* Silhouettes. A finely-framed 19th century silhouette portrait, showing an oval head and shoulders portrait of a gentleman, 13 x 9.5cm (5 x 3.75ins), in fine period frame consisting of red velvet mount and moulded gilt frame within a glazed box frame, with engraved label on verso ‘Chancellor & Son, Dublin’, overall size 51.5 x 46.5cm (20.25 x 18.25ins), together with three other oval silhouette portraits, comprising a head and shoulders portrait of a young man, named on verso as George Crofton (died 1851), a head and shoulders portrait of a gentleman, named on verso as E. Wales, 1820, and a half-length portrait of a young girl, all in ebonised frames, overall size 13.5 x 11.5cm (5.25 x 4.5ins), plus a head and shoulders portrait of a lady, named beneath image in contemp. ms. as the Honourable Mrs. Beilby Thompson, wooden frame, overall size 18 x 14.5cm (7 x 5.75ins) (5)
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* Pontius (Paulus, 1603-1658). Frederick, Prince of Arau, fine large engraved portrait by Pontius after Van Dyck, published by C. vander Stock, central horizontal crease, one or two short closed marginal tears, repaired, some restrengthening to central horizontal crease and edges, plate size 48 x 34.5cm (19 x 13.5ins), sheet size 50.5 x 37cm (20 x 14.5ins), with green collectors mark vB to verso, together with Jode (Petrus de), Johanna de Blois, fine etching on laid paper, with foolscap watermark, by De Jode after Van Dyck, published by Gillis Hendricx, trimmed to plate mark, 265 x 195mm (10.5 x 7.75ins), with green collectors stamp vB to verso, and rectangular stamp W.S.A. also, plus other similar engraved and etched portraits after Van Dyck, including Paulus Pontius, Jacobus de Breuck and Cornelius vander Geest (by Paulus Pontius), Maria Margareta de Barlemont, by Jacques Neefs (1610-1660), Thomas Howard, Earl of Arundel, by D. Vorsterman, Fredericus de Marselaer, by Adrian Lommelin, Anthonius van Opstal by Jacobus de Man, Rapin de Thoyras by George Vertue (1734), a pillage scene by Johann Sadeler and Jost Amman, and two etchings of cows by Schweickhardth, published by Josiah Boydell, 1788, many with collectors marks vB and W.S.A. to verso (13)
* Anderson (Alfred Charles Stanley, 1884-1966). Self portrait, etching, trimmed to plate margins, with tab signature in pencil to lower margin, a little spotting, plate size 146 x 128mm (5.75 x 5ins), framed and glazed. Martin Hardie, The Etchings & Engravings of Stanley Anderson, Print Collectors Quarterly, XX, 1933, pp. 221-246. (1)
* Jacomb-Hood (George Percy, 1857-1929). Portrait of James McNeill Whistler standing, with hat and cane, pen & dark brown ink on paper, with inscription to upper margin ‘Mr Whistler is shortly to visit America - vide Daily Papers. I’m going to make other “Arrangements” - Comic Song’, signed by Jacomb-Hood to lower margin, image size 225 x 132mm (8.8 x 5.25ins), framed and glazed (1)
* Woodforde (Millicent Lisle, 1880-1962?). Four sketch books, c. 1900-16, all filled with pen or pencil sketches of the human figure, including nudes, anatomical studies plus sketches of dogs, birds, horses, rabbits, occ. landscapes and a few buildings, largely unsigned and undated, but two albums with ownership autograph and one oblong folio album signed and dated Paris, 13th January 1904 to front pastedown, a number of figures in this album being dated and some identified as drawn at Atelier Grande Chaumiere or Atelier Colarossi, some excisions, many leaves detached and occ. fraying, a total of approx. 180 leaves, the majority with sketches to recots and versos, various bindings, somewhat worn, 35 x 23cm (14 x 9ins) and smaller . The illustrator and artist Millicent Woodforde is best known for her portrait of the composer Gustav Holst at work in his composing room at St. Paul’s Girls’ School (1910), now in the National Portrait Gallery. (4)
Wyeth (Paul James Logan, 1920-1983). Portrait of a young girl, red chalk study of a young girl’s head, signed lower margin, sheet size 47.5 x 35cm (18.75 x 13.75ins), mounted, framed and glazed, together with Portrait of a young girl, brown pencil study of the head of a young girl wearing a hat, sheet size 53 x 39.5cm (21 x 15.5ins), crudely mounted (2)
* Henderson (Keith, 1883-1982). Boy in a Blue Shirt, c. 1947, oil on board, signed, head and shoulders portrait of Jack Cardiff’s son aged about 4(?), 42 x 42cm, framed, gallery label verso, together with Youth-and Age!, 1969, watercolour on paper, signed, showing a group of teenagers and a group of older people exchanging glances, 26 x 46cm, mounted, framed and glazed, plus three similar late 1960s watercolour drawings by Henderson, all signed, plus Incomunicado - Portrait of Pharaoh Khnaton, 1977, oil on board, signed and inscribed by the artist ‘Who is he? You know his name, a poet, no longer at large’, 38 x 27cm, framed, gallery label verso. Jack Cardiff (1914-2009) was a British cinematographer, director, actor and photographer. His amazing career spanned seven decades, from working as a child actor in Edwardian music hall and silent films to modern era camerawork for Conan the Destroyer and Rambo: First Blood Part II (1984). As a cinematographer his credits include A Matter of Life and Death (1946), Black Narcissus (1947) and the ravising The Red Shoes (1948), all directed by Powell and Pressburger. (6)
![* Carline (Richard C., 1896-1980). Family group seated in the kitchen at number 47 [Downshire Hill, Hampstead, NW3], c. 1923-](http://lot-images.atgmedia.com/SR/10729/2868860/472-201312610239_468x382.jpg)
* Carline (Richard C., 1896-1980). Family group seated in the kitchen at number 47 [Downshire Hill, Hampstead, NW3], c. 1923-4, oil on canvas, unsigned, handwritten label verso identifies the figures at ‘George Junior, Hilda, Stanley Spencer, Mrs Carline (Anne) & Sydney’, 15 x 19 in (38 x 48cm), together with River Camp, oil on canvas, signed, depicting a canvas-covered river boat with figure seated on the bank, old handwritten label verso, 18 x 21 in (46 x 53cm), plus Still life with marble portrait bust, oil on canvas, signed verso, 18 x 15 in (46 x 38cm), matching modern wood and gilt frames. Painter, writer and administrator, Carline was born in Oxford. His father, George Carline, his mother, Anne, and brother Sydney, his sister Hilda (Mrs Stanley Spencer) and his wife, Nancy, were all painters. Carline served in World War I and was appointed an Official War Artist. With his brother he became noted for war pictures from the air. In the 1920s the Carlines’ Hampstead home became a centre for artists such as Henry Lamb, John Nash and Mark Gertler. During this period Carline was clearly influenced by Stanley Spencer, transforming everyday scenes into something monumental. The Imperial War Museum holds his work, including the outstanding and pioneering series of paintings, from World War I, based on observations made from aeroplanes. (3)
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