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Lot 74

Small Selection of Colonial Police Badges including KC white metal Gold Coast Police ... KC white metal Palestine Police ... QC white metal New Hebrides Condominium British Constabulary .. KC white metal Nigeria Police ... KC brass St Lucia Police Force ... QC white metal St Helena Constabulary ... KC blackened Palestine Police ... QC chrome and enamel Royal Papua & New Guinea Constabulary ... KC brass South African Police helmet plate ... QC, sterling silver Mauritius Police collar ... Silver hallmarked Iraq Police. 12 items.

Lot 75

Small Selection of Various Cap Badges including cast, silver hallmarked, Sudan Defence Force (screw post fitting) ... Cast brass RAF Levies (slider fixing) ... White metal Transjordan Frontier Force ... KC brass Northern Rhodesia Defence Force ... KC brass Central Flying School Southern Rhodesia Royal Air Force (lug fixing) ... Cast brass Palestine Forces. 10 items.

Lot 100

* Coconut cup. A George III Irish silver mounted coconut cup, carved with an armorial of a hand holding flowers within a C-scroll cartouche and with geometric roundels, the silver mounts by Richard Sawyer, Dublin 1805, with silver collar and stem leading to circular foot, 17cm highQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 107

* Desk seal. A fine Indian desk seal c.1820, the carnelian seal finely engraved in Persian script mounted in silver with a turned ivory handle with traces of red staining, 6cm longQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 108

* Desk seal. A large 19th century Indian seal, the oval carnelian intricately cut with Persian script, set in a foliate engraved silver mount with two suspension loops, 6 x 4cm, a silver swivel fob with engraved carnelian, 1.8cm wide, plus a small stone tablet similarly engraved, 2.5cm longQty: (3)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 109

* Desk seals. A collection of Medieval and later desk seals, including a small navette seal probably silver with Madonna and child and legend 'Sigill Marie D.I. Vmtingefed', 3cm long, another circular brass seal with a medieval helmet and armorial shield, the back with a hinged handle, 3.5cm diameter, another with a profile of a saint and inscribed 'S. Iovs Picouery' and other stamps and seals including a William Ullathorn horn / boxwood seal c.1821 another for Schataú Margo?x C.E.D., Forsan, Schinnen, John Howard, and J. Redhill & Co, all approximately 3cm diameter diameterQty: (14)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 110

* Diorama. A Victorian diorama of "Jacko" the ratter c.1850, the plaster model of a terrier presented in a curved display case with a naturalistic effect for display purposes, inset with a circular silver medal, the obverse inscribed 'In memory of Jacko, the Champion Terrier 14 lb Weight', the reserve inscribed 'Presentation Medal to Canine Fancier and M.P.R. Jemmy Shaw London 1852', general wear and damage throughout, the case, 29cm high x 38cm wide x 13cm deepNOTESProvenance: Collection of Jack Webb (1923-2019), London. Jemmy Elton Shaw, also known as Jimm and James was a 19th century pioneer fancier of the early dog show days, a promoter of dog fighting and rat-baiting contests, a breeder of Old English bulldogs, bull terriers and toy terriers and a contributor in the development of fancy rats. Shaw was the landlord of the Blue Anchor Tavern in Bunill Row, St Luke's, Islington and would hold rat-baiting contests in the basement of the tavern for spectators. He was able to maintain as many as 2000 rats in his tavern for upcoming events. Jemmy owned a black and tan bull terrier named "Jacko", the world record holder for rat killing.

Lot 113

* Etui . A George III shagreen etui c.1753, the tapered case with silver mounts and plaque engraved 'J. Dixon 1753', the hinged lid enclosing a complete set of 6 quill cutters each with tortoiseshell grip, some loss of shagreen around the hinge and under the push button, approximately 8cm highQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 114

* Gambling ball. A rare ivory gambling ball c.1700, otherwise referred to as a teetotum (lottery), the multi-faceted ball each engraved with a number between 1-32 and additionally inscribed 'six' under the number 6, approximately 45mm acrossQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. Teetotum balls were very much like a spinning dice, however they have faceted numbered sides and when thrown there is an equal chance of any number turning up (which is not the case with dice). Lotteries first began to become an acceptable form of raising money for government funds under Queen Elizabeth I in 1568 - 1569. It was started in order to raise funds for urgent repairs to the harbours and fortifications of England then under threat of invasion from the Spanish. Great pains were taken to ‘provoke the people’ to part with their money and even fortune tellers were consulted about ‘lucky’ numbers. Lotteries later became established by successive Acts of Parliament and were a popular and lucrative means of increasing government revenue and were regularly conducted, both in London and the country, by appointed contractors. Lotteries were not then as they are today confined to monetary prizes, but embraced jewellery, paintings, tapestries, silver, books and even live deer in Syon Park.

Lot 125

* Knife handle. A 17th century ivory knife handle, finely carved as a bacchanalian boy sitting on a barrel holding wine glass and bag of wine, 10cm long, together with another 17th century knife handle, the horn grip carved a king amongst turrets and knotted decoration beneath with a silver terminal, 10cm longQty: (2)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 129

* Matthew Boulton. A George III ormolu 'Goat's Head' candle vase by Matthew Boulton c.1770, with reversible finial and nozzle, on ovoid pedestal vase with goats head and laurel festoons on a stepped square base and four ball feet, 19.5 cm highQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. Matthew Boulton and John Forthergill made these vases at their manufactory in Soho, Birmingham and sold them at Christie's throughout the second half of the 18th century. This variation is known as the 'Goat's Head' vase and was produced with a wide assortment of bodies, which included, Derbyshire Blue John, white marble and silver-plate. They proved to be one of the most popular vases amongst the aristocracy and examples can be found in the Royal Collection and many private collections. For further examples please see Goodison (Nicholas). Matthew Boulton (Ormolu), Christie's 2002, page 331-333

Lot 132

* Mixed silver. An 18th century white metal marrow scoop, 12cm long, a 19th century white metal egg, engraved with swirls, probably a thimble holder, 4cm long, a Victorian Wedgwood plaque, of octagonal form in violet and green set in a gold frame with fine gold chain with pearls, 4.5cm wide, a silver and enamel brooch with a crown and belt inscribed 'Feare God Honour Ye Kynge, the back with registration number 50967 (Registered 12 June 1886 J.N. Masters, Rye, Sussex), 4cm wide, plus a Georgian silver and enamel brooch with a Hanoverian surcharge on the shield, 4cm wideQty: (7)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 143

* Pipe tampers. An 18th century ivory pipe tamper, carved as a boy on a barrel the chequered base stained red, 8cm long, together with another 18th century ivory pipe tamper carved as a greyhound catching a rabbit, the silver base with faint engraved markings and possibly dated 1740, approximately 7cm longQty: (2)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 148

* Ring. An 18th-century French silver armorial ring, the oval seal bearing the Arms of a Count, size P, 28.8 gQty: (1)NOTESProvenance: Private Collection, Cotswolds

Lot 149

* Scent Bottle. A Victorian cameo glass scent bottle by Thomas Webb and Sons c.1880, in the form of a swan's head, the beautiful blue and white gass bottle carved with feathers, the eyes and beak all finely delineated, with a replacement silver cap by J.H.W. Birmingham 1902, 23.5 cm longQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. Thomas Webb & Sons was founded in 1837 by Thomas Webb (1804-1869) near Stourbridge, West Midlands. The name T. Webb & Co was adopted in 1842 and later became Thomas Webb and Sons. They specialised in glass making being originally known as the "Crystal King of England" and were particularly noted for their high quality Cameo glass which is created by a process of etching and carving through a layer of opaque white glass, leaving a white relief design on a darker coloured glass body.

Lot 154

* Snuff box. A late 17th century ivory and piqué work oval snuff box, the lid inlaid with a central panel of scrolls formed with brass roundels and some stained red, within a border similarly decorated set into a silver frame and plain ivory base, some pique missing and the base is loose 2cm high x 10cm wide x 7.5cm deep together with an ivory panel of the same period and similarly decorated, the panel having a slight curve, 7.5cm x 10cmQty: (2)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 158

* Snuff boxes. A George III tortoiseshell and pique work oval snuff box, the lid applied with yellow metal cartouche engraved with initials and surrounded by silver pique and within a pique border, with silver frame and plain tortoiseshell base, slight loss to the edge of base,1.5cm high x 7.5cm wide x 5.5cm deep, together with an 18th century French vernis martin circular snuff box, the lid painted with an elderly fortune teller holding the palm of a young ladies hand, with another maiden looking on whilst another maiden rests on the floor and two men close by, the sides and base decorated with floral sprays and musical instruments, split to the lid and some loss of lacquer, 7.5cm diameter, an 18th century Frederick the Great copper and brass snuff box, worn, 12cm long, plus a late 19th century tortoiseshell and pique work cigarette case, 10 x 6.5cmQty: (4)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 160

* Stabler (Harold, 1872-1945). A cloisonne enamel plaque 1914, depicting a child in a festooned chariot drawn by two leopards, signed with initials 'hs' lower right, the reverse stamped 'Harold Stabler London 1914' in an elaborate silver frame with scroll suspension loop, 11 x 13 cmQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. Harold Stabler (1872-1945) was a designer and craftsman in silver, enamels, pottery and glass. He was associated with William Morris and his followers and from 1898 to 1900 he was the manager of the Keswick School of Industrial Art. Stabler made a name for himself as an enameller and his works were exhibited at the Royal Academy in 1916 and 1917. He designed the enamel mace for Westminster Cathedral and also the ceremonial collar of the Royal Victorian Order. He also designed for the Poole Pottery factory during the 1920/30s along with Truda Carter, John Adams and his wife Pheobe. Poole items of this period can be found with the stamp Carter, Stabler, Adams

Lot 178

* Waterman's Badge. A George III Thames Waterman's Licence Badge, the circular silver-plated badge engraved with official licence number 30, with the arms of the Waterman’s Company above and the arms of the City of London below, 11.5cm diameterQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. This very early numbered brassard or arm band was sewn onto the sleeve of a Waterman's coat and belonged to Thomas Munday whose address is given as 18 Magdalen Circus, Bermondsey in 1803, when the badge was issued. He was affirmed as having been baptised in 1780, had been apprenticed for 7 years to Thomas Dandy Junior from 1795, and was made free in 1802. He appears to have paid quarterage from Michaelmas from 1802-1818 and his mooring is given as St. Olave's in the quarterage book. The badges were only issued for a short period of time between 1803-1827 and the number would denote the registered number of Munday's skiff.

Lot 183

* Chinese brooch. A 19th century Chinese relief carved ivory brooch, carved with figures, buildings and trees, set in a gilt metal mount, 6 x 5cm, together with a 19th century foliate carved ivory brooch set in a silver mount, 5 x 4.5cm plus a 19th century ivory brooch of natural form set in silver mount, 6 x 5cmQty: (3)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 185

* Chinese seal. A 19th century Chinese bronze desk seal, in the form of a duck surmounting a hollow brick base, the base with Chinese characters on an red in-filled ground, with silver wire inlay, 8.5cm high x 6cm wide x 4cm deepQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 187

* Cup. A fine 19th century Tibetan silver cup and cover, the cover with hardstone finial, engraved and chiseled decoration with dragons and other mythical beasts richly gilded, the stemmed base with flared rim, collection-number '126' to base, 14cm high x 13cm diameterQty: (1)NOTESProvenance: Jonathan Tucker Antonia Tozer Asian Art and Private Collection, Cotswolds.

Lot 195

* Buttons. A framed set of engraved button covers, French, circa 1770s/80s, 8 circular hand-coloured stipple engravings, each depicting a head-and-shoulders portrait of a lady wearing an elaborate hat, diameter 37 mm (1.5 ins), mounted together on card, framed and glazed, together with: A collection of 18th century and later buttons, including: 14 late 18th century mother of pearl studs, each finely carved with a star and central paste jewel, brass and mother or pearl back, 16 mm diameter; a pair of pair of silver and enamel buttons by J. Aitken & Sons Birmingham 1911, each with a simulated pearl design on a blue and white geometric ground, 35 mm diameter; a group of 5 19th century copper and brass buttons, engraved with a starburst within a chiselled edge border, 35 mm diameter; a large George III mother of pearl button engraved with a trap pulled by a pair of horses, 45 mm diameter; an 18th century mother of pearl button engraved with a rococo design of c-scrolls and lattice-work, 37 mm diameter; and various other buttons and cufflinks including 14 silverQty: (a small box)NOTESProvenance: Collection of Jack Webb (1923-2019), London. Picture buttons first became popular in the 1770s, initially in France where they were known as 'boutons à miniature'. Such items were engraved or hand-drawn and usually mounted onto copper frames with a flat or slightly domed glass cover. They depicted a wide range of subjects, including architectural views, mythological scenes, historical events, and flora and fauna as well as images of ladies such as these. It is rare to find a set, seemingly unused. For similar see The Metropolitan Museum of Art (accession numbers 51.47.55–.58 and 50.231.167–.174).

Lot 197

* Coins. A small collection of British and World coins, 18th-20th century, including a Victoria 1893 gold Sovereign (Spink 3874, with Obverse: Queen Victoria Old veiled bust and Reverse: St George and the Dragon by Benedetto Pistrucci), 1816 George III Halfcrown (Spink 3788), 1826 George IV Penny (Spink 3823), 1892 Victoria Crown (Spink 3921), and 1972 Elizabeth II & Philip Silver Wedding Commemorative twenty-five pence (crown) coin, etc. and other mostly 20th century coins,Qty: (small folder & box)

Lot 2

* Daggers. A Caucasian jambiya c.1900, the 13cm curved steel blade inlaid with a flower in silver with brass grip profusely inlaid with coral, turquoise and garnet cabochons, 22cm long overall, in its conforming scabbard, the opposite side with embossed foliate decoration, together with an African axe the handle carved as a monkey, 47cm long, a kukri and other itemsQty: (5)

Lot 202

* Jewellery. A mixed collection of items including a novelty silver owl seal fob by Henry Williamson Ltd, Birmingham 1908, with paste eyes and pink stone base and ring suspension, 4cm high, two silver thimbles (one cased), a blue glass scent bottle with silver top and other itemsQty: (small tub)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 208

* Wristwatches. A collection of wristwatches, i ncluding three WWI period, silver and enamel watches each with illuminated Arabic numerals, an Edwardian silver open-face pocket watch, the white enamel dial with black Roman numerals, blued steel hands, a 9ct gold wristwatch with 9ct gold bracelet and other itemsQty: (14)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 209

* Art Nouveau. A fine Edwardian silver vase by Connell of Cheapside, London 1904, of organic form with stylised leaf and vine handles on a long slender tapered body and splayed foot, 46cm high, 47ozQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 210

* Artificers Guild. A silver plated bowl and cover c.1930 designed by Edward Spencer, the domed cover with coronet type finial, the two stage base on hexagonal base with makers stamps to base, the whole piece with a hammered finish and gilded interior, 14cm high x 14cm diameterQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. Edward Napier Hitchcock Spencer (1873-1938), trained in the architects office of Henry Wilson (1864-1934) a well known architect, jeweller and designer. The Articificers Guild was established in 1901 by Nelson Dawson and Spencer who had worked in the Dawsons workshop in Chiswick became a fellow-guildsman and junior designer at the Guild (later becoming Chief Designer). Spencer designed many forms of silverware and often incorporated other materials such as ivory, shagreen, nuts wood or mother-of-pearl. The Guild closed in 1942.

Lot 211

* Arts and Crafts. A silver-plated bowl and cover c.1920/30s, probably Articifers Guild, the domed cover with entwined finial, the base with pedestal rope twist base, the interior gilded, the whole piece with a hammered finish, no markings, 12cm high x 15.5cm diameterQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. See previous lot.

Lot 212

* Bowl. A George V silver bowl by Atkin Brothers, Sheffield 1918, of circular lobed form, 23cm diameter, approximately 10.5oz together with a pair of brass chimney ornaments cast as sailors the bases inscribed 'Britains Pride', 28.5cm high plus Victorian cast iron doorstop with a Royal Coat of Arms, 25cm high and a Victorian oak writing box, 12cm high x 27cm wide x 20cm deepQty: (5)

Lot 214

* Candlesticks. A pair of 18th century paktong candlesticks, each with detachable sconce, turned column on square base, 23cm highQty: (2)NOTESProvenance: Collection of Jack Webb (1923-2019), London. Paktong is a Chinese alloy closely resembling silver.

Lot 217

* Georg Jensen. A Georg Jensen silver Cactus dessert spoon and fork designed by Gundorph Albertus c.1930s, various marks, 17cm long together with 2 teaspoons in the same pattern, 10cm long, a Jensen silver Hors d' Oeuvre fork/spoon and spoon in the Parallel pattern c.1930s, 12.5cm long, a Jensen silver caddy spoon by George Stockwell c.1920s, 11cm long plus a Scandinavian silver cake slice, 15.5cm long, total weight approximately 8ozQty: (8)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 218

* Liberty & Co. Silver teaspoons designed by Archibald Knox, Birmingham 1932/33, each with stylised heart motif terminal, 11.5cm long together with a set of 6 Art Deco silver teaspoons by Roberts & Belk Ltd, Sheffield 1935 with Jubilee mark and case, total weight approximately 5.2ozQty: (9)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 219

* Mixed silver. A mixed collection of 72 silver items, including a George III brightcut teaspoon by George Wintle, London 1805, a pair of silver Masonic teaspoons by G.F. Westwood and Sons, Birmingham 1922, a silver feeding spoon by Deakin & Francis Ltd, with a hammered finish and curved bird handle, 10.5cm long, a silver babies rattle, Birmingham 1921, decorated with an image of Little Bo Peep to each side and three bells on a mother of pearl handle, 8cm long, a small Chinese silver dish, on an outsplayed foot, 6cm diameter, silver cheroot and holder, button hooks and other items, displayed in a glazed oak bijouterie cabinet, 72cm high x 44cm wide x 36cm deep (approximately 10 spoons are silver plated)Qty: (72)

Lot 220

* Mixed silver. A collection of silver cuttlery, Victorian and later, including 4 Victorian fiddle pattern table forks by Francis Higgins II, London 1899, each engraved with a family crest, together with a serving spoon, a dessert spoon by George Angel and other items, total weight approximately 18ozQty: (12)

Lot 221

* Mixed silver. An 18th century white metal pounce pot, with pierced cover on a plain pedestal base and mounted on a terracotta base with gilt decoration, 10cm high, together with an unusual white metal box, of spherical form with sprung hinged lid on a pyramid type base, 10cm high, an American silver salt spoon by J. Sayre, New York c.1789-1818, 10.5cm long, an 18th century silver salt, the octagonal salt with wasted based engraved with initials FM, hallmarks rubbed, 8cm long and other itemsQty: (small box)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 222

* Mixed silver. A George III silver cream jug by Robert and David Hennell, London 1796, with brightcut decoration and engraved with initials, reeded scroll handle, 10cm high, 3.5oz, a smaller George II silver cream jug, makers mark worn, London 1742, of baluster form engraved with a family crest depicting a bird with gilded interior, scroll handle on three cabriole feet, 8cm high, 2.5oz plus a George III silver sugar caster, probably by Robert Innes, London 1767, with pierced lattice work cover, 12cm high, 2ozQty: (3)

Lot 223

* Mixed silver. A George V silver sauce boat by Edward Barnard & Sons Ltd, London 1912, with shaped edge and flying scroll handle on shell supports with hoof feet, 6.5oz, together with a mixed collection of silver including, a pair of candlesticks, Birmingham 1906, with festoon decoration, 9.5cm high, weighted, a George III salt by Thomas Shepherd, London 1789, on three cabriole supports, 6cm diameter, 1oz, an Edwardian glass ink bottle, makers mark worn, Birmingham 1902, pair of George III sugar tongs, a bon-bon dish by William Neale & Son Ltd, Sheffield, 1897 and other itemsQty: (15)

Lot 224

* Mixed silver. A mixed collection of silver, including an 18th century style silver cup by C.F. Hancock & Co Ltd, London 1977, 5cm high x 5.5cm diameter, 68g, a 1977 Silver Jubilee plaque in the form of a stamp, 74g, 8 silver Albert watch chains and other items, combined total weight approximately, 400gQty: (small box)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 225

* Mixed silver. A mixed collection of silver, including a Victorian cased butter dish and knife by George Maudley Jackson of St Augustine's Parade, Bristol, London 1890, of shell form the thumb-piece engraved with a family crest depicting an arm holding a fleur-de-lys, on three ball feet, 13.5cm long, a smaller butter dish by Atkin Bros, Sheffield 1892 of shell form with knife and fitted case, a cased set of six seal top spoons by S. Greenberg & Co, Birmingham 1939 and other items plus a collection of silver plate including a Viners four-piece teaset, Old Sheffield Plate helmet shape cream jug, lobster forks and other itemsQty: (small carton)

Lot 226

* Mixed silver. An Edwardian silver triple cigar case by George Loveridge & Co, Birmingham 1903, super quality with foliate engraved decoration and presentation inscription dated 1903, the interior gilded, 13cm long, 105g together with a silver cigarette case by William Neale & Sons, Chester 1901, 8.5cm long, 59g, a miniature silver mug by George Betjemann & Sons, London 1897, 4cm high, a vesta case, silver ingot and other items, combined weight approximately 282gQty: (9)

Lot 227

* Pocket Watches. A collection of Victorian and later silver pocket watches, including a silver pocket watch, Birmingham 1848, with circular white enamel dial and black Roman numerals, an Edwardian silver stop watch, three silver watch chains and other itemsQty: (small bag )

Lot 228

* Sifter spoon. A silver sifter spoon by D&J Welby Ltd, London 1951, the plain spoon with a long stem and half pierced bowl, 30.5cm long, approximately 4ozQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 229

* Silver name brooches. An impressive collection of Victorian and Edwardian silver name brooches, names include Ada, Edith, Martha, Eliza, Florrie, Sophia, Eva, Bessie, Daisy, Lizzie, Alice, Jennie, Fanny, Maud, Blanche, Agnes, Lottie, Pollie, Nellie, Susanna and others, various types and dates, presented in a modern display frame, glazedQty: (43)

Lot 230

* Soup ladle. An 18th century American silver soup ladle by John Walraven, Baltimore c.1790, engraved with initials and a brightcut edge, 35cm long, 5.5ozQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 231

* Spoons. A pair of George III silver serving spoons London 1807, two picture back serving spoons, London 1762 and 1757 and one other, together with a pair of 18th century silver scissor action sugar nips probably by Richard Mills, the bowl engraved with the crest of Hardy of Letheringsett Hall, Norfolk, old repairs, 12cm long, combined weight approximately 10ozQty: (6)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 232

* Stuart Devlin. A Stuart Devlin silver egg commemorating the Silver Jubilee 1952-1977, the silver-gilt egg numbered 18, hallmarks for Stuart Devlin, London 1977, 7cm highQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 233

* Stuart Devlin. A Stuart Devlin silver egg commemorating the wedding of Charles & Diana 1981, the silver gilt egg numbered 20 hallmarks for Stuart Devlin, London 1981, 6cm high, presented in a fitted boxQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 234

* Wine label. A George III silver 'White Wine' label by John Harvey I, London c.1750, the shaped label engraved in large serif capitals with chain, 5.5cm longQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 26

* Volunteer Officer's Decoration, VR, silver, silver-gilt, hallmarks for Garrards, London 1892, in Garrard case of issue with miniature dress award, together with WWI pair, British War and Victory Medals (Major K.E. Aitken.), extremely fine, a piece of shrapnel with note inscribed 'The might have killed Daddy when it hit him on the last night of 1914-17 War, his Comp took the gun', plus a tin of sundry regimental buttons including 16 silvered buttons of the Dunbartonshire Yeomanry Cavalry c.1717Qty: (small box )NOTESMajor Kenneth Edmonstone Aitken was born in Richmond, Surrey in 1882, he served on the Western Front with the King's Own Yorkshire Light Infantry from 5 October 1917 and was attached to the Leicestershire Regiment,

Lot 273

* Fan. An Edwardian spangled fan, Duvelleroy, circa 1910, black double gauze leaf elaborately decorated with silver spangles, fabric becoming a little loose at lower edge on verso and with short split, mounted on pierced and silvered ivory sticks, brass loop with black velvet carrying ribbon, length 23 cm (9 ins), contained in original ivory paper-covered card box (lightly spotted in places), maker's embossed gold label mounted inside lidQty: (1)

Lot 28

* Wiltshire Regiment. A WWI bronze memorial plaque 'Arthur Sidney Twine', extremely fine WWI Pair to Private F.J. Parfitt, Wiltshire Regiment British War and Victory Medals (22898 Pte. F.J. Parfitt. Wilts. R.), very fine with WWI silver War Badge, reverse numbered B151738 British War Medal (687506 Gnr. A.A. Freegard. R.A.), good very fine, with an extensive collection of copied research for this medalQty: (4)NOTES18549 Private Arthur Sidney Twine was born in 2 The Barton, Royal Wootton Bassett in 1894, he joined the 6th Bn, Wiltshire Regiment at Devizes in January 1915 and he served on the Western Front from 19 July 1915, he was wounded at Rue de Calliioux in September of that year when the Bn sustained heavy casualties. On 1 July 1916 the 6th Bn fought in the Battle of Albert at the opening stage of the Battle of the Somme. The war diary records on 2 July 1916 'At 1.30pm orders were received to take up position in front line at 4pm. At 4pm Battalion advanced in open order and attacked German front line system of trenches just South of La Boiselle. Two lines of trenches were taken and consolidated. Cheshires were on our right flank and Welch Fusiliers on our left. Our losses were Lt. Hunter, Lt's Allen... other ranks were 35 killed, 237 wounded and 35 missing. The night was spent in consolidating no counter-attack was made by the enemy'. Twine was one of the missing and is recorded to have died on this day and Twine is commemorated on the Thiepval Memorial, France. 22898 Francis John Parfitt, was born in Lyneham, Wiltshire in 1890, he served on the Western Front from 11 December 1915 and was wounded on 6 February 1918 and discharged from service his war badge was issued in Exeter on 18 February 1918 687506 Gunner Arthur Alexander Freegard was born in Foxham Lock, Chippenham in 1893

Lot 281

* Shawls. A large lurex shawl, 1920s, with pattern of large flowers in purple, red, and gold, on a black ground, with wide black fringed edge, shawl 122 x 118 cm (48 x 46.5 ins), fringe length 53 cm (21 ins), together with 2 other 1920s shawls, comprising: a black net shawl with all-over silk embroidered pattern of bright multi-coloured flowers and leaves, black fringing to scalloped edge, 140 cm (55 ins) square, fringe length 13 cm (5 ins); and a black lurex shawl with large central panel of stylised plant forms in silver, enclosed by a black chiffon border with a silver square panel at each corner, pair of black chiffon straps on reverse to aid wearing, 128 cm (50.5 ins) squareQty: (3)

Lot 283

* Taylor (Elizabeth, 1932-2011). A pair of trousers belonging to Elizabeth Taylor, Harrods, purple suede leather cigarette pants, with two slit pockets, silver zip closure (slightly worn to bottom end, but still operating) and suede button to right-hand side, and variable lilac satin lining, with label of Harrods Ltd London, and additional label 'High Grade Sportswear, size 24, Made in England', some mottling and minor marks, waist 57 cm (22.5 in), length 99.5 cm (39.25 in)Qty: (1)NOTESProvenance: Given by Elizabeth Taylor to one of Richard Burton's family members; passed to the family of Marie Carmichael Stopes (1880-1958) and Sir Barnes Neville Wallis (1887-1979), and thence by direct family descent. Elizabeth Taylor's tiny waist is legendary - in 1951 it was said to be 21 inches - and close-fitting cigarette pants were one of her signature styles in the 1950s and 1960s.

Lot 299

* Glassware. A Loetz style glass shoulder vase, with an iridescent lustre finish, 19cm high together with two similar glass vases of long tapered form, plus small yellow lustre glass vase with silver floral overlay decoration, 15cm high plus a porcelain table lamp in the form of an owl, 19cm highQty: (5)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 3

* Japanese Tsuba . A good collection of 18th century and later iron sword guards, including two with signatures, each with gold decoration, one with a dragon and gold cloud design the other with plum blossoms, others examples include thistles, samurai warriors, exotic birds, dragons etc, some with gold or silver inlay, various shapes and sizes, see lot 121Qty: (22)NOTESProvenance: The family of Dr Harry Stopes-Roe (1924-2014), son of the birth control pioneer Marie Stopes (1880-1958), and his wife Mary, née Wallis (1927-2019), herself the daughter of the illustrious scientist, engineer and inventor Sir Barnes Neville Wallis (1887-1979). The tsuba in this lot are all believed to have been acquired by or given to Marie Stopes. As a palaeobotanist Stopes had worked in Japan from 1907 to 1909, exploring coal mines in Hokkaido for fossilised plants.

Lot 304

* Pilkington. A Royal Lancastrian pottery vase, the lustre vase with red flowers and silver scrolls, various marks to base and impressed '2635', 4 chips to the rim of base, crazing, 20cm highQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London.

Lot 333

* Cabinet. A fine early 19th century Italian cabinet, the rosewood veneered cabinet of rectangular form, inlaid with ivory panels engraved or etched depicting scenes from classical mythology, with brass corner straps and large carrying handles, the hinged fall with original key enclosing, a central architectural cabinet door with a drawer above and below flanked by a pair of drawers and a deeper drawer below with a dummy drawer front, the interior of the fall inset with engraved ivory panels with line inlay formation, 39cm high x 92cm wide x 35.5cm deep, on a later 19th century ebonised and inlaid stand, with glass covered single drawer with brass lock stamped 'V.R. Patent, Brooks' s Double Lever Lock', on square tapered supports united by a stretcher, 79cm high x 102cm wide x 43cm deepQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. The lot is sold with an original copy of The Antique Dealer and Collectors' Guide dated December 1946 in which an article features the cabinet with an illustration, Jack Webb writes to the editor asking for more information about the cabinet. A typed letter from the editor together with black and white photographs is also included. The article suggests that "this very attractive example is typical of the portable cabinets made during the late 18th and early 19th centuries, when panels of etched ivory were inlaid in backgrounds of ebony, tortoiseshell, or one of the fashionable Oriental woods which were just reaching European cabinet makers. The etched pictorial scenes, if read in sequence, will usually associate themselves with a story of classical mythology, but historical subjects were also portrayed", and that the "style and form indicate that this cabinet was made between 1805 and 1820. If the lines of the etching are tinted brown by the use of silver nitrate as the etching medium, this is further indication that the work belongs to the early 1800's, when the silver nitrate method of etching ivory was in full favour. Formerly the lines were black, the etching medium having been sulphuric acid."

Lot 35

* WWII. A group of eight to Sick Berth Petty Officer J.E. Game, Royal Naval Auxiliary Sick Berth Reserve, Later St Johns Ambulance Order of St. John, serving Brother, silver and enamel, unnamed, 1939-1945, Atlantic Star, Africa Star, Defence and War Medals with MID oak leaf, Royal Naval Sick Auxiliary Sick Berth Reserve, G.VI.R. (7638 J.E. Game, S.B.P.O. R.N.A.S. S.B.R.), St Johns Service Medal, two bars (46908, Cpl. J.E. Game. London. S.J.A.B. 1951.), very fine and better, last seven mounted for wear, with additional bar and related badges, medal riband bars and copied researchQty: (8)NOTESCSBRX7658 Sick Berth Petty Officer John Edwin Game, Royal Naval Auxiliary served in HMS Pheobe and is listed in the London Gazette under the King's Birthday List on 2 June 1943

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