Silver punch bowl, with mask capped side handles on a waisted stem and spreading foot, Elkington, London 1900, diameter 30cm, 82oz 8dwt. Condition report:hallmarks rubbed but clear; no inscroptions or rubbing out; no repairs, no splits; small handle dents. Overall the item is in good condition.
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Christian Dior cowhide bag and matching boots, the bag with a leather and silver tone hardware strap, belt decoration to the front with two zips either side one with a 'D' charm, monogrammed interior with zipped wall pocket, 21cm x 36 x 8cm approximately, shoulder drop height 25cm, pair of cowhide, leather and suede boots with crisscross suede decoration, Dior name in the leather along the sides of the boots, size 39.5, heel height 9.5cm. Condition report: Bag in good condition very good condition no obvious marks, interior very good, boots in used condition, soles of the boots worn, slight marks to the suede on the fronts of the boots, heels slightly worn.
Moorcroft charger and bowl, decorated with red tulips pattern, second silver line marks to both pieces and impressed marks to base, the charger measures 26cm diameter Condition report: The charger has a glaze fault to the underside, the bowl has two glaze chips. Overall crazing to the bowl only.
NINE SILVER ITEMS, RAJASTHAN, WESTERN INDIA, 19TH/20TH CENTURY comprising three necklaces with amuletic pendants, an amulet box set with a carnelian and three finger rings, one set with an oval carnelian, a small mirror and a bracelet with openwork decoration 28cm approx. diam. of largest necklace, and smaller (7) Provenance: Private collection, Germany, acquired 1960-66 in India by the vendor while working in development assistance.
A FRENCH SILVER-GILT SNUFF BOX, PARIS, 1753 shaped rectangular, the lid chased with a vignette of Mark Antony visiting Cleopatra and her attendants, the sides and base with patterns of swirling feathery foliage and flowers, gilt interior, maker's mark rubbed, charge and discharge mark of Julien Berthe, date letter 8.5cm wide Compare with a similar silver-gilt snuff box in the Metropolitan Museum of Art, New York, the lid decorated with dancing lovers, Antoine Daroux, Paris, 1755-56, illustrated in Clare le Corbeiller, European and American Snuff Boxes, London, 1966, fig. 417.
A SET OF FOUR SCOTTISH GEORGE III SILVER TABLESPOONS, PETER MATHIE, EDINBURGH, 1794 Celtic Point pattern, engraved with the crest and motto of the Clan Robertson; together with another matching silver spoon, similarly engraved, Robert Bowman, Edinburgh, 1797 23cm long, 328gr (10oz) (5)
FOUR SILVER OBJECTS, EARLY 20TH CENTURY comprising a Sinhalese cylindrical box, a small Indian box, with domed lid, and two beakers, Cutch, Western India 11cm high (larger beaker) and smaller (4) Provenance: Private collection, Germany, acquired 1960-66 in India by the vendor while working in development assistance.
A DUTCH SILVER SNUFF BOX, MAKER'S MARK BADLY STRUCK, 1892, IMPORTER'S MARK OF E.T. BRYANT, LONDON, 1892 cartouche-shaped, the hinged lid with die-stamped carousing figures, scroll sides, shell-fluted base, 6cm wide; together with a brass 'bishop's' ring, cast with classical profiles and other motifs, seal matrix on hinged lid, initialled 'CP/FS,' 5.3cm high (2)
A PAIR OF DANISH SILVER CANDELABRA, GEORG JENSEN, COPENHAGEN, 1933-44 Acorn pattern designed by Harald Nielsen (1892-1977), each on a stepped circular base rising to curved leaf-like arms and vase-shaped sconces centred by the acorn motif below cross-linked leafy stretchers, pattern No.619, 925 standard 16.5cm high, 772gr (24oz 16dwt)
A SET OF SIX VICTORIAN SILVER TEASPOONS, JOHN STONE, EXETER, 1844 Fiddle pattern, the terminals engraved with the initials JG; together with the following other items of table silver: sixteen teaspoons, mostly London, 1826-1887, a Fiddle pattern sauce ladle, James Howden & Co, Edinburgh, 1847, two Scottish dessert spoons and a butter knife, and the following German silver items, comprising: a table spoon, five dessert spoons and nine coffee spoons, mid-late 19th century 800gr (25oz 14dwt) (41)
A CONTINENTAL PORCELAIN DOUBLE SNUFF BOX, PROBABLY GERMAN, LATE 19TH CENTURY rectangular, the textured ground painted with floral sprigs, the double lids with portraits of a prince in armour and his consort to the interior, the silver-gilt mounts bearing Paris charge and discharge mark of Eloi Brichard and date letter for 1759, porcelain with spurious Sevrès mark of 1780 6.9cm long
A SILVER TIMEPIECE DOUBLE SNUFF BOX, MID 18TH CENTURY the unmarked box probably German, waisted oval, hinged lids, gilt interiors, the top lid opening to reveal the watch signed Riam London with silver dial with Roman hours and Arabic five minute indicators, the verge fusée movement with square baluster pillars, dial and movement signed, key 8cm wide
ROLEX: A GENTLEMAN'S SILVER POCKET WATCH, CIRCA 1926 keyless wind 15 jewel Swiss movement signed ROLEX and numbered to outer flange 9502, white dial with Arabic numerals within a minute track, subsidiary seconds dial with ten second Roman numerals within a one second track, blued steel hands, plain silver case and cuvette, Denison Watch Co. Ltd., Birmingham, 1926, case and cuvette both numbered 519502 case 5cm diameter
AN EDWARDIAN SILVER ROSE BOWL, MARTIN, HALL & CO. LTD, SHEFFIELD, 1908 chased with a band of alternate lobes and flutes below a presentation inscription, applied to the rim with scrolls interrupted by openwork foliate motifs and C-scroll handles, on a spreading foot 41cm wide across handles, 1992gr (64oz) The inscription reads: Presented by the Employees of the Airlie Estates to The Right Hon. The Earl of Airlie on attaining his Majority, 18th July 1914. Provenance: Colonel David Lyulph Gore Wolseley Ogilvy, 12th Earl of Airlie KT, GCVO, MC (1893-1968), who was awarded the Military Cross in the Great War and whose second son (of six children) married Princess Alexandra of Kent; thence by descent.
ËœA VICTORIAN SILVER FOUR-PIECE TEA AND COFFEE SET, EDWARD BARNARD & SONS, LONDON, 1898/99 the bulbous bodies chased with foliage and scrolls around vacant cartouches, on rim feet, pots with cast flower sprig finials, bowl with gilt interior coffee pot 25cm high, 2328gr (74oz 18dwt) including ivory insulators to tea and coffee pots
A VICTORIAN SILVER BOER WAR PATRIOTIC PHOTOGRAPH FRAME, JAMES DEAKIN & SONS OF BIRMINGHAM, CHESTER, 1900 stamped with a vacant cartouche below draped flags flanked by veldtland scenes of an artilleryman firing a 12-pounder gun of the Naval Brigade and another firing a Gatlin gun above further vignettes of martial trophies, soldiers holding flags and a group of British and Imperial troops, P.O.D.R. No.35555 for 1900, later wood easel back frame 22.5cm high
A MALTESE SILVER RAT-TAIL DOG-NOSE SPOON, GRAND MASTER Dom Fra' Manuel Pinto da Fonseca period, CIRCA 1745 the terminal engraved with the initials AD in monogram, further scratched with the intials AS and incuse stamped BF, 18.7cm long; and two Maltese silver bon-bon dishes, ropework pedestal bases, each bowl set with a coin, Michael Borg & Co, mid 20th century, 8.5cm diameter 287gr (9oz 4dwt) (3)
A FRENCH SILVER-GILT SNUFF BOX MOUNT WITH GLASS COVER, ALEXANDER LEFERRE, PARIS, POST 1838 cartouche shaped, corded and engraved stiff leaf border to the mount, lacking base, 7.7cm wide; together with a red leather case for a snuff box, the cover with impressed formal decoration, early 19th century, 14.5cm wide
AN EDWARDIAN SILVER PHOTOGRAPH FRAME, LAWRENCE EMANUEL, BIRMINGHAM, 1908 inverted shield shaped, stamped with openwork stylised scrolling leafage, the leaves later decorated with shaded blue and green enamel paints, later wood easel back, retailer's stamp DESPREZ / BRISTOL for Charles Desprez of Park Street frame 22cm high
A VICTORIAN SILVER BOSUN'S CALL (WHISTLE), GEORGE UNITE, BIRMINGHAM, 1846 of typical form, with fouled anchor to the bowl, reeded bands to the pipe and bright-cutting to the panel,12.5cm long; together with another Victorian silver bosun's call, similar, Roberts & Belk, Sheffield, 1865, 9cm long (2)
A PAIR OF GEORGE III SILVER TEA TONGS (OR SUGAR NIPS), SAMUEL EATON, LONDON, CIRCA 1765 typical form, initialled AF; together with the following silver serving pieces: another pair of tea tongs, in mid 18th century style, Stokes & Ireland Ltd. of Birmingham, Chester, 1903, a pair pierced sugar tongs, Francis Higgins, London, 1893, a sifter ladle, Renaissance style, Francis Higgins, London, 1858, and a pair of asparagus tongs, plain, William Hutton & Sons Ltd., London, 1910 249gr (8oz) (5)
AN ARTS AND CRAFTS SILVER DISH AND SPOON, DESIGNED BY CHARLES ROBERT ASHBEE (1863-1942), GUILD OF HANDICRAFT LTD., LONDON, 1901 hammered circular bowl, elongated looping twin-wire handle set at the shoulder with a mother-of-pearl cabochon, the spoon with elongated bowl and openwork terminal of stylised leaves and tendrils centred by another mother-of-pearl cabochon dish 20.3cm long, spoon 14.7cm long, 177gr (5oz 13dwt) all in Provenance: George Samuel Jebb (b.1861), partner in the law firm of Tunnard & Jebb in Boston, Lincolnshire, who married Georgina Martha Tunnard in 1908. Thence by family descent. This model of dish (sometimes called a porringer or a butter dish) is usually found with a chrysoprase cabochon and on a few occasions with an accompanying butter knife: the present example, with its very rare spoon, has always been used in the family for jam. Another example, with chrysoprase cabochon and butter knife, was sold in these rooms, Matthew Barton Ltd., 25 May 2016, lot 416 and another Sotheby's, London, 5 October 2004, lot 23. Also see a version on display in the Victoria and Albert Museum, London, room 67, case 16, shelf 1 (Museum No. CIRC.351-1959) and see Alan Crawford, C.R. Ashbee, Architect, Designer and Romantic Socialist, Yale University Press, 1985, p.334, pl.167. Ashbee's related double handled design version of the dish is illustrated in his Modern English Silverwork, London, 1909, p.22.
A JUGENDSTIL ELECTROPLATE AND CUT GLASS CRUET BOTTLE AND STOPPER, WURTTEMBERGISCHE METALWARENFABRIK (WMF), CIRCA 1900 tapering cylindrical glass with simple curved linear cutting, the Britannia metal 'Antique Silver' finished mounts with openwork stylised scrolls and female masks, openwork stopper 23.5cm high
A GEORGE II SILVER-GILT MILK JUG, ROBERT KERSILL, LONDON, 1745 baluster, with probably early 19th century Irish chasing of rocaille and scrolls surrounding panels of fruit and flowers and a crested cartouche surmounted by a peacock, three shell headed pad feet 10.5cm high, 155gr (5oz)
A GEORGE III SILVER CASTER, JOHN DELMESTER, LONDON, 1763 the baluster body later engraved with a coat of arms below a baron's coronet surrounded by chased scrolls and foliage, the cover with diagonal panels of alternate piercing below a leafy finial 18cm high, 224gr (7oz)
A VICTORIAN SILVER-GILT TEA CADDY AND SPOON, EDWARD BARNARD & SONS, LONDON, 1872/73 the vase-shaped body and hinged cover flat-chased with foliage within formal borders, the underside stamped '266 W', the spoon with single-struck formal leaf and shell terminal, pearl finished, in original fitted morocco case with burgundy silk and velvet lining, impressed case-maker's mark 'B' 14.5cm high, 297gr (9oz 10dwt)
A RUSSIAN PARCEL-GILT-SILVER AND NIELLO COMMEMORATIVE SNUFF BOX, ASSAY MASTER ALEXEI TORLOV, VELIKY USTYUG, 1773 circular, the cover depicting a line of infantrymen firing at fleeing troops on a tip of land with mountains to the background and boats at sea, the sides with a band of raised scrolls, the sides of the base with trophies of arms between piled cannonballs, the underside with a band of matching scrolls surrounding a coat of arms, base with town and assay marks only, 9.5cm diameter The arms are those of the Counts zu Windisch-Graetz, Barons von Waldstein (or Wallenstein) of Austria (J.B. Rietstap, Armorial Général, Vol.II, p.1098), perhaps for Count Josef-Niklas zu Windisch-Graetz (1744-1802), Chamberlain to Marie-Antoinette. The scene on the lid appears to depict an engagement on the southern tip of the Crimea, presumably during the Russo-Turkish war of 1768-1774. Russia had invaded the Crimea in 1771 and the following year Austria ended her alliance with the Ottomans, allying instead with Russia (and Prussia), so as to benefit from the Partition of Poland. Windisch-Graetz was probably involved in Austria's complicated diplomatic manoeuvres with Russia at this time, but his precise role in these exchanges and thus the exact significance of this box remains a mystery.
A MINIATURE COPY OF THE BHAGAVATA GITA, PUBLISHED IN BOMBAY (MUMBAI), INDIA, LATE 19TH CENTURY printed sanskrit text in gilt leather covers, in silver locket with magnifying lens 22 x 20 x 8mm (book) For a similar volume of the Zoroastrian Text, Khordeh Avesta, published by Taraporevala and printed in Gujarati, from the collection of the late Kazushige Onuma, sold recently, see PBA Galleries, San Francisco, 18 August 2016, lot 170
A CARTIER 'PASHA' DUAL TIME ZONE CALENDAR DESK CLOCK WITH MOON PHASE, CIRCA 1995 jewelled quartz movement, frosted silver signed dial with subsidiary dials for the day, date and second time zone below the midnight-blue oval aperture for the moon phase all within applied luminous hour dots and outer minute track, blued steel centre seconds and luminous lozenge hands, the angled gilt brass case in the form of a Pasha watch with blue lacquer details to the decorative lugs and concave calibrated bezel, signed case numbered 8913 01852, in original signed red leatherette case and outer card slipcase, with instruction manual and certificate in its red leatherette folder 13cm long
AN ART DECO SILVER BEAKER, h.g. Murphy, THE Falcon Studio, LONDON, 1929 the slightly flared body engraved with an arabesque trellis and stylised leaf design above a band of further stylised leaves, on a knopped and spreading foot 13cm high The works of Henry George Murphy (1884-1939), art jeweller and silversmith, although highly regarded at the time, passed into relative obscurity until the exhibition at Goldsmiths Hall: At the Sign of the Falcon: H.G. Murphy - Art Deco Silversmith and Jeweller, London, 4-30 April 2005 and the book published to coincide by Paul Atterbury and John Benjamin, Arts & Crafts to Art Deco: The Jewellery and Silver of H.G. Murphy, Woodbridge, 2005.
AN IRISH GEORGE III SILVER SWEETMEAT BASKET, JOHN WEST, DUBLIN, 1799 oval pedestal foot and boat-shaped body decorated with bright-cut and pricked motifs, engraved on one side with a crest and on the other with the initials 'UEJ,' applied reeded lip and swing handle 18cm wide, 270gr (8oz 13dwt)
A SILVER-GILT TIMEPIECE SNUFF BOX, MID 18TH CENTURY the unmarked box probably German, cartouche shaped and double lidded, Rococo decorated with scrolls and shells on matted grounds, the main lid covering the snuff compartment, the top lid with a scene of reclining Apollo opening to reveal the watch by Charles Cabrier II of London with silver dial with Roman hours and Arabic five minute indicators, the verge fusée movement with square baluster pillars, dial and movement signed Cabrier, London, with modern key 8cm wide For another probably German timepiece snuff box with English movement by Cabrier, see Sotheby's, London, Dr Heller's Lexicon, 4 December 2012, lot 251.
A MUGHAL BRASS HUQQA BOTTLE, PROBABLY LAHORE, NORTHERN INDIA (NOW PAKISTAN), CIRCA 1700 of globe shaped form, the sides incised with repeated leafy boteh design on crosshatched ground 15cm high Provenance: Private collection, London For other examples of Lahore huqqa bottles in various collections, see Mark Zebrowski, Gold, Silver and Bronze from Mughal India, London 1997, p.242
A PAIR OF SHEFFIELD PLATE DISH COVERS, CIRCA 1830 in sizes, cushion oval, each with engraved coat of arms to silver inset and applied foliate reeded border, 41 & 36cm long; together with a Victorian electroplate meat dish cover, oval, beaded rim, Joseph Rogers & Son, Sheffield, late 19th century, 30cm long (3)
ËœTWO AMERICAN SILVER PAPER KNIVES, GORHAM MANUFACTURING CO., PROVIDENCE (RI), EARLY 20TH CENTURY the first with openwork scroll and foliate terminal, the blade engraved with the initials AW, the second with cast briar rose pattern terminal and plain ivory blade 30 & 31cm long, the first 105gr (3oz)
A GEORGE II SILVER COFFEE POT, THOMAS MASON, LONDON, 1741 tapering cylindrical, chased (probably at a somewhat later date) with exuberant rococo cartouches, fruit and scrolls, silver vase-shaped finial to the hinged lid, the underside engraved with the initials ER and scratch weight '18*15' 20.4cm high, 585gr (18oz 16dwt) including wood handle
A VICTORIAN SILVER FISH SLICE, ELIZABETH EATON, LONDON, 1846 Fiddle pattern, crested; together with a silver sugar sifter, Fiddle pattern, crested, Hayne & Cater, London, 1852; a silver toddy ladle, Fiddle pattern, Mitchell & Russell, Edinburgh, 1809; a marrow scoop, Francis Howard Ltd., Sheffield, 1969; and a small silver spoon, maker's mark VML, London, 1977 334gr (10oz) (5)
A GEORGE III SHEFFIELD PLATE CHAFING DISH, CIRCA 1800 oval, reeded rim, lid engraved with a crest below the bun finial, with screw-in wood handle to the water reservoir, 31.5cm long; together with a George III Sheffield plate salver, circa 1800, plain except for engraved matching crest, on fluted panel feet, underside with double-struck serrated punch reading SILVER / EDGES, 25cm long (2)
A GEORGE III SILVER WAITER, PAUL STORR FOR RUNDELL, BRIDGE & RUNDELL, LONDON, 1812 shaped circular, engraved with the Ogilvy coat of arms below a Baron's coronet, the applied gadroon rim interrupted by shell motifs, on four scroll-capped paw feet, stamped No.8OO 16.3cm diameter, 297gr (9oz 10dwt) Provenance: The Earls of Airlie, by descent. The arms (with a mark of cadency) are those of David Ogilvy (1785-1849), Baron Ogilvy (later 9th Earl of Airlie). This waiter (and the mustard pot of the same pattern and workman's mark in the following lot) probably formed part of a larger order from Rundell's for his new household, following Lord Ogilvy's marriage to Clementina Drummond on 7 October 1812.
A PORCELAIN SNUFF BOX, GERMAN, LATE 19TH CENTURY cartouche shaped with waisted sides, the lid and sides painted with vignettes of military figures in a skirmish and outside tents reserved on a magenta scalework ground, the lid interior with a portrait of Frederick the Great, silver-gilt mount maker's marked DE 7.8cm long
AN INDIAN SILVER ROSEWATER SPRINKLER, KASHMIR, 20TH CENTURY typical form, covered in bands of foliate chasing, unmarked 25.5cm high; together with an Indian silver box and cover, heart-shaped, with foliate chasing and scrolls surrounding a vacant shield, unmarked, Kashmir, 20th century, 7cm long; and a Persian silver box and cover, decorated with interlaced scrolls on a matted ground, 875 standard, Farsi maker's mark, 20th century 419gr (13oz) (3)
A GERMAN SILVER PERPETUAL CALENDAR SNUFF BOX, AUGSBURG, 1743-1745 circular, each side with rotating plaque, one engraved with months and dates, the other engraved with the days of the week, further decorated with scrolling foliage on linear grounds, gilt interior 8cm diameter
A LACQUER AND PIQUE SNUFF BOX, FRENCH, CIRCA 1765 oval, inlaid with mother-of-pearl, silver and gold piqué wire and points, the lid with a basket of flowers and a bird, the sides and base with further floral clusters, gilt-metal hinge mounts and flowerhead thumbpiece 8.4cm wide
AN ENAMELLED SILVER-GILT BOWL AND LADLE, RUSSIAN STYLE, 20TH CENTURY the bulbous bowl with a band of shaded cloisonné enamelled profiles flanking a Bogatyr holding aloft a mug of frothing ale above a band of black eagles between pan-Slavic type borders and a rim with bears in a snowy landscape, applied with cast wolf mask handles, the ladle with foliate cloisonné enamelling on a matted gilt ground, all bearing spurious Fabergé and kokoshnik marks 21cm wide, 1289gr all in For an original and larger version of this bowl, by Feodor Rückert, Moscow, circa 1910, see Sotheby's, New York, 22nd April 2009, lot 265, sold for $482,500.
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2466194 item(s)/page