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An Art Deco silver jewel casket, J Gloster Ltd, Birmingham 1925, curved rectangular, the hinged cover engine turned, blue silk satin lined, 11.5cm wide, a small silver trophy, a cylindrical silver pepperette, a paper knife, detailed 800, with cast handle, 14.5cm long, two silver blade mother of pearl handled knives also a pair of mother of pearl mounted opera glasses (7).
An Edwardian oval silver jewellery casket, William Comyns, London 1907, the hinged tortoiseshell inset cover pique decorated with a classical roundel and bell-flower swags and ribbon pendants enclosing a velvet lined interior, 9cm wide, a similar mounted circular glass dressing table jar, London 1914, with screw-off cover, 7cm diameter and a similar mounted heart shape brush, Birmingham 1927 (3).
A pair of George III circular silver gilt salt cellar stands, Henry Nutting or Hannah Northcote, London 1801, with gadroon borders, 10.3cm diameter and a pair of George III silver gilt fiddle, thread and shell pattern salt spoons, William Eley & William Fearn, London 1801, 6.5ozs, all engraved with the same crest and a pair of George III style cut glass salt cellars to fit (6).
A silver mounted square section cut glass decanter, London 1970, 24.5cm high and a silver Brandy label, Birmingham 1989, also an electroplate mounted glass claret jug, in late Victorian style, 31cm high, and a syphon or bottle holder, foliate and lattice pierced and embossed, 11.5cm high (4).
A silver capstan shape pepper mill, Hukin & Heath, Birmingham 1934, 8cm high, a late Victorian silver foliate engraved napkin ring, Sheffield 1900, an Art Nouveau silver mustard pot, Birmingham 1906, a similar salt cellar, Sheffield 1913, both with blue glass liners, silver salt and mustard spoons, 4ozs combined weight of weighable silver (6).
An Edwardian oval silver mounted photograph frame, W. Neale, Chester 1906, sight size 15 x 10cm, an Art Deco silver and tortoiseshell hand mirror and hair brush, Adie Brothers, Birmingham 1930, a late Victorian silver mounted clothes brush, five silver handled tea knives, an Indian bowl, late 19th century, heavily embossed with leaf scrolls and a similar napkin ring (11).
A George III style helmet shape silver cream jug, Stokes & Ireland, Chester 1930, 9.5cm high, a circular silver squeeze action tobacco box, Goldsmiths & Silversmiths Company, London 1919 and a Victorian silver sovereign case, London 1882, both monogrammed, 6.3ozs weight combined (3).
A set of five George III silver dessert knives, Sheffield 1812 and six matching forks, with bone handles, in fitted red morocco covered case, two sets of six electroplate fish knives and forks and a pair of carvers in Goldsmiths & Silversmiths Company oak case, a Mappin & Webb coffee tray, of shaped outline, nine French fiddle and thread pattern teaspoons and a pickle fork (qty).
An ornate Italian silver tea strainer, with chick, flowerhead and leaf scroll embossed border, eagle and wreath handle, inscribed SPQR, 14.2cm long, a silver napkin ring, Robert Stebbings, London 1910, with raised initials, inscribed and a spoon, the bowl formed from a coin, 14.5cm long, 4.8ozs weight combined (3).
An Edwardian engine turned silver dressing table box, Goldsmiths & Silversmiths Company, London 1904, 10 x 5.5cm, monogrammed, a rectangular silver mounted photograph frame, marks worn, sight size 13.5 x 9cm, a novelty miniature silver box, English Import marks for 1895, in the form of a foliate embossed sombrero, 6cm, USA silver dollar 1926 and four quarter dollars, 5.5ozs combined weight of weighable silver (7).
A three piece silver cruet, Adie Brothers, Birmingham 1924 & 1925, with interlaced pierced sides, blue glass liners and a silver salt spoon, also a silver medallion commemorating The Inauguration of The Doha Sheraton Hotel and Conference Centre, 1982, cased, 4.9ozs weight combined (5).
A small collection of jewellery, comprising a gilt metal mounted carved cameo brooch, carved with a head and shoulder portrait of a lady; a silver gilt and blue enamelled brooch of oval design; a Norwegian enamelled silver brooch of leaf design; another similar of a sailing vessel; a silver and blue gem set ring; a silver filigree brooch; four further various brooches and pair of silver framed lorgnettes (11).
A small collection of 19th century and later jewellery; comprising a 19th century continental diamond set enamelled portrait plaque later converted to a pendant, of oval design, painted with the head and shoulder bust of a woman in 18ct dress, in a silver mount, set with rose cut diamonds; a green paste necklace; a silver and hardstone set brooch; a carved shell cameo; a gilt metal and bead long chain; two further brooches and two pairs of earrings; contained with a leather fitted case.
A collection of eighteen various swatches, including a cased example on silver strap; a 'Love You' examples in Swatch packaging; two further cased examples and a 'Minimum Parts - Maximum Precision' example; together with an 2002 edition Swatch-Clopedia and Swatch a Guide for Connoisseurs and Collectors book by Frank Edwards.
A collection of silver and bead jewellery; comprising: uniform single row lapis lazuli bead necklace on a gilt metal bead clasp; a single row black cultured pearl necklace, suspended from a 9ct gold clasp detailed 375; a single row cultured pearl necklace suspended from a 9ct clasp designed as a stylised coffee bean; another cultured pearl necklace on a silver clasp; a micro-cord and black cultured necklace by Honora; an oval jadeite set silver brooch; five further hardstone set pendants; a lady's Silvermoon stainless steel quartz watch on a silver bracelet; four various pendants; a pierced silver scrollwork brooch; a pendant necklace and a silver necklace (qty).
A silver gilt, cabochon ruby, emerald and diamond-set dress ring of pierced rectangular plaque design, set with two cabochon rubies and emeralds in a quatrefoil design to the centre, in a surround of diamonds, the whole mounted in silver gilt, ring size P, gross weight 10gms; and another gem-set silver dress ring (2).
A carved jadeite pendant, in the form of a turtle, suspended from a yellow precious metal bail; a Medana gilt metal and enamelled nurses fob watch, with 17 jewel movement, suspended from a rolled gold bow brooch; a pierced silver circular brooch, decorated with elephants; a Siamese pierced silver and blue enamelled brooch; and a gilt metal brooch in the form of a guitar, set with colourless paste (5).
A collection of twenty one Matchbox 75 Series diecasts, S2 Jet 2, Car Transporter 11, Snorkel Fire Engine 13, Diesel Shunter 24, Flat Car/Container 25 x2, Site Dumper 26, Cable Truck 26, Vantastic 34, Model A Van 38, Mercedes Container Truck 42, Steam Locomotive 43 x3, Passenger Coach 44 x2, Pannier Locomotive 47, Combine Harvester 51, Chevrolet Van 68 and Helicopter 75 along with a Silver Jubilee Bus, all boxed and two empty 75 boxes 40 & 48
(See English version below)„Stehende III“. 1968Neusilber (poliert) auf Steinsockel. 24 × 7 × 6 cm (ohne Sockel) ( 9 ½ × 2 ¾ × 2 ⅜ in. (ohne Sockel)). Unter dem Sockel auf einem Etikett signiert: Cimiotti.Brusberg Ed. 6.–Einer von 60 nummerierten Güssen aus einer Gesamtauflage von 70 Exemplaren. Eigenedition. [3338]Zustandsbericht: Ex. 24/60. In gutem Zustand. Vereinzelte minimaler Oberflächenverlust durch Korrosion. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld."Stehende III". 1968Polished nickel silver on stone base. 24 × 7 × 6 cm (without base) ( 9 ½ × 2 ¾ × 2 ⅜ in. (without base)). Signed on a label under the base: Cimiotti.Brusberg Ed. 6.–One of 60 numbered casts of a total edition of 70 copies. Artist's edition. [3338]Condition report: No. 24/60. In good condition. Isolated minimal surface losses due to corrosion. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)Gestaltung eines Arbeitszimmers mit Regal und Tisch. 1920er-JahreTempera, Silberbronze und Bleistift auf Papier. 50 × 65 cm ( 19 ⅝ × 25 ⅝ in.). [3168]Zustandsbericht: In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Die Blattecken jeweils minimal bestoßen. Die Ecken mit Montierungslöchern. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Rückseitig in den Ecken Montierungsreste (weißes Papierklebeband) und in den oberen Ecken mit Japanpapier auf den Unterlagerkarton montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Design for an interior of a study including shelf and table. 1920sTempera, silver aluminium and pencil on paper. 50 × 65 cm ( 19 ⅝ × 25 ⅝ in.). [3168]Condition report: In good condition. The sheet edges without tears or losses. The sheet corners each minimally bumped. The corners with mounting holes. Ultraviolet light reveals no retouchings or repairs. On the reverse at corners remains of former mounting (white paper tape) and in the upper corners mounted using Japan paper on cardboard. Fine harmonious overall appearanceWe charge 30% premium and 7% import tax on the hammerprice.
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2475480 item(s)/page