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By Stuart Devlin, a cased silver-gilt, silver and enamel surprise egg, London 1982, limited edition number 220 of 300, ovoid form, textured surface above and below a polished band, the interior depicts a Easter egg tree, with enamel eggs and four people standing by, with limited edition booklet, height 7.5cm. Provenance: purchased from Stuart Devlin 18 November 1982.
By Stuart Devlin, a cased silver-gilt, silver and enamel surprise egg, London 1979, limited edition number 220 of 300, ovoid form, textured surface above and below a polished band, the interior depicts a turtle, with limited edition booklet, height 7.5cm. Provenance: purchased from Andrew Grima Limited, 7th December 1979
By Stuart Devlin, a cased silver-gilt, silver and enamel surprise egg, London 1981, limited edition number 220 of 300, ovoid form, textured surface above and below a polished band, the interior depicts two love birds in a cage, with a band of enamel flowers, with limited edition booklet, height 7.5cm. Provenance: purchased from Stuart Devlin 1 November 1981.
By Stuart Devlin, a cased silver-gilt, silver and enamel surprise egg, London 1981, limited edition number 220 of 250, ovoid form, textured surface, the interior depicts a butterfly resting on a bunch of flowers, height 5.8cm. Provenance: purchased from Stuart Devlin, 14th April 1981. This egg was made to celebrate the fifteen years of creating surprise eggs.
By Stuart Devlin, a cased silver-gilt, silver and enamel surprise egg, London 1980, limited edition number 220 of 300, ovoid form, textured surface above and below a polished band, the interior depicts a jack-in-the-box, with limited edition booklet, height 7.5cm. Provenance: purchased from Stuart Devlin 6 November 1980.
By Stuart Devlin, a cased silver-gilt, silver and enamel surprise egg, London 1978, limited edition number 220 of 300, ovoid form, textured surface above and below a polished band, the interior depicts a a frog on a lily pad, with limited edition booklet, height 7.5cm. Provenance: purchased from Andrew Grima Limited 4 September 1978.
By Stuart Devlin, a cased silver-gilt, silver and seed pearl surprise egg, London 1977, limited edition number 220 of 300, ovoid form, textured surface above and below a polished band, the interior depicts a humming bird taking pollen-box, with limited edition booklet, height 7.5cm. Provenance: purchased from Andrew Grima Limited 25th October 1977.
By Stuart Devlin, a cased silver-gilt, silver and enamel surprise egg, London 1981, limited edition number 220 of 300, ovoid form, textured surface, the interior depicts Prince of Wales Feathers and enamelled flowers, height 6cm. Provenance: purchased from Stuart Devlin 1 July 1981.
By Liberty and Co, a silver and enamel photograph frame, date letter slightly worn, probably Birmingham 1910, oval form, the foliate border with green/blue enamel decoration, wooden back, height 17cm, plus an Edwardian silver Art Nouveau photograph frame, of square form, with four turquoise cabouchons, pierced scroll decoration, wooden easel back. (2)
Three cased silver commemorative plates, various dates and makers, celebrating Princess Anne and Mark Phillip`s wedding, edition number 780, another celebrating the Queen`s silver wedding anniversary, edition number 780, and another plate with an engraved Russian troika, approx. total weight 32oz. (3)
An Edwardian Arts and Crafts silver tazza stand, by The Guild of Handicraft Limited, London 1907, baluster form, spot hammered decoration, the bowl support with wire-work decoration and a wire work frame supported by by five caryatid mounts, on a raised circular foot embossed with lobes and foliate and berry decoration, lacking glass bowl, height 18.5cm, approx. weight 7oz.
By Omar Ramsden, a silver goblet, London 1935, also inscribed `OMAR RAMSDEN ME FECIT`, the circular baluster bowl with spot-hammered decoration, the stem with foliate and grape decoration, above wirework supports, on a raised circular foot, height 12.8cm, approx. weight 10oz.
By Tiffany and Co, a 19th century Aesthetic movement silver and `mixed metals` mug, Edward C. Moore period, 1873-1891, circular tapering form, applied with `niello` style decoration, gilding and black enamel, depicting a Japanese lady with a fan, Japanese characters and fish and lily pads, silver gilt borer, gilded interior, on a pierced foliate circular foot, height 10.2cm, approx. weight 8oz.
Roger J. Squires (b.1956) trained as a silversmith at St. John Cass College in London, under Jack Stapely. His career has included work for Asprey and Garrard, and his work has been exhibited at Goldsmiths Hall. One of his specialist areas is fine silver sculpture work. By Roger Squires, a modern silver `flame pattern` water jug, London 2001, tapering circular form, scroll handle, elongated lip, the body with textured decoration, height 22.3cm, approx. weight 28oz.
By Roger Squires, a modern suite of three silver `flame pattern` casters, London 2002, slight tapering circular form, ball finials, the bodies with textured decoration, the larger caster with a bayonet fitting cover, height of largest 15cm, height of smallest 12cm, approx. weight 19oz. (3)
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2466194 item(s)/page