29
Spanish school, last third of the 18th century. Circle of Anton Raphael MENGS (Aussig, 1728-Rome,
1/7
Beschreibung
Spanish school, last third of the 18th century. Circle of Anton Raphael MENGS (Aussig, 1728-Rome, 1779).
"Charles III". ca.1780.
Oil on canvas.
Re-framed.
Back frame.
Frame with xylophages. Slight lack of polychromy.
Measurements: 121 x 100,5 cm; 142 x 121 cm (frame).
Mengs's portrait of Charles III became the official image of the monarch and was the subject of several period versions, but there are significant variations in them. In the present painting, which is remarkably well executed, the monarch retains the pose of the original, holding a baton in his right hand while his left hand, with his forefinger outstretched, gives some kind of indication or order to a subject outside the painting. The wide pilaster provides a view of the palatial interior, although on this occasion the curtain is omitted. In analysing this painting, account should also be taken of contemporary works in which the governor wears the blue sash of the Royal Order of Charles III, such as the engraving by Manuel Salvador Carmona of 1783 (in which the motif of the icon of the Immaculate Conception on his chest is repeated) and, among others, the oil painting by Mariano Salvador Maella (now in the Banco de España Collection), who was painter of the chamber in 1774. As in Maella's painting, the king here wears a coat finely brocaded in gold and silk. Maella also painted a version with the king wearing armour, as in the original. The royal robe rests on the table, as in Mengs's painting. The rich qualities of the ermine, brocade, lace, silk, etc. are expressed with delicate brushstrokes and the right use of glazes. The courtly conception prevails over the military one in Mengs's painting. The face, like that of the German painter, is severe and regal. It is captured with the utmost naturalness. The successive interpretations of the royal effigy were intended to satisfy the demand for commissions from foreign courts and the governmental centres of the vast Spanish empire.
"Charles III". ca.1780.
Oil on canvas.
Re-framed.
Back frame.
Frame with xylophages. Slight lack of polychromy.
Measurements: 121 x 100,5 cm; 142 x 121 cm (frame).
Mengs's portrait of Charles III became the official image of the monarch and was the subject of several period versions, but there are significant variations in them. In the present painting, which is remarkably well executed, the monarch retains the pose of the original, holding a baton in his right hand while his left hand, with his forefinger outstretched, gives some kind of indication or order to a subject outside the painting. The wide pilaster provides a view of the palatial interior, although on this occasion the curtain is omitted. In analysing this painting, account should also be taken of contemporary works in which the governor wears the blue sash of the Royal Order of Charles III, such as the engraving by Manuel Salvador Carmona of 1783 (in which the motif of the icon of the Immaculate Conception on his chest is repeated) and, among others, the oil painting by Mariano Salvador Maella (now in the Banco de España Collection), who was painter of the chamber in 1774. As in Maella's painting, the king here wears a coat finely brocaded in gold and silk. Maella also painted a version with the king wearing armour, as in the original. The royal robe rests on the table, as in Mengs's painting. The rich qualities of the ermine, brocade, lace, silk, etc. are expressed with delicate brushstrokes and the right use of glazes. The courtly conception prevails over the military one in Mengs's painting. The face, like that of the German painter, is severe and regal. It is captured with the utmost naturalness. The successive interpretations of the royal effigy were intended to satisfy the demand for commissions from foreign courts and the governmental centres of the vast Spanish empire.
Auktionsdetails
Versand
AGB & Wichtige Informationen
Stellen Sie dem Verkäufer eine Frage
Spanish school, last third of the 18th century. Circle of Anton Raphael MENGS (Aussig, 1728-Rome, 1779).
"Charles III". ca.1780.
Oil on canvas.
Re-framed.
Back frame.
Frame with xylophages. Slight lack of polychromy.
Measurements: 121 x 100,5 cm; 142 x 121 cm (frame).
Mengs's portrait of Charles III became the official image of the monarch and was the subject of several period versions, but there are significant variations in them. In the present painting, which is remarkably well executed, the monarch retains the pose of the original, holding a baton in his right hand while his left hand, with his forefinger outstretched, gives some kind of indication or order to a subject outside the painting. The wide pilaster provides a view of the palatial interior, although on this occasion the curtain is omitted. In analysing this painting, account should also be taken of contemporary works in which the governor wears the blue sash of the Royal Order of Charles III, such as the engraving by Manuel Salvador Carmona of 1783 (in which the motif of the icon of the Immaculate Conception on his chest is repeated) and, among others, the oil painting by Mariano Salvador Maella (now in the Banco de España Collection), who was painter of the chamber in 1774. As in Maella's painting, the king here wears a coat finely brocaded in gold and silk. Maella also painted a version with the king wearing armour, as in the original. The royal robe rests on the table, as in Mengs's painting. The rich qualities of the ermine, brocade, lace, silk, etc. are expressed with delicate brushstrokes and the right use of glazes. The courtly conception prevails over the military one in Mengs's painting. The face, like that of the German painter, is severe and regal. It is captured with the utmost naturalness. The successive interpretations of the royal effigy were intended to satisfy the demand for commissions from foreign courts and the governmental centres of the vast Spanish empire.
"Charles III". ca.1780.
Oil on canvas.
Re-framed.
Back frame.
Frame with xylophages. Slight lack of polychromy.
Measurements: 121 x 100,5 cm; 142 x 121 cm (frame).
Mengs's portrait of Charles III became the official image of the monarch and was the subject of several period versions, but there are significant variations in them. In the present painting, which is remarkably well executed, the monarch retains the pose of the original, holding a baton in his right hand while his left hand, with his forefinger outstretched, gives some kind of indication or order to a subject outside the painting. The wide pilaster provides a view of the palatial interior, although on this occasion the curtain is omitted. In analysing this painting, account should also be taken of contemporary works in which the governor wears the blue sash of the Royal Order of Charles III, such as the engraving by Manuel Salvador Carmona of 1783 (in which the motif of the icon of the Immaculate Conception on his chest is repeated) and, among others, the oil painting by Mariano Salvador Maella (now in the Banco de España Collection), who was painter of the chamber in 1774. As in Maella's painting, the king here wears a coat finely brocaded in gold and silk. Maella also painted a version with the king wearing armour, as in the original. The royal robe rests on the table, as in Mengs's painting. The rich qualities of the ermine, brocade, lace, silk, etc. are expressed with delicate brushstrokes and the right use of glazes. The courtly conception prevails over the military one in Mengs's painting. The face, like that of the German painter, is severe and regal. It is captured with the utmost naturalness. The successive interpretations of the royal effigy were intended to satisfy the demand for commissions from foreign courts and the governmental centres of the vast Spanish empire.
14th September - Private Collection I
Auktionsdatum
Ort der Versteigerung
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Wichtige Informationen
25% buyer´s premium
21% buyer´s premium at www.setdart.com
AGB
The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).
BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium
If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html
INQUIRIES: admin@setdart.com
Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.
WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING
PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail.
INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.
E-MAIL LOGISTICS: logistica@setdart.com
PICK UP YOUR MESSAGES: You can send your own messaging, prior notice via e-mail that your shipment is ready, please note 3 or 4 days in advance. This type of shipment is packaged so Setdart will provide you with a quote.
EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó
