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Fabergé - a silver-mounted blue ceramic bell push, the cabochon white stone push button is set within a foliate circular surround and acanthus design rim to the base, on three lobed circular feet, signed to the base ÔÀÁÅÐÆÅ and initial for work master Karl Armfeldt, with 88 zolotnik, kokoshnik mark and scratched inventory number 13113, 7cm diameter
Fabergй - a gilt-lined square form silver cigarette case, with rounded corners, applied to the lower right corner with a rose-cut diamond-set fish with a ruby eye, signed ÔÀÁÅÐÆÅ to sprung-hinged cover, work master's initials for Michael Perchin, St Petersberg with 88 zolotnik mark, the base stamped with Michael Perchin's initials, and 88 zolotnik with St Petersberg mark, scratched with inventory number 59896 and 621A, gold-mounted moonstone thumbpiece 8.5cm wide, fitted case by Wartski 138 Regent Street, London Previously sold Sotheby's, 'Fabergй and Icons' 2 December 2020, ex lot 64
A rectangular silver and gold cigarette case by Chaumet, with engine turned and linear engraved decoration, the thumbpiece set with four calibre-cut rubies (probably synthetic), signed 'Chaumet Paris', stamped 'Or/Argent' for silver and yellow gold, oval poincon for mixed metals, maker's lozenge, 9.5cm longest, 155.8g
A baguette-shaped red spinel ring, the baguette-shaped spinel weighs 3.09cts and is rubover-set in an oxidised silver mount with gold shank, size M 1/2 Accompanied by report number 8087864 dated 18 May 2018 from AGL stating that the rectangular-shaped spinel weighs 3.09cts, and is a natural red spinel with no indications of treatment. Origin: Burma (Myanmar)
An Art Deco rectangular silver gilt and gold vanity case with watch by Auguste Peyroulx, black lacquered silver-gilt with gold mounts to all sides and watch in the hinged cover, the unsigned watch with gold mount, silver dial with black Arabic numerals and unsigned movement, the glazed aperture with diamond-set borders continuing to the thumbpiece, two centre-opening hinged internal compartments and the smaller missing the cover, possibly missing mirror, maker's lozenge, French control marks and inventory number 3279 stamped overall, 8cm wide Peyroulx was a famous maker of vanity cases and undertook work for Cartier.
A ruby and diamond stickpin by Van Cleef & Arpels, the oval plaque millegrain-set with tapered calibré-cut rubies and two square-shaped diamonds surrounding graduated rose-cut diamonds in silver and gold, signed to the pin and with French control marks, 1cm wide, 6.7cm high, in Van Cleef & Arpels case
An intricate gold and pearl necklace by H.G. Murphy, the textured and plain oval links suspend seven graduated gold discs, five set with natural saltwater half-pearls within stylised swirling leaf and spiral motifs and a twisted wirework border in yellow gold, each separated with a fancy twisted gold link set with a natural half-pearl, with maker's plaque HGM to reverse, 18ct and the Falcon studio plaque, 40cm long, in original fitted box Originally presented by her father as a gift to Angela Scott-Nicholson on her 21st birthday in 1931, and thence by descent to the current owner through four generations on each of their 18th birthdays. For the original drawing see Atterbury, P., Benjamin, J., The Jewellery and Silver of H. G. Murphy, p.38.
A George III moss agate pendant, set within a border of rubies, sapphires and emeralds in closed back silver and gold mount, 3.2cm high, with two other early 19th century moss agate gold brooches set within gold borders, 7cm and 3cm wide, and a moss agate gold clasp set within a surround of emeralds, 2.8cm wide
A mid 19th century green paste and silver-gilt parure, comprising a hair comb, a graduated necklace, a pair of graduated bracelets and a pair of ear pendants, together with a later two-stone pendant brooch and a ring (possibly foiled), in gilt tooled morroco red leather fitted case
A cased diamond-set tiara (without terminals), the five graduated arrow-like stems are each set with a line of graduated old circular-cut diamonds in silver and gold, the detachable terminal jewels missing, cloth-bound metal frame, highest stem 7.5cm, tiara 15cm widest, fitted blue velvet box, the silk lining stamped R&S Garrard Haymarket
A diamond and emerald corsage brooch, the wild rose design centred with a circular-cut emerald and pavй-set with graduated circular-cut diamonds, suspending further diamond-set articulated foliate sections, the centre suspending a pear-shaped emerald, set in gold and silver, possible alterations, 10cm high
An 18th century emerald and diamond cluster, the foil-backed cushion-shaped emerald set in a gold cut-down collet, within a surround of cushion-shaped diamonds in silver and gold, possibly converted from a brooch, 1.7cm wide Accompanied by report number 81311-90 from GCS stating that the cushion-shaped emerald is a natural emerald, with indications of minor clarity enhancement. Origin: Colombia. Comment: The colour is modified by the setting.
A George III diamond and blue enamel ring, the navette-shaped closed-back section with blue enamel ground, applied with a row of three graduated cushion-shaped diamond clusters, with cruciform diamond terminals (two diamonds missing), with further outer border of cushion-shaped diamonds in silver on gold, with later inscription to the reverse 'Diamond Jubilee 1837 - 1897 GB to CLB, size N
A George III sapphire and diamond cluster ring, c.1810, set with a cushion-shaped sapphire within open-backed gold cut-down collet setting, within a surround of old cushion-shaped diamonds in silver on gold, with foliate engraved shoulders in gold, fluted shank, size I 1/2 Accompanied by report number 80272-95 dated 19 August 2020 from GCS stating that the cushion-cut sapphire is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon).
A late 19th century diamond natural pearl tiara, with a slightly graduated line of forty-two cushion-shaped diamonds in silver and gold, box settings, each pair surmounted with a scroll set with three rose-cut diamonds and a natural pearl with a line of rose-cut diamonds beneath, detaching from the metal mount to form a necklace (without backchain) Accompanied by report number 81307-44 dated 18 May 2021 from GCS stating that the cream pearls graduate from 4.0 - 6.4mm and are natural saltwater with no indications of heat treatment.
A pair of late 18th century natural pearl and diamond chandelier earrings, the circular upper sections centred with natural pearls within a double surround of rose-cut diamonds, each suspending a pear-shaped diamond and articulated diamond-set chains, further suspending a detachable natural pearl and diamond bow and chandelier tassels set with articulated rows of seed pearls and rose-cut diamonds, set in silver and gold, spring-loaded clips and safety hoops, 10cm high, fitted centre-opening red leather case
A Victorian sapphire and diamond brooch pendant, centred with a cushion-shaped sapphire weighing 12.33cts in gold, within a surround pave-set with circular-cut diamonds, and two further outer foliate surround of old cushion-shaped diamonds in silver on gold, detachable brooch fitting, folding pendant loop and open suspension loop, 3.7cm high Accompanied by report number19783 dated 13 April 2021 from The Gem & Pearl Lab stating that the rectangular cushion-shaped sapphire weighs 12.33cts, and is a natural sapphire with no indications of treatment. Origin: Sri Lanka (Ceylon). Accompanied by an insurance valuation dated 1962 from T. A. Henn & Son Ltd.
A pair of mid 19th century diamond and ruby drop earrings, each earring centred with a cushion-shaped ruby and graduated circular-cut diamonds in scrolling silver and gold mounts and suspending a larger pear-shaped diamond, later peg fittings, pear-shaped diamonds approximately 5.50cts total, smaller diamonds approximately 3.50cts total, 4.5cm high, possible alterations, S.J Phillips case, 139 New Bond Street Accompanied by report number 81307-49 dated 19 May 2021 from GCS stating that the cushion-cut rubies are natural rubies with no indications of heat treatment. Origin: Burma (Myanmar). Provenance: Edith Vane-Tempest-Stewart, Marchioness of Londonderry (1878-1959), thence by direct family descent. Edith Chaplin (1878-1959) was the daughter of the 1st Viscount Chaplin and his wife Lady Florence Leveson-Gower, daughter of the 3rd Duke of Sutherland. In 1899 she married Charles Vane-Tempest-Stewart, Viscount Castlereagh who became the 7th Marquess of Londonderry on the death of his father in 1915. Among the several important properties that Charles inherited in the British Isles was Mount Stewart, the seat of the Stewart family in County Down, Northern Ireland, where Edith created a legendary garden and where the family still live today. The micro climate of the Ards Peninsula, that favors exotic and original planting, led to the Mount Stewart garden – now cared for by the National Trust - being voted among the ‘Ten Great Gardens of the World’ and nominated as a UNESCO World Heritage Site. It was from Londonderry House, on London’s Park Lane, that Edith organized the Women’s Legion for work in the First World War and led to her being made the first ever Dame Commander in the Military Division of the Order of the British Empire. After the war she became London’s most important and influential political hostess whose Eve of Parliament receptions were famous for their lavish hospitality. Edith’s appearance at the top of the Londonderry House staircase wearing the fabulous Londonderry jewels – a selection of which are on loan to the Jewelry Gallery of the V & A – was an integral part of London social life in the interwar period, ably captured in Anne de Courcy’s full length biography, Society’s Queen: The Life of Edith, Marchioness of Londonderry DBE. Active in the early days of the suffragist movement, Edith was a significant scholar and authoress in her own right and has been called “the greatest lady plantsman of the early twentieth century.” She was passionate about fine jewelry, researching and documenting the Londonderry jewels from the Down Diamonds, the Golconda Stomacher, the Turquoise parure, the Siberian Emeralds and the Russian Amethysts, the Bonaparte-Murat pearls as well as the Antrim Rubies while patronizing the finest jewelers in London and Paris. For those who remember her reputation as a charming and generous hostess, her love of fine jewelry will always be a part of her image.
A silver and silver plate bridge set. Including a cased set of silver and enamel bridge marker/pencils with spare leads, an EPNS bridge card suit stand and card suit spinner. Markers stamped Sterling Silver, spinner hallmarked: Gy & Co for Grey & Co, Chester, 1912. H.12.5cm
A boxed Silver blotter, hallmarked: Harrison Brothers & Howson Ltd, Birmingham 1896 and a silver lidded leather travel inkwell with spring mechanism and engraved armorial crest with a lion to the top, hallmarked and glass liner, JV for James Vickery, London, 1862. L.8.5cm Birmingham 1896,
A collection of silver tobacciana items. Including a Links of London cigar holder and ashtray, two vesta cases and a match box holder. One vesta with a heart shaped cartouche and engraved with three leaf clovers, hallmarked: WHS for William Henry Sparrow, the other with a foliate repousse design and a silver plated Parker Beacon (Dunhill) lighter. L.13cm, 82.6g (Silver excluding lighter)
Make & Model: VW Golf Plus S TDIDate of Reg: FD59 PWOColour: Silvercc: 1600MoT: 20-12-2021Fuel Type: DIESELMileage: 169kTransmission: MANUALSummary: 11 Service stamps. 2 Keys (not tested) 1 Owner from new. Cambelt and water pump replaced at 153k.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=147716
Make & Model: Audi A7 SE TDi QuattroDate of Reg: HG11 YPZColour: Silvercc: 2967MoT: 22-12-2021Fuel Type: DIESELMileage: 47kTransmission: AUTOSummary: 3 Registered keepers - Last keeper since Jan 2015.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=147736
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2475480 item(s)/page