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A mid 19th Century silver-mounted snuff box, fashioned from half of a cloven hoof (probably from a deer), carved with an erotic female figure straddling a fox and holding a riding crop, below a dolphin mask terminal, the cover set with a bloodstone seal matrix with a running fox and "TALLY HO" (intaglio), unmarked, 8cms long.
A George V silver hunting horn, of conventional form, inscribed "To Sam Morgan Jnr. from J.H. Rutherfurd, IN MEMORY OF MANY HAPPY DAYS IN FIELD AND KENNEL WITH THE LINTHIGOW AND STIRLINGSHIRE HOUNDS 1906-1914. We have seen a rung together, we have ridden side by side", by Messrs. Kohler & Son, London 1913, 23.7cms long, 3.85oz.
Five Victorian silver 'Admiralty' pattern dessert forks, one inscribed "Lynch" on the back of the terminal; and two dessert spoons, in the same pattern, by various makers Hunt & Roskell, John Hunt, Francis Higgins and George Adams, London 1841-1876, tablespoons 18.3cms long; 12.65oz. (7)
A Victorian electroplated chatelaine clip with six chains, various silver fittings dependant; a mounted miniature diary for 1900, a pin cushion wheel, a locket, a porte-crayon, small fobs, etc; together with a Victorian silver-gilt vinaigrette, with engine-turning and rounded ends, initialled "CC" on the cover, by Nathaniel Mills, Birmingham 1847, the latter 4.7cms long. (2)
A George V silver napkin ring and spoon, decorated with polychrome enamel floral designs, the napkin ring initialled and dated "JL1930" inside, by Bernard Instone, Birmingham 1928/29, each with Instone's facsimile signature (in original fitted case), the spoon 12.5cms long; 1.4oz.
A George VI silver-mounted pepper mill, of waisted form, with chased writhen fluting between two rows of incised quatrefoil florets below a knurled rim (metal innards), by Omar Ramsden, London 1938, incised "OMAR RAMSDEN ME FECIT" around the base, 10cms high.
A rare Queen Anne/George I Scottish silver snuff mull, upright baluster form with reeded borders and gilt interior, engraved with the arms of Martin on the front and the cypher "AM" on the base, maker's mark only struck once, by James Tait, Edinburgh 1710-1720, 5.5cms high, 2oz.
A George V large silver mustard pot, fret-pierced with vertical panels of anthemion-like motifs around the sides, low-domed cover, scroll handle and volute thumbpiece (with blue glass liner), by Charles Boyton & Sons Ltd., Birmingham 1923, 9.8cms high, 4.85oz. weighable silver.
Chinese silver: a pierced napkin ring, with a dragon amongst the clouds, initialled "E", maker's mark "KLJ"; a cigarette case, also with a dragon and clouds, initialled "PC", gilt interior, unmarked; a sugar sifter ladle; and an egg cup, initialled "S", the latter 7.5cms high; 4.6oz. (4)
A set of six Elizabeth II silver large teaspoons, Hanoverian pattern with plain moulded rattails, by Charles Boyton & Sons, Sheffield 1978; together with a George III Old English pattern sauce ladle, crested, by Richard Crossley, London 1796; and a Newcastle-made silver tablespoon, Old English pattern, by John Robertson and John Walton, 1820, the ladle 16.8cms long; 10.6oz. (8)
A George IV silver engine-turned snuff box, circular with a pull-off cover set with a glass paste portrait medallion depicting "LORD FREDERICK CAMPBELL LORD REGISTER OF SCOTLAND" in profile to dexter wearing robes and chain of office, on a frosted glass panel, gilt interior, the medallion signed "Henning F. Edin 1809", the box by John Reily, London 1823, 8.6cms diameter.
A George III silver wine label, of canted rectangular form with a reeded border, incised "TINERIFFE", by Joseph Wilmore, Birmingham 1804; and another with rounded ends and a reeded border, incised "TENERIFFE", by Charles Rawlings, London 1822, the latter 4.1cms long; 0.45oz. (2)
A George III silver caddy spoon, with a fluted bowl and a lug handle with pricked decoration, a vacant cartouche, maker's mark "I-P", London 1790; and another caddy spoon, with a thread pattern stem and leaf veins engraved in the bowl, by George Wintle, London 1803, the latter 8.6cms long; 0.45oz. (2)
Indian/Burmese silver: a small bowl with swing handle; a small jug; a stoppered bottle; a small bottle and cover; a small tot cup; a small plain spirit flask 10.7cms long; and a small figural vase (loaded); together with a plated spirit flask; seven mounted horn napkin rings (numbered); and a pair of mounted horn salt spoons; 17oz. weighable silver. (lot)
A George III Scottish silver-mounted curly horn snuff mull, with a high polish, openwork wavy border and an agate-set cover, the body with a navette cartouche inscribed "Sir Francis Chantry's Mull, the gift of Lady Chantrey to William John Broderip 16th January 1842", also with a dependant pierced snuff spoon secured by a chain, unmarked c.1790, 12.8cms long.NB:Sir Francis Chantrey (1781-1841), was an English sculptor born at Norton, Derbyshire on the 7th April 1781, who began his career as a wood carver. In his youth he was also a painter, however, it is as a sculptor that he is best known and is considered by many to have been the best sculptor of the 19th Century. In 1811 his bust of the radical reformer John Tooke was exhibited at the Royal Academy after which many commissions followed, including statues of King William IV in Windsor Castle and at Brighton. Other notable sitters were King George IV, the Duke of Wellington, William Pitt, George Washington in the State House, Boston, as well as Sir Walter Scott. Chantry received his Knighthood in 1835 and died on 25th November 1841.
A late Victorian silver engraved snuff box, initialled "WSGY", gilt interior, by C. Saunders and F. Shepherd, Birmingham 1897; a George V small silver box, with domed cover and embossed decoration; and three various antique silver vinaigrettes, the snuff box 5.7cms long; 4.6oz. (5)
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2466194 item(s)/page