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Lot 942

Benjamin Bunny 2017 UK 50p silver proof coin

Lot 993

1986 silver £2 coin

Lot 572

Three silver handled pie servers and two similar cheese knives

Lot 90

Pair of silver cufflinks

Lot 727

A silver coronation coach 3" wide in presentation box

Lot 364

Silver plique a jour frog brooch with ruby set eyes and marcasite mount

Lot 588

A silver mounted fawn in reclining position (filled) - 2" wide

Lot 597

A jam spoon with long handle - Sheffield 1905 and two silver handled shoe horns

Lot 837

1995 USA silver dollar

Lot 358

A silver bangle 11.8g

Lot 724

A group of six silver handled button hooks and shoe horns

Lot 906

Proof silver £1 coin

Lot 416

a silver jade and sapphire pendant

Lot 319

A hinged silver bangle

Lot 973

Another bag of silver threepences - 120 g.

Lot 462

Three pairs of silver earrings

Lot 268

A silver charm bracelet with twenty five plus charms

Lot 980

A King Charles I silver shilling, sold with certificate

Lot 943

Benjamin Bunny 2017 UK 50p silver proof coin

Lot 928

Two silver proof £2 coins

Lot 543

A gents silver pocket watch AF

Lot 701

A brass mounted lighter and a pair of silver and Niello cufflinks

Lot 196

Eight silver rings 46g

Lot 720

A silver and tortoise shell mounted octagonal cased eight day clock - 3.5" wide - Birmingham 1926

Lot 925

Four silver proof £5 coins

Lot 931

USA silver 1oz eagle 1995

Lot 610

Two silver mounted salts bottles with glass bodies - one London 1904

Lot 525

* Toy Theatre. Pollock's Juvenile Drama, The Silver Palace, and the Golden Poppy, a Water Pageant [cover-title], London: B. Pollock, late 19th century, comprising: 16 page booklet containing libretto and stage directions; a group of 12 hand-coloured plates (uncut), encompassing all the required scenery and characters, stitched together as issued; 12 side wings, 6 foot pieces, 2 drop tops, and 2 scenery pieces cut out and mounted on card, some with wooden batons attached; and a quantity of characters from the same play cut out and mounted on thin card; plus 9 wire character holders, and a row of metal footlights (rusting, two light guards detached), some spotting (mainly to two stitched plates) and dust-soiling, a few characters lacking a hand, some creasing or minor wear to extremities, contained together in a cardboard boxQty: (1)Footnote: The cut out and mounted side wings, foot pieces, drop tops and scenery pieces are all at a larger-scale than the stitched uncut plates, whereas the characters are all on the same scale, presumably for use in differently sized toy theatres. Apparently, in addition to buying the plates of scenes and characters to cut out at home, customers could also purchase the pieces from Pollock's shop cut out and mounted, ready for use.

Lot 561

Trade catalogue. A large album of mounted playing cards, Turnhout, Belgium: Antoon Van Genechten, circa 1880, pp.115, most of the thick blue leaves similarly laid out, with 12 mounted engraved or lithographed playing cards with stencilled colouring on rectos, and facing versos with corresponding printed paper wrapper surrounded by playing cards mounted to show backs, some of the wrappers with tissue guards, 5 cards missing, 3 wrappers missing, 1 card creased, including 'Great Mogul Cards', 'Cartes Orientales', 'Bongout', 'Ganze neue Schweizer Whist', 'Feine Spielkarten No. 5', 'Cartes Brésilienne', Cartes Marbrées', 'Cartes Royales', 'Guerres 1870-1871', album leaves frayed and chipped at edges (1 card with consequent closed tear to lower right corner)), a number with scenic aces, including American Civil War battle scenes, and views of Ilha das Cobras and Botafogo in Brazil, original brown morocco-backed cloth, rubbed (spine heavily so), large 4to (39 x 35.5cm), together with 2 red printed folded posters advertising 'The Celebrated Eagle Brand Playing Cards' loosely insertedQty: (1)Footnote: The firm of Antoon Van Genechten operated between 1856 and 1970, and quickly became a flourishing business supplying playing cards not just to the domestic market in Belgium, but also exporting cards overseas, including to England, Spain, France, Denmark, Thailand, Java, the Celebes, India, China and Japan. When Antoon died in 1874 his son-in-law Jan de Somer took the helm and carried the business on until he in turn died in 1906. In 1882 the Van Genechten company won a medal for their "papers and playing cards" at the London Exhibition. In 1885 at the World Exhibition in Antwerp the company won a diploma of honour, a gold medal and a silver medal for its products. A devastating fire broke out in the factory in 1912, but insurance cover saved the firm which went on to trade until 1970 when it was merged into the newly formed company Carta Mundi.

Lot 566

Balfour (Ronald Egerton, illustrator). Rubaiyat of Omar Khayyam, London: Constable and Co., 1920, 38 colour and black and white tipped-in plates, some toning to endpapers, a few light spots, top edge gilt, original green buckram gilt, spine darkened, some toning to cover margins 4to, limited signed edition 47/100, with a presentation inscription from the artist 'R.T. from R.E.B. 1920' at front, together with 13 others illustrated including The Book of Fairy Poetry, illustrated by Warwick Goble, 1920, The Merry Piper or the Magical Trip on the Sugar Bowl Ship, by Harold Gaze, 1925, The Birth of the Opal, by Daphne Allen, 1913, Green Magic, edited by Romer Wilson, 1928, and Silver Magic, 1929Qty: (16)

Lot 572

Dodgson (Charles Lutwidge, "Lewis Carroll"). Alice's Adventures in Wonderland, London: The Folio Society, 2016, 11 mounted colour plates by Charles van Sandwyk, colour and black and white illustrations, top edge gilt, original vellum-backed pictorial boards, blocked in red, gold and silver, spine titled in 22-carat gold, prospectus loosely inserted, tissue wrapper, contained in publisher's clamshell cloth box, 4toQty: (1)Footnote: Sesquicentenary limited edition 228/1000, with an original copperplate etching, signed and numbered by the artist mounted at front. A lavish production with fine illustrations by Charles van Sandwyk.

Lot 622

Potter (Beatrix). The Tale of Peter Rabbit, 1st trade edition, London: Warne, [1902], early issue with 'wept' for 'shed' on p.51, colour frontispiece, 30 colour illustrations, some dust-soiling and minor marks, half-title verso with pencilled inscription, p.27 with closed repaired tear to blank area, p.29 blank fore-margin with with small skinned area, adhesive tape repair to two gutters (between half-title verso & frontispiece blank reverse, between pp.8-9), grey leaf-pattern endpapers, free endpapers lightly toned, some small areas of surface loss to rear endpapers, hinges strengthened, original grey boards lettered in silver-grey, rectangular pictorial panel to front cover (couple of tiny spots), upper right corner somewhat bumped and with tip rubbed, rubbed joints slightly split at head, 16moQty: (1)Footnote: Linder p. 421; Quinby 2.

Lot 638

* Ardizzone (Edward, 1900-1979). A pair of illustrations for Treasure Island, watercolour and ink, the first depicting two groups of men, swords drawn, on the Island, 10.2 x 6.3cm (4 1/8 x 2 4/8ins), the second depicting Ben Gunn, Jim Hawkins and Long John Silver on the Island with a boat in the background, initialled to lower right, 10.2 x 9.6cm (4 x 3 6/8ins), mounted together, slight watermark to lower mount, framed and glazed (29.7 x 45cm), Campbell and Franks Fine Art label on versoQty: (1)Footnote: Edward Ardizzone produced these drawings for use as murals on the interior of the P & O Canberra. He worked with his son Philip, to create 3 murals for the First Class playroom. They were painted in watercolour on melamine impregnated paper. Over time, and refits, the murals were covered over with wallpaper. In 1999 they were completely restored and unveiled in an exhibition of Edward Ardizzone's work at Camberwell College London.

Lot 691

* Sambourne (Edward Linley, 1844-1910). Vol 123, ink on board, shows Mr Punch driving Hermes in a motor car above the clouds, titled, signed and dated July.2.1902 to lower left margin, 30 x 22.8cm (11 7/8 x 8 7/8ins), mounted (38 x 30.3cm), together with: Let Well Alone, ink on board, shows Jonathan holding a bag of silver out to John Bull who is putting his smaller bag of gold inside his jacket, signed and dated Oct 22. 97, to lower right, 27.3 x 21.6cm (10 6/8 x 8 4/8ins), mounted with caption title at foot of mount (38 x 30.5cm), original caption title pasted to verso, Sillince (William Augustus, 1906-1974). So You See Vicar, There's No Doubt About It - You Do Throw!, pencil on wove paper, depicting a man talking to a vicar in front of a projected image of a cricketer on a large screen, a small crowd watches the screen, 25.3 x 33cm (9 7/8 x 13ins), mounted (35.6 x 43.1cm)Qty: (3)Footnote: Original Illustrations for Punch Magazine.

Lot 698

* Star Wars. The Empire Strikes Back UK quad film poster, an original poster printed by W.E. Berry Ltd, Bradford 1980, black on silver logo, showing Darth Vader and other leading characters, pinholes to corners and fold lines, 75 x 101cmQty: (1)Footnote: A nice original poster, strong in colour and a good example.

Lot 713

* Hale (Kathleen, 1898-2000). Cockerel and alarm clock, circa 1951, costume design, watercolour and pencil on paper, with pencilled artist's notes, a few minor marks, mount aperture 29.3 x 20.3cm (11 1/2 x 8 ins), framed and glazed (52.0 x 41.1cm), verso with pencilled number 13, and number 107 (crossed out) which relates to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001Qty: (1)Footnote: This item is also listed in the Michael Parkin exhibition A Summer Picnic of Pictures, 2002 (number 30). Kathleen Hale designed the costumes and sets for a ballet 'Orlando's Silver Wedding' for the Festival of Britain in 1951, and this is believed to be one of the costume designs she produced. Sadly the ballet only ran for four performances.

Lot 729

Essex House Press. The Masque of the Edwards of England: Being a Coronation Pageant to Celebrate the Crowning of the King, by C.R. Ashbee and Edith Harwood, Essex House Press, 1902, 18 hand-coloured lithographed plates, including 17 full-page, some heightened with white or silver, presentation inscription in blue ink to front endpaper from Janet and Charles Ashbee to the Nason family: 'To Muriel, Alice, Cuthbert, Paul, Philip, Mary, Margaret, John & Elizabeth Nason; Xmas 05; From their friends Janet & Charley', untrimmed, inner hinges slightly loosened, original tan cloth, some light marks and stains to covers, oblong folio, limited edition 154 of 300 copies on paper (an additional 20 copies were printed on vellum), together with: The Treatises of Benvenuto Cellini on Metalwork and Sculpture, made into English from the Italian of the Marcian Codex by C.R. Ashbee, Essex House Press, 1898, 11 monochrome plates after photographs, several illustrations and some decorations to text, publisher's advertisement to verso of final leaf, partly uncut, and untrimmed, original publisher's cloth with paper label to spine, lightly rubbed, folio, limited edition 507/600Qty: (2)Footnote: The first work is a presentation copy from the Ashbees to Reverend Muriel Nason, the vicar of Saintbury Church, and his family. The Ashbees switched allegiance from their local church in Chipping Campden to Saintbury Church on the other side of Dover's Hill after they had scandalised with a bicycle ride to Warwick on the Lord's Day in June 1902, making it uncomfortable for them to continue regular worship in Chipping Campden. The Ashbees were often invited to lunch by the Reverend Nason after the Sunday service; this presentation copy is thus a first Christmas present from the Ashbees to their new vicar and his family.

Lot 841

Lewis (C.S.) The Lion, the Witch and the Wardrobe, 1950; Prince Caspian, 1951; The Silver Chair, 1953, 1st editions, illustrations by Pauline Baynes, occasional light spotting and toning to endpapers, previous owner inscriptions, original cloth, spines and extremities faded, 8voQty: (3)

Lot 842

Lewis (C.S.) The Magician's Nephew, 1955; The Last Battle, 1956, 1st editions, illustrations by Pauline Baynes, a little minor spotting, original cloth (Last Battle spine ends faded), dust jackets, Last Battle with brown tape reinforcements to verso, a little rubbed with a few tears and stains, some spotting to Magician's Nephew rear panel, together with 1st editions of The Silver Chair, 1953, and The Horse and his Boy, 1954 (without jackets)Qty: (4)

Lot 844

Lewis (C.S.). The Chronicles of Narnia, 1st editions, London: Geoffrey Bles, 1950-56: The Lion, The Witch and The Wardrobe, 1st edition, 1950, frontispiece (with closed marginal tear not affecting image), bookplate to verso of front free endpaper, spotting to preliminaries & final few leaves, original publisher's cloth, slight toning to spine extremities, pictorial portion of jacket spine offset onto cloth, edges lightly spotted, dust jacket, a few small light spots & marks to flaps, faint crease to front panel, spine extremities rubbed with slight loss, 8vo, with Prince Caspian, 1st edition, 1951, frontispiece, cartographic front pastedown & free endpaper, small ownership inscription to upper margin of front free endpaper (not affecting image), bookplate to verso of front free endpaper, light spotting, original publisher's cloth, dust jacket, front panel with faint crease, 8vo The Voyage of the Dawn Treader, 1st edition, 1952, frontispiece, cartographic front pastedown & free endpaper, small ownership inscription to upper margin of front free endpaper (not affecting image), very light spotting to preliminaries, bookplate to verso of front free endpaper, original publisher's cloth, edges lightly spotted, dust jacket, 8vo The Silver Chair, 1st edition, 1953, frontispiece, light spotting to preliminaries, cartographic front pastedown & free endpaper, small ownership inscription to upper margin of front free endpaper (not affecting image), bookplate to verso of front free endpaper, original publisher's cloth, edges spotted, portion of light soiling to rear board, dust jacket, spotting to verso & flaps, light spotting to rear panel, portion of rear joint slightly rubbed, 8vo The Horse and His Boy, 1st edition, 1954, frontispiece, light spotting to preliminaries, cartographic front pastedown & free endpaper, small ownership inscription to upper margin of front free endpaper (not affecting image), bookplate to verso of front free endpaper, edges lightly spotted, dust jacket, small closed tear to rear panel (approx 1.5cm), faint crease to front panel, light toning to front joint, light spotting to panels, 8vo The Magician's Nephew, 1st edition, 1955, ownership inscription to front free endpaper, bookplate to verso of front free endpaper, spotting to inner margin of pastedowns, original publisher's cloth, spotting to edges, dust jacket, light spotting to rear panel, verso & flaps spotted, 8vo The Last Battle, 1st edition, 1956, light spotting to preliminaries, ownership inscription to front free endpaper, bookplate to verso of front free endpaper, original publisher's cloth, edges spotted, slight browning to top spine extremity, dust jacket, panels lightly spotted, verso & flaps spotted, slight browning to top spine extremity, 8voQty: (7)Footnote: A complete set in outstanding condition.Provenance: From the library of the late Suzanne Mary Eward, former Librarian and Keeper of the Muniments at Gloucester Cathedral and Wells, and latterly at Salisbury Cathedral. From information supplied by the family, this set was purchased for her at or near the date of publication.

Lot 890

Verne (Jules). The Chase of the Golden Meteor, 1st English edition, London: Grant Richards, 1919, 24 monochrome illustrations by George Roux, a little minor soiling front and rear, prize label to front pastedown, original pictorial cloth gilt, small mark to rear cover, 8vo, together with Astor (John Jacob). A Journey in Other Worlds. A Romance of the Future, 3rd edition, Berlin: Carl Ulrich, 1894, monochrome illustrations, small ink inscription to front blank, original blue cloth blocked in silver, 8voQty: (2)

Lot 931

* Fleming (Alexander, 1881-1955). Scottish physician and microbiologist, discoverer of penicillin. A signed half-length portrait vintage gelatin silver print photograph, circa 1950, Fleming seated and smoking a cigarette while signing a book on his knee, signed 'Alexander Fleming' in dark fountain pen ink across a white area of the image between his hands, 20 x 16 cm, corner-mounted, framed and glazed with metal plaque caption for the 1945 Nobel Prize winner for Physiology or Medicine mounted beneath the photographQty: (1)Footnote: An ink annotation to the verso in an unidentified hand indicates that the autograph was obtained at the Fifth International Congress of Microbiologists at Quitandinha in Brazil, 23 August 1950.

Lot 984

* Wilson (Edith Bolling, 1872-1961). Signed head-and-shoulders photographic portrait by Arnold Genthe, circa 1918, gelatin silver print, somewhat silvered but with clear bold ink signature of Edith Bolling Wilson lower left and by the photographer lower right (partly obscured by mat), 23 x 15.5cm, mat mounted in wooden frame, glazed, with brass plaque at foot, 'Portrait of the wife of President Wilson, a lineal descendant of Pocahontas, was presented to this church (Dec 1918) by the colonial Danes of Virginia', overall 48 x 36cmQty: (1)Footnote: Edith Wilson (née Bolling) was the second wife of US President Woodrow Wilson, and the First Lady of the United States from 1915 to 1921. Following President Wilson's stroke in October 1919, Edith began to screen all matters of state and decided which matters were important enough to bring to the bedridden president. In doing so, she effectively ran the executive branch of the government for the remainder of the president's second term, until March 1921. Through her father, circuit court judge William Holcombe Bolling, Edith was a direct descendant of Mataoka, better known as Pocahontas, the daughter of Wahunsenacawh, the Paramount weroance of the Powhatan Confederacy. Mataoka was to marry English settler John Rolfe, and it was his granddaughter, Jane, who married into the Bolling family.

Lot 1001

Music Memorabilia - Tour Programmes - Over 20 programmes mainly relating to 1960s revival tours to include Mersey Beat 2003, Solid Silver 60s, The Ultimate Elvis Show etc

Lot 1028

Music / Sporting Memorabilia - Framed & glazed Muhammad Ali & The Beatles poster signed by Ali in silver pen, vg, frame 33 x 25" approx

Lot 412

Vinyl - Opera collection of 4 Columbia SAX LP's to include SAX 2265 (blue & silver) Vg+, SAX 5286 Ex other than one hairline mark to side one unlikely to effect play, SAX 2559 NM, SAX 5293 NM

Lot 42

Vinyl - Silver Sun self titled LP on Polydor 573208-1 ex

Lot 444

Vinyl - Classical - Stravinsky, Ernest Ansermet Conducting L'Orchestre De La Suisse Romande ? The Fire Bird. Original UK Stereo ED1 issue, Black/silver 'grooved wideband? labels, "ORIGINAL RECORDING BY" at 11 o?clock, "Made in England" at bottom, "RECORDING FIRST PUBLISHED 1958?, and earliest Sleeve with Fully laminated, 'Half-moon' flipbacks (aka scalloped), Blue border on back, Triangular "DECCA STEREOPHONIC" logo on front and on back, Thin spine with no text on it, "Printed in England." on bottom flipback, Dated "MC 58.7" on bottom flipback (July 1958), Sleeve notes in English on back (1958, Decca Records, SXL 2017). Sleeve VG+ / Ex Vinyl EX+ appearing unplayed. Original inner sleeve

Lot 445

Vinyl - Classical - Rimsky-Korsakov, Ansermet, L'Orchestre De La Suisse Romande ? Music Of Rimsky-Korsakov. (1959, Decca Records, SXL 2113). Original UK Stereo ED1 issue, Black/silver 'grooved wideband? labels, "ORIGINAL RECORDING BY" at 11 o?clock. Sleeve Ex, Vinyl EX+ appearing unplayed, with original inner sleeve

Lot 448

Vinyl ? Classical - Beethoven - Claudio Arrau, Philharmonia, Alceo Galliera ? Piano Concerto No. 2 / Piano Sonata In D. Op. 10, No. 3. Original UK Stereo ED 1, Silver Green labels. 1960, Columbia records SAX 2346. Sleeve EX+, Vinyl at least EX+ possibly unplayed

Lot 477

Vinyl - Blue Note Jazz / Hard Bop / Latin Jazz The Horace Silver Quintet Song For My Father (1964, US Mono BLP 4185). Original US 1st Blue Note pressing with New York Address, Van Gelder and Ear stamped in dead wax, 3 West 61st St., New York 23 address on back cover, and "25 Years Blue Note" inner sleeve. Sleeve is VG, Vinyl is VG+++ (light scuffs only) + Original 25 years inner sleeve.

Lot 590

Vinyl - 6 LP's from The Beatles & members to include The Early Years (Contour 2870111), At The Hollywood Bowl (EMTV 4), Rock N Roll Music Vol 1 (MFP 50506), Sgt Pepper (PCS 7027) 2 x boxed EMI, silver & black label, insert intact, Sometime In New York (PCSP 716) and Paul McCartney's Liverpool Ontario box set. Sleeves & Vinyl Vg+ overall

Lot 600

Vinyl - 6 David Bowie LP's to include Hunky Dory (NL 83844) German press with black & silver RCA label, Space Oddity (LSP 4813) orange label with lyric inner and poster, Aladdin Sane (RS 1001) RCA gloss orange label, victor to right, lyric inner with fanclub folder intact and Shorewood gatefold sleeve, Pin Ups (RS 1003) orange label, insert intact, Let's Dance (AML 3029) and Tonight (EL 2402271). Sleeves & Vinyl Vg+

Lot 638

Vinyl - The Beatles 2 LP's to include Sgt Pepper (PCS 7027) black & silver two EMI boxed parlophone label, insert intact, and Abbey Road (PCS 7088) Her Majesty credit to label, aligned apple to sleeve. Sleeves & Vinyl Vg++

Lot 710

Vinyl - The Beatles 15 LP's to include Please Please Me, With The Beatles, For Sale, A Hard Days Night, Help, Sgt Pepper (insert intact), Oldies, Revolver, Rubber Soul, all are later releases on the black & silver 2 boxed EMI labels, Let It Be, At The Hollywood Bowl, Yellow Submarine, Hey Jude, Magical Mystery Tour (Italian Press), Abbey Road (French Press). Sleeves VG but note that all have poly protective film to sleeves that may cause damage when/if removed. Vinyl Vg

Lot 744

Vinyl - The Beatles 6 LP's to include Sgt Pepper (PCS 7027) black & silver Parlophone label 2 x EMI boxes with insert intact, Abbey Road (PCS 7088) no Her Majesty credit on label, misaligned apple on sleeve, Revolver (PMC 7009) Sold In UK and The Gramophone Co Ltd to label matrices -2 and 2 (note vinyl is poor and very dull), At The Hollywood Bowl, 20 Greatest Hits, and 1967-70 Italian pressing. Sleeves & Vinyl Vg- other than stated

Lot 815

A George III silver teapot, London 1780 by William Vincent together with two modern silver bowls and a silver patten. 26.5 ozt gross weight

Lot 795

A pair of large Corinthian column silver candlesticks, 19th century (years and maker indistinct), with matched later sconces, loaded, 35 cm. Qty: 2Condition report: Later dipped. Structurally soundIt looks like the sticks have been gilded to cover silver solder repairs to the intersections of the bases on one of the sticks.One drip pan does not bear a hallmark and is not square see the image with ruler.

Lot 764

A Russian silver and enamel-decorated spoon, 16 cm, together with another smaller, a pair of filled silver spill vases and assorted other silver and white metal items, various dates and makers.Condition report: I cannot see any damage to the enamel of the spoons.

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