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Rocoline, Peco, Scenix Other - A mixed lot of model railway track and scenic accessories including a quantity of sealed medical bandages (used in model railway layout building). Lot includes Rocoline OO gauge track with ballasted roadbed (approx 3 pieces); Peco N gauge SL300 Nickel Silver track (3 pieces); Peco Streamline OO Gauge SL 100 Nickel Silver (15 pieces); Scenix EM6009 3 House Terrace Fronts; three sealed Gaugemaster Panel Controllers; a bag containing a used and unworking panel controller and transformer, and similar. Other than sealed items, majority of items are in used condition and unchecked for completeness. (2)
Hornby - A boxed Hornby OO gauge 4-6-2 steam locomotive and tender Op.No.70000 'Britannia' in BR green livery. Model appears to be in Very Good condition presented in an unassociated Hornby Silver Seal Locomotive lift off lid box for R552 'Oliver Cromwell' which appears in Very Good condition with instructions and some minor wear.
Corgi, EFE - Eight boxed diecast vehicles in a variety of scales. Lot includes Corgi Aviation Archive #47307 1:144 scale Avro Lancaster 9 Sqn RAF Salbani; Corgi Heavy Haulage #31007 Diamond T Ballast with Locomotive Load 'Annis & Co. Ltd'; EFE Code 3 Superdetail Model RM664 Silver Prototype and similar. Models appear to be in Mint condition in Very Good - Mint boxes with some storage wear imperfections.
Lone Star, Crescent, Giant, Cap Guns - An interesting collection of approximately 16 unboxed vintage toy cap guns, a couple with holsters. Some interesting items include an early German tinplate cap gun marked 'ULI'; a 'Giant' cast iron cap gun; Lone Star 'Cork .45'; Crescent 'Secret Agent .38'; Crescent 'Silver Dollar' and similar. All items are in playworn condition some with missing parts, most with operating faults. Great lot for spares / display.
Daisy Patton Untitled (Three Women with Blue Curtain and Silver and Yellow Leaves), 2019, 2020 Print on Paper Signed recto, blank verso 15 x 10cm (5¾ x 3¾ in.) Daisy Patton is a multi-disciplinary artist who was born in Los Angeles, CA to a mother from the South and an Iranian father she never met. She spent her childhood between California and Oklahoma, deeply affected by these conflicting cultural ways of being. Influenced by collective and political history, as well as memory and the fallibility of the body, Patton's work explores the meaning and social conventions of families, relationship, storytelling and story-carrying, and also connection. One prominent series, Forgetting is so long, has been featured in publications such as Hyperallergic, The Jealous Curator, The Denver Post, The Chautauquan Daily, and more. Education Currently residing in western Massachusetts, Patton has a BFA in Studio Arts from the University of Oklahoma with minors in History and Art History and an Honors degree. She earned her MFA from The School of the Museum of Fine Arts, Boston/Tufts University, a multi-disciplinary program. Patton has completed artist residencies at Minerva Projects, Anderson Ranch, the Studios at MASS MoCA, RedLine Denver, and Eastside International in Los Angeles. She has been awarded the Barbara Deming Memorial Fund grant, as well as the Assets for Artists Massachusetts Matched Savings grant and the Montage Travel Award from SMFA for research in Dresden, Germany. She has exhibited in solo and group shows nationally, including her first museum solo at the CU Art Museum at the University of Colorado. Minerva Projects Press will publish a collection of essays and poetry on Patton's practice in spring 2021. K Contemporary represents Patton in Denver, CO, and J. Rinehart represents her in Seattle, WA. MFA Tufts University/School of the Museum of Fine Arts, Boston; BFA University of Oklahomahonors and awards 2020 Barbara Deming Memorial Fund, Inc. Grant Award 2020 Massachusetts Matched Savings Grant cohort, Assets for Artists of MASS MoCA 2019 Faith and Freedom Award from the Colorado Religious Coalition for Reproductive Choice, May 2019 Nominated for the Smithsonian Artist Research Fellowship (SARF), 2017 Cycle Montague Travel Grant Award at The School of the Museum of Fine Arts, Boston, December 2010 Exhibitions "Burnt Hair Spun Gold" at K Contemporary, 1412 Wazee St., Denver, CO, Sept.-Oct. 2020 "Put Me Back the Way They Found Me," curated by Simon Zalkind at Fulginiti Pavilion, Anschutz Medical Campus, 13080 E. 19th Ave, Aurora, CO, Mar-June 2020 Project Space at K Contemporary, 1412 Wazee St., Denver, CO, Nov. 2019 "Lineages in Bloom" at the Bellowe Family Gallery, Chautauqua Institution, Chautauqua, NY, June-July 2019 "Would you be lonely without me?" at the Texas Capitol Exhibit Space, 1100 Congress Ave., Austin, TX, Apr. 2019 "Forgetting is so long" at The Art Base, 99 Midland Spur, Basalt, CO Mar.-Apr. 2019 "A Rewilded Arcadia" at K Contemporary, 1412 Wazee St., Denver, CO, Oct. 2018 "This Is Not Goodbye," curated by Sandra Firmin, CU Boulder Art Museum, University of Colorado, Boulder, 318 UCB, Boulder, CO, Jul.-Nov. 2018 "Would you be lonely without me?," Art Gym, 1460 Leyden St., Denver, CO, July-Aug. 2018 "Throw My Ashes Into the Sea," solo at Michael Warren Contemporary Gallery, Denver, CO, Jan.-Mar. 2017 "Forgetting is so long," at Front Range Community College, Boulder County Campus, Longmont, CO, Jan.-Mar. 2017 "Forgetting is so long" at Michael Warren Contemporary Gallery, 760 Santa Fe Dr, Denver CO, Dec. 2014 About the postcard artworks "What rituals are useful to locating someone who's gone. Our story has no language. My loss always in communication with your loss." -Ella Longpre, How to Keep You Alive Who do we choose to remember, and how? These ideas are fraught terrain that cross family relationships, identities, and collective memorialization. For some, living memory supports an elongation of our lives-we only succumb to a blank past when our histories are no longer recalled and held by those that once cared for us. A family photograph is such a vessel of retrieving memory. As time accumulates, however, these emotionally laden images become unknowable, missing their necessary translators. Despite this gradual disintegration of previous selves, our bodies are still affected by the actions of our ancestors. Their lives are encoded into our beings through often-complex interconnections, whether through epigenetics or other practices preserved through time. The inherent loss embedded in these discarded photographs is intertwined with the fragility of the body itself. The depicted bodies can both reveal and conceal embodied language, personality, as well as emotional and physical health. These ties to corporeality and lineages hold us in ways that can manifest as a tender embrace or even a suffocation. In "Forgetting is so long," I collect abandoned family photographs, enlarge them to life-size, and paint over them as a kind of re-enlivening, removing the individuals from their formerly static location and time. Family photographs are revered vestiges to their loved ones, but if they become unmoored, the images and people within become hauntingly absent. Anthropologist Michael Taussig states that defacing sacred objects forces a "shock into being." Suddenly, we perceive them as present and piercing. By mixing painting with photography, I seek to lengthen Roland Barthes' "moment of death" (the photograph) into a loving act of remembrance. Bright swathes of color and the use of painted floral patterns underline relationships and connections to the natural world and beyond, adorning and embellishing these relics with devotional marks of care. These nearly forgotten people are transfigured and "reborn" into a fantastical, liminal place that holds both beauty and joy, temporarily suspended from plunging fully into oblivion.
IIrene Lees 'I'm Nobody, Who Are You?' From the poem by Emily Dickinson, 2021 Continuous Line Drawing In Black Pen on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My whole practice is about drawing, which is such a wonderfully expressive tool that I use to portray what I see, what I am thinking, and what I feel. For me drawings are one of the most instant and fascinating ways of "thinking" visually. Drawing is a discipline through which a breadth of ideas, processes and parameters can be generated. I use drawing as a tool for investigating ideas, a record of knowledge, and a reflector of experience, in fact it shows me how to think. Education 2002 Diploma Art and Design - Distinction-Weston Super Mare 2005 BA Hons: Drawing and Applied Arts UWE Exhibitions/Awards 2006 Society of Women Artists 2003-2019 Yearly exhibited in UK and abroad 2005. 2007 Jerwood Drawing Prize London. 2007 Jerwood Drawing Prize Bristol. 2006 London Art Fair.2006.2009.2010 Royal Academy of Arts Summer Exhibition SWA 2006 - 2019. Solo Exhibition: Full Circle 2009 London Full Circle 2009 Coutts Bank London 2018 Gallery Different, London. Candida Stevens 2015-2019 2018 Fine Art Award SWA London. 2017 Special Fine Art Award, SWA 2012 London. London Art Co. Drawing Award SWA. 2013 Frank Herring and Son Easel Award (Drawing) SWA 2005 Cliff Moss Memorial Prize UWE 2006 Martini Prize, Cheltenham Art Festival. Candida Stevens Gallery, Chichester Petronilla Silver, Wills Lane Gallery"Deeds Not Words". About the postcard artworks Researched Hand Written Text on the Suffragette Movement "Under Lock and Key" Researched Text on Domestic Violence "The Shadow of Your Smile" Nazanin Zighari Ratcliffe "Researched Text on the History behind Nazanin Zighari's imprisonment in Iran "I'm Nobody" Continuous line drawing. from the poem by Emily Dickins, which suggests that the true "somebody" is really the "nobody"?
Irene Lees Under Lock And Key, 2021 Hand Written Government Facts of Researched Text on Domestic Violence in Pen on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My whole practice is about drawing, which is such a wonderfully expressive tool that I use to portray what I see, what I am thinking, and what I feel. For me drawings are one of the most instant and fascinating ways of "thinking" visually. Drawing is a discipline through which a breadth of ideas, processes and parameters can be generated. I use drawing as a tool for investigating ideas, a record of knowledge, and a reflector of experience, in fact it shows me how to think. Education 2002 Diploma Art and Design - Distinction-Weston Super Mare 2005 BA Hons: Drawing and Applied Arts UWE Exhibitions/Awards 2006 Society of Women Artists 2003-2019 Yearly exhibited in UK and abroad 2005. 2007 Jerwood Drawing Prize London. 2007 Jerwood Drawing Prize Bristol. 2006 London Art Fair.2006.2009.2010 Royal Academy of Arts Summer Exhibition SWA 2006 - 2019. Solo Exhibition: Full Circle 2009 London Full Circle 2009 Coutts Bank London 2018 Gallery Different, London. Candida Stevens 2015-2019 2018 Fine Art Award SWA London. 2017 Special Fine Art Award, SWA 2012 London. London Art Co. Drawing Award SWA. 2013 Frank Herring and Son Easel Award (Drawing) SWA 2005 Cliff Moss Memorial Prize UWE 2006 Martini Prize, Cheltenham Art Festival. Candida Stevens Gallery, Chichester Petronilla Silver, Wills Lane Gallery"Deeds Not Words". About the postcard artworks Researched Hand Written Text on the Suffragette Movement "Under Lock and Key" Researched Text on Domestic Violence "The Shadow of Your Smile" Nazanin Zighari Ratcliffe "Researched Text on the History behind Nazanin Zighari's imprisonment in Iran "I'm Nobody" Continuous line drawing. from the poem by Emily Dickins, which suggests that the true "somebody" is really the "nobody"?
Irene Lees The Shadow of Your Smile, 2021 Researches Text on the Unlawful Imprisonment in Iran of Nazanim Zighari Ratcliffe Identifying the Background Information Written in Pen on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My whole practice is about drawing, which is such a wonderfully expressive tool that I use to portray what I see, what I am thinking, and what I feel. For me drawings are one of the most instant and fascinating ways of "thinking" visually. Drawing is a discipline through which a breadth of ideas, processes and parameters can be generated. I use drawing as a tool for investigating ideas, a record of knowledge, and a reflector of experience, in fact it shows me how to think. Education 2002 Diploma Art and Design - Distinction-Weston Super Mare 2005 BA Hons: Drawing and Applied Arts UWE Exhibitions/Awards 2006 Society of Women Artists 2003-2019 Yearly exhibited in UK and abroad 2005. 2007 Jerwood Drawing Prize London. 2007 Jerwood Drawing Prize Bristol. 2006 London Art Fair.2006.2009.2010 Royal Academy of Arts Summer Exhibition SWA 2006 - 2019. Solo Exhibition: Full Circle 2009 London Full Circle 2009 Coutts Bank London 2018 Gallery Different, London. Candida Stevens 2015-2019 2018 Fine Art Award SWA London. 2017 Special Fine Art Award, SWA 2012 London. London Art Co. Drawing Award SWA. 2013 Frank Herring and Son Easel Award (Drawing) SWA 2005 Cliff Moss Memorial Prize UWE 2006 Martini Prize, Cheltenham Art Festival. Candida Stevens Gallery, Chichester Petronilla Silver, Wills Lane Gallery"Deeds Not Words". About the postcard artworks Researched Hand Written Text on the Suffragette Movement "Under Lock and Key" Researched Text on Domestic Violence "The Shadow of Your Smile" Nazanin Zighari Ratcliffe "Researched Text on the History behind Nazanin Zighari's imprisonment in Iran "I'm Nobody" Continuous line drawing. from the poem by Emily Dickins, which suggests that the true "somebody" is really the "nobody"?
Takashi Murakami (b.1962)Me and Mr. DOBOffset lithograph printed in colours, 2009, each signed and numbered from the edition of 300 in silver ink, published by Kaikai Kiki Ltd., Tokyo, on white wove paper, the full sheet printed to the edges, 680 x 680mm (26 3/4 x 26 3/4in) (unframed)
Takashi Murakami (b.1962)Flowerball Sexual Violet No1 (3D)Offset Lithograph printed in colours, 2013 signed in silver ink and numbered from the edition of 300, printed and published by KaiKai Kiki Ltd., Tokyo, on smooth wove paper, the full sheet printed to the edges, sheet diameter 710mm., (28in)
A LOT OF MEDALS AND BADGES Silver War Badge 520812 - M/288695 Pte Arnold Auerbach ASC Silver War Badge 408639 356313 Pte John King A.C.L.C. ex 4. Ches: Reg. WW1 British War Medal 13368 Cpl W Scholes Lan Fus Walter. Cased EII Imperial Service Medal to John Herbert Jackson Two Silver Hallmarked ARP Badges Miniature Silver ARP badge For Loyal Service Badge Miniature Silver commemorative medal for the Battle of Jutland
COLLECTION OF ARP INSIGNIA, EQUIPMENT FIRE WARDENS HELMET AND ARMY EQUIPMENT Rattle marked ARP, Fire Wardens Helmet with liner and chin strap, 1938. Home Guard and Fire Guard Armbands. Civil Defence Corps Armband. Beret with silver Arp Badge. Loose base Metal Arp Badge. With two Whistles, one marked ARP. A canvas cased pair of MK11 Binoculars with military marking. Case dated 1939. With Canvas map case, water bottle, ammunition pouch on belt, shaving kit and Gas mask.
THE MOERIS MILITARY WRIST WATCH AND INSIGNIA WORN ON D-DAY BY LIEUT B S ARNOLD 13TH BN PARACHUTE REGIMENT The lot consists of; Moeris Military stainless steel Wrist Watch. Swiss Made with manual wind movement, silver dial, black Arabic numerals and numerous batons. Subsidiary second dial with dark blue steel hands on a brown leather strap Engraved with Military Mark engraved A.T.P 8949, 2580730 The cut of sleeve from Arnold" uniform with Parachute Regiment title in light blue, Airborne Divisional Patch and Airborne Title. With a copy picture of the recipient showing the badges and watch in wear. (264219) Lieutenant Bert S Arnold served in B Company 13th Bn The Parachute Regiment. He was wounded in action on 11th June 1944.
THREE POCKET WATCHES ON BEING A BRITISH MILITARY ISSUES Military Pocket watch with black face and luminous numbers. Military stamp to the reverse with GSTP 24294 to the reverse. White Metal European Pocket Watch, the reverse inside engraved, L G Veehoff, Delden. Silver hallmarked cased "Improved Patent, English Lever " Pocket Watch, with Silver Albert Chain and Fob.
VINTAGE POST CARD ALBUM comprising of embroidery cards, Christmas postcards, quantity of old gill postcards, collection of postcards on Southampton, etc., contained in a RF Postcard album, with a British Empire Exhibition of Wembley 1924 Overseas Settlement Gallery catalogue, and a copy of the Egyptian Gazette of King George the Silver Jubilee supplement, dated 1935, May 6
COLLECTION OF MIXED SILVER COINS William III, third bust Crown. Condition poor, at some stage it was broached on the reverse. George III 1816, Sixpence. Condition fair - worn George VI 1825 Shilling, Bare head. Condition fair - worn Victoria 1858 Sixpence. Condition fair worn. Victoria 1877 Sixpence. Condition VF+ Victoria 1887 Sixpence with reverse enamelled.
SILVER DOLLARS DATE SET 1878 ONWARDS Consisting of; Morgan Dollars dated 1878 to 1904, with a 1921. 1878 Carson City Mint Morgan Dollar 1888 New Orleans Mint Morgan Dollar 1898 Denver Mint Morgan Dollar 1921 San Francisco Mint Morgan Dollar Peace Dollars 1921 to 1928, plus 1934 and 1935. 1922 Denver Mint Peace Dollar 1923 San Francisco Mint Peace Dollar Eisenhower Dollars 1971 to 1978 Susan B Anthony Dollars. 1979, 1980, 1981 and 1999. Album produced by The Dansco Corporation. Condition from AUC to VF
A GREAT WAR NAVAL MSM GROUP TO LIEUTENANT H J NORTHEY Military OBE; GV Silver Hallmarks. 1914/15 Star 270703 H J Northey CERA2 RN British War Medal - Art Eng H J Northey RN (I feel this medal is officially renamed in a poor fashion) Victory Medal - Art Eng H J Northey RN Defence Medal War Medal GV MSM 270703 H J Northey CERA 2Cl “Griffon 1918†George V LSGC 270703 H J Northey CERA HMS Leander. Condition GVF Henry John Northey was born in Bexhill, Sussex on 3rd October 1880. He joined the Royal Navy on 2nd June 1902, signing on for 12 years. In civilian life, he had worked as an 'Engine Smith'. Northey was awarded the Long Service Good Conduct Medal in 1917. He was Mentioned in Despatches twice, 25.5.1917 and 1.10.1918, awarded the Meritorious Service Medal on 14th February 1919, ' For Services in Cruisers Employed on Escort, Convoy, and Patrol Duties during 1917 and 1918, while serving on 'HMS Griffon'. He had been promoted to Lieutenant on 3rd October 1918 and was awarded the OBE on 1st January 1919. The award was given for his part in repairing the Minesweeper 'HMS Tedworth', which had been damaged on 26th December 1918. Placed on the retired list on 1st May 1920, he was called up again on 1st September 1939 and served at home for the duration of the Second World War. Northey passed away in Cornwall in 1957.
A HUSBAND AND WIFE WW2 ARP MEDAL GROUP Two boxed Defence Medals with Two silver hallmarked ARP badges and an Observers Corps badge. Mr V R Vizetelly & Mrs L M Vizetelly. With two solid silver fob medals for bowling to V R, dated 1905. 54 Manor Drive North, New Malden, Surrey. Condition EF
Collection of silver jewellery including shell pedant necklace with matching earrings, pair of jet earrings, elephant bangle, marcasite bracelet with matching earrings, pearl necklace, three pairs of pearl earrings, all stamped 925, lapis lazuli necklace bead and pearl necklaces (13)Click here to view further images, condition reports, sale times & delivery costs for this lot.
9ct gold pearl and sapphire pendant necklace hallmarked, silver-gilt cubic zirconia bracelet and similar ring, silver pearl necklace and clip on earrings, all stamped 925Click here to view further images, condition reports, sale times & delivery costs for this lot.
Silver contemporary triangular Whitby jet pendant necklace, two other silver Whitby jet necklaces; one round and one in a paisley shape, and two pairs of Whitby jet earrings; matching paisley shape and the other pair cushion triangle shaped, all stamped 925Click here to view further images, condition reports, sale times & delivery costs for this lot.
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2466194 item(s)/page