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A lady's Longines steel cased quartz cocktail watch, having a signed silver lozenge shaped dial, the bezel pavé set with small brilliant cut diamonds, quartz movement, back cover numbered 32698962, case dia.20mm, on Longines black alligator skin bracelet with steel clasp, with box, booklet and outer box (box distressed)Not running, presumably needs new battery.
An Edwardian silver and enamel sectional bracelet, the pierced oval sections each enamelled in Archibald Knox shades of blue and green, with safety chain, maker James Fenton & Co, 13.4g, Birmingham 1909, length 20cmOne enamel panel with two very small chips, and one with some scratches.Clasp broken.All silver scratched and with age wear.
An 18ct gold masonic jewel for The Bedford Lodge No. 157, being fully inscribed verso 'Awarded to WJ Pearse', dia. 4cm, circa 1965, gross weight 24g, on silk ribbon with further gilt metal fittings, together with two masonic silver jewels, annotated for The Bedford Lodge No. 157, London 1939 (3)
A yellow metal fancy double circle link braclet, with bolt ring clasp and twelve charms attached to include a 9ct Bahamas map with a 1.5mm round ruby, a 9ct gold front and back engraved heart locket, a 9ct engraved tankard, an enamel ladybird, a yellow engraved fob with purple stone intaglio, a 9ct horse with red stone eyes, an enamel envelope set with a 2.7mm emerald (chipped), opening mechanism and engraved 'Mon Ami', a yellow enamel globe charm engraved in German 'Die Ganze Welt dreht sich um Liebe' (The World is in Love), a 9ct ST Christopher, a yellow Monte Carlo charm, a silver and enamel salmon by Alabaster & Wilson, and a yellow double eagle charm, length 180mm, chain width 5.15mm, gross weight 26.4g, not marked but tested as 9ctEnvelope charm opens & closes securely. Some missing enamle to the left hand side. Some turquoise missing around edge. Fish, horse, ladybird all good.
A yellow and white metal diamond scrollwork pendant, comprising 18 Old European cut diamonds and one 1.7mm round green stone (untested), all in grain settings, diamond dimensions between approx 1.95 x 1.3mm and 3.4 x 2.15mm, total weight estimated as 0.79 carats, assessed mounted collection colour J to K and clarity I1 to I2, length 40mm, gross weight 2g, not marked but tested as 9ct and silverVery dirty, otherwise no apparent faults.
PAUL CAMPONIGRO (AMERICAN, B. 1932)Stonehenge, Wiltshire, England (1967)signed in pencil 'Paul Camponigro' (on mount lower right)gelatin silver print33 x 49cm(unframed)Condition reportSome very small minor marks and abrasions to the image, including to lower left edge and upper centre edge.Image is laid down onto mount.Foxing and stains to mount.Otherwise image itself appears overall generally good.
ALEXANDRE BENOIS (RUSSIAN, 1870-1960) (2)Two costume designs from 'The Dance of the Fishes', Sadko, Act VI one signed and dated 'A Benois 1931', the other signed and dated 'A Benois 1930' (lower right) and both inscribed pencil, watercolour and silver paint 29 x 21cm (2)ProvenanceMarina Henderson GalleryFootnoteMarina Henderson opened her Gallery in Langton Street, at the World’s End, in 1982. Her main specialities were paintings and drawings related to the performing arts. Her first coup was to exhibit Edward Burra’s designs for ballet, an area of his work that had never been the subject of a Gallery show. Another breakthrough was a series of shows of designs by John Macfarlane early in his career before he became one of the leading international designers for opera and ballet. Other important exhibitions featured Bakst, Barbier, Beaton, Benois, Berard, Berman, Cocteau, Edward Gordon Craig, Erte, Gontcharova, Leslie Hurry, Laura Knight, Larianov, John Minton,Tanya Moisewitch and Picasso.The Gallery’s customers included actors, directors, curators and archivists from Covent Garden, Glyndebourne, Harvard Theatre Museum, the University of Texas and major private collectors in UK and USA.The Marina Henderson Gallery soon developed into a social club where customers became friends and friends customers. Sadly it closed with the expiry of the lease in 2001. Marina continued to deal privately from home for the next 12 years.Condition Report'Blue Fish' - Minor surface abrasions and creases, upper and lower right, otherwise sound.'Red Fish' Watermark ti sheet off the right hand border, diagonal crease to lower left corner.Both works framed and under glass; unexamined out of frame.
BILL BRANDT (BRITISH, 1904-1983)Stonehenge Under Snow (1947)signed in ink 'Bill Brandt' (to the mount)gelatin silver print34 x 28.5cmARRProvenanceMarlborough Gallery, New York;Private collectionCondition reportStains upper right and to left centre edge but some of these could be original to the work, the one to left centre edge for example looks as thought it might be a part of the print.Some possible discolouration to paper, the snow appears an off white/slightly brown colour in places, but difficult to tell if original to work.A few small dark spots visible to upper left quarter but again difficult to tell if original to work.Some surface dirt.Framed and under glass and not examined out of frame.Please see photos online.
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2475480 item(s)/page