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A turned and carved ivory ceremonial gavel, with screw off ends, the centre relief carved a rose and two coats of arms, the handle with a floral chased silver coloured metal ferrule, 8in (20cm) l.; a turned ivory gavel, with a central band inscribed `PERCY WILLBEN ROGERS 12.5.1912`, 5.5in (14cm) l. (2)
A late 19th century Chinese malacca walking cane, with a silver coloured metal knop handle, engraved a monogram `IWC`, above panels, relief decorated bamboo, figures and characters, 37in (94cm) l, a Chinese malacca cane with silver coloured metal handle, relief decorated figures, engraved initials `RG`, 33.75in (86cm) l, and another similar. (3)
A late 19th century French `Japonais` marble, silver and gilt mounted koro and cover, having an ovoid body with a pair of mythical beast handles, with a domed cover with dog of fo, raised on a bulbous mounted base with four scroll feet and a turned marble base, 9.75in (25cm) h, 7.5in (19cm) w.
A Regency mahogany teapoy, inlaid ebonised stringing, the hinged top revealing four lidded pull-out canisters and two glass mixing bowls with a set of six silver teaspoons on twin column supports, reeded downswept legs terminating in brass lion`s paw sabots and castors, 30in (76cm) h, 22.75in (57.6cm) w, 15.5in (39.3cm) d.
A late 18th century mahogany tea chest, of rectangular domed form with a cast and chased silver coloured metal scroll leaf handle, revealing a velvet lined interior with a central octagonal glass canister, flanked by a pair of rectangular canisters with faceted shoulders, all with silver coloured metal covers, 6.25in (16cm) h, 9.5in (24cm) w.
A 19th century Scottish mahogany serpentine front tea chest, modelled as a commode with parquetry and stringing, the hinged cover with a leaf carved edge and a silver coloured metal ring handle, revealing a rectangular canister with a brass lock and a sliding cover with chequer stringing and a kingwood panel, revealing a divided interior, one zinc lined and two covers, the front with four false drawers, having plated oval escutcheons and brass Dutch drop handles, chevron canted angles, lozenges to the sides, the back with roundels and stringing, the carved base moulding raised on replaced brass bun feet, 6.5in (16.5cm) h, 8.25in (21cm) w.
A late George III ebony and silver mounted tea chest by Bayley & Blew, of rectangular form, the hinged cover with a cast crest of a demi-lion rampant out of a Marquess`s coronet for the Marquess of Bute, revealing a red leather lined interior with a central circular recess with applied gilt tooled label `MANUFACTURED BY BAYLEY & BLEW, 5 COCKSPUR STREET LONDON`, and flanked by two rectangular canister recesses, the silver hinges hallmarked John Shekleton, London 1803, with key, 8.5in (21.5cm) h, 12.5in (32cm) w.
An early 19th century Colonial macassar ebony and silver mounted tea chest, with carved leaf decoration and of sarcophagus shape, the hinged cover with an open plate capped scroll handle, revealing a replaced cut glass bowl, the blue leather surface with a printed paper label;` W. CARTLAND, Travelling & Drefsing Case, DESK AND WORK-BOX Manufacturer, 18 Old Bond Street, Bath.`, flanked by a pair of hinged lid canisters, the front with a shaped escutcheon and clasp, raised on claw and ball feet, the mounts marked `C.N` and a lion passant, mounts possibly later, 8.75in (22cm) h, 13.5in (34.4cm) w.
A carved ivory silver plated desk seal, the ivory cherub with a carved fabric draped head and shoulders, half length, to a tapering stand decorated with carved strapwork, quatrafoils and acanthus leaves (repair), the circular silver plated base decorated with rows of beadwork, a Greek key band and gadroon border to a blind base, 110mm in length, together with an ivory and silver gilt desk seal, the carved ivory pommel form handle to a lotus leaf mount with a bead band. The scalloped base with a rope edge border and an oval cornelian tablet seal engraved with a coat of arms and motto, the arms of M’ANDREW of London recorded in 1785, 95mm in length (2)
A citrine desk seal, c.1840, a faceted tapering pale smoky quartz handle to a chased gold collar, a faceted rectangular cushion shaped citrine base, the seal engraved with the crest of KEANE of Ireland within a strap and buckle inscribed with an appropriate punning motto, 50mm in length, together with a miniature agate handled desk seal, 19th century, with a silver chased collar to a circular bloodstone tablet engraved with a forget me knot, and two carved bone examples (4)
A turned hardwood desk seal, with turned pillars and bands to a silver mounted colourless glass tablet, the seal engraved with the bust of a gentleman, 73mm in length, together with an amethyst desk seal, with a tapered amethyst column to a silver banded mount, a circular concave base, and a raised coat of arms and motto (2) This seal matrix is a reverse-cut achievement of arms for Surbiton Borough Council, using the frequently encountered motto CONSILIO ET ANIMIS [By wisdom and courage]
A silver gilt purpurine and hardstone desk seal, c.1850, in the form of a crown, the crown 33mm in length with a circular bloodstone tablet, the seal engraved with initials below a crest of a bird holding a laurel bough in its beak, standing on a wreath, the crest of GIBSON originally of Yelland, Lancashire
A French silver and silver gilt greyhound/whippet desk seal, c.1840, the naturalistically modelled silver dog seated with one paw raised to a silver gilt rock base. The rectangular bloodstone pillar style stand to a rectangular cut corner silver gilt blind base. French poincon 1838 to date, maker’s mark unidentified, 730mm tall
An Art Deco circular enamel pendant,17mm diameter, a milligrain quatrafoil centre with leaf shapes, each set with a rose cut diamond, mounted to a pink guilloche ground with a white line border, pink guilloche verso, tested as approximately 15ct gold, a similar mauve guilloche enamel example, with a peg set pearl at the centre, glazing to the reverse deficient, marked 15ct and tested as 15ct gold, a ladies silver gilt Edwardian wristwatch, decorated with turquoise enamel to the bezel and back, with garlands and a swallow to a circular waves ground, together with a Continental sky blue guilloche enamel bangle and a cased set of Edwardian enamel blouse buttons (5)
A pearl and diamond necklet,c.1900, the centrepiece composed of a flowerhead peg set with a pearl centre and graduated diamond set petals, to two rows of diamond set articulated laurel swags with bouton shaped pearls. An articulated diamond set drop to an oval shaped pearl drop. Tested as sterling silver backed with 15ct gold to a later platinum chain (pearls untested)
A silver nib wipe in the form of a boot brush, by Sampson Mordan & Co, London 1900, a silver mounted green glass ink pail by Cohen & Charles, Birmingham 1896 and an Edwardian silver and enamel letter clip modelled as leaves, by Corke Brothers & Co, London date letter unclear, on a plain circular base (3)
A late 19th century silver oval snuff box, by Berthould Muller, imported London 1897, the cover depicting a recumbent cupid, gilt interior, 5.5cm long, and a Victorian vesta case, by Hilliard & Thomason, Birmingham 1876, of rectangular form with foliate scroll engraving and monogrammed, with flip-down striker, 4.25cm long (2)
An Edwardian silver bowl, maker’s mark overstruck by Joseph Rodgers & Sons, Sheffield 1904, of spiral fluted circular form with a foliate embossed waisted neck and pierced scrollwork border above, resting on a spreading circular foot with matching border, on an ebonised stand, 29.5 cm diameter 20.5 cm high (excluding stand) 43 oz (2)
A collection of silver/metalwares, comprising: an 18th century mote spoon, a foliate embossed salts bottle case containing a green glass salts bottle, Birmingham 1899, four thimbles to include a gold example, a trowel book mark, two manicure items, two button hooks, a mounted tortoiseshell desk clip (af), eight miniatures, two ashtrays, and six small boxes to include a vinaigrette, London 1823, a silverplated souvenir book and assorted loose moonstones
A Victorian silver castle top vinaigrette, by Wheeler and Cronin, Birmingham 1844, with a view of the Royal Exchange in high relief against a matted background within a leafy scroll border, the base engraved with leafy scrollwork with a central vacant shield shaped cartouche, the sides engraved with leafy gadroon borders, the grille pierced with foliate scroll work, gilt interior, 5 cm by 3.5 cm
A late 18th century silver mounted cowrie shell snuff box, unmarked, the hinged cover inscribed ‘Tobacco good within I have, But tis not free for evry knave, A little ? friend to try, Let? begging following and buy’, monogrammed, 7.25cm long, a George III silver toothpick box, by Samuel Pemberton, Birmingham 1785, of rectangular form with canted corners, 7.5cm long, velvet lined, a pair of continental silver cloak studs, modelled in high relief with a huntsman courting a country girl, 2.75cm diameter, a continental silver seal, the baluster handle cast and pierced with foliage, monogrammed, 6.5cm long, and a silver plated wine label pierced ‘Madeira’, 7cm long, lacking chain (8)
A set of three George IV silver wine labels, by Rebecca Emes and Edward Barnard, London 1824, with flowers, fruiting vines and a shell surmount, pierced ‘Sherry’, ‘Port’ and ‘Madeira’, ensuite another set of three silver wine labels, by Messrs Barnard, London 1829, of the same design, pierced ‘Brandy’, ‘Rum’ and ‘Gin’, 6.75 cm long (6)
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2466194 item(s)/page