. Nor examined out of the frame.
Los 1000
George Chinnery (1774-1852) Macau street scene, with Santa Casa Misericordia and the Leal Senado Inscribed and dated September 10 (18)36, pen, ink and pencil, 19.5cm by 27.5cm Exhibited: Martyn Gregory, London, A China Voyage, catalogue 79, 2003, no.21George Chinnery (1774-1852) was an English artist who lived and worked profusely in India and China. Chinnery is remembered for his portraits painted in British India and more commonly for his sketches of eastern scenes, namely Macau. His works can be found in venerable institutions including the Victoria and Albert Museum, Yale Center for British Art, Tate, and the National Portrait Gallery.Enrolling at the Royal Academy Schools in 1792 and following the growing presence of the British East India Company in India, Chinnery left for India from London in 1802. On arrival in India on the 21st December 1802, Chinnery settled in Madras and then to Calcutta in 1807. Chinnery’s move was a condition of so many young London-trained artists who sought lucrative portrait commissions in British India. Chinnery’s talent soon rewarded him with a firm position in the echelons of the expatriate community, and rather impressively as the foremost British portraitist in India.Despite illustrious clientele, Chinnery fled British India in 1825, leaving behind a debt of 30,000 rupees. On the 29th September 1825, Chinnery landed at Macau on the south coast of China and would live here until his death in 1852. Forfeiting the high reputation and grand commissions that he enjoyed in India, Chinnery was in a precarious position, and as a by-product his work was significantly different. Chinnery’s work produced in his Macau years is not only historically important – on par with William Hodges’ and Thomas and William Daniell’s images of India – but, in almost every sense, better, more nuanced, delicate, and responsive. It is Chinnery’s Macau sketches which line the collection of the V&A.Macau was a hive of trading activity set in a backdrop of European architecture reflecting the Portuguese colonial influence in Macau. Chinnery produced beautifully delicate watercolours and pencil sketches of Macau’s barbers, fisherman, food-vendors, gamblers, and architecture. Daily life in Macau was now Chinnery’s preferred subject.In Macau street scene, with Santa Casa Misericordia and the Leal Senado, Chinnery sketches a wide foreground to stage the residents of Macau, notably the gamblers and street vendors. As a medium, pen and ink is a style demanding every line capture a dozen details. It is a precise, calculated medium. As such, Chinnery demonstrates his talents as a draughtsman; his concern for detail shines as he takes time to use minimal lines to sketch Macau’s residents in refreshing detail. This is in stark contrast to the lightly drawn Portuguese buildings of the Santa Casa Misericordia and the Leal Senado that we see in the background. Despite Macau’s seemingly dominant European architecture, Chinnery sketches a Macau which here is predominantly Chinese, rather than European. Chinnery provides a fascinating glimpse into Macau in the early 19th century through his assiduous sketching.
Los 1001
Attributed to John Downman ARA (1750-1824)Portrait of Lady Frances Haggerston, half lengthWatercolour, 23cm by 29cm Provenance: Old Hall Gallery Ltd, Sussex advert reverse from Chelsea 1959 stating ex.collection: HRH Princess M LouiseHandwritten label - sketch given to C by Sir Robert Cuncliffe May, (17)81 Lady Haggerston, wife to Sir Carnaby Haggerston & sister to Mrs Fitzherbert - afterwards wife to Sir J Stanley 1788The work would appear to have been framed as an oval at some time given that the more apparent staining to the paper follows this format. Odd foxing spot. Some reduction to colour although a subtle and monochromatic composition by execution. Some minor cockling in evidence. Not examined out of the frame.
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283287 Los(e)/Seite