Four football trophies, comprising pottery replica of World Cup football trophy, 38cm. high, bears wear and chips to pottery edges; silver-plated replica of The Football Association Challenge Vase, with cover, 30cm. high, held within a blue velvet lined box; Reading FC 1985-86 record breakers tumbler relating to 12 consecutive wins at the start of the Football League season, 10cm. high, held within a blue box; a silver-plated football trophy, un-engraved, 20cm. high; (4)
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Four tennis related bisque figures and further tennis related memorabilia, comprising a female holding a tennis racquet and ball, 25cm. high; a blue and white female holding a ball, 18cm. high; a miniature joker holding a tennis racquet and ball, 5cm. high; a female in pink holding a tennis racquet, chip to front of hat, 15cm.; a female seated on a penny farthing, 22cm. high; sold with a Victorian ceramic plate featuring a man playing shuttlecock, 24cm. diameter; a silver-plated salver, engraved 'Happy Birthday 1989 to Bobby and Fred Perry Dallas Texas with love and affection Nancy and Frank Jeffertt, 26.5cm. diameter; a bakelite and silver-plate tennis plaque trophy, 9 x 7cm.; (8) Each bearing wear and some with minor chips, crazing.
Red Austria no.18 shirt from the UEFA European Championship Qualifier v Northern Ireland that took place on 15/11/95 at Windsor Park, Belfast, Player issue PUMA example with no specialist badges on the arms. The front has the Austria crest and also the PUMA manufacturer trademark in white. it also has the no.18. again, in white and highlighted in silver. the back has no lettering, but bears the no.18 which is, again, highlighted in silver. There is no evidence of match wear and the item is in excellent condition. The game finished 5-3 to Northern Ireland. The no.18 squad number did not feature in the game.
A selection of silver tennis and golf money clips, cuff-links, wine labels and bracelet, comprising a silver tennis money clip, with applied tennis racquet, 5 x 2cm., a silver golf money clip, with applied golfer, 5 x 2.5cm.; a silver bracelet with five tennis related charms, three marked silver; a pair of silver tennis net wine labels, 4 x 5cm.; a pair of silver tennis racquet and ball cuff-links, within a green leather box; sold with a three white metal tennis racquet brooches, each bearing signs of repairs to brooch pins, approx. silver weight 120gms., (qty)
Thriller Comics Library (1958-59) 205-208, 210, 212, 215-218, 220-223, 225, 227, 228, 232, 234, 235. With The Black Musketeer, The Bloodhound, Under the Stars and Bars, Battler Briton, Daring of the Mounties, The Silver Lion and The Sea Lord (Lord Nelson). 3 issues [gd], balance [vg/fn] (20)
Gandhara style (200 - 400 AD) but possibly later.A bronze Buddha, masterfully depicted in a seated position known as dhyanasana, which signifies a meditative posture. This serene figure is gracefully positioned on a double lotus base, symbolizing purity and spiritual enlightenment. The Buddha's visage emanates tranquility, with slightly downcast silver inlaid eyes that exude a sense of inner introspection. The facial features are meticulously sculpted, showcasing a pronounced nose, delicately carved lips, and thin, gracefully arched eyebrows. Elongated earlobes gracefully flank the head, symbolizing the Buddha's renunciation of worldly attachments. The head is adorned with tightly-coiled curls, forming an intricate coiffure that symbolizes wisdom and enlightenment. The Buddha's hands are positioned in the bhumisparsha mudra, a gesture commonly known as the "earth-touching" mudra. This symbolic gesture represents the moment when the Buddha called upon the earth as a witness to his enlightenment, thereby overcoming the obstacles presented by the forces of ignorance. Clad in a flowing robe, the Buddha's attire cascades elegantly down his form, with finely incised folds that add depth and texture to the sculpture. Size: L:200mm / W:130mm ; 1.47kg Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in France; previously in 1970s European collection.
Ca. 4th-3rd century AD.Constructed from silver, this bracelet follows the penannular design, featuring a round-section shank that gracefully encircles the wrist. The distinct feature of this remarkable piece lies in its finials, which take the form of intricately detailed beast heads facing each other, exuding an air of mystique and power. Size: L:75mm / W:60mm ; 30g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. early 19th century AD.A Yatagan sword with its hilt crafted from silver exhibits a distinctive eared shape. It is adorned with intricate repousse and engraving, showcasing the skilled artistry of Ottoman craftsmen. The riveted bone side panels add a touch of elegance and provide a comfortable grip for the wielder. Both sides of the blade contain silver inlay cartouches. These cartouches bear Arabic inscriptions, adding an element of cultural and symbolic significance to the weapon. This sword is accompanied by a metal-mounted leather scabbard. The scabbard provides a secure and aesthetically pleasing housing for the blade when not in use. Yatagan swords, renowned for their unique design and functionality, played a prominent role in the military and cultural history of the Ottoman Empire. These swords typically feature a slightly curved, single-edged blade that tapers to a point and widens towards the hilt. The elegant curve of the blade allowed for effective slashing and thrusting maneuvers, making the Yatagan sword a formidable weapon. Size: L:790mm / W:60mm ; 950g Provenance: Private collection of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 500-400 BC.Crafted from silver, this penannular-type bracelet features a rounded exterior, emphasizing its elegant and graceful form. The central section of the bracelet is embellished with ribbed collars and raised trefoil-shaped decors. The finials of the bracelet taper and flatten, further enhancing the aesthetic appeal and wearability of the piece. These finials are adorned with applied coiled collars and stylized snake heads. Size: L:70mm / W:70mm ; 100g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. 1100-1200 AD.A large ewer, crafted with remarkable skill and precision. Its cylindrical body is adorned with intricate ribbing, standing on a flared concave foot, adding a majestic aura to its presence. Rising from a flat shoulder is a tall neck, boasting a prominent spout. To the rear, an arched handle connects the neck to the body. The Islamic world was renowned for its mastery of metalwork, from bronze and brass to silver and gold. The art of the metalworker was highly valued, and their creations were coveted by rulers and elites alike. Islamic metalwork is distinguished by its intricate patterns, calligraphy, and symbolic motifs, which speak to the richness of Islamic culture and the artistry of its people. Cf. Georgian National Museum, S. Janashia Museum of Georgia (135). Size: L:360mm / W:180mm ; 1.37kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200 AD.A silver archer's ring exhibits a subtle curvature on its exterior, conforming to the contours of the archer's finger. Contrasting with the rounded exterior, the interior surface remains flat, ensuring a comfortable fit during prolonged use. Notably, the ring features a distinctive triangular extension adorned with relief decorations, adding a touch of visual splendour to this practical accessory. Archer's rings held a vital role within the medieval archery tradition, serving as a protective aid for archers during the act of drawing their bows. By providing a smooth surface against which the bowstring could slide, the archer's ring minimized friction and allowed for a more fluid release of the arrow. This facilitated enhanced accuracy and improved the archer's overall performance. Moreover, the popularity of archer's rings extended beyond their functional significance. These rings became symbols of prowess and expertise in archery, cherished possessions among archers and emblematic of their dedication to the martial discipline. Size: L:mm / W:Fmm ; 2.85g Provenance: Private London collection, pre-2000s.
Ca. 600-800 AD.Constructed from silver, this ring features a flat-section band that adds both structural integrity and a sleek aesthetic to the design. The circular bezel is the centerpiece of the ring, meticulously engraved with an inscription, possibly carrying profound meanings or personal significance for the wearer. In the Byzantine world, rings were cherished objects, often employed as symbols of status, faith, and individual identity. Size: L:9 3/4mm / W:Tmm ; 6.73g Provenance: Private London collection, pre-2000s.
Ca. 100-300 AD.A silver ligula spoon with a stunning pear-shaped bowl gracefully joined with a slender, exquisitely detailed handle. The bowl features a smooth and elegant contour, with a delicate lip for graceful pouring and a well-balanced weight. The handle is a masterful work of art, adorned with intricate details and fine engravings, adding a touch of sophistication to this exceptional piece. The ligula spoon was an essential item in the Roman world, primarily used for serving and sampling food and drinks at banquets and feasts. The pear-shaped bowl design was particularly popular, allowing for an easy transfer of liquids and pastes. The delicate handle, often decorated with ornate patterns, added a touch of elegance to the dining experience. Size: L:230mm / W:45mm ; 55g Provenance: Private collection of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. 600 AD.A museum-quality silver vessel comprising a deep hemispherical bowl on a sloping ring base. Bowls like this were used for pouring libations to the gods as well as during feasting. For a similar see The Metropolitan Museum of Art, New York - Accession Number: 62.46. Item comes with a professional historical report from Ancient Report Specialists. Size: L:55mm / W:120mm ; 120g Provenance: Property of a London Ancient Art gallery; formerly in Welbank collection since 1980s.
Ca. 100-200 AD.A T-shaped silver fibula exhibits a deep bow that grants it a pronounced curvature, contributing to its structural integrity and aesthetic appeal. Adorned with a decorative bar-shaped head plate, this fibula attests to the skilled craftsmanship and attention to detail prevalent in Roman metalwork. The footplate of the fibula features a meticulously designed catch, fashioned to secure a pin, ensuring the garment remains fastened with elegance and reliability. As essential components of attire, fibulas served both practical and ornamental purposes, reflecting the social status and fashion sensibilities of their wearers. Size: L:40mm / W:26mm ; 5g Provenance: Private London collection; formerly acquired in the US in the 1990s.
PHOTOGRAPHY BOOKS - BERT STERN; ROBERT CAPA; STEVE BACCON Comprising; Capa in Color, Cynthia Young, International Center of Photography, New York & Delmonico Books, 2014 Eros Volume One, Number Three, Ralph Ginzburg (ed.), Eros Magazine, 1962 Expressions, Steve Baccon, HaperCollins Publishers Australia Pty Limited, Australia 2011 Face to Face, Camilla McGrath, Alfred A. Knopf, Inc., New York 2020 Bert Stern, Fotografie Photographer, Gina Lollobrigida, Damiani, Bologna 2009 The Silver Age, Billy Name, Reel Art Press, London 2014 Yousuf Karsh, Fotografie (8) The largest: 36.5cm high x 28cm wide Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Collection of four silver and CZ rings all of different designs weighing 7.62 grams collectivleySilver and single CZ ring - weight 1.13 grams size LSilver and double stone ring - weight 3.06 grams size KSilver and three stone ring - weight1.83 grams size K 1/2Silver bar stone set ring (missing 1 stone) - weight1.65 grams size L1/2
Collection of four boxed silver statement rings all set with different stones and in different styles, this lot has a combined weight of 30.56 gramsThe blue stone ring is a size S.The light purple stone ring is a size T.The fancy cross ring is a size S.The two tone ring is a size T.
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2466194 item(s)/page