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A Victorian silver gilt cased presentation fork and knife, a possible gift to Prince Albert, the fork with mark of Chawner & Co. (George William Adams), London 1846, the knife blade with mark of Henry Atkin, Sheffield 1862, the handle with mark of Robert Garrard II, London (possibly) 1846, the handles of both in the Rococo style, the fork with the cypher A under a crown terminal, the knife's handle decorated with the cypher A encircled with the collar of the Most Noble Order of the Garter, ensigned with a crown, verso with the crest of the Borough of Liverpool, both sides of the blade with decorative engraving, 8.9ozt gross, presented in a fitted leather and gilt tooled case, lined in burgundy satin and velvet, stamped ARNOLD & LEWIS LATE I. SIMMONS 7 ST ANNE'S SQ MANCHESTER (case A/F)Provenance: From the estate of the late Barry Lock (1934-2021)Given the date of hallmarking, the decorations and embellishments, on the balance of probability and without any evidence to the contrary this set may well have been a presentation piece to H.R.H. Prince Albert, the Prince Consort on the occasion of his visit to Liverpool for the official opening of the Royal Albert Dock - named in his honour, on 30th July 1846. This was the first time that a member of the Royal Family had made an official visit to Liverpool and there were major celebrations to mark the occasion, including a lavish party at which Prince Albert was guest of honour. The hypothesis is that the Prince Consort undoubtedly received many gifts at that time and this personalised knife and fork may have been used and subsequently gifted to him on the day.Chawner and Company were suppliers of silverware to Garrard & Company who, in turn, were appointed official Crown jewellers in 1843. During the mid 19th century, Garrard were one of the leading producers of elaborate presentation silverware, such as this example.The silver blade has subsequently been replaced (the original might well have been steel), probably by the retailer, who was active circa 1860 - circa 1905, and the fitted case was possibly made at that time.
An Edward VII Britannia silver porringer and cover, retailed by Tessier, mark of C. J. Vander (Henry & Arthur Vander), London 1909, of traditional baluster form, the sides decorated with a repoussé lion and unicorn amongst foliage, two decorative scroll handles, fully marked friction fitting detachable cover similarly decorated and topped with an urn shaped finial, marked to the underside E. TESSIER 96 NEW BOND ST.W., 10cm in diameter, 12cm high, 11.7oztProvenance: From the estate of the late Julie Cecil (1942-2022)Overall in fair to good condition with no obvious sign of repair. Some surfaces scratches as to be expected. Some minor denting and bruising to the body within the decoration. Rim slightly out of shape. Lip to the cover out of shape, as is the locating flange, with the result that the cover is not a perfect fit to the body.
An Edward VII silver coffee pot, mark of James Dixon & Sons Ltd., Sheffield 1905, of oval form, lower with four decorative vertical panels, slender upper with flared rim, part marked piano hanged domed cover topped with an ivory finial, ivory handle and panelled swan neck spout, 22cm high, 19.1ozt Provenance: From the estate of the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate Ref No: T5RG82JV
Three Edward VII silver novelty miniature wine tables, mark of the Goldsmiths' & Silversmiths' Company, 1 x Sheffield 1922, 1 x London 1909, 1 x London 1912, each circular, slightly concave and panelled top with 'Chippendale' style rim, raised on a turned column with triform base and ball and claw feet, signed to the underside, 11cm diameter, 9cm in height, 10.3ozt gross Provenance: From the estate of the late Barry Lock (1934-2021)
An Edward VII silver desk inkstand, mark of C. S. Harris & Sons Ltd., London 1905, of rectangular form, the raised and fluted rim with shell and cross hatch decoration, the field with a simple collar supporting a square cut glass inkwell with silver collar and piano hinged flat cover, similarly decorated, around a central monogram, raised on four quadrant feet, 17 x 13cm, 9.2ozt weighable silverProvenance: From the estate of the late Julie Cecil (1942-2022)
A cased pair of Edward VII silver casters, mark of S. W. Smith & Co., Birmingham 1909, each of plain tapered cylindrical form with reeded waist, the part marked detachable friction fitting cover with decorative piercing topped with an urn shaped finial, 17cm high, 11.8ozt gross, presented in a green leather and gilt tooled case lined in cream satin and purple velvet, retailed by Carrington & Company
An Edward VII silver coffee pot, mark of Henry Williamson Ltd., Birmingham 1907, in the Queen Anne style, lower with gadroon decoration, parapet with gadrooned rim, part marked piano hinged flush fitting lid topped with a black finial, black handle, 22cm high, 21.3oztProvenance: From the estate of the late Julie Cecil (1942-2022)
An Edward VII silver dish ring together with a smaller Victorian English provincial example, the larger example with mark of Williams (Birmingham) Ltd., Birmingham 1906, of traditional form with turned rims, the pierced and concave sides decorated with foliage, scrolls, a fox and a swan around a vacant abstract cartouche, maximum diameter 20cm, minimum diameter 18cm, 10cm high; the smaller example with mark of George Nathan & Ridley Hayes, Chester 1899, similarly decorated around an engraved abstract cartouche, maximum diameter, 14.5cm, minimum diameter 11.5cm, 7.5cm high, presented with a fitted blue glass liner, 19.3ozt gross weighable silver (2)Provenance:Ballykeel House, Hillsborough, Northern Ireland
Four early 20th century silver easel back photograph frames together with a later example, the first with mark of Mappin and Webb, Birmingham 1904 in the 'Art Nouveau' style, the square shaped frame 17 x 17cm with stylised flowers over a textured ground, circular aperture 10cm in diameter, wooden backed, (glass lacking); the second with mark of Mitchell Bosley & Co., Birmingham 1900, of traditional rectangular form 17 x 23cm with flower and scroll decoration and topped with a vacant cartouche, rectangular aperture 14 x 9.5cm leather and wooden backed; the third with mark of W. J. Myatt & Co., Birmingham 1903, of traditional rectangular form, 18 x 21cm, with scroll decoration and topped with a vacant cartouche, rectangular aperture 13.5 x 9.5cm, velvet and wooden backed; the fourth with mark of Williams (Birmingham) Ltd., Birmingham 1903, of miniature form 7.5cm x 9cm, with flower and scroll decoration, oval aperture 5 x 3.5cm, velvet and wooden backed; the fifth with mark of Keyford Frames Ltd., London 1983 in the 'Art Nouveau' style, 13 x 15cm with circular aperture 7cm diameter, velvet backed (5)Mappin & Webb: Some minor dents, dings and surface scratching as to be expected. Lacking glass. Verso in good condition though a little loose. All the retaining pins present.Mitchell Bosley: Some minor dents, dings and surface scratching as to be expected. Some surface wear. Left-hand side column un pinned and buckling out a little. Verso a little worn, but complete, with a minor horizontal split to the hinged section.WJ Myatt: Some surface scratching as to be expected. Some surface wear, minor dents, pinholes, crushing to the edges and splits from years of polishing and wear. Verso a bit scruffy.Williams: Some surface scratching as to be expected. Some surface wear, minor dents, pinholes, crushing to the edges and splits from years of polishing and wear. Verso a bit scruffy and hinge a bit loose. Silk retainer detached at one end.Keyford: Some surface scratching as to be expected. Minor denting to the aperture edge particularly around 2 o'clock. Velvet sides and verso a bit worn and scruffy.
Two early 20th century 'Arts & Crafts' silver bowls, both of circular form and hammered finish, the side with applied Medieval style inscriptions, two simple C shaped lug handles, raised on three stylized hoof feet, the larger with mark of Edward Barnard & Sons Ltd., London 1907, 14cm diameter, 7cm high, the smaller with mark of F. J. Ross & Sons (Frederick James Ross), London 1922, 10.5cm diameter, 5.5cm high, 22.3ozt gross (2)Provenance: From the estate of the late Barry Lock (1934-2021)Overall in good condition with no obvious sign of damage or repair. Some minor surfaces scratches as to be expected. Both stand firm on a flat surface with no wobble. Hallmarks to both a little worn but still readable.
A set of four Edward VII silver and nephrite candlesticks in a fitted travelling case, mark of Frank Hyams Ltd., London 1909, each filled square slightly concave base supporting a column of nephrite, square in cross-section, topped with a silver cap, square sconce and fully marked friction fitting wax pan, 10.5 x 10.5cm at the base, 23cm high, presented in the original signed wooden travelling case with fitted interior lined in cream coloured feltFrank Hyams Ltd. was founded in 1885 and was a jeweller, silversmith and watchmaker with stores in New Zealand and London. The company specialized in the top end of the market with a strong focus on nephrite - or as Mr Hyams knew it, New Zealand greenstone. The native greenstone, which was associated with the Maori race from early records, appears in many of his designs, including this example and he was the leading dealer in this material at the time. Examples of his work can be found in the British museum and the Smithsonian in Washington D.C. STICKS:Overall in fair to good condition with no obvious sign of repair. Some minor surface scratches and very minor pitting to the bases, as to be expected. Top plate of one of the wax pans has detached from the locating flange, though the flange is still in the sconce. Another wax pan appears stuck in the sconce. The other two remove satisfactorily. One nephrite column a little loose in the base socket, but both the retaining pin are in place. Hallmarks to the bases a little rubbed, but the marks to the wax pans are still crisp.CASE:A bit scruffy to the outside, with the remains of wax seals and travelling papers. The lock has been forced and has broken away from the cover. Some damage and loss to the bottom left hand corner. The the interior lining is a little dirty and scuffed in places but appears complete.
An Edward VII silver metamorphic 5 light candelabra, mark of Hawksworth, Eyre & Co. Ltd., Sheffield 1906, the filled hexagonal shaped facetted base with presentation engraving, tapering hexagonal double knopped column, facetted sconce and part marked removable wax pan, detachable top section comprising four double scroll arms each terminating in a matching sconce and wax pan, and a short centre column supporting the fifth sconce, 40cm total height, 40cm span, 34.2ozt weighable silver
An Edward VII silver tea kettle and stand, mark of Charles Stuart Harris, London 1905, the kettle of circular form, lavishly decorated with three bands of repoussé foliage around a scroll edged vacant cartouche, part marked side piano hinged cover similarly decorated and topped with a black finial, part marked swing handle with black insulator section, on a simple circular frame with three tapering reeded legs terminating in paw feet and containing the removable part marked spirit burner with hinged snuffer, 38ozt grossProvenance: From the estate of the late Barry Lock (1934-2021)
An Edward VII silver 5-piece tea and coffee set, mark of John Round & Son Ltd., Sheffield 1905/6, the teapot of rectangular, somewhat bulbous form with canted corners and shell and gadroon parapet, part marked piano hinged and domed cover similarly decorated and topped with a black finial, black handle, raised on four bun feet, the coffee pot, hot water jug, two handled sugar bowl and milk jug to match, 86.3ozt gross
An Edward VII silver oversized porringer and cover, mark of Edward Barnard & Sons Ltd., London 1903, of traditional form, lower with symmetrical repoussé decoration, upper plain with presentation engraving, two double scroll handles with maiden embellishment, fully marked friction fitting detachable cover similarly decorated and topped with a decorative finial, 18cm diameter, 22cm high, 56ozt
An Edward VII silver two handled tray in a fitted wooden case, mark of George H. Whitaker & Company (George Harry Whitaker), Sheffield 1904, of rectangular form, pierced rim decorated with foliage and scrolls, the field with bright cut engraved quadrants around a central monogram, two decorated handles and raised on four shell and scroll feet, presented in a wooden fitted case, 82.3ozt
An Edward VII silver presentation bowl with detachable stand, mark of James Dixon & Son, Sheffield 1907, the bowl of circular form with reeded waist and turned rim, raised on a squat pedestal foot, 12cm diameter at the rim, 8.5cm high, 4.3ozt, on a matching loaded silver circular stand, 9.5cm diameter at the base, 4cm high (2)
A George V silver bachelor's teapot, mark of Alfred James How, London 1910, in the Turkish style, of octagonal panelled form, part marked piano hinged domed cover topped with an urn finial, brown handle, 10.4oztOverall in fair to good condition. Some surface scratches and minor bruising as to be expected. Evidence of a bruise and minor repair to one of the panel joints. Cover opens and closes satisfactorily and the hinge does not appear to be strained. Finial leans a little as a result of being pushed slightly into the cover with associated dishing to the cover in the area. Handle secure in the sockets. Very minor wobble when on a flat surface. Hallmarks a little worn but clear. 15cm high, maximum diameter 9cm.
A George V silver swing handled cake basket, mark of Sutherland & Roden (George Guirren Rhoden), Sheffield 1910, of navette form with reeded rim and panelled lower, graduating reeded swing handle, raised on a spread foot, 24 x 16cm, 15oztProvenance: From the estate of the late Barry Lock (1934-2021)
A George V silver commemorative inkwell, mark of Garrard & Co., London 1935, Jubilee marked, of circular form, engraved to the side THE GIFT OF THE GOLDSMITHS’ COMPANY SILVER JUBILEE OF KING GEORGE V 1935, part marked cover with bayonet fitting giving access to the glass well inside, the hinged access cover decorated with the arms of the Goldsmiths' Company, 10cm diameter, signed and display marked to the underside, 15ozt weighable silverOverall in good condition with no obvious sign of damage or repair. Some surface scratches as to be expected and commensurate with use. Engraving and hallmarks clear and crisp. Bayonet fitting positive. Hinge a little stiff but does not appear to be strained. Some spotting to the interior. Glass insert in good condition with just some very minor grizzling to the rim of the well and would benefit from being thoroughly washed to remove residue.
A George V silver fruit bowl, mark of the Goldsmiths' & Silversmiths' Company, Sheffield 1921, of circular, somewhat baluster form, the rim with egg and dart style decoration, raised on 4 applied pierced feet, signed and numbered to the underside, 24cm diameter at the rim, 7.5cm high, 23.2ozt
A George V silver teapot & hot water jug, mark of Mappin & Webb, London 1933, the teapot of circular, somewhat baluster form with decorative parapet, part marked, piano hinged, flush fitting and domed cover topped with a wooden finial, wooden capped C shaped handle, raised on a circular splayed foot, the water jug to match, 26.2ozt gross (2)
A George V silver spirit kettle and stand, mark of Walker & Hall, Sheffield 1919, the kettle of rectangular half gadrooned form, the parapet with egg and dart decoration and shell corners, side hinged half gadrooned domed cover topped with an ivory finial, simple angular handle with ivory insulators, attached to the frame with two peg hinges; the frame similarly decorated with additional pierced decoration, raised on four shell capped scrolled feet, simple underframe supporting the part marked spirit burner, hinged cover with simple handle and decorative ivory finial, 49.7ozt grossThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate Ref No: FV9D139G
A canteen containing a 36-piece set of George V silver flatware, mark of Cooper Brothers & Sons Ltd., Sheffield 1929, 'Rattail' pattern, monogrammed, comprising 6 table forks, 6 table spoons, 6 dessert forks, 6 dessert spoons, 6 soup spoons (1 x 1926) and 6 teaspoons, 69.6ozt gross, presented in a wooden table top canteen with hinged cover, lined in dark blue velvet with a single drawer and a protective canvas style cover
A pair of George V silver entrée dishes, mark of Reid & Sons, Sheffield 1933, of oval form, bases and covers both with gadrooned and scalloped rims, the bayonet fitting detachable handles similarly decorated, each base marked to the underside REID & SONS NEWCASTLE-ON-TYNE, each cover engraved EAGLE HILL 1935, 29 x 23cm, 80.5ozt gross Provenance: From the estate of the late Julie Cecil (1942-2022)
A canteen containing a 59-piece set of George V silver flatware with 1 addition, mark of Josiah Williams & Company (David Landsborough Fullerton), London 1930, 'Old English' pattern, each engraved with the crest of BERTRAM, comprising 18 table forks, 18 tablespoons, 11 dessert forks and 12 dessert spoons, together with a further dessert fork with matching crest, mark of Robert Stebbings, London 1900, 100ozt gross, presented in a wooden table top canteen, mark of Harrods Ltd., with hinged cover, lined in green baize with one lift out section (60)
A George VI silver christening mug, mark of Wakely & Wheeler, London 1948, of tapering form, the sides decorated with engraved birds in flight over clouds, 7.5cm diameter at the rim, 9.5cm high, 6.6oztOverall in fair to good condition with no obvious sign of repair. Some surface scratches and very minor bruises as to be expected and commensurate with age and use. Some very minor nicks to the rim, which is a little out of shape. Stands with a minor wobble on a flat surface, Engraved designs and hallmarks clear and readable.
A George VI silver rose bowl and stand, mark of Carrington & Co., London 1950, of circular fluted form with panelled sides, the part marked pierced cover with central decorative finial, rim with personal engraving, raised on a similarly decorated spread foot under a gadrooned collar, signed to the underside ASPREY LONDON, presented on a black turned wooden stand, the top with a central cream coloured boss marked ASPREY LONDON, 25cm diameter, 12cm high plus the stand, 49.6oztProvenance: From the estate of the late Julie Cecil (1942-2022)Overall in good condition with no obvious sign of damage or repair. Some minor surface scratches as to be expected and commensurate with use. Some spotting to the interior. Cover fits well. All hallmarks and engraving clear and crisp. Some minor scuffing to the rim of the stand. Some wear to the cover of the underside of the stand, particularly around the rim.
A George VI silver five-piece tea and coffee set, mark of Mappin & Webb, Sheffield 1946, the teapot of octagonal panelled form, part marked piano hinged cover similarly designed and topped with a brown finial, brown handle, raised on a spread octagonal foot, the coffee pot, hot water jug, milk jug and two handled sugar bowl to match, 77.8ozt gross
A pair of George VI silver coffee pots, mark of Nathan Bloom & Son Ltd., London 1942, each of plain tapering form and in the George II style, part marked piano hinged and flat topped cover topped with an urn shaped finial, brown handle and facetted spout, 22cm high, 56.1ozt grossProvenance: From the estate of the late Barry Lock (1934-2021)
An Elizabeth II silver goblet, mark of Barker Ellis Silver Co., Birmingham 1971, display marked, in the Jacobean style, the bowl of campana form with flared rim, short knopped column and pedestal foot, the side engraved with a monogram, gilt washed interior, 7cm diameter at the lip, 11.5cm high, 5.2ozt
An Elizabeth II silver bottle coaster, mark of Asprey & Co., Birmingham 1987, plain straight side with turned rim, engraved with a portcullis under a crown in the style of the emblem of the Houses of Parliament, turned wooden base and green felt table protector, 12.5cm inside diameter 4.5cm high, presented in the distinctive purple liveried card boxOverall in good condition with no obvious sign of damage or repair. Some very minor surface scratches as to be expected. Hallmarks and engraving are clear and crisp. Very minor wear and scuffing to the wooden base interior. The box is a little scuffed at the corners and at the thumbpieces.
An Elizabeth II silver candlestick converted to a table lamp, mark of Mappin & Webb, Sheffield 1994, loaded square stepped base with beaded borders and Corinthian column, presented with a blue coloured pleated shade, 10 x 10cm at the base, 23cm to the light fittingProvenance: From the estate of the late Barry Lock (1934-2021)Overall in good condition with no obvious sign of damage or repair. Some surface scratches commensurate with use. Hallmarks clear and crisp. Stands on a flat surface without wobble. Some minor wear to the felt underside. Would greatly benefit from a clean and polish.The electrics have not been tested, and you should consult a qualified electrician to confirm its safety before use.
An Elizabeth II silver topped novelty spirit decanter and label, mark of Garrard & Co., the glass decanter of flat sided cylindrical form, each side featuring a horseshoe shape, the sides with floral decoration, silver collar with mark of Garrard & Company, London 1994, additionally stamped GARRARD LONDON, domed and fluted glass stopper; the label with mark of Garrard & Company, Sheffield 1988, of cushion shape featuring a pierced image of a racing horse, with a short length of belcher link chain, 5.5 x 4cm, 0.5ozt (2)Provenance: From the estate of the late Julie Cecil (1942-2022)
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