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Los 519

KEATE (George): 'An Account of the Pelew Islands, Situated in the Western Part of the Pacific Ocean. Composed from the journals and communications of Captain Henry Wilson and some of his officers, who, in August 1783, were there shipwrecked, in the Antelope, a Packet belonging  to the Honourable East India Company..', London, printed for Captain Wilson, 1788. Second Edition. Engraved portrait frontispiece and 16 maps, views and plates, sporadic waterstain to lower quarters, some scattered foxing and offsetting, contemporary tree calf gilt with green morocco label, some wear and scuffing, 4to. (1)

Los 530

VICTORIAN PHOTOGRAPH ALBUM: 19thc album of family portrait photographs, artistically arranged on card leaves with well-executed watercolour decoration, black full morocco gilt ruled, aeg, owner's name 'Blanche' central to upper board gilt, sm.folio: with another album. (2)

Los 553

DICKENS (Charles): 'The Life and Adventures of Nicholas Nickleby': London, Chapman & Hall, 1839: FIRST EDITION, frontis portrait by Maclise and 39 plates by Phiz, 19th century half calf with marbled sides, spine gilt ruled with green morocco label, 8vo. Text with both points of first issue, misprint 'visiter' for 'sister' at pp123, line 17: pp160, line 6 up reads 'latter', later corrected to 'letter'. (1)

Los 603

ARMENIAN POLYGLOT PRAYER BOOK: 'Preces Sancti Nersetis Clajensis Armeniorum Patriarchae..', Venice, 1862: with engraved portrait and title, contemporary red quarter morocco, rubbed, 12mo. Contains 24 prayers by the Armenian Patriarch, translated into 33 languages, including many eastern alphabets. (1)

Los 613

SMOLLETT (Tobias): 'The Works of Tobias Smollett, MD', London, printed for B Law et al, 1797: 8 vols, contemporary speckled calf, spines gilt with twin red/black morocco labels, rubbed with some chipping to head caps, engraved frontispiece portrait to vol.1, 8vo. (8)

Los 648

LONDON: TIMBS (John): 'Curiosities of London..': London, David Bogue, 1855: engraved frontis portrait of author, contemporary green half calf gilt, a bit rubbed and sunned, broad 8vo: with 3 other 19thc books on London. (4)

Los 768

CECIL BEATON: photographic portrait of Beaton by Peter North, cream-toned bromide print on paper mount, 1920s, approx 23 x 29cm, lower margin pencil signed by Peter North and with ink inscription from Cecil Beaton to Stephen Tennant...'Dearest Stephen, Best Love from Cecil, Christmas 1930', framed and glazed. (1)

Los 769

CECIL BEATON: 'Loelia, Duchess of Westminster': original silver print photograph, 1931, approx 19 x 24cm, mounted framed and glazed. An image taken for Vogue magazine, showing the Hon. Loelia Ponsonby, third wife of the second Duke of Westminster, wearing the famed tiara with the Arcot diamonds': together with 5 other framed b/w photographs, provenance Sotheby's Wilsford Manor sale 1987, including a portrait of an elderly Beaton in garden amongst sculptures, largest image approx 24 x 18.5cm. (6) Please note the portrait of the elderly gentleman is NOT Beaton. 

Los 801

PRINTS & ENGRAVINGS: PORTRAITS: group of approx 120 portrait engravings, largely 18th-19th century, various sizes. (c.120)

Los 120

English School, 19th century, three quarter length portrait, Fisher Girl stood on the Beach Holding a Basket Awaiting the Catch, oil on canvas, signed with monogram, 24cm x 16cm, gilt frame

Los 144

English school, mid 20th century, A Stoic Soul - Portrait of an Elderly Gentleman, oil on board, 61cm x 51cm.

Los 188

Continental School (20th century), A Portrait of Francisco Goya, signed with monogram F. R. A., oil on board, 19.5cm x 29cm.

Los 20

Cubist school, Portrait of a lady, oil on board, 25cm x 20cm.

Los 201

Frederick Cyril Bell (Nottingham Society of Artists)A Portrait of Enda, The Artist's Wifeoil on board, 24cm x 20cm; two othersCold Frame in Sunshinesigned, oil on board, 46cm x 56cm (3)Associated photographs of the artist and newspaper clippings, by descent from the artist's family

Los 48

C H Parker (British early 20th century)A Portrait of Gloria Wintersigned, dated 1941, pastel, 73cm x 57cm

Los 10

A RARE AND IMPRESSIVE IRON JIZAI OKIMONO OF A HAWKJapan, late 19th century, Meiji period (1868-1912)Naturalistically rendered, the eyes inlaid in gilt with black pupils, the predatory bird perched in a portrait-like pose, the leg joints, wings, beak, and tail meticulously crafted from numerous movable segments.LENGTH 30 cm, HEIGHT 26 cmWEIGHT 1,234 gCondition: Very good condition with minor wear, some expected age-related stiffness to the joints.The art of creating lifelike figures of animals in metal, known as jizai okimono, which developed during the Edo period, is an example of outstanding Japanese craftsmanship. Meticulously constructed with hammered plates of iron, these articulated figures were greatly sought after for decorative use. They were placed in alcoves alongside pieces of porcelain, pottery and hanging scrolls, and were the object of entertainment and discussion. Popular subjects for jizai okimono included insects, fish, crustaceans, and even dragons. Jizai okimono depicting birds are extremely rare.Literature comparison: Compare with an articulated hawk by Myochin Kiyoharu in the collection of the Tokyo National Museum, illustrated by Ito Yoshiaki et al., in the NHK Exhibition Catalogue, Commemorating the 2005 World Exposition, Aichi, Japan Arts of the East and West from World Expositions, 1855-1900, Paris, Vienna and Chicago, 2004, p. 080, no. I-191; and another articulated iron hawk (unsigned), in a private collection in France, illustrated by Harada Kazutoshi, ibid., p. 058, no. 19.Auction comparison: Compare a related kusshin jizai okimono model of a hawk, attributed to Itao Shinjiro, dated circa 1894, 29 cm high, at Bonhams, Fine Japanese Art, 16 May 2013, London, lot 563 (sold for 121,250 GBP). Compare to a closely related iron jizai okimono of a hawk, measuring 23 cm, sold at Woolley & Wallis, Japanese Works of Art, 27 July 2021, Salisbury, lot 358 (sold for 43,000 GBP).13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.

Los 162

A GILT AND LACQUERED WOOD FIGURE OF KANNON BOSATSU HOLDING LOTUS BLOSSOMS Japan, c. 1600, late Momoyama (1573-1600) to early Edo period (1615-1868)Carved from cypress wood and assembled in yosegi-zukuri technique, the bodhisattva standing on a lotus dais supported on an elaborate tiered hexagonal pedestal carved with foliate, diapered, prunus, and cloud designs. The bodhisattva is wearing long flowing robes draped over both shoulders and with deeply carved folds. The right hand is held in semui-in (abhaya mudra) while the left holds two gilt-metal lotus blossoms borne on long stems. The serene face with heavy-lidded eyes below gently arched brows, centered by a glass or rock crystal byakugo (urna), further with full lips forming a subtle smile, flanked by long pierced pendulous earlobes. The hair piled in a topknot and adorned with a hokan (jeweled crown) and munakazari (ornamental necklace). The base inset with a flattened post surmounted by a circular halo.HEIGHT 89 cmCondition: Good condition with some wear, minor age cracks, small losses, minor flaking to lacquer, small chips. Rich, dark patina.Provenance: Kyoto Gallery, Brussels, 21 March 2009. Liliane and Michel Durand-Dessert, Paris, acquired from the above. Liliane and Michel Durand-Dessert were luminous gallery owners who worked in Paris from 1975 to 2004, and were both informed and avant-garde collectors. They are significant not only because of the analytical and original approach the couple applied in each acquisition, but also because of their visionary take on exhibiting the most radical 20th-century art in their gallery, which was the subject of a 2004 retrospective organized by the Museum of Grenoble. According to Michel Durand-Dessert, who was inspired to open the couple's first gallery by a visit to Documenta in 1968, “it is certain that a collection is a portrait, and that the objects we buy are those in which we sometimes recognize ourselves, sometimes we project ourselves. One way or another, acquiring them means adopting them, in every sense of the word.” An expertise from Kyoto Gallery, dated 21 March 2009, written and signed by Tony Cammaert, confirming the dating above, and stating a value for the present lot of 10,500 EUR, accompanies this lot. Yosegi-zukuri, or joined wood-block construction, is a sculpting method in which several rectangular blocks of wood are individually selected and carved into shapes. Yosegi-zukuri, together with ichiboku-zukuri (single block construction), are the two main techniques associated with wood sculpture in Japan. There were several advantages of a sculpture made from multiple blocks of wood. It was much lighter than one carved out of a single block of wood. The technique also helped to minimize the cracking of the wood caused by the outside layer drying faster than the core of the sculpture.Auction comparison: Compare a related wood figure of Kannon, dated to the Nanbokucho period, 14th century (with an amendment stating that the dating “could be as late as early Muromachi period (15th century)”, at Bonhams, 18 March 2015, New York, lot 3107 (sold for 27,500 USD).

Los 316

A LOT WITH SIX JAPANESE COLOR WOODBLOCK PRINTSJapan, Edo period (1615-1868) to Meiji period (1868-1912). Color woodblock prints on paper.1. Signed Kunisada Utagawa (1786-1864) and depicting a samurai. The top area attached to a cardboard backing. Sheet size 36 x 25 cm.2. Depicting two beauties on a dock ready to enter the boat on a rainy day, one holding an umbrella, a further woman inside the boat. With calligraphy and seals. In a vintage wooden frame, behind glass. Size incl. the frame 48.5 x 38 cm, image cut-out 34 x 22 cm.3. Depicting a beauty holding a bamboo spray, the upper left with a rounded rectangular reserve enclosing a waterfall. With calligraphy and seals. In a vintage wooden frame, behind glass. Size incl. the frame 54.5 x 40 cm, image cut-out 35.5 x 24 cm.4. Depicting a beauty holding a bamboo staff, the upper left with a rounded rectangular reserve enclosing people enjoying in and by the water. With calligraphy and seals. In a vintage wooden frame, behind glass. Size incl. the frame 54.5 x 40 cm, image cut-out 35.5 x 24 cm.5. Signed Utamaro Kitagawa (c.1753-1806). A portrait of a beauty reading a hand scroll. With calligraphy and seals. In a lacquered vintage frame, behind glass. Size incl. the frame 43 x 31 cm, image cut-out 29 x 19 cm.6. Depicting a woman standing and dressed in a detailed patterned kimono and reading a book. With calligraphy and seals. In a vintage wooden frame, behind glass. Size incl. the frame 48.5 x 35 cm, sheet size 37 x 24.5 cm.Condition: Good condition with some wear and minor soiling. The print number 3 and 6 with water stains and minor losses. Provenance: German private collection.

Los 319

EISHI HOSODA (1756-1829): PORTRAIT OF WOMANBy Eishi Hosoda (1756-1829), signedJapan, Meiji Period (1868-1912) editionColor woodblock print on paper with Mica dust background. Vertical Oban. A traditional Japanese Ukyio-e style illustration of a Japanese woman. Mounted at the upper margin to a passepartout.SIZE of the sheet 38.5 x 26.8 cmCondition: Excellent condition with minor traces of wear.Provenance: Austrian private collection, acquired in the 1990s at Galerie Zacke, Vienna.Eishi Hosoda (1756-1829)Eishi Hosoda was primarily known for his elegant and refined portraits of beautiful women, known as bijin-ga. His works often depicted women in a variety of settings and activities, and he was particularly skilled at capturing the grace and poise of his subjects. He was also known for his use of delicate colors and intricate designs, which added to the beauty and sophistication of his works.

Los 320

EISHOSAI CHOKI (1725-1795): PORTRAIT OF THE COURTESAN TSUKASA-DAYUBy Eishosai Choki (1725-1795)Japan, Meiji Period (1868-1912) editionColor woodblock print on paper with Mica dust background. Vertical Oban. Beautiful portrait of the courtesan Tsukasa-dayu from the Shinmachi pleasure district in Osaka. She holds her kimono sleeve up to her face as she looks over her shoulder, smiling slightly. Elegantly drawn with flowing line work and delicate embossed detail in the tie-dyed under robe, with a dusting of mica over the background. A classic ukiyo-e beauty design. Mounted at the upper margin to a passepartout.SIZE of the sheet 40 x 25.5 cmCondition: Excellent condition with minor traces of wear.Provenance: Austrian private collection, acquired in the 1990s at Galerie Zacke, Vienna. Old Galerie Zacke label on the verso.Eishosai Choki (1725-1795)Eishosai Choki was a Japanese ukiyo-e artist who lived during the late 18th and early 19th centuries. Not much is known about his life, but he is recognized for his erotic and sensual works depicting women, known as shunga. Choki's style is characterized by its explicitness and use of bold, graphic lines and vivid colors. His works were popular among the urban population of Japan during the Edo period and were often produced in the form of illustrated books or single-sheet prints.

Los 335

KITAGAWA UTAMARO (1754-1806): WOMAN READING BOOKBy Kitagawa Utamaro (1754-1806), signedJapan, Meiji Period (1868-1912) editionColor woodblock print on paper with Mica dust background. Vertical Oban. Entitled Kobikicho Arayashiki Koiseya Ochie (Woman Reading Book). A traditional Japanese Ukyio-e style illustration of a Japanese woman portrait reading a book. Mounted at the upper margin to a passepartout, underneath a clear sheet.SIZE of the sheet 40 x 26.5 cmCondition: Excellent condition with minor traces of wear.Provenance: Austrian private collection, acquired in the 1990s at Galerie Zacke, Vienna.Kitagawa Utamaro (1754-1806)Kitagawa Utamaro is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings and is best known for his bijin okubi-e (large-headed pictures of beautiful women) of the 1790s. He also produced nature studies, particularly illustrated books of insects. Little is known of Utamaro's life. His work began to appear in the 1770s, and he rose to prominence in the early 1790s with his portraits of beauties with exaggerated, elongated features. He produced over 2000 known prints and was one of the few ukiyo-e artists to achieve fame throughout Japan in his lifetime.

Los 349

UTAGAWA HIROSHIGE (1797 - 1858): HONMOKU CLIFF IN MUSASHI PROVINCEBy Utagawa Hiroshige (1797 - 1858), signed Hiroshige ga Japan, 1858Color woodblock print on paper. Vertical Oban. A beautiful landscape portrait with a clear view of Mount Fuji. Entitled Honmoku Cliff in Musashi Province, from the series Thirty-Six Views of Mount Fuji. Publisher seal Tsutaya Kichizo. Mounted at the upper margin to a passepartout. Condition: With browning, staining and slightly faded colors. The upper area with some creases and losses, backed by Japan paper. Provenance: German private collection. Dimensions: Image size 36. 5 x 23.5 cm, Size incl. passepartout 52.5 x 38 cmUtagawa Hiroshige (1797 - 1858) Utagawa Hiroshige (also referred to as Ando Hiroshige) is recognized as one of the last great masters of the ukiyo-e ('pictures of the floating world') woodblock printing tradition. His style can be characterized in the genre of landscape print, innovated by his early contemporary Hokusai (1760-1849). Hiroshige can be attributed to having created over 5,000 prints of everyday life and landscape in Edo-period Japan. Inspired by Katsushika Hokusai's popular Thirty-Six Views of Mount Fuji, Hiroshige took a softer, less formal approach with his Fifty-Three Stations of the Tokaido (1833-34), completed after a trip he made between Edo and Kyoto, which is acclaimed to be perhaps his finest achievement.He made numerous other journeys within Japan and issued a series of such prints, expressing in great detail the poetic sensibility inherent in the climate and topography of Japan and its people. Hiroshige's prolific output was somewhat due to his being paid very little per series. Still, this did not deter him, as he receded to Buddhist monkhood in 1856 to complete his brilliant and lasting One Hundred Famous Views of Edo (1856-58). He died in 1858, 10 years before Monet, Van Gogh, and a lot of Impressionist painters became eager collectors of Japanese art.Literature comparison: A near identical print is in the collection of the Van Gogh Museum, Amsterdam, object number n0089V1962.

Los 1152

A First War pair of medals awarded to No. 29890 Pte.J.J. Kelly Cheshire Regiment together with a First War pocket compass, Fulham Supporters Club lapel badge and a miniature portrait locket

Los 1205

A group of four medals awarded to P.W Coleman : - Queens South African medal with five bars (CC/OFS/Trans/SA1901/SA1902 ) No. 31554 Pte P.W. Coleman 92nd Coy.Imperial Yeomanry; 1914/15 star trio of medals awarded to No. G-6166 Pte. P. Coleman Middlesex Regiment, mounted as worn together with original services rendered badge and portrait locket

Los 1215

A First War photograph portrait of a Captain in he Army Chaplains Department

Los 1248

A watercolour caricature portrait of Air Chief Marshall Sir Norman Bottomley by Amies Milner dated 1938, 10" x 5½" and two relating photographs

Los 20

Various aircraft related volumes including Seventy-Five Years - a Tribute to the Royal Air Force 1918-1993; Berlin Air Lift; Spitfire - Portrait of a Legend; Bomber Crew and others etc.

Los 206

Borlase (William) - Antiquities, Historical and Monumental in the County of Cornwall, 1 vol., reprinted 1973, dust jacket; and Hendra (V.) the Cornish Wonder - a Portrait of John Opie (2)

Los 266

A folder album of original photographs, paperwork and newspaper extracts relating to the Kerr family, mainly of Aylesbury including portrait and group photographs, military paperwork, documents relating to the sale of properties, memorial cards etc.

Los 384

Fifteen various postcards depicting Cornish characters including Blanche Fish Wife, Dolly Pentreath, Jeannie - The Lady Hermit of the Cornish Cliffs, Mousehole Guide, A. G. Pratley of St. Blazey - The Cornish Dwarf, Cornish MP's, Billy Bray and others etc. together with three Redruth cabinet portrait photographs etc.

Los 400

Nine various works on artists board including still life studies, portrait of a seated lady, study of an apple tree, etc, all approx. 30x25cm

Los 447

Portrait of a gentleman in a spotted bow tie, oil on board, signed T Caley, 51x41cm

Los 449

A watercolour of a continental drawing room interior with tiny dog, 42x34cm; still life of earthenware crock, and portrait of a lady in Regency dress

Los 471

A late 19th/early 20th century oil on canvas, portrait of a young girl reading with a dog at her feet, signed A.H Willms., 60x40cm in a gilt frame

Los 649

Sonia Mervyn(1893-1977)Portrait of Lady Ropner,signed, circa 1930s,oil on canvas,50 x 40cms, in frame.

Los 647

Thomas William Pattison (1894-1983)Portrait of a Lady,signed,oil,51 x 40cms.

Los 40

2004 Gibraltar 22 ct gold sovereign - 60th Anniv. of D-Day A cased encapsulated 2004 D-Day Landings proof 22 ct gold sovereign depicting a D-Day Landing scene to reverse and the Maklouf portrait of the Queen. Only 1950 issued in 2004. Diameter 22.05mm. Complete with C of A.

Los 317

Salomon Van Abbe (1883-1955) Three etchings - The Old Gamedealer, The Law, and The Fully Licensed Maneach signed lower right and numbered lower leftthe first 28 x 27cm, the third unframed; together withMary Annie Sloane (1867-1961), "The Rocking Horse", a girl in a nursery, signed, etching, 24 x 33cm; and with three further unframed prints, including Portrait of King George VI, etching, signed by Henry Rayner (7)

Los 395

George Hall Neale (British, 1863 - 1940) Portrait of a man, oil on canvas, signed dated 1895, 50 x 39.5cm

Los 131

A pair of Bois Durci portrait roundels of Napoleon III and Eugenie, together with a Louis XVI medallion, a George and Mary bronze medallion, another bronze medallion, assorted commemorative Crowns etc

Los 163

A collection of sporting autographs, comprising: Manual of Rugby League Coaching, c. 1940s signatures of 5 distinguished Yorkshire and Lancashire rugby players on inside of front thick paper wrapper, including Trevor Foster of Bradford Northern, who had 16 caps for Wales and toured with the 1946 British "Indomitables" to Australia and New Zealand. Other signatures are James Crossley, "Barney" Hudson, Tommy Sale and ?Duncan Jackson. In a pamphlet, 56 pages, illustrated with photographs and line drawings. (b) Alan Ball, the 1966 England Football World Cup winner, signed under his image on front cover of Blackpool F.C. programme v Brentford, League Division Three, 20 September 1980. (c) Football: 19 autographs, most of Southend United players with a few of their opponents, Reading, on front and back covers and one inside page of the programme for Southend United's home match v Reading, Division Four, 13 January 1978. Signatures include Colin Morris, Derrick Parker (twice), Tony Hadley, Micky Laverick, Alan Moody, Steve Yates (Southend) and Steve Death (Reading). With: a complimentary match ticket. (d) Football: 13 autographs of Cardiff City players, including the legendary John Toshack, in the programme for their away match against Derby County, Second Division, 3 February 1968. All the players have signed against their printed names, including a substitute and Brian Clark, who joined Cardiff City officially two days after the match (he was famously to score the winning goal for Cardiff against Real Madrid in 1971). John Toshack was a Welsh international and also became a key player for Liverpool. (e) Football: 5 autographs of Arsenal players from the 1957-58 season, in programme for their home match against Birmingham City, League 1, 19 October 1957. The signatures are by Stan Charlton, Dennis Evans, Bill Dodgin, and Jack Kelsey, the world-class Welsh goalkeeper who starred for Wales in the 1958 World Cup (there are two signatures by him). The programme lacks 2 pages and the rear cover. (f) Snooker: autographs of the professional billiards and snooker players Claude Falkiner and Thomas Arthur (Tom) Dennis, who are shown in action in a mounted photograph dated "Nott [ingha]m 6-2-36". The signatures, with a third autograph, are on the mount. (g) Comedy acrobatics: The Talo Boys, multiview photograph, 7.75 x10.75 inches (9.5 x 27.25 cm) showing group portrait and the men performing various acrobatic feats, signed on the back "To Mr. Goodwin with best wishes and good luck. The '5 Talo-Boys', Princes Theatre, Bristol, 2.9.1936". The group was still performing in the 1950s, and a video is available on YouTube from that time.

Los 232

A group of three military interest watercolours, to include: portrait of a general, signed indistinctly (lower right), 19.5 x 12cm; the Warwickshire Yeomanry, signed and dated 'R Tozer 1920' (lower right), 27 x 17cm; and a French military captain, indistinctly signed (lower right), 20 x 14cm (3)

Los 11

CONTINENTAL SILVER, ENAMEL & PEARL SET FOB WATCH the back depicting a portrait of a lady, the face bearing Roman numeral dials

Los 322

CONTINENTAL SCHOOL, PORTRAIT OF A WOMAN oil on boardframedoverall size 61cm x 51cm

Los 323

DUDLEY HARVEY (BRITIH 20TH CENTURY), PORTRAIT OF A BOY watercolour on paper mounted, framed and under glassoverall size 60cm x 49cm

Los 440

PORTRAIT OF A LADY, OIL ON BOARD AFTER TAMARA DE LEMPICKA in gilt frame, along with two catalogues 100cm x 71cm

Los 484

MANNER OF TRECHIKOFF HEAD AND SHOULDERS PORTRAIT OF A YOUNG LADY coloured chalks, signed with a monogram, framed and glazed61cm x 45cm

Los 8

GROUP OF MODIGLIANI SKETCHES each in the form of a portrait, framed and under glassQty: 5These are prints after the sketches.

Los 2057

A mid-century Ercol elm model 410 cheval chest of three drawers with portrait mirror. Overall 48x155x50. Chest height 54cm. Some use related marks and scratches. Top drawer contains glass slide. No maker's label present.

Los 1071

An original abstract oil painting on canvas of jazz musician Miles Davis playing his trumpet that was hand-painted and signed by iconic actor James Dean. The portrait is signed “James Dean 1954” in the lower right and is one of only four recognized oil paintings created by the star of the classic films East of Eden (Warner Brothers, 1955), Rebel Without a Cause (Warner Brothers, 1955), and Giant (Warner Brothers, 1956), who would die in a tragic automobile accident the following year. The painting is accompanied by five Letters of Provenance and Authenticity. 15.5 x 19.5 inches

Los 1096

A watercolor painting on paper that was created and signed by Dennis Hopper, circa 1960. The painting is an abstract impressionistic portrait of a face in shades of brown, green, orange, red, and yellow. Hopper wrote his name in the lower right. This is the earliest known surviving painting created by Hopper.Besides his prolific acting, directing, and writing careers and acclaimed photography, Hopper was also considered a talented painter, whose paintings were exhibited in galleries around the world. He'd later become a formidable collector, who helped launch the careers of many artists, including Andy Warhol, Julian Schnabel, and Roy Lichtenstein. Hopper developed an appreciation for the artform and began to paint as a young boy. Shortly before the Bel Air Fire of 1961 burned his house down and destroyed all of his early paintings and photographs, he sent this portrait to his brother David as a gift. 15 x 18 inchesPROVENANCE From the Collection of David Hopper

Los 1097

A limited edition Ed Ruscha Twentysix Gasoline Stations ground-breaking artist book (Cunningham Press / National Excelsior Press, 1962) inscribed to Dennis Hopper in ink by Ruscha. The book contains the artist's iconic gasoline station photographs, with the inscription reading: "Hello / Dennis / Ed / Ruscha / 1963." This is copy number 35 of 400.American Pop artist Ruscha was initially fascinated by cartooning as a young boy in Nebraska. He went on to study visual art at the Couinard Art Institute (now CalArts) in Southern California with abstract expressionist Emerson Woelffer and others. He then worked doing layouts at an advertising agency in the early 1960s, during which time he became known around Los Angeles for his collages, paintings, and photography.Twentysix Gasoline Stations was Ruscha’s first artist book and a prominent early influence on the genre’s development and artist’s book culture in general (some might argue it was the first modern artist book). The small volume contains 26 banal photographs of gas stations, images indelibly linked with his sensibility as an artist.It was via Ruscha's association with the Ferus Gallery that he came into contact with Hopper, the pair quickly forming a friendship that spanned many forms of creation and artistic exchange. Hopper would take Ruscha’s portrait in 1964 and Ruscha would hang a painting of the word “if” made by Hopper in his studio and make his first sale of art to him as well (a large painting of a Standard gas station and one of his most characteristic images). Ruscha served as a pallbearer at Hopper’s funeral in 2010.Writing on the Royal Academy of Arts blog in 2014, Ruscha said of Hopper: “I would rarely see Dennis without his favourite camera, a 35mm Nikon. He would point it in almost any direction and find a suitable Dennis Hopper subject. So his focus was on anything and everything of interest. Through his eyes I see a virtual dictionary of the city of Los Angeles. He approached his photographs as a sort of wandering of the soul, followed by the familiar ka-chunk of the Nikon.”5.5 x 7.5 inchesPROVENANCE Property from the Life and Career of Dennis Hopper

Los 1098

A limited edition Ed Ruscha Various Small Fires artist book (Anderson, Ritchie & Simon, 1964) inscribed to Dennis Hopper in pencil by Ruscha. The small volume contains Ruscha's photographs of small fires, with the inscription reading: "For / Brooke & Dennis / Ed Ruscha 1965."American Pop artist Ed Ruscha was initially fascinated by cartooning as a young boy in Nebraska. He went on to study visual art at the Couinard Art Institute (now CalArts) in Southern California with abstract expressionist Emerson Woelffer and others. He then worked doing layouts at an advertising agency in the early 1960s, during which time he became known around Los Angeles for his collages, paintings, and photography.Various Small Fires is one of 16 Ruscha artist books, the artist being a prominent early influence on the genre’s development and American artist book culture in general. Some might argue his Twentysix Gasoline Stations was the first modern artist book.It was via Ruscha's association with the Ferus Gallery that he came into contact with Hopper, the pair quickly forming a friendship that spanned many forms of creation and artistic exchange. Hopper would take Ruscha’s portrait in 1964 and Ruscha would hang a painting of the word “if” made by Hopper in his studio and make his first sale of art to him as well (a large painting of a Standard gas station and one of his most characteristic images). Ruscha served as a pallbearer at Hopper’s funeral in 2010.Writing on the Royal Academy of Arts blog in 2014, Ruscha said of Hopper: “I would rarely see Dennis without his favourite camera, a 35mm Nikon. He would point it in almost any direction and find a suitable Dennis Hopper subject. So his focus was on anything and everything of interest. Through his eyes I see a virtual dictionary of the city of Los Angeles. He approached his photographs as a sort of wandering of the soul, followed by the familiar ka-chunk of the Nikon.”5.5 x 7 inchesPROVENANCE Property from the Life and Career of Dennis Hopper

Los 1099

A limited edition Ed Ruscha Some Los Angeles Apartments artist book (Anderson, Ritchie & Simon, 1965) inscribed to Dennis Hopper in ink by Ruscha. The book contains the artist's photographs of apartments in Los Angeles, with the inscription reading: "For Dennis / & Brooke / Ed Ruscha / Dec. 1965." Hopper wrote on the back cover in pencil: "Man can be / destroyed / but never / defeated / Dennis / Hopper." Printed in a limited edition of 700.Some Los Angeles Apartments is one of 16 Ruscha artist books, the artist being a prominent early influence on the genre’s development and American artist book culture in general. Some might argue his Twentysix Gasoline Stations was the first modern artist book.It was via Ruscha's association with the Ferus Gallery that he came into contact with Hopper, the pair quickly forming a friendship that spanned many forms of creation and artistic exchange. Hopper would take Ruscha’s portrait in 1964 and Ruscha would hang a painting of the word “if” made by Hopper in his studio and make his first sale of art to him as well (a large painting of a Standard gas station and one of his most characteristic images). Ruscha served as a pallbearer at Hopper’s funeral in 2010.Writing on the Royal Academy of Arts blog in 2014, Ruscha said of Hopper: “I would rarely see Dennis without his favourite camera, a 35mm Nikon. He would point it in almost any direction and find a suitable Dennis Hopper subject. So his focus was on anything and everything of interest. Through his eyes I see a virtual dictionary of the city of Los Angeles. He approached his photographs as a sort of wandering of the soul, followed by the familiar ka-chunk of the Nikon.” 5.5 x 7.5 inchesPROVENANCE Property from the Life and Career of Dennis Hopper

Los 1204

A well-worn gray pinstripe Western Wear by Lasso suit consisting of pants and jacket, worn by Dennis Hopper as "Kansas" in his film The Last Movie (Universal Pictures, 1971) and with sunglasses and matchbook in the pocket.The suit can be seen being worn by Hopper during two extended sequences in the first half of the film: first, during a wrap party and second, during his night out with the wealthy Anderson family. Hopper appears in the suit on the cover of the June 19, 1970 issue of Life magazine holding a football and a dandelion (title story, "The Easy Rider makes a wild new movie"), and can be seen additionally wearing the suit in several portrait snapshot photos taken by Robin Platzer in New York City (c. 1979). Includes a DVD of the film and a copy of the Life magazine with Hopper on the cover.PROVENANCE Property from the Life and Career of Dennis Hopper

Los 1239

A collection of more than two dozen paperback books that were owned by Dennis Hopper. Included are copies of The Portable Dorothy Parker, A Portrait of the Artist as a Young Man, I Ching, and How to Make Love to a Man. Some are inscribed by the gifter and many are stamped with Hopper's address and phone number.12 x 10 x 15.5 inches (overall)PROVENANCE Property from the Life and Career of Dennis Hopper

Los 302

An original, unfinished acrylic on canvas painting prop, featuring a young girl with auburn hair (based on a Renoir painting), made for the Clint Eastwood directed episode, "Vanessa In the Garden," from the classic Steven Spielberg created television series, Amazing Stories (Amblin Entertainment, 1985-1987).The edges of the painting were made to look damaged as a result of Harvey Keitel's character, artist Byron Sullivan, going into a drunken rage and trashing his studio while greiving the death of his wife. Sullivan later believes he can bring his wife back to life by painting her. The painting was executed by artist Jaroslav Gebr, the same artist who created the "Tony Montana" portrait painting used in the classic crime film, Sacrface (Universal Pictures, 1983).Accompanied by a copy of the COA from the Gebr Art Estate.15 x 18 inches

Los 427

An Italian one-panel film poster for John McNaughton's Henry: Portrait of a Serial Killer (Greycat Films, 1990) signed by Michael Rooker (who has also inscribes his character's name, "Henry," and his line, "Yeah. I killed my mama") and John Towles ("Otis" / "I feel like killing somebody.").55 x 39 inches; 14 x 9.75 inches (folded)

Los 617

A print of Leroy Neiman's 1982 portrait of Sylvester Stallone as Rocky Balboa, signed by Stallone and Neiman. A PSA/DNA certification (Z37927) is affixed to the bottom left. 31.75 x 21.75 inches; 21.75 x 3 x 3 inches (rolled)

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