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*Beecham. An album containing sixteen mounted vintage gelatin silver prints of Beecham’s Works at St. Helen’s, Lancashire, c. 1930, mostly featuring women factory workers, on the production line, 19 x 24 cm, uncaptioned, contemp. cloth, sl. rubbed, oblong folio (1)
*Pilkington Brothers. A collection of seventy vintage gelatin silver print photos, c. 1923-30, showing the buildings and glass making at the factories in Birmingham, Bradford, Bristol, Glasgow, Leeds, Liverpool (?), London, Nottingham, Sheffield, and Southampton, most with wetstamps to versos, some with captions and all with neat captions on card, tipped onto margin versos, 24 x 29cm and similar, plus a contemp. related printed leaflet. Pilkington, the largest glass manufacturer in the United Kingdom, was founded in 1826 as a partnership by the Pilkington and Greenall families, and was based in St. Helens, Lancashire. (70)
[Doyle, Arthur Conan]. Harper’s Weekly January 7-June 4 & July 1-December 30, 2 vols., New York, 1893, containing the following Sherlock Holmes stories: ‘The Adventure of the Cardboard Box’ (Jan 14), ‘The Adventure of the Yellow Face’ (Feb 11), ‘The Adventure of Silver Blaze’ (Feb 25), ‘Stockbroker’s Clerk’ (Mar 11), ‘Gloria Scott’ (Apr 15), ‘The Musgrave Ritual’ (May 13), ‘The Reigate Puzzle’ (Jun 17), ‘Adventure of the Crooked Man’ (Jul 8), ‘The Resident Patient’ (Aug 12), ‘The Greek Interpreter’ (Sep 16), ‘The Naval Treaty’ Parts 1 & 2 (Oct 14 & 21), contemporary half calf, rubbed, folio (2)
Lace. Three albums containing mounted lace samples, early 20th c., two albums with approx. 100pp. each, the third with approx. 50pp., all with blue leaves, with gilt decoration to gutter and fore-margins, all with between one and fourteen lace samples to a page, some wide and some narrow, incl. black, white, cream, gold and silver, and coloured samples, many with contemp. ms. number label, some marginal pencil annotations in French, orig. cloth, rubbed and some wear, folio, together with two other early 20th c. books of lace samples, each with ten thick green card leaves, the two books together containing approx. fifty mounted lace samples, with ms. captions in French in white ink, some samples missing, and some detached, leaves loose in orig. cloth (lacking braid tie), soiled, titled ‘Dentelles’ on upper covers, oblong folio (5)
Prisse d’Avennes (Achille Constant Theodore Emile). La Decoration Arabe, Paris, 1885, 98 mostly chromolithographed plates (complete), numbered 1-110, some double-page and heightned in gold and silver, scattered light spotting, original cloth, joints and edges rubbed, folio (1)
KEITH MURRAY FOR WEDGWOOD `MOONSTONE` DINNER SERVICE comprising 5 dinner plates; 6 side plates; a fish plate and a soup plate; three graduated oval serving dishes, largest 42cm across; 4 twin-handled soup bowls and stands, a vegetable dish and cover, 29cm across; 2 sauce boats, covers and stands, 190cm across, each with fluted decoration, glazed in white with applied silver banding, printed marks; together with KEITH MURRAY FOR WEDGWOOD `MOONSTONE` DINNER SERVICE, comprising 6 dinner plates; 6 fish plates; 6 side plates; three graduated oval serving dishes, largest 37cm across; 6 twin-handled soup bowls and stands, a vegetable dish and cover, 29cm across; a sauce boat, cover and stand, 190cm across, each with fluted decoration, glazed in celadon green, printed marks (qty)
COLLECTION OF JEWELLERY to include a BERNARD INSTONE RING, stamped SILVER B.I for Bernard Instone, with decorative scrolling border; A BROOCH STAMPED HVOLRIS SMYKKET, also of scroll design, decorated with two stylised animal heads and punched circular borders; AND ANOTHER BROOCH stamped indistinctly, designed as a winged beaked creature eating a frog (3)
SILVER AND ENAMEL PENDANT NECKLACE, DATED 1970 maker`s mark PM, the pendant of lobed swivelling design, decorated to the front with red, orange and purple enamel, the reverse with blue, purple and red enamel, suspended from a curved bar and fancy flat link chain, hallmarked London 1970 Length from back to tip of pedant 40cm
UNI DAVID-ANDERSEN NORWEGIAN SILVER AND ENAMELLED BROOCH, 1960S stamped UNI D-A NORWAY 925 S STERLING, of open geometric design, composed of deep blue and black enamelled rectangular motifs, interspersed by smaller polished silver similarly shaped motifs 5.8cm x 2.8cm Entitled `Silverklang` (Sound of Silver), this brooch was designed as part of The Silver Series, launched as a collection in 1966. The collection sought to radically re-shape traditional Norwegian enamel jewellery, which typically was covered with enamel all over the surface. The new designs featured enamelled decoration alongside the polished metal surface. The series consisted of fifteen items of jewellery by three designers including Bjorn Sigurd Ostern and Marianne Berg as well as Uni David-Andersen.
GEORG JENSEN SILVER BEAKER, CIRCA 1904-1929 of simple form with flared rim and on panelled foot, with engraved initial C&N flanked by 1904 - 1929, stamped marks, 8.5cm high; together with a modern Danish chamber stick (2) 228 KAI BOJESEN PIERCED BON BON DISH, CIRCA 1913 the shaped oval outline with part beaded rim and simple integral handles, the base pierced with simple interlace design, raised on four ball feet 15.5cm wide
CHRISTOPHER DRESSER (MANNER OF) FOR HUKIN & HEATH (JOHN THOMAS HEATH & JOHN HARTSHORNE MIDDLETON) SILVER MOUNTED GLASS WINE CARAFE, DATED 1887 the square dimpled glass body cut allover with facets, the collar with a cylindrical lidded mount and spout and with angular handle in textured silver, hallmarks for 1897 16cm high
JOSEPH MARIA OLBRICH MAHOGANY MANTEL CLOCK, CIRCA 1900 the circular silver dial with twin train movement enclosed within shaped mahogany face with exposed pendulum 51cm high Literature: `The Norwest Collection: Modernist Design 1880-1940`, pub Antique Collectors Club 1998, page 110 where a smaller example is illustrated
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2466194 item(s)/page