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Click here to subscribe7x Gt. Britain Roller Skating Championship medals - to incl. 5x Championship winners medals incl. one Professional winners medal - all silver hallmarked Birmingham for 1946, 1948, 1949,1950 & 1956 plus 2 silver "Runner Up" medals for 1951 & 1952 -awarded to Jean Phethean - overall 1.75" together with NSA certificate. (8).
Collection of 26x National Skating Association of Gt. Britain winners medals: 1942 - 1945 to incl. 7 winners, 3x Runner Up and 3x 3rd places (13) together with their NSA associated certificates plus 3x National Skating Assoc. silver, bronze and enamel test medals and certificates for International Style Figure Roller Skating. (29).
17x various World, European and G.B. Roller Hockey and Figure Skating Championship participant medals, badges and pin badges: medals to incl. 1946 & `48 x 2 European Figure Skating - Belgium, 1947 World Hockey - Portugal, & 1948, `49 World Figure Skating (2 c/w ribbons, 2x with bars and 2 with suspension rings) plus 11x various Roller Skating and Hockey pin badges to incl. US, European and British clubs -and a Collection of NSA Embroidered Team badges and silver and bronze members pin badges: to incl. Official Gt. Britain embroidered team blazer badges for 1947, 1948, 1950, 1951 & 1952 and a large collection of black and white press and private photographs et al - all relating to the career of Jean Phethean- (a lot).
Fine Victorian Silver Cricket Heart-Shaped Locket: embossed to the front with a crossed cricket bat and stumps, hallmarked Birmingham 1896 together with a similar early white-metal cricket rectangular locket, engraved to the front with a batsman, wicket and ball. (2).
1905 Twickenham Rowing Club Trophy: a scarce Royal Doulton stoneware tankard with silver band engraved "Twickenham Rowing Club Scratch Eights 1905" together with hunting/country scene figures in white relief - the base stamped with the Royal Doulton logo and production number 2599 and the initials "NE"- Note various hairline cracks and a chip to the inside of the rim hence (AF), overall 5.5".
Scarce 1956 Football Association Referees silver gilt presentation medal: the obverse is embossed with a figure of a referee holding a football c/w F A Crest and embossed to the border "The Football Association and on the reverse is embossed with a referees whistle and engraved to the centre "S.W. Mundy - FA.XI v U.A.U on 7TH May `56" - in makers original box. (G).
11x Various County Football Association silver and enamel medals: to incl. Cornwall, Devon, Gloucestershire, Hertfordshire, Lancashire, Cheshire, Essex Junior Challenge Cup and Northern Amateur Football League "Clarence (Mates) Cup" - all hallmarked from 1934 onwards.
A sterling silver cigarette case, two sterling silver bangles, a ladies silver gilt Art Deco Genex watch, two silver fob watches, a horseshoe and fox head brooch, a silver and gold cased bracelet, a pair of fishing fly reverse painted intaglio cufflinks, a sterling silver Albert chain and fob, jet pendant, operculum pendant, agate pendants and other assorted pendants in a large Victorian jewellery box
THE MOTHER OF GOD OF KAZAN IN A SILVER AND ENAMELLED OKLAD END OF THE 19TH CENTURY, MIXED MEDIA, MAKER`S MARK OF IVAN TARABROV IN CYRILLIC, MOSCOW, CIRCA 1900 31.8 by 27.2 cm. Related literature: For similar icons, see I. Tarnogradsky and I. Buseva-Davydova,The Holy Images. Russian Icons of the 15th-20th Centuries from Private Collections, Moscow, 2006, cat. no. 213. The oklad is marked by the Moscow Regional Assaying Control with the initials of I. S. Lebedev, the controller of the region from 1899, hallmarked ’84, and stamped by the stamp I.T. of I. F. Tarabrov, the owner of gold- and silver-smith workshops between 1893 and 1913. The icon reproduces the wonder-working image of the Mother of God of Kazan, which was very popular in Russian art in the late 19th to early 20th centuries. It is painted in the style characteristic for that period, combining the technique used in oil paintings with soft modelling of the faces based on dark colours in attempt to imitate ancient icons in the way their production was imagined at that time. The wide embossed margins of the oklad are ornamented with schematic palmettes and a three-dimensional border, wrapped up with a double cord, making a rich and elegant frame for the image. The precious decoration of the icon is enhanced by enamelled haloes and crown. The ornamental enamelled mounts in the corners are reminiscent of clasps of medieval books, beautifully complementing the Russian Art Nouveau style of the main image. The ornaments of white flowers and pearl-lined loops and the outlines of the raised parts of the mounts make the icon particularly attractive. The folds of the embossed and gadrooned silver vestments of the oklad, covering the painted robes completely, are made with particular care and masterly precision. The golden-thread embroidery of the Virgin’s omophorion is rendered with great skill and is reminiscent of other items made by Tarabrov’s firm, such as the oklad of another Kazanskaya icon from the collection of I. Tarnogradsky (Moscow).
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