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Los 1

A Collection of various grand tour plaster intaglios; a 20th century framed plaster portrait plaque of a lady, a large abalone shell, a mahogany artists palette, and further misc.

Los 1

A carved alabaster bust of a politician possibly Gladstone, late 19th century. 3/4 size, mounted on bronze socle foot, 33cm high, also a 19th plaster portrait bust signed on the reverse ‘Gaffin Sic’ dated 1894, 23cm high. (2)

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English school, 19th century, A head and shoulders portrait of a young man, coloured chalks, 66 x 50cm (26 x 20in), arched top, gilt frame

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English school,19th century (possibly M.T.A.), 'Kennard', a portrait of a draught horse fully harnessed, oil on canvas, signed with monogram and inscribed lower left, 36 x 46 cm (14 x 18 in), unframed

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English school, 18th century, A pair of portraits, probably a mother and her daughter, oil on copper, oval, each 18 x 14 cm (7 x 5 1/2 in), unframed, together with a portrait of Mary Turner of Burslem, Staffordshire, by her grandson Frederick Richard Ryles, executed in 1846, oil on panel, 20 x 15cm (8 x 5 1/2in) (3)

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*** Nadler (19th/20th century), A portrait of a horse in a stable, oil on board, 29 x 40cm (11 1/2 x 15 1/2in), gilt frame

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English school, 19th century (possibly M.T.A.), Portrait of a draught horse fully harnessed, oil on canvas, unsigned, 41 x 51cm (16 x 20in), unframed

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Italian school, 16th century, Portrait of a bearded man, oil on canvas, 66 x 54 cm (26 x 21 in), unframed

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A pair of Copeland Parian portrait busts, of the Prince and Princess of Wales, sculpted by F M Miller impressed marks verso “Pub”d Feb X1 1863, Crystal Palace Art Union” upon waisted socles further impressed, 30.5cm and 30cm. These are from a series of portrait busts commissioned to commemorate the royal marriage of Edward Prince of Wales to Princess Alexandra of Denmark in 1863

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A George III Bilston enamel patch box, of oval form, the restored enamel cover with a portrait of George III “Britons rejoice and thank the Lord in Mercy will look over thee”, on oval concave pink ground and a mirror to the lid, 5cm

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A George III enamel patch box, of oval form, the cover painted with a portrait of “General Jefferson” with a jewelled border, on a blue lobed base, and a mirror to the lid, 4.6cm (see lot 94 for illustration)

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Walter Blackman (American 1847-1928) BUST LENGTH PORTRAIT OF A YOUNG LADY Signed, oil on canvas 51 x 40cm

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English School PORTRAIT OF A YOUNG GIRL IN A GREEN DRESS, HALF LENGTH, Oil on canvas, 76 x 63cm

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Charles Picart Ledoux (1881-1959) PORTRAIT OF A LADY IN A BLACK DRESS STANDING IN FRONT OF A SIDEBOARD, Signed, oil on canvas 61 x 51cm

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English School, 19th Century PORTRAIT OF A GENTLEMAN, HALF LENGTH Oil on canvas 62 x 51cm

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Petrocelli PORTRAIT OF AN ITALIAN MAN IN A BLUE HAT Signed, oil on canvas 25 x 20cm together with three further Neapolitan portraits of a man smoking a pipe and two old women, all signed indistinctly, oil on canvas, each 27 x 17cm (4)

Los 1

After Rembrandt PORTRAIT OF A MAN IN A FEATHER HAT Oil on canvas, 35 x 30cm, in a carved 18th Century frame

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A Victorian silver presentation trowel by George W Adams, with an ivory handle, the blade engraved with an image of the Handley monument at Sleaford, within a foliate scroll border, the obverse with a presentation inscription, London 1850, 14" long, in a fitted case; together with a portrait miniature after William Foster, the recipient of the trowel, half length, wearing a blue jacket, white waistcoat and a cravat, in a folding Morocco case, 3¼" x 2½"; a newspaper cutting by the subjects grandson with the history of the event accompanies this lot.

Los 1

A Victorian pottery mug, commemorating the 60th reign of Victoria, printed in blue with a profile portrait within an oval flanked by heraldic lion and unicorn, opposing biog. cartouche, 3¾ high; a pottery mug commemorating the marriage of the Prince of Wales and Princess Alexandra, 1863, 3½" high (repaired)

Los 1

A Doulton stoneware commemorative jug, William Ewart Gladstone, the jug printed with a portrait and quotations below the title England's Great Commoner, 7½" high

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Pugh (P.D Gordon) - Staffordshire Portrait Figures and Allied Subjects of the Victorian Era, 1981, dust wrapper; Oliver (Anthony) - Staffordshire Pottery - The Tribal Art of England, Heinemann 1981, signed by the author on the title page; The Victorian Staffordshire Figure, a Guide for Collectors 1971 (3)

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20thC British school. Portrait of an elderly bearded gentleman facing sinister wearing a hat, oil on canvas. 14" x 10" in a moulded plaster gilt frame.

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Dennis Ramsay (1925 -). A head and shoulders portrait of Sir Robert Menzies, pencil portrait, signed bottom left, MCMLXVII Kingsdown, 18" x 15"

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A pair of portrait miniatures of gentlemen in Asian dress, watercolour, 2½", oval

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C19th Portrait of a Bearded Gentleman, oil on canvas in gilt frame approx. 20’ x 24’

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C19th Enamelled Purse with Ormolu Mounts & Silk Interior complete with water silk covered note book, front depicting an oval portrait of a young women with flowers in her hair, back decorated with flowers

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AFTER SIR JOSHUA REYNOLDS, ENGRAVED BY ELLEN JOWETT, COLOURED MEZZOTINT, DATED 1916, Portrait of Mrs Braddyll, (see label verso), 16” x 11”

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PRE-RAPHAELITE SCHOOL PHOTOGRAVURE, Head and shoulders portrait of a young lady with iris in background, 16” x 13”

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PERCY HETHERINGTON FITZGERALD, SIGNED AND DATED 1965, OIL, Half length portrait of a lady wearing a white shawl, 27” x 23”

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UNSIGNED, OIL ON PANEL, portrait of Viscount Lord Nelson, 7” x 5”

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J P, INITIALLED, OIL, ship portrait ‘SS Crown Point’, 8” x 15”

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LATE VICTORIAN SCHOOL, OIL, head and shoulders portrait of a young girl with red hair, 15” x 12”

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J M BENNETT, SIGNED, MONOTONE WATERCOLOUR, an actress wearing a top hat, 18” x 11” and KATHLEEN RUSSELL, INSCRIBED VERSO, OIL, half length nude portrait of a lady, 23” x 19”, (2)

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VICTORIAN SCHOOL, OIL, half length portrait of a gent wearing black coat and cravat, 29” x 24”, unframed

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UNSIGNED 20TH CENTURY BRITISH SCHOOL, OIL, Portrait of a lady holding a rose on a terrarce, 42” x 32”

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EARLY 19TH CENTURY CONTINENTAL SCHOOL, OIL MINIATURE ON PANEL, Portrait of a young lady wearing green lace trimmed dress, 4” diameter circular

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19TH CENTURY ENGLISH SCHOOL, OIL, Portrait of an artist/author with his pet dog, 8” x 6”

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19TH CENTURY ENGLISH SCHOOL, OIL, portrait of a gentleman holding letters, 16” x 13”

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JOHN KNOX FERGUSON, SIGNED AND DATED 1889 VERSO, OIL, ‘Bounce’ (dog portrait), 9” x 13”

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AFTER SIR PETER LELY, (BEARS SIGNATURE), OIL, head and shoulders portrait of a young lady wearing red dress, 28” x 23”

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H SMITH, SIGNED AND DATED 1736, OIL, head and shoulders portrait of a lady in blue dress, 29” x 23”

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E BAINBRIDGE COPNALL, SIGNED AND DATED 1925, OIL, portrait of a young girl in silk dress, 20” x 11”

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INDISTINCTLY SIGNED, OIL, portrait of a young girl holding flowers in her dress, 34” x 24”, unframed

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MID 19TH CENTURY ENGLISH SCHOOL, OIL, head and shoulders portrait of a gent wearing a black coat and white cravat, 22” x 17”

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20TH CENTURY BRITISH SCHOOL, OIL, portrait of a nude lady, seated, with flowers in background, 30” x 21”

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H MARCUS, INDISTINCTLY SIGNED, OIL, head and shoulders portrait of a lady with Venetian gondolas in background, 14” x 12”

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19TH CENTURY ENGLISH SCHOOL, OIL, head and shoulders portrait of a Naval Officer holding a telescope, 9” x 6”

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D M CLARK, SIGNED AND DATED ’78, PENCIL DRAWING, dog portrait – a Boxer, 15” x 11”

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Alessandro Raho, b. 1971, PORTRAIT OF CARL, signed, dated 5.94 and dedicated to Carl with love Sandro on the overlap, oil on canvas, 152x122cm.; 59.75x48in. Provenance: Acquired directly from the artist by the present owner

Los 1

Jenny Saville, b. 1970, UNTITLED (PORTRAIT), signed and dated '90, oil on canvas, 74x51cm.; 29x20in. This early portrait from 1990 of the artist's classmate exemplifies Saville's use of the traditional in terms of subject and medium. Although this may appear to have been an unconventional choice, considering its connotations with classical male portrait painters and sitters, it provided an electric juxtaposition for Saville's feminist-based subject matter and intense psychological exploration of her sitters. The subject is portrayed here without frills or fancy but with a powerful presence that fills most of the canvas plane, expressed most startlingly through her stance and posture as well as the artist's vigorous brushwork. Provenance: Acquired directly from the artist by the present owner in 1990

Los 1

Claes Oldenburg, b. 1929, KASPER, PORTRAIT OF W. KoNIG, titled, ballpoint pen and rubber ink stamps on paper, 29.5x21cm.; 11.5x8.25in. Provenance: Collection of Professor Walter Konig, Cologne. Private Collection, Munich. Derived from the profile of an old film poster (the lens being the nose and the reels the ears), the mouse has become synonymous with Oldenburg's work from the early 1960s, most recognisably being used as a letterhead symbol for his first retrospective in 1966 at the Moderna Museet, Stockholm, as well as acting as the logo advertising for his 1969 exhibition at the Museum of Modern Art, New York. Having a rather substantial population of mice in his New Haven home, the artist found that "a rodent subject was unavoidable", and following a visit to Los Angeles' Disney World in 1968, Oldenburg began to rework his mouse imagery, proving his originality and flexibility to generate a number of concepts based on a single subject. Often likened to a three-way plug, a double light switch or even the artist's face, Oldenburg's mouse captures the artist's sense of humour as well as aptly displaying his ability to transform mundane surroundings into something inspiring and enjoyable.

Los 1

Alain Jacquet, b.1939, PORTRAIT OF AN ASS, signed and dated 66, screenprint in colours on canvas, 114x162cm.; 44.75x63.75in. Provenance: Galerie ME Thelen, Cologne

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Caesar Sir Julius (1558-1636). Autograph document signed as Chancellor of the Exchequer and Master of Rolls dated 13 February 1611 single leaf 4to in reply to petition of Thomas Pendruddocke "farmer of a coppice called Northwood Coppice in his Mat.'s new foreste" giving authority for the "makeinge of gates and stakes for the hedges of the said Copice" for its protection with engraved portrait (2).

Los 1

Jardine Sir William. Mammalia. Edinburgh: W.H. Lizars 1833-34 2 volumes small 8vo volume I Monkeys volume II Felinae comprising volumes XVII-XVIII of the Naturalists Library series engraved portrait frontispieces titles with vignettes 64 hand coloured plates; The natural history of humming birds. Edinburgh: W.H. Lizars 1833 2 volumes small 8vo consisting volumes XIV-XV of the Naturalists Library series engraved portrait frontispieces titles with hand coloured vignettes 64 hand-coloured plates full green cloth gilt extensively rubbed offsetting occasional foxing (4).

Los 1

Jardine Sir William. The Natural History of Humming-birds. Edinburgh: W.H. Lizars 1840. First edition 2 volumes 8vo each volume signed by author on titles additional engraved titles portrait frontispiece in each volume 64 colour plates author's signature pasted onto front endpaper of volume I both volumes with owner's ink inscription on front endpapers full morocco gilt extra by Alex Banks Jnr. Edinburgh g.e. heavy foxing throughout corners bumped (2).

Los 1

Clarendon Edward Hyde First Earl of. The history of the rebellion and civil wars in England begun in the year 1641. Oxford: printed at the Theater 1707 second edition 3 volumes folio Vol I pp. [8] XXIII 557 Vol II pp. [18] 581 Vol III pp. [26] 603 [21] half titles portrait frontispiece to each volume engraved vignettes on titles engraved head & tail pieces and capitals throughout extra illustrated with over 235 engraved portraits and mezzotints topographical scenes and fold out battle scenes etc. later morocco gilt marble endpapers top edge gilt worn rebacked occasional foxing (3). Note: Engravings and mezzotints by various artists including J. Houbracken G. Vertue Van de Gucht Lombart I. Faber and Nautueil. Provenance: Armorial Munden bookplate in each volume. Note: Engravings and mezzotints by various artists including J. Houbracken G. Vertue Van de Gucht Lombart I. Faber and Nautueil. Provenance: Armorial Munden bookplate in each volume.

Los 1

Churchill Sir Winston. The War speeches: Vol. 1 Into battle; compiled by Randolph S. Churchill. 1941. second impression portrait frontispiece publisher's cloth dustwrapper edges of wrapper slightly frayed; Vol. 2 The unrelenting struggle; compiled by Charles Eade. 1942. First edition portrait frontispiece plates publisher's cloth dustwrapper; Vol. 3 The end of the beginning; compiled by Charles Eade. 1943. second impression portrait frontispiece plates publisher's cloth dustwrapper; Vol. 4 Onwards to Victory; compiled by Charles Eade. 1944. First edition frontispiece plates publisher's cloth dustwrapper; The dawn of liberation; compiled by Charles Eade. 1945. First edition frontispiece plates publisher's cloth dustwrapper wrapper with a couple of small snags; Victory; compiled by Charles Eade. 1946. First edition frontispiece plates publisher's cloth dustwrapper; The sinews of peace: post-war speeches; edited by Randolph S. Churchill. 1948. First edition publisher's cloth dustwrapper. All published in London: Cassell 8vo. most with bookplates. (7). Note: Woods A66(a); A89; A94; A101; A107; A112; A124.

Los 1

Churchill Sir Winston. Arms and the covenant; speeches compiled by Randolph S. Churchill. London: Harrap 1948. First edition first impression 8vo. portrait frontispiece publisher's dark blue cloth pale blue dustwrapper edges of wrapper slightly frayed bookplate and signature of previous owner on front pastedown. Note: Wood A44(a) Comprises more than forty of the speeches which Churchill delivered during the years 1932-1938 on the topics of foreign affairs and national defence.

Los 1

Cockburn Henry Lord. Memorials of his time. Edinburgh: Black 1856. First edition 8vo. portrait frontispiece; Journal of Henry Cockburn being a continuation of the Memorials of his time 1831-1854. Edinburgh: Edmonston & Douglas 1874. First edition 2 volumes 8vo. 2 facsimiles; Life of Lord Jeffrey with a selection of his correspondence. Edinburgh: Black 1852. First edition 2 volumes portrait frontispiece to volume 1. All five uniformly bound in half red morocco cloth boards t.e.g. by Maclehose of Glasgow. (5).

Los 1

Edinburgh & Glasgow. Creech William. Edinburgh fugitive pieces. Edinburgh 1815 8vo portrait frontispiece contemporary calf gilt boards detached interior clean; Edinburgh An historical sketch of the municipal constitution of the city of Edinburgh. Edinburgh 1826 8vo folding tables folding map at rear [bound with] Pennecuik Alexander. An historical account of the Blue Blanket. Edinburgh 1722 8vo 6 plates of arms printed boards worn; Ritchie Robert Peel The early days of the Royall Colledge of Phisitians Edinburgh. Edinburgh 1899 4to original green cloth stamp on upper board bevelled boards backstrip sunned; Smith John The hammermen of Edinburgh and their alter in St Giles Church. Edinburgh no date 8vo one of 500 copies frontispiece original blue cloth gilt gilt stamp on upper board rubbed; Lumsden Harry The records of the Trades House of Glasgow A.D. 1605-1678. Glasgow 1910 4to number 382 of 500 copies signed by author original blue cloth gilt backstrip faded; and 6 others (11).

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