We found 2475480 price guide item(s) matching your search
There are 2475480 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
2475480 item(s)/page
AN EARLY 19TH CENTURY DIAMOND MALTESE PENDANT/BROOCH, CIRCA 1825Set centrally with an old cushion-shaped diamonds, the arms and pendant bale set throughout with similarly-cut diamonds, all to closed back setting, mounted in silver and gold, diamonds approximately 1.20cts total, length (including bale): 5cmA Maltese brooch of similar design is illustrated on page 86 from 'Understanding Jewellery', by David Bennett & Daniela Mascetti.
A MID-19TH CENTURY GEM-SET BROOCHDesigned as a peacock perched on a floral spray, the body set with a baroque-shaped pearl and rose-cut diamond accents, the wings and tail decorated with cushion and circular-cut diamonds, emeralds, rubies, sapphires, opals... the branch suspending a facetted topaz and amethyst drop, mounted in silver and gold, within fitted case accompanied with a hand written note 'benvenuto, tail modern', length 5.5cm
A LATE VICTORIAN NATURAL PEARL AND DIAMOND NEGLIGEE PENDANT NECKLACEThe central button natural pearl suspending two old brilliant-cut diamond chains of unequal length, each terminating in a white natural pearl with foliate decorations, mounted in silver and gold, diamonds approximately 0.80ct total, length 57.5cmAccompanied by a report from GCS laboratory in London, stating that the three pearls each measuring: 8.2 - 8.3x5.3mm, 8.6x8.1x6.6cm & 9.0x7.5x6.0mm are natural saltwater, with no indications of treatment. Report no. 5777-9154, dated March 3rd 2017.
A LATE 19TH CENTURY DIAMOND AND SAPPHIRE PENDANTThe four-clover leaf openwork plaque, set throughout with rose-cut diamonds and cushion-shaped sapphire accents, to an old cushion-cut diamond bale, mounted in silver and gold, length 3cm (suspending from a later 15CT gold chain, length 40cm).The clover leaf was a popular motif in Victorian jewellery. The collection of Princess Mathilde of France, niece of Napoleon I, contained an impressive array of botanical and floral jewels, including nasturtiums, pansies, violets and clover leaves. The collection was sold after her death in 1904.
A LATE 19TH CENTURY DIAMOND STAR BROOCH, CIRCA 1890Designed as a six-rayed star with knifewire decoration, set throughout with old brilliant and rose-cut diamonds, mounted in silver and gold, principal diamond approximately 1.40cts, remaining diamonds approximately 4.00cts total, with removable brooch fitting on the reverse, length 5cm
A PAIR OF PENDENT EARRINGS, BY GEORG JENSENOf abstract design, each leaf-shaped surmount suspending a tapering elongated drop, in 925 silver, maker's mark 'Georg Jensen', numbered 128A, length 7.5cmCataloguing: Georg Jensen was born in Copenhagen in 1866. He began his training in goldsmithing at the tender age of just 14, although the young Jensen had always longed to be a sculptor. He had an opportunity to fulfil this dream when in 1884, after completing his apprenticeship, he enrolled at the Royal Academy of Fine Arts. However, work as an artist proved unfruitful and after the death of his wife, even after trying his hand at modelling work at a local porcelain factory, Jensen was unable to support his two young sons. As a result, Jensen turned to silversmithing in 1901 and worked with the master, Mogens Ballin. In 1904, Jensen opened his own smithy in Copenhagen. His unique combination of skills and training inspired Jensen to create new and innovative Art Nouveau pieces whose quality and beauty guaranteed the success that would become associated with the name Georg Jensen. By the end of the 1920s, Jensen had new stores in London, New York and Berlin. He left a legacy in design that would become internationally recognised and would guarantee his as a household name for over 100 years to come.
A DIAMOND AND JET PENDANT NECKLACE, BY ENIGMAThe round black jet pendant, decorated with pavé-set round brilliant-cut diamond arrows at the centre, suspending from a black satin cord with silver terminals, the pendant mounted in 18K gold, diamonds approximately 0.70ct total, signed Enigma, Italian assay marks, with two additional cords, one in red wine velvet and the other in black leather, with maker's pouch, pendant length 3.6cm
AN 18K GOLD AUTOMATIC CALENDAR 'OYSTER PERPETUAL DAY-DATE' BRACELET WATCH, BY ROLEX, CIRCA 197026-jewel Cal. 1556 automatic movement adjusted to temperature and 5 positions, silver dial with applied gold and black baton hour markers, gilt baton hands with luminous inserts and sweep centre seconds, magnified date aperture at 3 o'clock, English day indication aperture at 12 o'clock, brushed and polished tonneau shaped case with screw down back and Oyster crown, fluted bezel, fitted 18K gold bracelet with folding deployant clasp, case, dial and movement signed, ref. 1804, serial no. 40588**, with maker's leather box, case width (including crown): 3.7cm
A DIAMOND, GEM-SET AND PLIQUE-A-JOUR ENAMEL BROOCHDesigned as a stylised dragonfly, with circular-cut pink sapphire and rose-cut diamond body and eyes, the wings decorated with plique-à-jour enamel with cabochon ruby and single-cut diamond detail, mounted in silver and gold, length 6.7cm, width 9cm
AN EARLY 19TH CENTURY NECKLACE AND EARRINGS EN SUITE, FRENCH, CIRCA 1840Designed as a series of graduated rose-cut colourless stone elements within foiled closed-back setting, suspending from a double gold trace-link chain to a square gold plaque clasp with floral engraved decoration, with a pair of earrings en suite set with rose-cut diamonds, mounted in silver and gold, French assay marks, maker's mark 'RG', necklace length 38cm, earrings length 1.5cm
Colored salt glaze stoneware with legged silver base, spout.Modeled by Harry Simeon, who worked as a monumental mason before studying sculpture. He was employed at Doulton�s Lambeth studio from 1896-1936. In the mid-1920s, Simeon fashioned Toby Fillpots into a variety of articles, including tea pots, ashtrays, bookends, candlesticks and liquor decanters. Stamped DOULTON LAMBETH ENGLAND, other marks. Artist: Harry Simeon Issued: 1925 Dimensions: 10.5"H x 5.75"W Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear
Old Charley and Long John Silver.Old Charley wears a brown hat with a green coat and polka dot bow tie. Long John Silver wears a pirate hat and has grey parrot as a handle.��Doulton backstamp. Artist: Various Issued: Various Dimensions: 5"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good
Aramis, Capt Ahab, Don Quixote, Long John Silver & Mark Twain.Royal Doulton backstamp. Artist: Max Henk, Garry Sharpe, Geoff Blower, Eric Griffiths, Issued: Mid to Late 20th Century Dimensions: 2.5"H-tallest Manufacturer: Royal Doulton Country of Origin: England Condition: Good
Royal Commemorative Ware - a Spode loving cup, golden Jubilee of Queen Elizabeth II 1952 - 2002; a Royal Doulton Golden Jubilee tankard; a Coalport loving cup, Silver Jubilee 1977; a Sadler Henry VIII and his wives teapot; a large quantity of similar mugs, cups, ginger jar, 1977 painted boxes, tea caddy; others Queen Victoria and later, some boxed
Boxes and Objects - a Stevengraph woven silk picture, The Good Old Days, framed; a 19th century Majolica spittoon; a guilloche enamel patch box; a parquetry inlaid cigarette box; another, brass with double headed eagle; an Alpacca WR silver plated dish; a Balinese painted fabric panel; a gilt framed wall mirror, etc
Pocket Watches - a Victorian silver hunter cased pocket watch, Carter Warrington, cream dial, Roman numerals, minute track, subsidiary seconds, blued hands, fusee movement, No 1616, case, Chester 1862; another, open face, Improved patent, Chester 1890 both with Albert chains
-
2475480 item(s)/page