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Lot 237

NASAThe Apollo 12 crew during training and preparation for launch: Pete Conrad and Alan Bean discussing flight procedures in the LM simulator; Richard Gordon on a countdown demonstration test; and two views of the crew on launch day suiting up and entering the spacecraft in the white room at launch complex 39A.October-November 1969Four vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3 cm (10 x 8 in), one with NASA Headquarters caption and three with NASA Kennedy Space Center captions on the versos 

Lot 239

A pair of photographs:1) Pete ConradAlan Bean steps from the ladder onto the lunar surface14 November 1969Vintage chromogenic print on fibre-based GAF paper, 25.4 x 20.3 cm (10 x 8 in), BLACK NUMBERED NASA G-70-3844 2) Alan BeanA view of Pete Conrad descending from the Lunar ModuleVintage gelatin silver on fibre-based paper, 20.3 x 25.4 cm (8 x 10 in), NASA number AS12-46-6717 printed in bottom marginFootnotes:Alan Bean took the picture of Conrad descending the ladder from the LM's cockpit. Once on the lunar surface, Conrad also immortalized Bean's arrival on the Moon.'Man, that may have been a small one for Neil, but that's a long one for me.' Pete Conrad (first words on the Moon) 

Lot 24

NASAAn image of the Hamilton Standard manufactured Apollo lunar spacesuit prototype designed for extravehicular activities on the Moon or in space. The suit has rubber bellows at the joints to increase mobility and a support pack to provide oxygen and ventilation as well as to remove body contaminants from inside the suit.October 1963Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (8 x 10 in), BLACK NUMBERED NASA S-63-19120, with NASA caption on the versoCondition Report: A small bend in upper margin and a few minor surface abrasions, overall very goodCondition Report Disclaimer

Lot 241

Richard Gordon onboard CM 'Yankee Clipper'After undocking, the Lunar Module 'Intrepid' heads for the landing site, the Ocean of Storms19 November 1969Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), NASA photo no 69-HC-1352, with NASA HQ caption on the versoCondition Report: Very goodCondition Report Disclaimer

Lot 242

Peter ConradTwo lunar views at the Ocean of Storms, including a portrait of the photographer's shadow with the US flag; Surveyor Crater is illuminated by the rising sun19 November 1969Two vintage gelatin silver prints on fibre-based paper, each 20.3 x 25.4cm (8 x 10in), the first numbered in margin NASA number AS12-46-6752 (NASA/USGS), the second BLACK NUMBERED NASA AS12-46-6763 in top margin, with NASA MSC caption on the verso (NASA Manned Spacecraft Center)Footnotes:Two very rare frames from Conrad's 4 o'clock 360° panoramic sequence of the Ocean of Storms landing site.'Here, on the sunny Sea of Storms, the crew of Intrepid had cause for their ebullience. They had eight hours, twice as much as their predecessors, Armstrong and Aldrin, to explore, set up experiments and collect more and bigger rocks.' Life Magazine, 12 December 1969  

Lot 245

Pete ConradTwo consecutive photographs of Alan Bean unpacking scientific instruments. Bean is trying to remove a radioactive fuel element from its cask at the LM Intrepid (second photograph)19 November 1969Two vintage gelatin silver prints on fibre-based paper, each 20.3 x 25.4cm (8 x 10in), NASA numbers AS12-46-6786 and AS12-46-6787 printed in margins (NASA / USGSFootnotes:Working at the LM, Bean is using a lanyard (first photograph) and trying to remove a radioactive fuel element from its cask (second photograph). The Lunar Module - surely the clumsiest-looking flying machine ever built - consisted of a descent stage destined to remain on the Moon, and an ascent stage that later carried the crew and samples into lunar orbit. 

Lot 246

Charles Conrad or Alan BeanA set of three photographs, comprising:1) Alan Bean prepares to remove the scientific experiments (ALSEP) from the stowage area in the base of the LM Vintage gelatin silver print on fibre-based paper, 20.3 x 25.4 cm (8 x 10 in), NASA photo no AS12-47-6988, with NASA Kennedy Space Centre caption on the verso2) Al attaches the RTG package to the carrybar which will later serve as the Central Station antenna mast (NASA photo no AS12-46-6791)3) Northwest corner of the Central Station with the LM and the S-Band antenna in the background (NASA photo no AS12-47-6928)14-24 November 1969Two vintage chromogenic prints on fibre-based Kodak paper, 25.3 x 20.3 cm (10 x 8 cm), with A KODAK PAPER watermarks and NASA Kennedy Space Centrer caption on the versoPhotographs accompanied by:Apollo 12. A New Vista for Lunar Science. NASA EP-74, staple bound in soft covers, 20 pagesCondition Report: Each photograph bears a tear to the bottom edge (approx. 7 cm long)Condition Report Disclaimer

Lot 25

A set of three photographs of Alexei Leonov floating outside the spacecraft during the first ever spacewalk as broadcast by Soviet television18 March 1965Three wirephotos, vintage gelatin silver prints on fibre-based paper, approx. 18 x 13 cm (7 x 5 in), with Associated Press captions dated 18 March 1965 printed in margins

Lot 253

Pete Conrad Alan Bean with a sample container, the photographer reflected in his visor20 November 1969Vintage gelatin silver print on fibre-based paper, 20.3 x 25.4 cm (8 x 10 in), NASA photo no AS12-49-7278, with NASA KSC caption on the versoFootnotes:Alan Bean holds a container of lunar soil in his right hand. His Hasselblad camera is mounted on the control unit on his chest. Pete Conrad is fully reflected in sharp detail in Alan Bean's visor in this celebrated picture that has also been described as the first self-portrait on the Moon.'I've always thought the pictures we took of each other on the Moon were all we were going to have left after it was over to remember what we did.' Pete Conrad Condition Report: Area of restoration to the top right cornerCondition Report Disclaimer

Lot 254

Pete ConradAlan Bean with a hand tool kit; the photographer reflected in his visor20 November 1969Vintage gelatin silver print on resin coated paper, 20.3 x 25.4 cm (8 x 10 in), NASA photo no AS12-49-7281, with NASA KSC caption on the versoFootnotes:During a quick stop (and a rare tourist moment) near Halo crater, Conrad and Bean both took a portrait of each other. This is a superb portrait of Alan Bean with the reflection of the photographer Pete Conrad in his visor.'We didn't take too many tourist photographs; in fact nobody did. . . We didn't emphasize the human aspect enough, and I tell you it was a mistake.' Alan Bean  Please note: The caption on the verso is very lightly printed and practically illegible.Condition Report: Condition very good. The caption on the verso is extremely lightly printed and illegible Condition Report Disclaimer

Lot 255

Alan BeanFour images of Surveyor 3 taken by the Apollo 12 astronauts (all photographs taken with black and white magazine 48 during second EVA), comprising: 1) Charles Conrad inspects the Surveyor 3's TV camera prior to detaching it (BLACK NUMBERED AS12-48-7134)2) Unusual view showing two NASA spacecraft on the lunar surface. In the foreground is Surveyor III which landed on the 19 April 1967, in the background is the Apollo 12 Lunar Module (BLACK NUMBERED AS12-48-7099)3) View of Surveyor III in its crater, with Lunar Module to far left (BLACK NUMBERED AS12-48-7090)4) A close-up view of a footpad of the unmanned Surveyor 3 spacecraft (BLACK NUMBERED AS12-48- 7110)20 November 1969Four vintage gelatin silver prints on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), all BLACK NUMBERED and with NASA MSC captions on the versoFootnotes:[NASA caption] The Apollo 12 Lunar Module landed about 600 feet from Surveyor III in the Ocean of Storms. The television camera and several other pieces were taken from Surveyor III and brought back to Earth for scientific examination. 

Lot 256

Alan BeanPeter Conrad at the Surveyor III robotic probe20 November 1969 Vintage gelatin silver print on heavy stock fiber-based paper, 25.4 x 20.3 x 25.4 cm (10 x 8 in), BLACK NUMBERED NASA AS12-48-7134 Footnotes:'This image is symbolic of our mission. Our objective was to perform a pinpoint landing at the Surveyor 3 target site at the rim of the Surveyor Crater. This precision landing was of great significance to the future exploration program because landing points in rough terrain of great scientific interest could then be targeted.' Richard Gordon  

Lot 259

Alan Bean, Charles Conrad or Richard GordonThe sun fades in eclipse behind Earth's disc as Apollo 12 astronauts head home14-24 November 1969Vintage gelatin silver print on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), NASA photo no 69-HC-1350, with NASA HQ caption on the verso 

Lot 26

NASAA group of five photographs, comprising:1) Official portrait of four Gemini astronauts: (left to right) John Young, Gus Grissom, Walter Schirra and Thomas Stafford Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm, NASA photo no 64-GT-3-4, with NASA HQ caption on verso2) John Young poses for official portraitVintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm, NASA photo no 64-H-2671, with NASA HQ caption on verso3) Thomas Stafford in the Gemini pressure suit during pre-flight simulations19 March 1965Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm, NASA photo no 64-H-407, with printed caption and RCA stamp on verso4) Gus Grissom and John Young preparing for lift off, after insertion in the spacecraft23 March 1965Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm, NASA photo no 64-H-439, with printed NASA caption and RCA stamp on verso5) Walter Schirra (back up commander for Gemini 3 flight) goes through the pre-flight checkout in the Gemini pressure suit19 March 1965Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm, NASA photo no 64-H-409, with printed caption and RCA stamp on versoCondition Report: 1) Very good; light, shallow scratch to the surface, nearly invisible2) Very good3) Very good4) Very good5) Staple holes in each corner, some scratches to the surface, otherwise fine Condition Report Disclaimer

Lot 262

NASAA group of four views of the Apollo 13 crew Commander James Lovell, prime crew Lunar Module Pilot Fred Haise, prime crew Command Module Pilot Ken Mattingly and back-up Command Module Pilot Jack Swigert preparing for the mission. Included in the group is a portrait of the original prime crew of Apollo 13 (first photograph)September 1969-April 1970Four vintage gelatin silver prints on fibre-based paper, each 20.3 x 25.4 cm (8 x 10in), with NASA Kennedy Space Center captions on the versosFootnotes:A portrait of the original prime crew of Apollo 13 (first photograph) as well as three individual portraits of prime crewmembers James Lovell and Fred Haise and back-up crewmember Jack Swigert.The drama of Apollo 13 began even before the flight was under way. By early April 1970, mission commander James Lovell and his crew, command module pilot Ken Mattingly and lunar module pilot Fred Haise, had trained for almost a year to explore the Moon's Fra Mauro highlands. When the crew was exposed to German measles, NASA doctors feared that Mattingly, the only one of the crew not immune to the illness, might become sick during the mission. Despite Lovell's objections, Mattingly was replaced by his backup, Jack Swigert, just days before launch.      

Lot 267

James Lovell, Fred Haise or Jack SwigertFour views of the spacecraft after the explosion in the oxygen tank and subsequent jettison, comprising:1) View of the severely damaged Service Module as photographed from the Lunar Module/Command Module after jettison (AS13-59-8501)2) View of thedamaged Service Module with the Moon in the background, photographed from the Lunar Module. The Command Module is still docked with the Lunar Module and visible in the foreground (AS13-59-8513)3) Lunar Module "Aquarius" seen from the Command Module shortly after Lunar Module jettison (AS13-59-8569)4) Lunar Module "Aquarius" seen at a distance from the Command Module shortly after jettison (AS13-59-8572)17 April 1970Four vintage gelatin silver prints on fibre-based paper, 25.3 x 20.5 cm (10 x8 in), all BLACK NUMBERED in upper margin, two with NASA captions on the verso  

Lot 27

NASAA group or five photographs, comprising:1) Two portraits of Gus Grissom2) An image of Gus Grissom and John Young after simulation tests3) A view of Mission Control during a Gemini mission4) A wire press photograph showing Vice President Hubert Humphrey vising the technicians working on Gemini 3 spacecraftFive vintage gelatin silver prints on fibre-based paper, 20.3 x 25.4 cm (8 x 10 in), two with captions affixed to the verso

Lot 271

Fred HaiseThe Earth getting bigger in the window of the lifeboat LM 'Aquarius'11-17 AprilVintage gelatin silver print on fibre-based paper, 25.4 x 20.3 cm (10 x 8 in), BLACK NUMBERED NASA AS13-59-8496 in top margin (NASA Manned Spacecraft Center)Footnotes:'Our idea was, if all hope was lost, if we went by the Earth, say we missed the Earth, and we were on an orbit about the Sun, if we had exceeded the escape velocity. . . My idea was to hold off, you know, as long as we had options, as long as we could stand it, send back data. . . We probably would have been farther out than anybody.' James LovellCondition Report: Very good, a small and very faint handling dent in upper margin and rubbing to a small portion of the lower edge, neither detract from the good quality of the photograph. Condition Report Disclaimer

Lot 272

NASAA group of four photographs, comprising:1) Alan Shepard and Edgar Mitchell during lunar surface training with the MET (Modularized Equipment Transporter); close-up of Shepard in spacesuit; the crew at launch complex 39A prior to entering their spacecraft May 1970 - February 1971Three vintage gelatin silver prints on fibre-based paper, each 20.3 x 25.4 cm (8 x 10 in), two NASA numbered 71-H-175, and 70-H-822, one with NASA Kennedy Space Center and one with NASA Headquarters caption on the verso2) Wernher von Braun, the inventor of the Saturn V rocket, monitoring the pre-launch preparations on the day of the launch31 January 1971Vintage gelatin silver print on fibre-based paper, 20.3 x 25.4 cm (8 x 10 in), NASA photo no numbered 71-H-253, with NASA Kennedy Space Center caption on the versoFootnotes:The mission marked Shepard's return to spaceflight after a decade of being grounded due to an inner ear condition.  

Lot 28

NASAA group of five photographs, comprising:1) Gus Grissom and John Young after insertion into the 'Molly Brown' capsule 23 March 1965Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm (10 x 8), with NASA HQ caption on the verso2) Gemini Titan 3 vehicle at its Cape Kennedy launch complex 19 during pre-launch checkout testsMarch 1965Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm (10 x 8), NASA photo no 104-KSC- 65-3553, with NASA HQ caption and RCA/Technicolor stamp on the verso3) Gemini 3 lift off23 March 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (8 x 10 in), NASA photo no 104-KSC- 65P-39, with NASA HQ caption and on the verso4) Gemini Titan 3 lift-offVintage chromogenic print on fibre-based Kodak paper, 25.4 x 20.3 cm (10 x 8 in), with A KODAK PAPER watermarks on the verso, captioned 'NASA-S-65-4192 MARCH 23, 1965 GT-3 LAUNCH' next to image5) The lift off of Gemini Titan 2 Vintage chromogenic print on fibre-based Kodak paper, 20.3 x 25.4 cm (8 x 10 in), with A KODAK PAPER watermarks to the versoFootnotes:Gemini Titan 3 was the first American mission to carry two men in the capsule and the first manoeuvrable spacecraft equipped with Orbit Attitude and Manoeuvering SystemCondition Report: Some expected age toning but otherwise very goodCondition Report Disclaimer

Lot 283

Edgar MitchellThe Fra Mauro landing site seen from the flank of Cone Crater, station C1, EVA 231 January - 9 February 1971Vintage gelatin silver print on fibre-based paper, 25.4 x 20.3 cm (10 x 8 in), BLACK NUMBERED AS14-68-9448 in top margin (NASA Manned Spacecraft Center)Footnotes:The LM is visible in the plain on the right behind the rock, 1.25 km away. During the whole EVA the crew had trouble judging distance because there were no familiar objects to provide scale, no colour differences to break up the lunar scene, and no haze to help differentiate smaller, relatively nearby craters from larger ones in the distance. To their untrained earthly eyes, only the LM provided scale. 

Lot 285

Edgar MitchellA group of three views of station G and HThe first two photographs were taken at station G showing a core tube and the gnomon and the last one at station H showing a boulder field.31 January - 9 February 1971Set of one vintage gelatin silver print on fibre-based paper, 25.4 x 20.3cm (10 x 8 in), BLACK NUMBERED NASA AS14-68-9457, with "STA G CT/3T/2T/1" hand written in black ink in right margin, (NASA Manned Spacecraft Center); and two vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3cm (10 x 8 in), NASA photo numbers AS14-68-9459 and AS14-68-9468 printed in margin (NASA / USGS)Footnotes:The crew fell behind schedule during the traverse due to the difficulty in walking over the rugged terrain, yet the trip back to the LM was quick and uneventful. Shepard and Mitchell showed that, in the event of a Rover breakdown during future missions, a crew could walk back to the LM from a considerable distance. 

Lot 288

NASA1) Prime crew of the Apollo 15 lunar landing mission in Lunar RoverMarch 1971Vintage chromogenic print on fibre-based paper, 20.5 25.3 x cm (10 x 8 in), RED NUMBERED S-71-22407, with A KODAK PAPER watermarked on verso2) Prime crew of the Apollo 15 lunar landing mission, David Scott, James Irwin and Alfred Worden with the Lunar RoverMarch 1971Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), BLACK NUMBERED S-71-22401, with NASA MSC caption on verso3) and 4)Two images of the Apollo 15 astronauts departing from the Manned Spacecraft operations Building to the transfer van at the start of the 9-mile trip to the launch pad.2 August 1971Vintage gelatin silver prints on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), one with NASA MSC caption on verso, numbered 108-KSC-71PC-569 Condition Report: Very goodCondition Report Disclaimer

Lot 291

NASAThree images of the Apollo 15/Saturn V spacecraft on the launch pad 39A being prepared for the launch, including a photograph of a 'wet' portion of the countdown demonstration test showing liquid oxygen venting from the space vehicleJuly 1971Vintage gelatin silver prints on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), one with NASA MSC caption on verso, numbered 108-KSC-71PC-493Condition Report: Very goodCondition Report Disclaimer

Lot 293

NASATwo photographs:1) The launch of Apollo 1526 July 1971Vintage chromogenic print on resin-coated Kodak paper, 20.3 x 25.4 cm (8 x 10 in), NASA photo no 71-HC-990, with A KODAK PAPER watermarks and NASA Kennedy Space Center caption on the verso2) Reporters watching the launch of Apollo 1526 July 1971Vintage gelatin silver print on fibre-based paper, 25.4 x 20.3 x 25.4 cm (8 x 10in), NASA photo no 71-H-1197, with NASA Kennedy Space Center caption on the versoFootnotes:The huge 363-foot-tall Apollo 15 (Spacecraft 112/Lunar Module 10/Saturn 510) space vehicle with Alfred Worden, David Scott and James Irwin lifted off from Pad A, Launch Complex 39, at 9:34:00:79 p.m. (EDT) on July 26, 1971. Nearly 2000 accredited newsmen covered the lift-off at the spaceport.  

Lot 298

James IrwinTwo views of David Scott near the Lunar Rover at St George Crater, station 2, EVA 131 July 1971Two vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3 cm (10 x 8 in), one BLACK NUMBERED NASA AS15-85-11451 in margin; [the second one NASA photo no AS15-85-11437] (NASA Manned Spacecraft Center)Footnotes:Station 2 near St George Crater was one of the most spectacular stations traversed during the Apollo missions. The Rover is parked near a meter-sized boulder sitting on the hillside about fifty meters above the Hadley-Apennine valley floor and offering a perfect site for sampling (first photograph). The location, on the edge of Hadley Rille, provided an extraordinary panorama toward the lunar canyon (second photograph). Thanks to the Rover-mounted TV camera, Scott and Irwin could share the view with watchers back on Earth, exulting over scenery long characterized as barren and drab.  

Lot 3

Four early views, comprising:1) Image of the failed launch of Vanguard TV-3 (intended to send the first US satellite into Earth's orbit) 6 December 1957Vintage gelatin silver print on fibre-based paper, 19.3 x 25.5 cm (8 x 10 in), with NASA caption on the verso2) Close-up photograph of the successful launch of Jupiter-C rocket, sending Explorer I - the first US satellite - into the Earth's orbit1 February 1958Vintage gelatin silver print on fibre-based paper, 23 x 17.8 cm (9 x 7 in), with press stamps and a caption affixed to the verso3) Two early views of the V2 rocketTwo vintage gelatin silver print on fibre-based paper, one 18 x 23 cm (7 x 9 in), with press stamps and a caption affixed to the verso, and a second one 20.7 x 25.5 cm (8 x 10 in), with caption in the margins and press stamps on the verso 

Lot 302

James Irwin and David ScottThree views at the ALSEP site: David Scott digging a trench; panoramic sequences including a view of James Irwin leaning and picking up a drill, EVA 11 August 1971Three vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3 cm (10 x 8 in), BLACK NUMBERED in top margins: NASA AS15-92-12424 (with caption affixed to the verso), NASA S-71-44707 and NASA S-71-44695, the latter with NASA Manned Spacecraft Center captions on the versoFootnotes:Early on, astronauts were very cautious in their spacesuits, aware of the lethal dangers of their environment. By later missions the spacesuits had proven their durability, and astronauts thought nothing of leaping, stumbling, or falling.  

Lot 303

James IrwinTwo photographs illustrating the spectacular mountainous moonscape of Hadley-Apennine.1) Hadley Base at the foot of the Apennine mountain range 2) David Scott and the Lunar Rover in front of Mount Hadley Delta and Hadley Canyon at station 9A 2 August 1971 EVA 3Two vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3 cm (10 x 8 in), BLACK NUMBERED NASA G-72-248 and NASA G-72-930 [AS15-82-11057 and AS15-82-11121], with NASA captions on the verso (NASA Manned Spacecraft Center)Footnotes:Two photographs illustrating the spectacular mountainous moonscape of Hadley-Apennine.The Swann Range (an area of the Apennine mountains between Mount Hadley and Mount Hadley Delta) forms the background of the first photograph taken at the beginning of the third EVA toward the LM from the ALSEP site. In the centre of the image the American flag is illuminated by the sun. Wheel and foot tracks crisscross in the foreground.The second photograph was taken after the drive to station 9A, located at the edge of Hadley Rille, about 1.8 kilometres west of the LM. Scott is collecting a camera from the Rover to photograph the far side of the Rille which is about 1 km across. Behind the Rover to the right is Mount Hadley Delta with the huge St George Crater punched into its side.'They [the mountains] looked big, but not as big as they were. Interestingly enough. And they were enormous. They were huge. But I expected them, frankly, to look bigger in the scope of things. The problem is, you don't have anything to compare them with, 'cause how high is up, and how big is big?' David Scott 

Lot 305

James IrwinViews of the green boulder at station 6A and of David Scott adjusting the antenna of the Rover at station 7, EVA 21 August 1971Two vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3 cm (10 x 8 in), BLACK NUMBERED NASA AS15-90-12187 and AS15-90-12219 in top margins, the first print bears a NASA MSC caption on the verso (NASA Manned Spacecraft Center)Footnotes:Stations 6 and 7 were close to each other on the north-facing slope of Hadley Delta about 90 to 100 meters above the mare surface, 5 km from the Lunar ModuleStation 6A, an intermediate stop, was the highest location visited by the crew. The boulder that marked this stop (first photograph) had a greenish tinge, later found to come from magnesium oxide. Mount Hadley and the Swann range are in the background.At station 7 near Spur Crater, the crew made a longer stop (second photograph), adjusting the Rover antenna so that Mission Control could survey their activities. They collected a sample that later proved to be more than four billion years old, older than any rocks ever found on Earth. It was dubbed the "Genesis Rock." 

Lot 313

Alfred Worden, James Irwin, or David ScottThree wide-angle views of the lunar surface seen from the window of the orbiting spacecraft "Endeavour", comprising:1) AS15-90-12326 Sea of Tranquility2) AS15-90-12314 Craters Herodotus K and Herodotus V3)AS15-90-12287 Craters Herodotus, Wollaston C26 July - 7 August 1971Three vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3 cm (10 x 8 in), each BLACK NUMBERED in top margin, (NASA Manned Spacecraft Center)Footnotes:These very rare photographs from magazine 90/PP were taken with the 60mm lens during the last revolutions around the Moon (rev 64, 69, 70). 'Yet, in addition to making these assigned scientific observations, we left the Moon indelibly impressed with its stark, surrealistic features, its nearly overwhelming variety of landforms, and, above all, its awesome beauty. It is truly a fascinating place for exploration and study.' Apollo 15 crew observations   

Lot 318

Alfred Worden, James Irwin, or David ScottDiptych: the receding Moon after transearth injection; UV photograph of the increasing crescent Earth during the homeward journey26 July - 7 August 1971Two vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3 cm (10 x 8 in), BLACK NUMBERED NASA AS15-94-12858 and NASA AS15-99-13482 in top margin (NASA Manned Spacecraft Center)Footnotes:Two very rare photographs from magazines 94/S and 99/N.Soon after transearth injection, the crew captured a beautiful partial view of the Moon, never seen before the space age, notably showing the Sea of Serenity and Smith's Sea as well as part of the Moon's hidden face (first photograph).On the way home, Command Module pilot Alfred Worden picked up a Hasselblad camera on board (fitted with UV film and a special 105mm UV-transmitting lens) and captured an amazing crescent Earth increasing in size, illuminated by sunlight from the side and basked in the beam of a lens flare. 

Lot 329

Three views of lunar experiments, comprising:1) Charles DukeJohn Young collects lunar samples near North Ray crater23 April 1972 (3rd EVA)Vintage gelatin silver print on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), BLACK NUMBERED AS16-106-173402) Charles DukeJohn Young investigates a large boulder at Station No.13. This was a place of permanently shadowed soil samples which were collected by the astronauts23 April 1972 (3rd EVA)Vintage gelatin silver print on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), BLACK NUMBERED AS16-106-174133) John Young Charles Duke examines closely examines the surface of a boulder at North Ray crater23 April 1972 (3rd EVA)Vintage gelatin silver print on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), NASA photo no AS16-116-18649, with NASA MSC caption on versoCondition Report: Some signs of silvering on two of the photographs, otherwise very goodCondition Report Disclaimer

Lot 331

John Young and Charles DukeTwo images of Stone Mountain's station 4: Charles Duke near the Rover admiring the spectacular view; John Young working at the Rover in the barren moonscape16-27 April 1972One vintage chromogenic prints on fibre-based Kodak paper, 25.4 x 20.3 cm (10 x 8 in), RED NUMBERED NASA AS16-107-17446, with A KODAK PAPER watermarks on the verso (NASA Manned Spacecraft Center), and one vintage gelatin silver print on fibre-based paper, 25.4 x 20.3 cm (10 x 8 in), BLACK NUMBERED NASA AS16-110-17960, with NASA Manned Spacecraft Center caption on the versoFootnotes:Station 4 was 4 km south of the LM, near a cluster of five craters, the Cinco Crater, and marked the highest point reached on the steep slopes of Stone Mountain from where the crew had a spectacular view. 'The first place we parked, I tried to get out of the rover, and I was going to roll down the hill, it was really steep. The rover could actually climb a steeper slope than we could walk on. We were five to seven hundred feet above the valley floor. This was one of the most incredible stops we made.' Charles Duke Condition Report: Three punch holes to the edge of the photo AS16-107-17446 Some creasing to the right edge and bottom right corner of the photo AS16-110-17960Condition Report Disclaimer

Lot 354

Gene CernanA group of four views of the Lunar Rover during the last moon landing mission, comprising: 1) Lunar Rover at its final station at the "VIP site" prior to the last departure from the Moon. The rover was positioned in a way that the TV camera could record and transmit the Lunar Module's lift off. Lunar Module "Challenger" is seen in the background (BLACK NUMBERED NASA AS17-143-21932)2) Lunar Rover traverses from Station 9 to the Lunar Module to end the 3rd EVA. The Seismic charge locator is visible in the foreground (BLACK NUMBERED NASA AS17-143-21924)4) Lunar Rover traverses from Station 9 to the Lunar Module to end the 3rd EVA. Tracks, ALSEP and the Lunar Module can be seen in this photo, as well as the dark rock which was collected from the Moon (BLACK NUMBERED AS17-143-21925)4) Lunar "moonscape" (BLACK NUMBERED AS17-143-21942)14 December 1972 3rd EVAFour vintage gelatin silver prints on fibre-based paper, 25.5 x 20.3 cm (10 x 8 in), all BLACK NUMBERED in upper marginsCondition Report: Very goodCondition Report Disclaimer

Lot 357

Colour television camera mounted onto the Lunar Rover, controlled remotely by Mission Control at HoustonLunar Module 'Challenger' lifts off from the surface of the Moon at 185h 21m and 37s into the mission. A spray of debris is clearly visible in the photograph.14 December 1972 22:54:37 GMTVintage gelatin silver print on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), image 24.2 x 18.8 cm (approx. 9½ x 7½ in), BLACK NUMBERED NASA S-72-55422, with NASA MSC caption on verso 

Lot 359

Gene Cernan, Harrison Schmitt or Ron EvansA group of four views taken in lunar orbit, comprising: 1) Rille, Sulpicius Gallus (NASA AS17-154-23661)2) Oblique view of Zwicky N crater (NASA AS17-154-23687)3) Oblique view of Keeler crater on the far side of the Moon (NASA AS17-154-23688) 4) Oblique view of part of Heaviside crater (NASA AS17-154-23689)16 December 1972Vintage gelatin silver prints on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), BLACK NUMBERED in top margin with their respective NASA reference numbers Condition Report: Light signs of silvering, otherwise very goodCondition Report Disclaimer

Lot 366

NASAFour photographs depicting the return of the last astronauts to go to the Moon:1) Splashdown of the capsule as photographed from the recovery helicopter (72-H-1554)2) Recovery from the capsule (72-H-1566)3) Eugene Cernan addressing the recovery ship's personnel (72-H-1561)4) Congressmen and Senators onboard the recovery vessel (72-H-1562)19 December 1972Four vintage gelatin silver prints on fibre-based paper, each 25.4 x 20.3 cm (10 x 8 in), with numbered NASA Headquarters captions on the versosFootnotes:"I believe history will record that America's challenge of today has forged man's destiny of tomorrow. And as we leave the Moon at Taurus-Littrow, we leave as we came and, God willing, we shall return with peace and hope for mankind." Eugene Cernan (Apollo 17 air-to-ground transmission at the end of the last lunar surface EVA). 

Lot 369

Automatic cameras onboard Viking 1 and 2 robotic probesViews of the Martian surface, including the first view of Mars taken by a lander probe (NASA photo 76-H-688) on 3 September 1976Nineteen gelatin silver prints on fibre-based paper, 25.3 x 20.4 cm (10 x 8 in), all with NASA Headquarters logo printed in upper margin and with detailed NASA captions on the verso 

Lot 37

James McDivittEd White performs the first American EVA above the cloudy skies of the Pacific Ocean3 June 1965 Vintage gelatin silver print on fibre-based paper, 20.5 x 25.3 cm (8 x 10 in), photo no 65-H-1019, NASA HQ caption on versoFootnotes:'I feel like a million dollars!' Ed White during his spacewalkCondition Report: Good, with light handling dentsCondition Report Disclaimer

Lot 371

Automatic cameras on Viking Orbiters Eighteen surface views of planet Mars captured by Viking orbiters and used at the Jet Propulsion Laboratory for internal analysis1976Eighteen gelatin silver prints on resin-coated paper, 12.5 x 12.5 cm (5 x 5 in), fourteen with THIS PAPER MANUFACTURED BY KODAK watermarks on the verso

Lot 372

NASAThree images of Martian surface and Martian moon Deimos as photographed by Viking Orbiter 1 and Mariner 6.1) Wide angle view of Deucalionis Regio, Mariner 6 (NASA photo no 69-H-1293)2) Deimos, Martian tiny moon, Viking 1 (NASA photo no 76-H-717)3) Chryse region, including Viking 1 landing point, Viking 1 (orbiter) (NASA photo no 76-H476Accompanied by an artist rendition of the Viking probe (lander and orbiter) (NASA photo no 69-H-489_Four vintage gelatin silver prints on fibre-based paper, 25.3 x 20.4 cm (10 x 8 in), with NASA Headquarters captions on the verso 

Lot 39

Edward WhiteGemini Titan 4 spacecraft as photographed by Ed White during his EVA. This was the first time a spacecraft in orbit was photographed from outside the spacecraft3 June 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (8 x 10 in), BLACK NUMBERED NASA S-65-30547, with NASA caption on the verso (NASA/Manned Spacecraft Center)Footnotes:[NASA caption] White used a 35mm Zeiss Contarex camera which was attached to the top of the front end of Hand-Held Manoeuvring Unit with which he moved about.  

Lot 43

NASA1) Thomas Stafford and Walter Schirra arrive at Pad 19 during the countdown. Following a technical fault the launch was aborted and postponed until 15 December.12 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm, NASA photo no 65-H-1987, with NASA HQ caption on the verso2) Thomas Stafford and Walter Schirra stand ready in the White Room above Pad 19 to be inserted into their spacecraft 15 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm, NASA photo no 65-H-2217, with NASA HQ caption on verso3) McDonnell Aircraft technicians secure the hatches on the Gemini 6 spacecraft before the final countdown. The attempt to launch is then aborted due to a technical failure and the launch was postponed until 15 December12 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm, NASA photo no 65-H-1985, with NASA HQ caption and RCA on versoCondition Report: Two very minor corner creases otherwise very good with no signs of handlingCondition Report Disclaimer

Lot 44

A group of three photographs showing pre-launch preparations, comprising:1) Walter Schirra shakes hands with an onlooker while departing to the launch pad2) Walter Schirra and Thomas Stafford wait in the White Room to be inserted into their Gemini 6A spacecraft during countdown3) Portrait of Walter Schirra during pre-launch activities15 December 1965Three vintage gelatin silver prints on fibre-based paper, 20.5 x 25.5 cm (8 x 10 in), the latter is NASA photo no 65-H-2217, with NASA caption and RCA stamp on the verso 

Lot 49

James LovellFull Moon seen rising above the Earth's horizon15 December 1965Vintage gelatin silver print, 25.7 x 20.5 cm (10 x 8 in), BLACK NUMBERED NASA S-65-63714, with NASA MSC caption on versoCondition Report: Three minor handling cracks to the dark areas in the corners; three small areas of silvering in the corners; otherwise goodCondition Report Disclaimer

Lot 5

NASA A group of three photographs, comprising:1) A portrait of Wernher von Braun at the Marshall Space Flight CenterJune 1961Vintage gelatin silver print on fibre-based paper, 20.3 x 25.4 cm (8 x 10 in), stamped and dated 'June 1961' and with press captions and several date stamps on the verso2) The launch of the Juno II rocket3) A portrait of the first director of NASA's Launch Operations Center, Kurt Debus 1958-1961Two vintage chromogenic prints on Ansco paper, 20.3 x 25.4 cm (8 x 10 in), with 'Ansco safety film' imprinted in the black marginCondition Report: 1) Some handling cracks, one mark to the gloss; glue residue on the verso2) Very good3) Very good; few light fingerprintsCondition Report Disclaimer

Lot 50

NASA1) Frank Borman and James Lovell prepare for training in a simulatorNovember - December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), NASA photo no 65-H-1804, with NASA caption on the verso2) Simulator trainingNovember - December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), NASA photo no 65-H-1805, with NASA caption and RCA stamp on the verso3) Frank Borman and James Lovell walk to the elevator at Complex 19 1h and 40 mins prior to launch4 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), NASA photo no 65-H-1882, with NASA caption on the verso4) Technicians at McDonnell seal the spacecraft hatches 75 minutes prior to launch4 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), NASA photo no 65-H-1887, with NASA caption and RCA stamp on the verso5) Frank Borman is hoisted from the water after splashdown18 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), NASA photo no 65-H-2305, with a NASA caption and RCA stamp on the verso6) Frank Borman and James Lovell onboard USS Wasp18 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), NASA photo no 65-H-2313, with a NASA caption and RCA stamp on verso 

Lot 51

NASAA group of three images of James Lovell and Frank Borman during recovery, comprising:1) After splashdown Frank Borman is being hoisted from the water by a helicopter 18 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x. 20.5 cm (10 x 8 in), NASA photo no 65-H-2305, with a NASA caption and RCA stamp on the verso2) A portrait of euphoric expressions on James Lovell's and Frank Borman's faces after successful finale of Gemini 7 spaceflight (on deck of the recovery spacecraft carrier)18 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x. 20.5 cm (10 x 8 in), NASA photo no 65-H-2323, with NASA MSC caption on the verso3) Frank Borman and James Lovell get a red-carpet welcome as they arrive aboard the USS Wasp18 December 1965Vintage gelatin silver print on fibre-based paper, 20.5 x. 20.5 cm (10 x 8 in), NASA photo no 65-H-2318, with a NASA caption and RCA stamp on the verso 

Lot 52

A photograph of a solar corona taken by Pioneer A spacecraft during NASA's Airborne Solar Eclipse ExpeditionDecember 1965Vintage gelatin silver print on fibre-based paper, 25.5. x 20.5 cm (10 x 8 in), NASA photo no 65-H-1965, with RCA Quality Control stamp and NASA Kennedy Space Center caption on the versoCondition Report: Very good; one minor handling creaseCondition Report Disclaimer

Lot 55

NASAA group of five photographs illustrating the final moments prior to the launch of Gemini 9A, comprising:1) Thomas Stafford and Gene Cernan leaving suiting trailer at Complex 163 June 1966Vintage chromogenic print on fibre-based Kodak paper, 20.5 x 25.5 cm (8 x 10 in), RED NUMBERED NASA S-66-34075, with A KODAK PAPER watermark and NASA caption on the verso2) Having inserted the astronauts into the spacecraft, technicians prepare to close the hatchesJune 1966Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), NASA photo no 66-H-711, with NASA caption on the verso3) Technicians close the hatches of the Gemini 9A spacecraft. A placard above the spacecraft addressed to Stafford and Cernan by their back up crew, Jim Lovell and Buzz Aldrin reads:"We were kidding beforeBut not any moreGet your, uh, selves into spaceOr we'll take your placeJim and Buzz"June 1966Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), NASA photo no 66-H-685, with NASA caption on verso4) Final instrument checks by Gene Cernan and Thomas Stafford3 June 1966Vintage gelatin silver print on fibre-based paper, , 25.5 x 20.5 cm (10 x 8 in), NASA photo no 66-H-715, with NASA caption on verso5) Taken by a "fish-eye" camera lens in the White Room during final preparations of the spacecraft3 June 1966Vintage gelatin silver print on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), NASA photo no 66-H-688, with NASA caption on versoCondition Report: Overall very good. Photo 1) NASA S-66-34075: some indentations to lower left portion of the image and light surface marks.Condition Report Disclaimer

Lot 56

A group of five photographs, comprising:1) Eugene CernanThomas Stafford inside the cockpit during Gemini 9A mission3-6 June 1966 Vintage gelatin silver print, 25.5 x 20.5 cm (10 x 8 in), BLACK NUMBERED NASA S-66-38021, with NASA MSC caption on verso2) Thomas StaffordInitial egress from the spacecraft at the start of Gene Cernan's EVA 5 June 1966 Vintage gelatin silver print, 25.5 x 20.5 cm (10 x 8) in, with NASA MSC caption on verso3) Taken by a "fish-eye" camera lens in the White RoomFinal preparations of the Gemini spacecraft1 June 1966Vintage gelatin silver print, 25.5 x 20.5 cm (10 x 8) in, NASA photo no 66-H-688, with NASA caption and RCA stamp on verso4) NASA Atlas launch vehicle stands ready for launch1 June 1966Vintage gelatin silver print, 20.5 x 25.5 cm (8 x 10 in), NASA photo no 66-H-694, with NASA caption and RCA stamp on verso5) NASAThe lift-off of the Gemini Titan II rocket3 June 1966Vintage gelatin silver print, 20.5 x 25.5 cm (8 x 10 in), image 24x 19.5 cm (9½ x 7½ in), photo no 66-H-716, with NASA caption and RCA stamp on verso    

Lot 6

A set of seven early portraits of cosmonauts in their flight gear, including: 1) Yuri Gagarin; the first human in space and in Earth orbit 2) Valentina Tereshkova; the first woman in space3) Pavel Popovich4) Andriyan Nikolayev; the third cosmonaut to fly into space5) Herman Titov; the second human to orbit the Earth6) Valerii Bykovsky7) Alexei Leonov, the first human to perform a spacewalkSeven vintage gelatin silver prints on fibre-based paper, with captions affixed and APN (Novosti Press Agency) stamps on the verso, all dated 1961/1962Please note that photographs were printed circa 1965/1966 Condition Report: Additional images of all photographs available on request1) 18.3 x 24 cm; fair condition with general handling wear; two paper clip impressions in upper left, some rubbing to the corners; caption attached by glue to the verso and the points of attachment show on the front; Novosti Press Agency stamp dated 1966 on the verso; caption reads ''Gagarin before his space trip. April 12, 1961. Foto APN 98133''2) 18.5 x 18.5 cm; fair condition with two dents, a small area of six small scratches and a paper clip impression; annotated in biro on the verso ''Russian space girl Valentina Tereshkova'', two stamps of Novosti Press Agency3) 15 x 22.8 cm; fair condition with small area of surface abrasion in upper left corner; two captions (in Russian and English) on the verso attached with glue - two areas of attachment show on the front; small annotation in pencil (''13p''); signs on toning along lower edge; two Novosti Press Agency stamps, one dated 19664) 14.2 x 23 cm; overall good; two captions (in Russian and English) on the verso attached with glue - two areas of attachment show on the front; signs on toning along lower edge; two Novosti Press Agency stamps, one dated 19665) 16.5 x 22.5 cm; overall good; three small surface marks, faint paper clip impression and a couple of handling dents on the front; two captions (in Russian and English) on the verso attached with glue - two areas of attachment show on the front; annotation in pencil (''13p''); two Novosti Press Agency stamps, one dated 19666) 17.2 x 21.5 cm; fair condition; a crease to tope left corner, two paper clip impressions and a small area of tape residue to the front; annotated in biro ''Valerii Bykovsky'', paper clip impressions and three Novosti Press Agency stamps (one dated 1965) on the verso 7) 24 x 18 cm; overall good; a crease to upper right corner and a spot of glue residue on the front; a caption in English attached by glue and Novosti Press Agency stamp (dated 1966) to the versoCondition Report Disclaimer

Lot 70

James Lovell1) Stand up EVA; Buzz Aldrin prepares to attach the Mauer camera to the spacecraft2) Buzz Aldrin carries micrometeoroid package to the spacecraft12 November 1966Two vintage gelatin silver prints on fibre-based paper, 25.5 x 20.5 cm (10 x 8 in), NASA photo numbers 66-H-752 and 66-H-753, with NASA captions on the verso 

Lot 8

Two photographs of the seven Project Mercury astronauts, comprising:1) Ralph MorseThe 'Mercury Seven' astronauts at Langley Air Force BaseJuly 1961Vintage gelatin silver print on fibre-based paper, 17.5 x 23 cm (approx. 7 x 9 in) with margins, NASA photo no 61-MR4-1, for release 16 July 1961, with NASA HQ caption and "Svenska Dagbladets" archival stamp on the verso2) NASASeven Project Mercury astronauts and Dr William K Douglas joining for breakfast on the morning of Alan Shepard's sub-orbital flight5 May 1961Vintage gelatin silver print on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), image 24 x 16.5 cm (approx. 6½ x 9½ in), NASA photo no 61-MR3-90, with NASA HQ caption on the versoFootnotes:Dr William K Douglas, seen in the second photograph, was the personal physician to the 'Mercury Seven' astronauts.  Condition Report: 1) Archival pencil marks on verso; a newspaper clipping attached to versoCondition Report Disclaimer

Lot 80

NASANine prints featuring artist renditions of the Apollo Saturn V spacecraft, including illustrations of lift-off, transposition and undocking, traverse and lunar landing.Nine gelatin silver prints on fibre-based paper, 25.3 x 20.4 cm (10 x 8 in), mounted on black board (NASA/North American Rockwell)Condition Report: All photographs have been mounted on a black board. Three prints have lost the mount. Glue and tape residue on verso and in some cases glue stains can be seen on the front. Additional images available on requestViewing recommended; remote viewing available on requestCondition Report Disclaimer

Lot 82

NASAAn image of 1960s Apollo-era pressure suit prototype with portable life support system designed for extravehicular activities.Vintage gelatin silver print on fibre-based paper, 20.5 x 25.5 cm (8 x 10 in)Accompanied by 1) two stills from Destination Moon, 1950 Technicolor science fiction film produced by George Pa, directed by Irving Pichel.Two vintage gelatin silver prints, 20.5 x 25.5 cm (8 x 10 in), with captions by United Artists Film Corporation2) Apollo Moon Suit pamphlet by Geminiscan, 1969

Lot 85

Camera onboard the Mariner 4 robotic probe Eleven early images of Mars, taken by the first probe to photograph the planet from deep space and return the data to Earth. 14 July 1965Vintage gelatin silver prints on fibre-based paper, 20.5 x 25.5 cm (8 x 10 in), all with NASA caption on versoFootnotes:Mariner 4, a robotic probe, intended for planetary exploration, performed the first successful flyby in the vicinity of Mars. Among other scientific experiments it photographed the surface and returned the first ever images of another planet taken from deep space. The scientific significance of these images cannot be overestimated. Some of the images show the surface of Mars with great clarity, its geological features can be clearly distinguished.

Lot 87

Camera onboard the Surveyor I robotic spacecraft1) Boulder-strewn surface of the Moon's Ocean of Storms shows the outside of a crater rim along right centre of the horizon. (NASA photo no 66-H-776)Image transmitted to Earth on the morning of June 5 1966 as Surveyor I began its fourth day of operation on the lunar surface.2) Horizon of the Moon. Horizon is tilted because the camera is tilted. Camera is pointed almost directly at the sun, which is out of view. Bright circles in sky are reflections of the sun caused by the camera mirror. (NASA photo no 66-H-591)June 2, 1966Two vintage gelatin silver prints on fibre-based paper, 20.6 x 25.4cm (8 x 10 in), both with NASA HQ captions mimeographed on the verso  Condition Report: 1) A couple of minor handling cracks, otherwise good2) Very goodCondition Report Disclaimer

Lot 9

Onboard camera, Mercury-Redstone 2 spacecraftHam during his sub-orbital flight 19 January 1961Vintage gelatin silver print on fibre-based paper, 15 x 15 cm (5¾ x 5¾ in), with "Svenska Dagbladets" archival stamps , pencil marks and newspaper clipping on the verso Footnotes:Ham was trained at Holloman AeroMedical Research Laboratories and before the mission was known as "Number 65". The name, an acronym of the research facility, was given to him after the completion of the mission. Ham responded very well to training and became the first primate to survive a 16-minute and 39-second sub-orbital flight. During the flight Ham performed all his tasks up to his training expectations.Condition Report: Front: light handling cracks but overall very good; verso: some age toning and archival notesCondition Report Disclaimer

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