LITA CABELLUT (Sariñena, Huesca, 1961).Untitled, 2020.Lithograph on Hahnemühle photo rag 308 gr.

LITA CABELLUT (Sariñena, Huesca, 1961).
Untitled, 2020.
Lithograph on Hahnemühle photo rag 308 gr. paper, copy 30/50.
Signed, dated and justified by hand.
Enclosed certificate issued by Marc Latorre in 2021.
Measurements: 43 x 30 cm.
Of gypsy origin, Lita Cabellut was born in the small town of Sariñena, in Huesca, in a family with serious dysfunctionalities. Abandoned by her parents, she was raised by her grandmother in the city of Barcelona. Las Ramblas, the Boquería market, the Port Vell and the Plaza Real, places full at the time of outsiders, artists and show business personalities but also tourists, were the setting for her childhood, marked by dyslexia and the need, at times, to beg. The death of her grandmother when she was only ten years old led to her placement in an orphanage, where, at the age of thirteen, she was adopted by an upper-class Catalan family. The paintings of Goya, Velázquez, Ribera and Rembrandt, discovered during visits to the Prado Museum, revealed her artistic vocation and, in 1978, the artist held her first exhibition, at the Masnou Town Hall. In 1982 she moved to Holland with her family, where she studied with a scholarship at the Gerrit Rietveld art academy until 1984. The painting of the great Dutch baroque masters was essential in the construction of her art, not so much in terms of style as in terms of technique. The artist works with oil on canvas as well as drawing on paper, sculpture, photography, visual poems and video art. Sometimes her works take on certain aspects of the Italian "buon fresco", or she adds a crackle effect to her oil paintings that produces a strong plastic, visual impact. His work abounds in portraits, where the strong influence of Rembrandt, Francis Bacon or Jackson Pollock can be seen, all of them characterised by the expressiveness of the line and the disfigurement of reality in an attempt to reflect the inner tearing of his models. Reflecting violence, sordidness and cruelty, which are sometimes hidden under a superficial layer of glamour, under an evanescent and ephemeral beauty, is one of his main objectives. Her work is grouped in collections or series, such as the one dedicated to Frida Kahlo or A Portrait of Human Knowledge (2012), where she effigies some of the most significant figures in the world of culture and science of the last 150 years, from Stravinsky to Marie Curie, Billy Holiday or Federico García Lorca. The artist has participated in numerous solo and group exhibitions in major cities such as New York, Dubai, Miami, Singapore, Hong Kong, London, Paris, Venice, Monaco and Seoul. She has received numerous awards and recognitions, such as the Gypsy Culture Award for Painting and Plastic Arts from the Institute of Gypsy Culture in 2011. She is also one of the most sought-after living artists on the current art market. In 2015, Artprice magazine ranked her 333rd on its list of 500 most sought-after contemporary artists, placing her only behind Miquel Barceló and Juan Muñoz as far as Spanish artists are concerned.