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A late 19th century 3 1/2inch refracting telescope, the 119cm cylindrical tube with star finder and inscribed PRESENTED WITH A SILVER TEA & COFFEE SERVICE & SALVER TO Mr Abraham Stansfield TODMORDEN August 1874 the end piece about the view finder inscribed DANCER MANCHESTER, on a tripod base; in a fitted mahogany case with manufacturer's paper label (small dent to tube)
Edward Seago, R.W.S.,. 1910-1974. last light on the orwell, signed; titled on the reverse, oil on board, 56x91.5cm.; 22x36in. The estuary of the River Orwell was amongst Seago's favourite painting locations.. Born in Norwich and following on in the tradition of Norwich School artists such as Cotman and Crome, Seago is synonymous with the landscape around the city of his birth. He later recalled that, 'had I lived elsewhere I imagine my work would have been different and would, I suppose, have developed in quite another way' (Seago in J.Reid, Edward Seago, The Landscape Art, London 1991, p.95).. Although East Anglian in subject, the composition and colours of the present work also show the artist's regard for the Nocturnes by James Abbott McNeill Whistler (1834-1903). The horizontal emphasis of the present composition is contrasted to the upright masts of the boats and is highly reminiscent of Whistler's Nocturne in Blue and Silver (circa 1871-2, Harvard University Art Museums, no.1943.176).
William Acton (1906-1945) A Portrait of Anne, Countess Rosse, Bust Length, Wearing a Silver Dress] Inscribed verso "Countess of Rosse", and on an old label "Lady Rosse, Womersley Park, Doncaster", oil on canvas, in a painted oval partially painted with silk or satin drapes, 103cm by 78cm (40 1/2in by 30 3/4in) *The frame is painted and is comprised of blue glass and other material
A Group of Four Royal Worcester Blush Ivory Porcelain Vessels, circa 1890-1910], comprising a square section two-handled jarlet and cover, 11cm; [Two Similar Graduated Ovoid Jugs], each decorated with sprays of flowers and enriched with gilding, various puce and green printed crown and wheel marks, date codes, 12.2cm and 10.5cm high and a cylindrical spill vase with pierced rim, 8.8cm; and [Two Royal Worcester Coffee Cups, circa 1924], both enamelled in blue and with neo-classical gilded decoration, one with associated silver and enamel coffee spoon, date codes for 1924 and 1925 (6)
A Royal Worcester Porcelain Vase, James Stinton, 1923], frontally painted with three pheasants near silver birch woodland, signed, tree vignette to the reverse, enriched in gilt throughout, puce printed crown and wheel mark and date code, shape 2192, 26cm high (one handle restored)
A Royal Worcester Porcelain Fruit Painted Coffee Set for Six, 1925-26], the cups painted by H Powell (one) H Everett (two) and W Hale (three), and saucers, puce printed crown and wheel marks and date marks, each signed together with six silver gilt scroll end coffee spoons, (hallmarks for London 1926-27) in the original Vickery, Regent Street fitted case
A Royal Worcester Porcelain Fruit Painted Coffee Set for Six, 1923-24], comprising coffee pot and cover, signed "H Price", cream jug, signed "Ricketts", sugar bowl, signed "A Shuck", six coffee cups and saucers, signed "Rushton", "W Hale", "H Ayrton", "E Townsend", "H Everett" and "W Bee", puce printed crown and wheel mark and year marks, with six silver and fruit enamelled coffee spoons, London import marks 1924-25, in the original fitted red cloth covered case
A Set of Six Royal Crown Derby Porcelain Silver Mounted Coffee Cups and Saucers, circa 1907], each cylindrical vessel printed with Japanaiserie chrysanthemum designs in "Imari" colours, each in a open scroll pierced silver holder with C scroll handle (London 1907), and circular saucers, printed crown and interlaced D mark, year ciphers for 1906 and 1907, pattern No. 2649, in the original ivory silk lined case (water damaged)
An English Bat Printed and Silver Lustre Pearlware Palladian Part Tea Service, circa 1815], each piece printed in black with a Palladian country house within parkland, silver lustre lines and rims, comprising boat shaped teapot and cover, slop basin, milk jug, pair of saucer dishes, three tea cups and ten saucers
A Set of J Pouyat Limoges Porcelain Coffee Cups and Saucers, circa 1925], each cylindrical vessel printed with a repeat guilloché flowerhead band beneath undulating fruiting laurel rim band, each contained in saw-fretted silver gilt holders with putto and scroll handles, by Adie Brothers, Birmingham 1925, circular saucers, printed marks, in the original fitted case
A Japanese Silver Metal and Shibayama Inlaid Small Box, Meiji period (1868-1912)], as a conjoined square and fan, worked with a vase of peonies and wisteria, signed on a small mother-of-pearl kakihan, a pheasant perched in blossoming prunus tree, on an ivory and gold lacquered ground respectively, the sides of the vessel engraved with flowers by a stream, two character marks within a circle, 12.5cm wide
A Colonial Silver Mounted Gourd Mate Cup, 19th century], the ovoid engraved vessel within an armature engraved with panels depicting the Pascal Lamb, Pelican of Piety, pomegranates, roosters and dogs, with a lion mask pull-off cover with chain attached, on a dome foot, 17cm high
Augsburg: A Pair of 19th Century Silver-Gilt Tazzas], circular, on domed pedestal foot, foliated decoration, the stem with two crouching figures supporting the everted bowl with central moulded panel of putti playing in the sea, the outer border of pierced scrolling fruiting vine decoration with moulded mask detail, 11cm high, 16.5cm diameter, 2402.
A Chinese Silver Tea Service], comprising a two-handled tray, oblong, engraved and moulded Oriental bird and prunus tree decoration, bamboo moulded border and handles, 55cm long, and a four piece teaset, moulded oblong, comprising teapot, sugar bowl, cream jug and tea caddy, each decorated with prunus flowers and bamboo style handles, teapot 23.5cm long.
An Elizabeth II Punch Bowl], circular, on domed pedestal foot, plain body, shaped moulded sides with foliate detail, by Goldsmiths & Silversmiths Company, London 1977, 31cm diameter, 731/2oz; and [An Elizabeth II Silver and Wooden Ladle], circular bowl, scrolling detail below moulded stem with turned wooden handle, by Goldsmith's & Silversmith's Company, London 1977, 48cm long (2).
A Set of Six George VI Dessert Dishes and Spoons], circular, on pierced and fluted pedestal foot, the tapering bowl with pierced border, scroll handle, frosted glass liners, the spoons with oval bowls and pierced scrolling finials, by Mappin & Webb, Sheffield, 1949, 14.2cm wide, total weight of silver 31oz.
A George V Two-Bottle Inkstand], shaped oblong, on four paw supports, the centre with two circular cut-glass ink bottles with silver collars and lids, central candlestick with wavy gadrooned borders and snuffer, two pen recesses, maker's mark "CSH", London 1915, retailed by Asprey, 18cm long
Three Edwardian Glass and Silver Mounted Perfume Bottles and Stand], each cut glass triangular shaped bottle with silver collar and domed detachable lid, contained within circular holder, on spreading foot, pierced sides, maker's mark part rubbed, Birmingham 1905, 8cm diameter, 14cm high.
A Victorian Silver and Enamel Photograph Frame], oblong, the front with foliate detail and two flower spray motifs in shaped surround, the top modelled as a broken pediment inset with an oval red enamel disc with entwined silver letters, acorn and caryatid finial, beaded borders, by Elkington & Co, Birmingham 1893 (glass and upright post lacking)
A Victorian Glass and Silver Mounted Claret Jug], circular, on spreading foot, the tapering glass body etched with fruiting vines, silver mounted collar with similar engraving, putti and mask spout, slightly domed hinged lid with acorn finial, angular handle with husk and bead detail, by Martin & Hall, Sheffield 1868, 27cm high
A Victorian Two-Bottle Presentation Inkstand], oval, on four scroll supports, elaborate scroll border, raised central section containing two faceted and tapering ink bottles with silver covers and a pierced scrolling taperstick holder, engraved with a crest and presentation inscription, by Joseph Angell, London 1851, 36cm long, 34oz.
A William IV Two-Bottle Ink Stand], oblong shaped outline, on four scroll supports, the slightly stepped centre with recesses for two circular cut glass ink bottles with detachable silver covers, and a taperstick holder with scroll border and foliate handle, engraved with presentation inscription, maker's mark "CL", London 1837, 25.5cm long, 17.5cm wide.
Four George IV Knife Rests], turned rests with pierced circular terminals, maker's mark "SR", London 1822, 5.5cm long; [A Pair of George III Knife Rests], turned rests with similar terminals, by Holland, Aldwinckle & Slater, London 1808, 5.5cm long; and [A Pair of Victorian Knife Rests], the rests engraved with scrolling decoration, engraved initials to the terminals, 7.5cm long, total silver weight 6oz (8).
A George IV Silver Gilt Sugar Bowl], oblong, on four ball feet, moulded body, shell and scroll border, reeded leaf caped handle, maker's mark "WB", London 1821, 18.5cm long, 10oz; and [Two George IV Pepper Pots], circular, on pedestal foot, moulded body, domed and pierced detachable lid, maker's mark "WB", London 1820 and 1822, 7cm high (3).
A 19th Century Silver and Enamel Spoon], the shaped bowl and faceted handle decorated with blue, green and red cloisonné enamel scrolls and circular motifs, moulded finial, marked to the stem, 11.5cm long; and [A Continental Enamel and Silver Gilt Tea Strainer], circular pierced bowl with shaped rim, inlaid with blue enamel and gold scrolls, the outer rim with white enamel dot decoration, the handle with shaped outline and similar decoration, marked to the handle "925s", 12cm long (2).
An Edwardian Silver, Enamel and Glass Jar], circular cut glass jar with slightly domed and chased lid, inlaid with blue, yellow, green and turquoise enamel, maker's mark "WV&S", Birmingham 1909, 5.5cm diameter, 4.5cm high; and [Another], the faceted jar with circular lid inlaid with blue, turquoise and green enamel, by "WV&S", Birmingham 1909, 5.2cm diameter, 5.5cm high (2).
A Set of Five Sheffield Plate and Paste Set Painted Buttons, early 19th century], circular, each painted with a different scene in black on a white ground, depicting horsemen, within surrounds of pastes, 32mm; and [A George III Silver and Mother of Pearl Mounted Folding Knife and Fork, circa 1790], with bright cut chevron and feathered blade and tine, duty head and lion passant mark only, 14. 5cm long extended (2)
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2475480 item(s)/page