Sandrart (Joachim von) L'Academia Todesca della Architectura, Scultura & Pittura: oder Teutsche Academie der Edlen Bau- Bild- und Mahlerey-Kunste, vol.1 only (of 2), 2 parts & supplement in 1 vol., half-title (cut down and mounted on blank leaf), engraved allegorical frontispiece, portrait, 3 part titles and 116 plates, lacking vignette title to part 2 but supplied in neat contemporary ink manuscript with pen & ink vignette, supplement with engraved title vignette, woodcut initials, engraved illustrations in text, printed in Gothic letter in double column, light water-staining to lower edge, modern half calf, red morocco label, [Millard N.European 111], folio, Nuremberg, printed by Johann-Philipp Miltenberger for Jacob von Sandrart, and Matthaeus Merian, Frankfurt, 1675.⁂ Comprehensive survey of European art up until that time by the first German art historian, including several portraits of artists; without the second volume issued in 1679.
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Telford (Thomas) Atlas to the Life of Thomas Telford, Atlas only, engraved portrait by Raddon after Lane, 82 engraved plates and maps numbered 1-83 (no plate 28 as called for), 20 folding and/or double-page mounted on stubs, some with routes supplied in red, some foxing, particularly to portrait, some light offsetting to double-page plates, plates 79 & 80 water-stained at head of inner margin affecting corner of plate, contemporary half russia, gilt-stamped roan label to upper cover, rubbed, corners worn, rebacked in calf, new label, folio, 1838. ⁂ Plates of the great engineer's work including canals, roads, aqueducts and bridges including the great suspension bridges over the Menai Strait and at Conway.
Vignola (Giacomo Barozzi da) Regola delli Cinque Ordini d'Architettura, early issue, engraved throughout with architectural title incorporating portrait of Vignola facing right, privilege, dedication and 34 plates (numbered IIII-XXXII and 5 unnumbered of doorways and a mantel), title lightly soiled with a couple of small stains, a few spots and marginal soiling, staining to last few plates with fore-edge reinforced, plate XXVII slightly torn mostly along platemark (repaired), small adhesions to plate XXXII and first unnumbered plate where once stuck to previous plate, one or two other old repairs to inner margins, engraved bookplate of Arthur William Fitzroy Somerset of Castle Goring Sussex dated 1920, early eighteenth century mottled calf, gilt, rubbed, rebacked preserving old gilt spine and red morocco label, [Fowler 351; cf.Berlin Kat. 2578 & Millard Italian 144, both with 32 engraved leaves], folio (c.405 x 260mm.), [Rome], [late 1560s/early 1570s].⁂ An early issue of this influential treatise on the orders in which Vignola made the first serious attempt to form a mathematical basis for each order. Alongside Serlio and Palladio, Vignola was the third great architectural theorist of the Renaissance. His treatise was first published in 1562 or 1563 with 32 engraved leaves; this copy conforms to that of Fowler 351 (also with the five additional unnumbered plates at end).
Vignola (Giacomo Barozzi da) Regola delli Cinque Ordini d'Architettura, 2 parts in 1, engraved throughout, Part I with architectural title incorporating portrait, dedication and 36 plates only numbered III-XXXVIII (lacking privilege), title defective at foot with loss to title and imprint (laid down), old ink signature "Danielis Novak " to verso and with small ink stamp to front free endpaper, plate XVIII defective at upper outer corner with some loss to image (repaired), Part II 'Nuova et ultima aggiunta delle Porte d'Architettura di Michal Angelo Buonaroti' with frontispiece (?plate XXXIX, defective at foot with loss to caption), architectural title incorporating portrait by Montano and 8 plates numbered XXXX-XXXXV and 2 unnumbered of capitals, [Berlin Kat. 2582; cf.Fowler 355], [Rome, Gio. Battista da Rossi], [c.1610] bound with Labacco (Antonio) Libro...appartenente a l'Architettura nel qual si figurano alcune notabili antiquita di Roma, engraved architectural title and 27 plates on 22 leaves only (lacking plate 17), several double-page and one folding numbered as 3, with letterpress leaf 32 description of ports, title browned & stained and torn (laid down), folding plate defective at upper edge with some loss (repaired), [cf.Fowler 167, conforms to this but for lack of any imprint to title and letterpress leaf with 75 lines rather than 70)], [?Rome, Carlo Losi], [?1773] and Montano (Giovanbatista) Tabernacoli Diversi..., engraved throughout with architectural title, portrait, preface (with portrait), dedication and 23 plates only (of 24, lacking plate 17), [Berlin Kat. 3711], Rome, 1628, together 3 works in 1 vol., some spotting and staining, later marbled boards, rubbed, repairs to spine, folio; sold not subject to return
Vignola (Giacomo Barozzi da) Reigle des Cinq Ordres d'Architecture, engraved throughout with architectural title incorporating portrait and 42 plates, several with extensive contemporary ink annotations in German (in two different hands) to verso of plate concerning facing plate, title lightly soiled and creased, some light marginal water-staining or soiling, modern calf-backed marbled boards, vellum tips, brown morocco label, [Fowler 372], folio, Amsterdam, Justus Danckers, et se vend a Paris chez F.Jollain, [c.1700].
Delagrive (Abbé Jean, Lazarist priest and official geographer of the City of Paris, 1689-1757) Nouveau plan de Paris et de ses Faubourgs, dressé sur la Méridienne de l'Observatoire et levé géométriquement par M. l'Abbé Delagrive, large wall map of Paris with ornate title cartouche in the top right surmounted by the arms of Paris surrounded by the goddesses Piety and Justice, accompanied by Minerva, Neptune, Mercury and Venus, and with another large cartouche in the upper left corner with dedication to King Louis XV, decorated with his portrait, each of the borders decorated with various vignettes and profiles of monuments, including the Louvre, Invalides, Tuileries, Luxembourg, Sorbonne, Val de Grâce, Notre-Dame, and others, with tables identifying locations within columns to each side, engraved map by Louis Borde and Claude Duflos, on six sheets of thick laid paper joined as one and presented on linen with wooden rollers, total size approx. 1550 x 1880 mm (61 x 74 in), some old tears and splits, a few of the joins starting to lift up, some small perforations and surface abrasion, surface dirt and some browning throughout, numerous handling creases and old folds from being rolled, published chez l'auteur, cloître Saint Benoît, Paris, 1728.⁂ Monumental wall map by the Lazarist priest Delagrive, who was originally born in Krakow, Poland. He devoted himself exclusively to topographic engraving, surveying, and triangulation techniques. His plans of Paris, Versailles, and the surroundings of the city, earned him the position "de géographe de la ville de Paris". The present wall map took two years to complete following direct observation rather than copying of others' work, and was said to be the the first plan of Paris offered to the public for subscription. An engraved facsimile was produced after the map and published in 1880.Rare at auction. We cannot trace another copy being sold in the last 20 years. Other examples are held in the British Library as well as a rather worn copy in the Bibliothèque Nationale de France.
Francine (Alexander) A New Book of Architecture...set forth by Robert Pricke, first English edition, engraved architectural frontispiece incorporating portrait of the author (date 1674 at foot) and 38 engraved plates only (of 39, lacking plate IV), title and list of plates mounted on stub, title with slip pasted over 1669 imprint, frontispiece frayed at edges with slight loss to imprint (repaired), some light soiling and water-staining, mostly marginal, a few other leaves frayed and repaired at edges, contemporary manuscript note to front free endpaper noting imperfect collation, modern half calf, [Harris 229; Wing F2056; cf.Fowler 126, first edition, Paris, 1631], folio, for Robert Pricke, 1669 [but with slip dated 1679].⁂ Rare work by the Ingénieur Ordinaire du Roi in charge of the fountains at Fontainebleau. "His gates and arches reveal an imaginative artist who knew how to combine the traditions of French and Tuscan mannerism....His interest was focused on designs of portals in the style rustique which is familiar from Italian sixteenth-century gardens". (Harris).ESTC cites only 3 UK copies (BL, Cambridge, and Chatsworth).
Fréart (Roland, Sieur de de Chambray) Parallèle de l'Architecture Antique et de la ..., first edition, fine engraved additional pictorial title incorporating dedication to and an oval portrait of François Sublet de Noyers (the author's cousin and impetus for the book) by Tournier, letterpress title with large engraved vignette, 40 full-page engraved illustrations by Charles Errard, engraved head- & tail-pieces and initials, some light soiling (mostly to engraved title), James Gibbs's copy with his bookplate (engraved portrait of Gibbs by Baron used as title-page vignette to second edition of 'Rules for Drawing'), modern bookplate of P. & L.Waterhouse, contemporary calf, rubbed, rebacked, corners repaired, [Berlin Kat. 2374; Fowler 127; Millard French 76], folio, Paris, Edmé Martin, 1650.⁂ First edition of this important comparative study of the orders but for an amateur readership. "It is the first architectural treatise of the seventeenth century to propose a fresh look at earlier architectural treatises...Fréart's interest in abstract principles, universal laws, and their connection with beauty and geometry suggests neoclassical developments in the eighteenth century, as does his insistence on a set of underlying principles applicable to all the arts." (Millard).
Galli da Bibiena (Ferdinando) L'Architettura Civile preparata sú la Geometria, e ridotta alle Prospettive..., 5 parts bound in 2 vol., first edition, full-page engraved portrait and 72 plates, woodcut ornaments and initials, errata leaf bound after portrait, contemporary ink inscription "Ippolito Matteini pittore e Teodoro suo figlio pittore" to head of title, some soiling and staining, plates trimmed close at left-hand edge (a few frayed with slight loss) and mounted on stubs and/or reinforced, later half sheep, rubbed, [Berlin Kat. 2628; Fowler 134, variant title mentioning Bologna; Millard Italian 45], folio, Parma, Paolo Monti, 1711.⁂ "The five parts of this work treat of geometry, civil architecture in general, perspective, painting, theatrical scenes and the mechanics of lifting and moving objects. As an author Ferdinand is perhaps the most important of the five members of the great Italian architectural family of Galli da Bibiena, known for their theater designs and decorations in the full baroque style". (Fowler).
Gibbs (James) Rules for Drawing the several Parts of Architecture, 64 engraved plates, W. Bowyer for the Author, 1732; Bibliotheca Radcliviana: or, a short Description of the Radcliffe Library at Oxford, engraved portrait of Gibbs by Baron after Hogarth (bound as frontispiece to previous work), engraved portrait of Radcliffe by Fourdrinier after Kneller and 21 plates, for the Author, 1747, together 2 works in 1 vol., first editions, extra-illustrated copy with another smaller engraved portrait of Gibbs by Baron (?Gibbs's bookplate, issued as title-page vignette to second edition of the first work) mounted on front pastedown, also bookplate of the Radcliffe library, with an additional version of the Hogarth portrait (with architectural background and octagonal frame, lightly soiled & browned) loosely inserted, and engraved plan of the library and plan of a banquet in the library on June 14 1814 both tipped into second work, washed, modern half vellum, tan morocco label, [Berlin Kat. 2334 & Fowler 139, second work only; Harris 259 & 256; Millard British 23 & 24], folio
James Jebusa Shannon (1862 - 1923), oil on canvas, portrait of a woman wearing a bonnet, thought to be the artist's wife, 102cm x 78cm (40" x 30"), framedNo canvas damage patches or repairs, a faint stretcher mark across the centre and light horizontal paint craze lines in the lower half, paint appears to be stable and no sign of overpainting when viewed under UV light, label verso states that this painting was given by the artist's granddaughter in the 1970s, modern frame with small section of gesso missing from bottom right-hand corner
Edward Bawden (1903-1989), original colour lithograph on paper, The Bell, from Life in an English Village, printed at the Curwen Press in 1949, 9.7cm x 15.5cm,mounted. These drawings of his home village, Great Bardfield, were made directly on to lithographic zinc plates by Bawden for this famous work. The customer on the left is a portrait of the artist John Aldridge
A framed late 18th century oval portrait miniature circa 1793 of Capt. Richard Tiddeman son of Admiral Sir Thomas Tiddeman, the sitter wearing red military tunic, signed by Charles RA, locket of hair set into exposed reverse 6.5 x 5cm, label verso for W Braithwaite Junior and a framed late 18th century oval portrait miniature of Sarah Frost 1st wife of Captain Richard Tiddeman
A pair of George IV silver wine coastersLondon 1822, bosses stamped with maker's mark for Richard Sibley ICircular with ribbed rims, applied swags and portrait mask roundels over vertical pierced slats, turned wood centres, part marked bosses crested, diameter 12.2cm. (2)For further information on this lot please visit Bonhams.com
AN ENGRAVED CYCLE CLUB FACET STEM WINE GLASS FOR PHILIP EGERTONCirca 1770The drawn ogee bowl inscribed P.Egerton in copper-wheel and diamond-point, the base cut with petal flutes over hexagonal facets and a conical foot, 14.5cm highFootnotes:ProvenanceRobert H. Vaughan (1723-91), Nannau, and thence by descentTamlyns Auctioneers, Bridgewater, 9 December 2008, lot 21Bonhams sale, 16 December 2009, lot 110, where acquired by Peter LoleThe Peter Lole CollectionPossibly for Philip Egerton (1694-1776).THE CYCLE CLUB GLASSESNotesThe present lot comes from a group of thirteen important wine glasses used by members of the Cycle Club which have descended from the Vaughan family of Nannau in North Wales (see P.Lole, 'Limpid Reflections', Glass Circle News, no.118, March 2009, pp.7-8). With its members' close political support of the Stuart cause, the Cycle Club is strongly associated with Jacobite glass. Each of the wine glasses bears the name of a member of the Cycle, including that of the arch-Jacobite Sir Watkin Williams Wynn, recorded in the twenty-six meetings held by a separate host from 2 July 1770 until 8 July 1772 of which 26 people were present. Twelve of the names on the set of thirteen glasses are featured on a contemporary card rota with the owner of the glasses, Robert H. Vaughan acting as host on 24 June 1771. The thirteenth inscribed glass for Philip Egerton of Oulton (1694-1776), does not feature on the rota, but as by far the oldest member - he would have been 76 at the commencement of this Cycle - he was presumably excused from hosting a meeting.Four of the glasses are now in the National Museum of Wales, Cardiff. The set included glasses for Sir Watkin Williams Wynn (1748-89; President of the Cycle); Hon. R. Barry (1719-87); Hon. I.S. Barry (1725-84); T. Bycot (d.1798); P. Davies; R.P. Price (1736-82); B. Read; R.P. Thelwall (1720-75); W. Williams (d.1808); Dr. Wynn (?1745-96?); O. Wynne (1742-82); P. Egerton of Oulton (1694-1776). Hartshorne (1897) records that at Oulton there survived a set of ten Jacobite glasses of circa 1750, which were used at Cycle meetings together with a tabernacle portrait of Prince Charles by Giles Hussey. Unfortunately, Oulton Park was burned down in a disastrous fire in the 1920s, and the glasses may not have been saved. It has been suggested that some Clubs, and the Cycle in particular, had duplicate sets of glasses at different venues, and this discovery of a set of Cycle glasses at the Vaughans of Nannau seems to confirm this belief.Further evidence to support this proposition may perhaps be observed in the two group portraits painted by Sir Joshua Reynolds of The Society of Dilettanti, dating from 1778-79, now hanging in Brooks' Club in London. Sir Watkin Williams Wynn, Bart, can be seen on the extreme left-hand side of one of the paintings (illustrated) whom along with fellow members of the Dilettanti, including Sir William Hamilton, are clearly holding facet-stem wine glasses of the type used by the Cycle. Unfortunately, the Dilettanti glasses do not appear to be inscribed.For further information on this lot please visit Bonhams.com
AN ARCHIVE OF DOCUMENTS AND EPHEMERA RELATING TO JAMES INNES AND FAMILY, KELSOTo include The Reverend Thomas Smith, The Wonders of Nature And Art, 6 vols 1803, presented by The Duke of Roxburghe to James Innes Junior 1814; a mahogany lap-desk; a portrait miniature; journals and related ephemera and correspondence between the family at Broomlands, Kelso and Edinburgh including a letter from The Duke (a lot).Footnotes:James Innes was Factor for The Duke of Roxburghe c1820-1830 and this collection has relates to the Innes family and transactions with The Floors EstateFor further information on this lot please visit Bonhams.com
Scottish School (18th Century)Portrait of Robert Aytoun unsignedoil on canvas, oval75 x 62cm (29 1/2 x 24 7/16in).Footnotes:NotesRobert Aytoun, b. 1702 became Robert Colvile of Ochiltree in 1728, on death without issue of his unmarried maternal uncle, 3rd Lord Colvile of Ochiltree.The necktie through buttonhole shows the Aytoun famiy fought at the Batte of Steinkirk in 1692, when the English army was taken by surprise early in the morning and had no time to dress properly.For further information on this lot please visit Bonhams.com
John Bellany C.B.E., R.A., H.R.S.A., L.L.D.(Lon) (British, 1942-2013)Raised beach self portrait numbered 36/45 (lower left) and signed 'John Bellany' (lower right)etching45.5 x 39.3cm (17 15/16 x 15 1/2in).unframedFootnotes:One of the series of prints known as the Addenbrokes series after the hospital in Cambridge where Bellany underwent a major operation.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
HISTORY OF SCOTLANDPICKERTON (JOHN) The History of Scotland from the Accession of the House of Stuart to that of Mary...2 vols, gilt calf, C.Dilly 1797--MAJOR (JOHN) Historia Majoris Britanniae Tam Angliae quam Scotiae, Editio Nova gilt calf, red label, Robert Freebairn Edinburgh 1740--LESLEY (JOHN) The History of Scotland, half gilt morocco, Edinburgh 1830--BUCHANAN (GEORGE) The History of Scotland, engraved portrait frontispiece, later gilt calf binding, original boards, folio, Awnsham Churchill 1690--SCOTT (DAVID) The History of Scotland, engraved armoriall frontispiece, rebound, folio, Cluer and Campbell, Westminster 1728 (5)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
SCOTTISH HISTORYFORDUN (JOHN OF) Scotichronicon, cum Supplementis et Continuatione Walter Boweri, 2 volumes, speckled calf with ridged gilt spine, label ex libris Bibliothecam S.Emerami, folio, Edinburgh 1759--CHALMERS (GEORGE) Caledonia or An Account Historical and Topographic of North Britain..., 3 volumes, speckled half calf with ridged gilt spine, fold-out map in first volume, Caddell and Davies London 1807--GORDON (SIR ROBERT) A Genealogical History of The Earldom of Sutherland From Its origin to the Year 1630, half calf with gilt ridged spine, marbled endpapers, engraved portrait frontispiece, ex libris Alexander Cunighame, folio, Constable Edinburgh 1813--General Post Office Annual Directory 1812-13--Herman Moll's 'Atlas of Scotland' publisher's gilt cloth with calf spine, Limied edtion 147 of 500, with slip case, folio, Heritage Press (5)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
CULLODEN INTEREST: COMMEMORATIVE BRASS AND BOIS DURE SNUFF BOXOf circular form, the hinged cover with embossed brass portrait plaque, inscribed WILLIAM DUKE OF CUMB[ERLAND] DEFEATED THE REBELS AT CULLODEN IN SCOTLAND AP.16.1746, 2.8cm high, 6.5cm diameter.For further information on this lot please visit Bonhams.com
An early 20th century Continental 14 carat gold chainmail and sapphire evening bag with purse attachedframe stamped 585, also incuse numbered 45670 The square shaped bag with tapered sapphire cabochon mounted gold snap clasp, the rigid shaped frame channel set with calibre-cut sapphires, attached to a gold chainmail suede-lined bag, hung from a chain handle of uniform oval links, a suspended gold and sapphire purse attached of similar design, plus two hanging charm pendants, the discs decorated with a pig and engraved 'Viel Gluck' (translates to 'Much Luck') and a chimney sweep engraved 'Leon', the interior bag frame to one side engraved 'Leon, Neujahr 1912', to the other 'Antonie Schulz', length bag 15cm, weight total 388.8gms.Footnotes:This gold handbag and purse was a gift from Doctor Leon Lilienfeld (1869-1938) to his future wife Antonie Schulz (1876-1972), in the New Year of 1912. The inscriptions are from Leon to Antonie Schulz, who later became Antonie (Schulz) Lilienfeld.Leon Lilienfeld was born Joseph Leib Leon Lilienfeld to a Jewish family in Podhajce, near L'vov in South Eastern Poland (now the Ukraine), in 1869. Dr Lilienfeld was trained as a physician, but went on to become an eminent scientist and inventor. In his scientific career he produced new derivatives of cellulose and became world-renowned for his inventions, obtaining patents both in Austria and the United States. Leon's wife Antonie Schulz was born in Czechoslovakia in 1876, into a Christian household. As such, Dr Lilienfeld was baptised on April 27th 1914 at the age of 45 and shortly after the couple married, choosing to reside in an affluent area of Vienna. With his wealth, Dr Lilienfeld built a significant collection of Dutch and Flemish old master paintings. The Austrian art historian Gustav Glück published a catalogue of the Lilienfeld pictures in 1917, the 'Portrait of a Man' by Frans Hals serving as the frontispiece to the publication and securing its place as the highlight of the collection. The Lilienfeld's paintings were so well known that they were widely considered a contribution to the cultural holdings of Austria. As early as 1933, the couple apparently planned to relocate to France, as the German art periodical Pantheon reported: An important private collection, which includes a number of most excellent works by the Dutch Masters, such as the 'Portrait of a Man' by Frans Hals ... will be lost to Vienna's art collections in the near future, when the owner, Dr Leon Lilienfeld, moves to Paris.For what reason they planned to relocate to Paris at this time is not known, but they did not leave Austria until shortly after the Anschluss, on March 24, 1938, fleeing to Milan. The couple provided several reasons for their departure, but the most likely explanation was that, because he would be considered Jewish under the Nazi race laws, he did not wish to stay within the borders of what had become part of the Third Reich. Thus the Lilienfeld's had to leave their home and their belongings, including the art collection, in Austria. Tragically Dr Lilienfeld died of pneumonia in Milan on June 6, 1938, leaving his widow as his sole heir. Between leaving Vienna and her husband's demise, the Nazi Decree Regarding the Declaration of Jewish Assets went into effect on April 26, 1938. This law required any Jewish resident of the Reich possessing at least RM 5000 in property to submit an itemised asset registration with the Vermögensverkehrstelle (VVSt), or Property Registration Office within the Ministry of Economics. By 1941 Antonie Lilienfeld had settled in the USA, in the Boston suburb of Winchester, Massachusetts and that was when her battle began with the art collecting officials of the Third Reich, including Adolf Hitler's own agents, to be reunited with her paintings. The story of the Lilienfeld's demonstrates the many ways in which the Nazi regime sought to strip emigrants of their belongings, and in particular desirable works of art.LiteratureReed, Victoria, 'Frans Hals, Hitler, and the Lilienfeld Collection: A Case Study of Expropriation in Austria', published in the Journal of the History of Collections 30(3):pp 471-486 (Boston: Museum of Fine Arts, November 2018)For further information on this lot please visit Bonhams.com
A. Thorpe (20th century) Portrait of a standing girl holding flowers Signed, oil on canvas.24cm x 19cm (9.5in x 7.5in)The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
English School (19th century) Portrait of a gentleman Unsigned, oil on canvas.74.5cm x 62cm (29.25in x 24.25in)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed universally and there are some minor splashes across the painting. There is extensive craquelure across the surface of the painting. The painting is ornately framed but not glazed. The frame has some knocks and losses commensurate with age.
English School (19th century) A portrait miniature and a silhouette Unsigned, oval, ink and watercolour on paper and a cut-paper silhouette, both in ebonised rectangular frames with gilt mounts (2).6cm x 5cm (2.5in x 2in) and 7.5cm x 6.5cm (3in x 2.5in)Qty: 2The miniatures are both in good, original condition. There are two very small flecks of paint loss below the watercolour portrait bust. The glass on both the miniatures is a little dirty around the edges. There is some light craquelure, scuffs and scratches across both the ebonised frames.
English School (19th/ 20th century) Portrait of a chestnut horse in a stable Unsigned, oil on canvas.42.5cm x 58cm (16.75in x 23in)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning. There are some minor creases across the canvas and stretcher marks are apparent running parallel to the edges of the canvas. There are some minor surface scratches across the painting and some small areas of paint loss around the edges of the canvas. The painting is ornately framed but not glazed. The frame has some minor knocks and losses commensurate with age.
A pair of Coalport pâte-sur-pâte two-handled vases, late 19th century, each with a classical bust portrait turned to dexter, within an elaborate gilt and silvered oval frame, against a burgundy ground, flanked by gilt loop handles, green printed marks to bases with pattern reference 'A7644', height 16cm (one with small chip to rim).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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