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A mixed lot, comprising silver items: an 18th century miniature goblet, unmarked, a circular pot, a filigree basket, a sickle posy holder brooch, a hard stone desk seal, a French oval travelling mirror, plus non-silver items: two miniature base metal tools and two miniature quills. (10)
A 19th century American silver card case, Washington's Tomb and Holy Trinity Church, Wall St. New York, unmarked, circa 1860, rectangular form, scroll borders, the front with an embossed scene of the Tomb, with trees around, the reverse with a scene of the Church, embossed and engraved foliate scroll decoration, with an oval cartouche, length 8.7cm, approx. weight 1.4oz.
A mixed lot of silver Private Die flatware, comprising: a William IV table fork, the terminal with The Mansion House, by William Chawner, London 1832, plus a Victorian Devonshire pattern dessert fork and spoon, by Mary Chawner, London 1838, the terminals with a deer in foliage, plus a George III table fork and teaspoon, the terminal with a hand below a crescent moon, plus a tablespoon with a similar terminal with a motto, approx. weight 12oz. (6)
A mixed lot of silver items, comprising: a sugar caster, by Mappin and Webb, Sheffield 1936, a six-piece dressing table set, with an Art Nouveau maiden, Chester 1905, a mustard pot, London 1900, five bonbon dishes, two devil cayenne pepper spoons, two salt cellars, two pepper pots, a pair of brushes, a compact and two trophy cups, approx. weighable 46oz. (qty)
A collection of nine continental silver caddy spoons, comprising: one modelled as a lobster, by Neresheimer of Hanau, with import marks for London 1912, importer's mark of B. Muller, plus another by the same maker with a cockerel finial, plus six various others and an English silver-gilt spoon with a figural terminal, London 1891, approx. total weight 6.7oz. (9)
A late-Victorian silver cigar cutter, with import marks for London 1900, importer's mark of S. Mordan and Co, tapering rectangular form, scroll decoration, plus an Edwardian silver combination cigar cutter / cigar box opener and hammer, by S. Mordan and Co, Chester 1907, rectangular form. (2)
A Victorian novelty silver-mounted table vesta holder and striker, by S. Mordan, London 1879, carved as the head of Ally Sloper, on a raised circular base, set with glass eyes, the underside with ribbed decoration, height 9.2cm. Alexander "Ally" Sloper is the fictional character of the comic strip Ally Sloper. He is one of the earliest comic strip characters and is regarded as the first recurring character in comics. Red-nosed and blustery, an archetypal lazy schemer often found "sloping" through alleys to avoid his landlord and other creditors, he was created for the British magazine Judy by writer and fledgling artist Charles H. Ross, and inked and later fully illustrated by his French wife Ιmilie de Tessier. The strips, which used text narrative beneath unbordered panels, premiered in the 14 August 1867 issue of Judy, a humour-magazine rival of the famous Punch.
A George III provincial silver inkstand, by Cattle and Barber, York 1812, rectangular form, gadroon and foliate border, with two pen wells, on four paw feet, with a silver-mounted inkwell and sander, plus a central silver-mounted glass box, by Barber and North, York, length 25.5cm, approx. weight 17oz.
A set of six George III silver Bright-cut pattern dessert spoons, by Richard Crossley, London 1790, the terminals with a crest, plus a matched set of six George III/ William IV Old English pattern dessert forks, the reverse of the terminals with a crest, approx. weight 13.8oz. (12)
An 18th century Scandinavian silver peg tankard, maker's mark PC, script, circular form, scroll handle with a cherub mask mount, the hinged cover with a rampant lion and ball thumb-piece and set with a coin and inscribed and dated '1761', the body also with an inscription, the interior with four pegs, on three foliate capped cone feet, height 17.5cm, approx. weight 19.5oz.
A Victorian silver 'castle-top' card case, Warwick Castle and Kenilworth Castle, by Nathaniel Mills, Birmingham 1839, rectangular form, the front and back with a raised scene of the Castles, engraved tartan decoration, a matted background, within foliate scroll decoration, length 9.4cm, approx. weight 2.1oz.
A late-Victorian silver-mounted inkwell, by S. Mordan and Co, London 1897, circular globe form, revolving domed cover, on three fluted legs terminating in paw feet, mounted on a black hardstone base, mounted with a pen rest, length 13.2cm, plus a silver ejector dip pen, by S. Mordan and Co, date letter worn. (2)
A small collection of three 19th century silver vinaigrettes, comprising: one of oval form, by Matthew Linwood, Birmingham 1801, engraved decoration, the cover with a Greek key border, plus one of rectangular form, with traces of gilding, by Joseph Willmore, Birmingham 1813, and one other, approx. weight 1.4oz. (3)
A collection of ten antique silver caddy spoons, various designs, comprising: one London 1796, the circular bowl with pierced and engraved decoration, one of shovel form, with a mother-of-pearl handle, one by Josiah Snatt, London 1803, and various others, approx. total weight 2.5oz. (10)
A pair of silver candlesticks, by Nathan and Hayes, Birmingham 1915, Corinthian column form, fluted stems, on stepped square bases with beaded borders, no drip pans, height 25.4cm, plus a late-Victorian silver bowl, London 1899, circular fluted form, crimped border, approx. weighable 6oz. (3)
A George IV silver raised relief snuff box, Mazeppa, by Neustadt and Barnett, Birmingham 1841, rectangular form, the hinged cover with a scene of Mazeppa strapped to a horse being pursued by a wolf, silver-gilt interior, foliate thumb-piece, engine-turned sides and base, length 7.5cm, approx. weight 3.7oz.
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2477115 item(s)/page