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A collection of Victorian and later silver and silver plated items, including a silver filled trumpet vase, three silver napkin rings and three silver teaspoons, a pair of silver tongs, a pair of cut glass and silver mounted scent bottles, a silver plated tea set and more
Brandy Warmer. A George III silver brandy warmer by FW? (possibly Fuller White?), London 1764, of circular baluster form with turned fruitwood handle, with an associated cover by Edward Farrel, London 1819 and a later silver stand with burner by George Fox, London 1876, height including stand 20cm, brandy warmer height 13cm (including cover), brandy warmer 528g, stand 272gQTY: (2)
Clothing. A 1930s wedding or court dress, full length fitted cream lamé gown with train, handmade, patterned with leaves and fully lined with cream sillk, with round neck, long sleeves (padded on shoulders and buttoned at cuffs), and metal eye and stitched hook closure to side, a few pulled threads, staining to underarms, lining of train marked, bust 90 cm (35.5 ins), waist 74 cm (29 ins), sleeves 63 cm (24.75 ins), length 139 cm (109.5 ins), length including train 213 cm (84 ins), together with 6 items of 1920s clothing, comprising: a rare girls' robe de style dress of gold lace over silk, with ribbon straps, metal stud closures at back, flower trim at neck and around waist and stiffened panniers, and a corsage of grapes at waist, somewhat damaged, with losses, bust 66 cm (26 ins), waist 62 cm (24.5 ins), length 61 cm (24 ins); a gold lamé dress with foliate pattern, with lined and boned fitted bodice, padded bust, metal zip closure at back, narrow self straps, and a flared skirt with gathers at rear, occasional light marks, bust 82 cm (32 ins), waist 66 cm (26 ins), length 97 cm (38 ins); a pink and silver lamé unstructured jacket, with 3/4 length sleeves, silk-lined patch pockets at front, and 3 short slits in hem at rear, bust 117 cm (46 ins), sleeves 39.5 cm (15.5 ins), length 61.5 cm (24.25 ins); a gold lace overdress, with pattern of stylised roses, round neck (self button at rear), petal sleeves of net (one with loss of gather stitching), and short train at rear, bust 84 cm (39 ins), waist 60 cm (23.5 ins), sleeves 19.5 cm (7.75 ins), length 107 cm (42 ins); a full-length bias-cut lamé flapper dress, sleeveless, with floral pattern in orange and yellow, and self pendant to neck, small hole to left shoulder, v-neck at rear slightly torn, short tear in hem, bust 90 cm (35.5 ins), waist 80 cm (31.5 ins), length 140 cm (55 ins); and a sleeveless cutwork black overdress with cream stitching, bust 83 cm (33.5 ins), waist 86 cm (34 ins), length 113 cm (89 ins), plus a 1940s full-length chiffon and embroidered net gown (some damage), and a 1950s full-length blue taffeta evening dress with ruched bodiceQTY: (9)
Clothing. A collection of 1920s and 1930s ladies' garments, including: a full-length gold lace overdress, with straps, decorative side flaps to waist, and net trim to hem and flaps, a number of small holes; a black velvet opera cape, with ruched detail, lined with pale green silk (perishing); a dark blue satin fringed cape; a gold lamé train edged with silver soutache braid, lined with pale blue georgette (partiallly faded); a black velvet jacket with asymmetrical front fastening, and high neck and long flared sleeves trimmed with tassel braid; a black velvet and chiffon full-length dress with decorative side flaps at waist and handkerchief hem; a side-saddle riding skirt and matching jacket, with label H. Goodbrook & Sons lettered in manuscript 'Miss Dodson'; and several black lace or embroidered shawls and stoles, together with a few later ladies' garments, various sizes and conditionQTY: (22)
Embroidery. A large portion of early silk and metalwork, British, second half 17th century, worked in polychrome silks and silver metal threads, on a ground of cream silk mounted on coarse linen, with all-over mirror-image pattern of exotic birds and butterflies, amongst entwining flower stems, including tulips, irises, carnations, Tudor roses, paeonies, and pomegranates, central large metalwork flower embellished with beads (some lost) and incorporating 2 trailing ribbons in metalwork, stitched in brown silk with the legend 'Simileest' on the left ribbon and 'Regnum Celorm [Caelorum]' in mirror-writing on the right ribbon, the whole on a ground of long and short stitch worked in cream silk, background stitching and silk fabric perishing in places with small losses, occasional loose threads and other minor losses but threadwork generally largely intact, all edges raw but only lower edge obviously truncated, approximately 48 cm (19 ins) x 260 cm (102.5 ins)QTY: (1)NOTE:A wonderfully exuberant and - even now - vividly coloured piece of early embroidery. Its Latin inscription, which translates 'resembling the kingdom of heaven', instructs the viewer clearly in the theme of the piece, should there be any doubt. It also goes further, in that one half of the panel is a mirror-image of the other and one half of the legend is in mirror-writing, so that there is a delightful play of words indicating that the needlework holds a mirror up to heaven but also to itself.
Indian. A Deccan painted fragment, possibly part of a throne cover, 19th century, painted in polychrome and silver with central panel of foliate stems on a red cotton ground, and pointed arch and border of scrolling floral motifs on a dark green cotton ground, pigments flaking with losses, some staining and small holes to fabric, stitch-mounted to a fabric-covered wooden frame, 67 x 49 cm (26.5 x 19.25 ins)QTY: (1)NOTE:Possibly part of a khandpaat or piece of cloth made to cover a throne in a Shrinathji shrine. The throne would have been set in front of the pecchavai (temple hanging), sometimes flanked by smaller thrones. The technique is similar to that used in a pecchavai held by Boston University (accession number 67.837), as well as a throne cover recently sold at auction (Bonhams, 'India in Art', 7th June 2022, lot 28).
Nelson, Coin Set from The London Mint Office. A boxed proof set comprising, 24ct gold British Virgin Islands 50 dollars 2005, 24ct gold Alderney 1 pound 2005, silver Crowns (Isle of Man (2) and Jersey (1)) and a copper fragment from the hull of HMS Victory all mint in plastic capsules, with a receipt of original purchase dated 2006QTY: (1)
Wine Labels. A matched set of George III silver wine labels, comprising Madeira and Sherry (Josiah Snatt, London 1805) and Madeira and Sherry (John Rich, London 1807), each of oval form with line decoration, all lacking chains, 47 x 25mm, combined weight approximately 20gQTY: (4)
Scent Bottle. A mid 20th century Chinese silver and glass scent bottle, the three-quarter length silver cover finely pierced with figures, pagodas and bamboo trees, the moulded glass bottle with a white metal screw cap engraved with fishermen, 20cm high QTY: (1)NOTE:Please note the silver is lacking hallmarks but tested.
Salver. A George III circular silver salver by Elizabeth Jones, London 1784, of plain form engraved with armorial bearings perhaps for the Little family impaling Hallowes family (dexter, sable a salter argent impaling azure on a fess argent between three crescents or three torteaux) and with family crest of a leopards head affrontée in his colours (natural), with scallop and beaded edge on three ball and claw feet, 23 cm diameter, 471gQTY: (1)
Russian Silver. An Imperial Russian silver bowl by Vicktor Vasilyevich Savinksy 1868, of octagonal pedestal form with swing handle and engraved with scrolls on a stippled ground, approximately 7.5cm diameter, 102g, together with a 19th-century Russian silver cream jug by AK, Moscow 1880, of baluster form engraved with a geometric design, scroll handle of spread foot, 8cm high, 83gQTY: (2)
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2466194 item(s)/page