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Part of the Silver Express Train set, this piece is beautiful realistic representation of the train. Swarovski backstamp. 7471 000 001. This item has its original box: 5"H x 3" dia. Artist: Gabriele StameyIssued: 1988 - 2003Dimensions: 2.5"L x 1.25"W x 1.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Part of the Silver Express Train set this reproduction of train car for passengers was created with windows on each side and connection on front of back of car. Swarovski backstamp. 7471 000 003. This item has its original box: 2.5"H x 3.25" dia. Artist: Gabriel StameyIssued: 1988 - 2003Dimensions: 1.75"L x 1.25"W x 1.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Part of the Silver Express Train this faceted car has barrel tank on top of flat bed with rhodium connections on front and back. Swarovski backstamp. 7471 000 006. This item has its original box: 4"H x 3" dia. Issued: 1998 - 2003Dimensions: 1.75"L x 1.25"W x 1.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Part of the Silver Crystal Express train, this faceted figural has moving center with rhodium hook in back and front to connect to other cars. Swarovski backstamp. 7471 000 006. This item has its original box: 3.5"H x 3.25" dia. Artist: Gabriele StameyIssued: 1998 - 2003Dimensions: 1.75"L x 1.25"W x 1.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Part of the Silver Express train set with clear crystal representation has three barrels set on flat bed with hooks in front and back for easy connection to other train cars. Swarovski backstamp. 7471 000 004. This item has its original box: 4"H x 3" dia. Artist: Gabriele StameyIssued: 1990 - 2002Dimensions: 1.75"L x 1.25"W x 1.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Part of the Silver Crystal Express train set this small, boxed car has front and back hooks for connection to the other cars. Swarovski backstamp. 7471 000 002. This item has its original box: 3"H x 2.5" dia. Artist: Gabriele StameyIssued: 1988 - 2003Dimensions: 1.25"L x 1"W x 1.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Multifaceted clear crystal is Vitrail Medium (VM) in color and has a black flocked base. VM is a vibrant pink and blue and were only available outside of the European market. Swarovski Silver etched backstamp and sticker on the bottom. Issued: 20th centuryDimensions: 2.5"H x 2.25"diaManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Includes two plates commemorating the 40th anniversary of the succession to the throne of Queen Elizabeth II and the Silver Jubilee. One plate commemorates American Independence Bicentennial. Wedgwood Made in England impressed backstamp. Largest plate measures: 9.5" dia. Smallest plate measures: 6.5" dia. Manufacturer: WedgwoodCountry of Origin: EnglandCondition: Age related wear.
Charming, tall porcelain vase from Belleek Collectors International Society. 25th anniversary, beautifully sculpted with raised yellow flower decorations on a patterned ground with silver scalloped rim. Belleek backstamp. Issued: c. 2004Dimensions: 8"W x 12.25"HManufacturer: BelleekCountry of Origin: IrelandCondition: Age related wear.
Small and round pearled enameled crystal pearl box with silver-tone metal decoration, encrusted with small crystals. Jay Strongwater impressed backstamp. This item has its original box. Box measures: 2.75"L x 2.75"W x 2.25"H. Dimensions: 1.25"W x 1"HManufacturer: Jay StrongwaterCountry of Origin: United StatesCondition: Age related wear.
One of a kind, multi-jeweled and antique silver miniature box, hand-set with lovely Swarovski crystals and hand-enamel. Jay Strongwater impressed backstamp. This item has its original box. Box measures: 2.75"L x 2.75"W x 2.25"H. Dimensions: 1.5"L x 1.5"W x 1.75"HManufacturer: Jay StrongwaterCountry of Origin: United StatesCondition: Age related wear.
Ca. 19th century AD.Hilt and scabbard fittings are richly decorated with silver bands, rosettes, and chiseling, the scabbard is covered with leather. The blade is double-edged with a small fuller on each side. The jambiya comes with a multi-color leather belt. Condition: Very good. Size: 20 in., (51 cm); Weight: 1040g Provenance: Property of a Central London Gallery, acquired on the US art market.
Ca. AD 1500.A beautiful bronze ewer of typical piriform shape with a curved handle, and a long spout. The vessel rises from a flared circular base, with a tall tapering collared neck finished with a domed lid with a pointing finial. The exterior is covered with intricate ornamentation in silver and gold gilding. Size: 407mm x 165mm ; Weight: 3.51kg Provenance: Private UK collection, formed since the 1990s on the UK and International Art market.
Ca. 11th-12th Century AD.An annular type hollow-formed silver bracelet with a round shank and median bulb with rosette flanked by decorative registers of repoussé ornaments to the outer surface. Size: 20mm x 90mm ; Weight: 95g Provenance: Private London family collection; formed between 1970-2008.
Persia, Ca. AD 1200.A rectangular-shaped brass table-top tray with a wide lip and an octagonal central recess featuring three roundels with six-petaled flowers and intricated arabesque designs. The flat lip displays lines of Kufic inscriptions that bestow good wishes interspersed with decorative roundels. For a similar example, but with silver inlaid, see Bonhams, Islamic and Indian Art, London, 6 October 2008, Lot 170. Size: 195mm x 305mm ; Weight:725g Provenance: Private London family collection; formed between 1970-2008.
Ca. AD 1100-1200.A beautiful bronze mortar and pestle set. The mortar is a hollow-cast bronze with flange rims on top and bottom, which would have allowed it to sit securely on a flat surface. The outer surface, as well as the rim, are decorated with three horizontally oriented registers containing silver inlaid Arabic script. The pestle, used to grind and crush materials inside the mortar is of slender form, and it features a flat base and a decorative knobbed handle, which would have provided a comfortable grip for the user. The use of mortars and pestles in the Seljuk world was essential for the preparation of a variety of substances, including spices, herbs, and medicinal powders. They were commonly used in kitchens, apothecaries, and medical facilities. Poss Size: 120-210mm x 50-170mm ; Weight: 910-3340g Provenance: Private London family collection.
Ca. AD 1000-1100.A silver penannular bracelet with a central ridge and roundels with birds and rosette designs on its sides. The Seljuk Dynasty, in the 11th century, influenced regions like Persia, Anatolia, and the Levant, blending Turkic, Persian, and Islamic traditions.Size: 70mm x 55mm; Weight: 225g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Fleming (Ian) For Your Eyes Only, ink ownership inscription on front free endpapers, very faint marking to contents page, boards with eye design in white to upper cover, spine lettered in silver, edges lightly rubbed, corners bumped, later issue dust-jacket, light fading on spine, very light creasing, 1960; Thunderball, boards with skeletal hand in blind to upper cover, spine lettered in gilt, jacket with small portion of damp-staining to upper panel, spine ends and upper edge a little creased, 1961; The Spy Who Loved Me, ownership name on pastedown, boards with dagger motif blocked to front board in silver and blind, spine lettered in silver, jacket edges and spine ends a little chipped and frayed, light shelf-lean, 1962, first editions, original boards, dust-jackets, 8vo (3)
Fleming (Ian) Dr. No, first edition, light staple staining to margins of pp.238-9, original second state boards with silhouette in brown, spine lettered in silver, fore-edge very lightly marked, dust-jacket, light nicks and chips along edges, insect-bitten along joints and lower panel leaving surface wear, 8vo, 1958.
O'Donnell (Peter) Modesty Blaise, 1965; I, Lucifer, jacket price-clipped, spine head creased, 1967; A Taste for Death, jacket spine faded, 1969; The Silver Mistress, jacket lower panel evenly toned, 1973, first editions, original boards, dust-jackets, light rubbing to extremities; and 6 other Modesty Blaise books, 8vo (10)
Large (E.C.) Sugar in the Air, bookplate on endpapers, Book Society wraparound, 1937 § Lamb (Harold) A Garden to the Eastward, New York, 1947 § Rosny (J.H.) The Giant Cat, light foxing to endpapers, jacket spine head chipped, light nicks to edges, New York, 1924 § Claverton (V.F.) The Man Inside, signed presentation inscription from the author, light toning on endpapers, New York, 1936 § Scott (J. M.) The Silver Land, wraparound, 1937, first editions, original cloth or boards, light creasing or chips to edges but overall very attractive jackets; and c.90 others, mostly 20th century adventure fiction, v.s. (c.95)
Fleming (Ian) Thunderball, ink gift inscription on pastedown, boards with skeletal hand in blind to upper cover, spine lettered in gilt, jacket price-clipped somewhat roughly, light creasing and nicks to edges, 1961; The Spy Who Loved Me, boards with dagger motif blocked to front board in silver and blind, spine lettered in silver, jacket with one or two scuff marks on joints, 1962; On Her Majesty's Secret Service, boards with ski trail design to upper cover, spine lettered in silver, 1963, first editions, original boards, dust-jackets, very light fading to spines, otherwise still excellent copies; and a first edition of Goldfinger in a later jacket, 8vo (4)
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2466194 item(s)/page