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A collection of of early 20th century nursing, school and midwifery medals to include a silver hallmarked General Nursing Council Badge. Assay marked for Birmingham. Date letter E for 1929. Makers marks Thomas Fattorini. Together with a State Certified Midwife with makers marks for Thomas Fattorini to verso, a Bury Grammar School badge, Bury Infirmary Badge, a British Legion, a Combine Cadet Legion badge and a Universal Cookery & Food Exhibition medal in leather fitted case.
Make & Model: Mazda 3 TakaraDate of Reg: MX09 XFKColour: Silvercc: 1598MoT: 01-12-2022Fuel Type: PETROLMileage: 104kTransmission: MANUALSummary: Last registered keeper since December 2019. Selection of bills including service invoice from March 2021Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=156420
Make & Model: Toyota Rav 4 XT3Date of Reg: EO56 BZEColour: Silvercc: 1998MoT: 22-03-2023Fuel Type: PETROLMileage: 117kTransmission: AUTOSummary: Three registered keepers with the last since September 2013. Eight service stamps with the last recored at 108,823 miles.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=156348
Make & Model: Mercedes CLS 320 CDI AutoDate of Reg: EJ09 TGEColour: Silvercc: 2987MoT: 25-07-2022Fuel Type: DIESELMileage: 135kTransmission: AUTOSummary: Mercedes service invoice 15,000, 26,000, 34,000 and 43,000 miles. Other invoices upto 107,000 miles and a selection of old MoT certs.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=156425
In wood, inlaid with ebony and dyed bone, measures: 12 x 19 x 10.5 cm.The so-called inlay technique was an Andalusian technique characteristic of the late Middle Ages in Spain as an ornamental procedure for furniture and household goods. The term taracea, whose origin is found in the Arabic word tarsi (inlay), traditionally applied to the ornamentation of furniture pieces with fine fragments of different colors and textures, as well as with other materials such as bone and ivory. We find the origin of this industry in Cordoba, during the Umayyad al-Andalus, it will not be until the time of the Nasrid sultanate, when its use becomes popular in noble and courtly environments as a procedure to ennoble objects of the wealthiest classes.After the capture of Granada, even before the conquest, we find pieces produced with the same Moorish influence. The Castilian word "marquetry" is often used as a synonym. Already in the Caliphate period, an excellent cabinetmaking workshop was active in al-Andalus, located in Umayyad Cordoba.A technique that consists of gluing small prismatic portions (triangular and/or trapezoidal) of ivory or bone - in natural color or dyed, together with polygonal pieces of selected woods, often of exotic origin (aloe, ebony, sandalwood, boxwood, lemon tree...), to which were sometimes added fragments of tortoiseshell or mother-of-pearl and even small metallic points of silver or bronze. To obtain the green color of the incrustations, the most used technique was to achieve it with copper compounds impregnated in the bone. Reference Bibliography: "GALÁN, Marfiles medievales del Islam, p. 483" ; "S. CALVO CAPILLA, "Dos arquetas de taracea", in I. G. BANGO TORVISO (coord.), Maravillas de la España medieval. Tesoro sagrado y monarquía, Valladolid, 2001, vol. I, p. 120, no. 36; Arte y culturas de al-Andalus, cat. no. 156".
A pair of George V silver salad servers with tapered terminals by Mappin & Webb, Sheffield, 1912, each 30 cm; a pair of engine turned napkin rings with vacant cartouches, two others initialled and a Victorian silver dessert spoon, 284g and a silver capstan inkwell, as found, mixed dates/makers
An American silver hip flask by Howard & Co., New York, 15.5 x 11 cm, 10.5 oz, with inscription, some dents, cork/hinge good, together a pair of silver salts with beaded rims, stamped sterling, each 3.5 cm h; a cased pair of Edwardian silver napkin rings by A C Jackson & Co., initialled, Birmingham,1909 and a cased set of George V butter knives with silver handles by John Biggin, Sheffield, 1917 (4)
A Victorian-style silver-fronted photos frame with blue velvet base on an easel support, initialled, 25 h x 20 w cm and a quartz desk clock, 6.5 x 5 cm, both by Carr's of Sheffield, 1996, 2002; a cased silver anointing spoon by M.A.E., Birmingham, 1975, 16 cm; a cased silver napkin ring, Birmingham, 2001 and a Georgian child's bone-handled silver knife and fork, Birmingham 1804 (5)
Moko Lesney Matchbox Series No 38 Karrier Refuse Collector Truck, model good, box fair, one internal flap missing; No 40 Bedford 7 tonne Tipper Truck, model very good, box poor, flaps missing; No 43 Hillman Minx, model very good, box good, little tears; No 44 Rolls Royce Silver Cloud, model/box very good; No 45 Vauxhall Victor Gray, model/box excellent; No 46 Morris Minor 100, model/box excellent (6)
A Victorian silver four-piece tea and coffee service of bulbous form with etched floral and foliate decoration, ivory insulators, each on a raised base, inscription to teapot, others initialled, gilded sugar bowl and cream jug, coffee pot (27 cm H) with conforming internal filter (see extra photos), by George John Richards & Edward Charles Brown, London, 1854-'59, 2171g, in original fitted oak box. Condition: one or two dinks, otherwise without cracks or other damage. Box lid needs attention, with key
A kettle with stand and burnerEnglish silver, 19th centuryGadrooned decorationCarved wooden handle, lid pommel and burner holderLondon assay-marks (1896/97) and maker's mark S.Hutton and Son LondonProvenance:Dr collection Ricardo Espírito Santo Silva, Sobralinho Palace in Alverca.Alt.: 34,5 cm1684 g.
A flower display centrepiecePortuguese silver after an 18th century modelProfuse foliage, scrolls and shells repousse and chiselled decorationOriginal linerBoar hallmarks, "2º Título" (1887-1938) and same date maker's mark16,5x48x20 cm (centerpiece)1670 g (centerpiece)4386 g (total base)
A desk inkwellPortuguese silver, 19th centuryRectangular galleried tray of foliage motifsResting on four zoomorphic feetCandle stick, quill holder, inkwell, sand pot and bellLisbon assay-mark (L-44.0) and maker's mark JPVD attributable to Joaquim Prudêncio Vital Dinis (L-442.0) (1812-1852)14x16x9 cm474 g.
A D.Maria card trayPortuguese silver, 1st-half of 19th centuryPlain centre of chiselled foliage borderApplied beaded frieze to rimResting on 3 pierced feetOporto assay-marks (P-18) José Coelho Sampaio and maker's mark (P-268-0a) José Ferreira Guimarães cited 1799-1842(signs of wear, minor restoration)Diam: 31 cm768 g
A card trayPortuguese silver, 18th centuryPlain centre with grooved tab of broad gadroons and beaded rimResting on three beaded feetLisbon assay marks (L-35) and maker's mark (L-560.0) Pedro José Lisboa referred 1768-1788. Later remarked twice with Elder's Head(signs of wear, dented rim)Literature:F. Moitinho de Almeida/Rita Carlos"Inventário de Marcas de Pratas Portuguesas e Brasileiras"séc. XV a 1887"pp. 109, 201Diam.: 17,5 cm210 g
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2466194 item(s)/page