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A Victorian Scottish silver three piece tea set, by Walker Crichton, Edinburgh 1843, of hexagonal form with angular handles, overall engraved with foliate scrollwork and vacant cartouches, and a similar Victorian silver coffee pot, by Charles Reily and George Storer, London 1843, 28.25 cm high, 85oz (4)
A George III silver milk jug and swing handled sugar bowl, by Abraham Peterson, London 1793, the navette shaped sugar bowl and helmet shaped cream jug with reeded borders on pedestal shaped oval feet, the fluted sides engraved with friezes of ribbon tied foliate swags against a linear background, 12.5oz (2)
A pair of Victorian silver salts, by Robert Hennell, London 1859, of foliate embossed compressed circular form with gadroon borders on hoof feet, 6.5cm diameter, A pair of modern silver peppers, London 1970, of baluster form on pedestal feet, 11 cm high, A silver mustard, Birmingham 1905, of baluster form with a foliate rim on paw feet, monogrammed, 5.5 cm high to top of thumb piece, and another silver mustard, Sheffield 1956, of faceted circular form on a pedestal foot, 7cm high, 12.9oz excluding glass liners (10)
A collection of thirteen silver mounted horn beakers, comprising; four by James Alexander, Birmingham 1882?, of tapering cylindrical form with glass bottomed bases, two 12 cm high, two 9 cm high, a set of four unmarked examples to match, 11.75 cm high, a set of four smaller examples with horn bases, by James Alexander, Birmingham 1881, 8 cm high, all applied with shield shape cartouches, monogrammed, and another glass bottomed Victorian silver mounted horn beaker, with leafy scroll engraved rim, crested, 12cm high (13)
A set of four silver old English thread and shell pattern dessert spoons, by William Hutton and Sons Ltd, London 1912, two matching table forks, same maker, Sheffield 1911, crested, and a set of three George III silver old English pattern table forks, by Thomas Wallis and Jonathon Hayne, London 1817, crested, 21oz (9)
A pair of early 20th century silver salts and matching mustard, by John Hunt, London 1903/1913, of scroll pierced oval form with gadroon borders, the salts resting on claw and ball feet, monogrammed, 8.25 cm long, the mustard 6.5 cm high, and two silver condiment spoons, 7 oz excluding blue glass liners (8)
A Victorian silver gilt six piece Canova pattern christening set, by George Adams, London 1865, the knife handle 1864, comprising a mug, bowl, dish, spoon, fork and knife, monogrammed, 25 oz to include loaded knife, in a modern mahogany fitted case. This pattern first appeared in 1850 and was exhibited by Chawner and & Co at the Great Exhibition in 1851, being based on Canova`s `Hebe`, `Sappho` and the `Dancing Girl Reposing`.
A George III silver chamberstick, by Ebenezer Coker, London 1769, of circular form with gadroon borders and a leaf capped scroll handle, with detachable drip pan, and a conical extinguisher with scroll handle, crested, 13.5 cm diameter, and another George III silver chamberstick, possibly by John Edwards, London 1794, of circular form with a moulded border, scroll handle, and a detachable drip pan, with a conical extinguisher with ball finial, engraved with armorial, 13.25 cm diameter, 18.4oz (6)
A 20th century Russian silver gilt and polychrome cloisonne enamel bratina, unidentified makers mark BM in a rectangular shield, 88 Standard, 1908-1917, of bulbous form on a circular foot with an turquoise enamel bead border, decorated with stylised foliage in red, white, and shades of blue and green, gilt interior, 12 cm high
A 20th century Russian silver and cloisonne enamel cream jug, by Orest Kurlyukov,1908-1917, of tapering cylindrical form with a stylised double scroll handle, decorated with polychrome enamel floral panels within stylised flutes with flowerheads above, inset with cabouchon garnets, with a band of scrolling foliage above, in shades of blue, green, red, pink and yellow, 10 cm high to top of handle
A 20th century Russian silver gilt and cloisonne enamel kovsh, by V Akimov, 1908-1917, of oval form enamelled en plein, with an architectural scene of a palace with figures promenading in front, inset above with an oval shaped agate within a bead border, surrounded by foliate scrolls in polychrome shaded enamels, the chair handle pierced with trefoil with bell shaped pendants with fresh water pearl attachments, gilt interior, 13.5 cm long
A rare late 19th Century silver articulated toast rack/letter rack, designed by Christopher Dresser, made by John Thomas Heath and John Hartshorne Middleton, Birmingham 1892, the semi circular base supporting seven bars with ball joints resting on bun feet, 12.5 cm high to top of handle, 10.5oz. Literature; Christopher Dresser: A Pioneer of Modern Design, Widar Halen, Phaidon Press Ltd, London 1993, plate 181 Christopher Dresser 1834-1904, Michael Whiteway, Skira Editore S.p.A. Milan, 2001, plate 58
An exceptional Sobei Kinkozan vase, c.1890, of square section, shouldered ovoid form, finely enamelled and gilt with silver-dotted panels of a festival cart painted with a tiger, a samurai in court costume, a hanging basket with a puppy eyeing a butterfly and a bijin by a rivulet on a mirror black ground, the shoulders with clouds on cafe-au-lait, black Kinkozan sei zo, minute glaze chip to one shoulder, 25cm. Everything about this vase sets it apart from Kinkozan`s normal oeuvre: the shape (derived from a Chinese Ming bronze) the black and brown grounds, the use of silver (now tarnished but revivable) the subject matter, the amount of space accorded the decoration, the nonchalant signature and lack of impressed mark, all these point to a special commission. The tiger is a zodiac animal and, on the twelve-year cycle, came round in 1890, a perfect fit stylistically for this vase. A vase of similar form and also with hanging baskets probably by the same hand is illustrated in Meiji Ceramics, Gisela Jahn, n.d., pl 91. For a similar puppy see Satsuma, Louis Lawrence, 1991, p. 174, and the hanging basket
A Shakleton Dyson 8 ton drawbar trailer, yellow bed with grey chassis, red mudguards, Dyson Transfer, boxed, a Mettoy tinplate clockwork farm tractor, in dark green with black and silver line detailing, silver painted base, tinplate wheels with clockwork motor in rear left-hand side, boxed and a Brittains model farm 128F Fordson Major tractor, boxed (3)
The Biography and Typography of William Caxton, England`s first printer, by William Blades, London, Truener & Co. 1877, in original cover and binding Grand Perspective - A Compact Book, with illustrations by Edward Bawden, Paul Jennings, Dunloper, The Works and Workings of The Dunlop Company, with drawings by Edward Bawden, published 1961, Commercial Art and Industry, Volume 19, 1935, with illustrations by Edward Bawden and Eric Ravilious, A Popular Art - British Wallpapers 1930-1960, An Exhibition from the Silver Studio Collection, Line Drawing for Reproduction, new, revised and enlarged edition by Ashley Havingden, Series no: 4 and illustrated by Eric Ravillios, Second Edition, 1941 Twentieth Century, 22 editions, each with full colour illustrations by Edward Bawden, The Listener and BBC Television Review, 4 editions with illustrations by Edward Bawden, and 7 other books relating to wood engravings, cuts and writers
A large 20th Century silver plated inkwell in the form of a bi-plane, with German markings, two glass/silver plated inkwells, a compartment for stamps, and two machine guns mounted on the top wing, inscribed Franz Reichenberg, Berlin D.R.P., body approximately 17", wing span approximately 14"
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2477115 item(s)/page