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Lot 44

John Launois (1929 - 2002) Untitled (Steamtrain Driver), ca.1960, Vintage gelatin silver print, various credit stamps including Sunday Times Magazine, and various annotations in pencil verso, 30.5 x 25cm (12 x 97/8in.)

Lot 45

DDS. * René Burri (b. 1933) Napoli Street Dancers, Italy, 1956, Gelatin silver print, printed later, signed, titled and dated in pencil verso, 42 x 28.5cm (161/2 x 111/4in.)

Lot 46

* Robert Doisneau (1912 - 1944) L’Aeroplane de Papa, 1934, Gelatin silver print, printed later, signed in ink in the margin, titled and dated in ink in artist’s hand verso, 24.5 x 30.5cm (95/8 x 12in.)

Lot 47

* Robert Capa (1913 - 1954) A Bouquet of Flowers for General Montgomery, 1944, Vintage gelatin silver print, annotated in pencil in unknown hand with credit stamp and British News Service Brazil Bureau stamp and a mounted paper caption verso, 12.7 x 12.2cm (5 x 47/8in.)

Lot 52

Larry Towell (b. 1953) Lambton, County Ontario, 1996, Gelatin silver print, printed 2001, signed, titled and dated in pencil verso, 21.5 x 32.5cm (81/2 x 123/4in.) Provenance: Atlas Gallery, London.

Lot 53

Grace Robertson (b. 1930) The Striped Bloomers, 1954, Gelatin silver print, printed later, signed in ink in the margin, signed, titled and dated in pencil with photographer’s stamp verso. 34.9 x 25.3cm (133/8 x 10in.)

Lot 55

Norman Parkinson (1913 - 1990) The Iron Road, November, 1947, Gelatin silver print, printed later, signed recto, 49.5 x 39.2cm (191/2 x 153/8in.) This print is of Wenda the photographer’s wife wearing a coat by Aquascutum, and was published in Vogue, November 1947.

Lot 56

Bill Brandt (1904 - 1983) Air-raid Shelter in Liverpool Street Tube Station Tunnel, 1940, Gelatin silver print, printed 1970s, flush-mounted, signed in ink in the margin, 33.1 x 29.1cm (13 x 113/8in.)

Lot 57

Thurston Hopkins (b. 1913) Liverpool, 1955, Gelatin silver print, printed 1970, signed, titled and dated in ink in the margin, signed, titled, dated and annotated in pencil with credit stamp verso, 24.3 x 35.1cm (91/2 x 133/8in.)

Lot 59

Lee Miller (1907 - 1977) Models Wearing Gas Masks, 1940Toned gelatin silver print, printed later, archive blindstamp in margin, titled and dated with the Lee Miller archive stamp, signed in pencil by the artist’s son, Antony Penrose with copyright stamps verso, 26.5 x 25cm (103/8 x 97/8in.) Provenance: Lee Miller Archives.

Lot 60

Robert Capa (1913 - 1954) Omaha Beach, D-Day, 1944, Gelatin silver print, printed 1950s, titled in pencil in unknown hand, with Magnum and other press stamps verso, 16 x 24.1cm (61/4 x 91/2in.)

Lot 61

* Weegee (Arthur Fellig) (1899 - 1968) Police Raid on Undergarment Factory, 1940s, Gelatin silver print, printed early 1950s, photographer’s stamp and copyright stamp with various annotations in pencil verso, 19.6 x 24cm (73/4 x 91/2in.)

Lot 62

Weegee (Arthur Fellig) (1899 - 1968) Untitled (Body outside Police Department), ca. 1945, Vintage gelatin silver print, photographer’s credit stamp and various press stamps verso, 23 x 18cm (9 x 7in.)

Lot 63

Weegee (Arthur Fellig) (1899 - 1968) Untitled (Police with Corpse), ca.1940, Gelatin silver print, printed ca.1950, photographer’s credit stamp and various other press stamps verso, 23.3 x 18cm (91/8 x 71/8in.)

Lot 72

Emmet Gowin (b. 1941) My Cousin and Her Child at Elijah Gowin`s Funeral, near Andersonville, Virginia, 1971, Vintage gelatin silver print, signed, titled and dated in pencil on the mount, 15.8 x 15.8cm (61/4 x 61/4in.)

Lot 74

* Leonard Freed (1929 - 2006) Woman with Shovel, South Carolina, 1964, Vintage gelatin silver print, signed and dated in pencil with photographer’s credit stamps verso, 26.5 x 38.9cm (103/8 x 151/4in.)

Lot 77

Walker Evans (1903 - 1975) Fulton Market Area, New York, ca.1934, Vintage gelatin silver print, photographer’s stamp verso, with annotation in pencil, 16.2 x 20.3cm (63/8 x 8in.) Literature: Szarkowski, John, Walker Evans, 1971 p.67. This print was part of the Walker Evans retrospective show at MOMA in 1971.

Lot 80

* Josef Sudek (1896 - 1976) Rooftop View, ca. 1940, Vintage gelatin silver print, credit stamp verso, 22.9 x 17cm (9 x 63/4in.)

Lot 87

DDS. Bernd and Hilla Becher, Untitled, ca.1970, Vintage gelatin silver print, printed ca.1970s, signed by both artists in black felt-tip pen verso, 14.5 x 23cm (53/4 x 9in.)

Lot 88

DDS. Bernt and Hilla Becher, Untitled, 1976, Vintage gelatin silver print, signed and dated in pencil on the mount, 29.5 x 37.5cm (115/8 x 143/4in.)

Lot 90

Pierre Boucher (1908 - 2000) Untitled (Paris), ca. 1940, Vintage gelatin silver print, photographer’s stamp with various annotations in unknown hand in pencil verso, 27.3 x 21.5 (103/4 x 81/2in.)

Lot 91

Erwin Blumenfeld (1897 - 1969) Veiled Beauty, ca.1937, Vintage solarised ferrotyped gelatin silver print, photographer’s copyright stamp and annotated in artist’s hand in black ink verso, 30 x 18.5cm (113/4 x 71/4in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Lilliput magazine, Volume 2, No.6 June 1938 p.597.William. A. Ewing, Blumenfeld: A Fetish For Beauty, 1996, p.134.

Lot 94

Erwin Blumenfeld (1897 - 1969) Untitled, ca. 1940, Vintage solarised ferrotyped gelatin silver print, annotated in blue ink in unknown hand verso, 34 x 27cm (133/8 x 105/8in.) Provenance: Lilliput archives; by descent to the present owner. Literature: William. A. Ewing, Blumenfeld: A Fetish For Beauty, 1996, p.101.

Lot 95

Erwin Blumenfeld (1897 - 1969) The Girl with the Flaxen Hair, ca. 1938, Vintage ferrotyped gelatin silver print, annotated in pencil in unknown hand verso, 34 x 26.5cm (133/8 x 103/8in.) Provenance:Lilliput magazine archives; by descent to the present owner. Literature: Lilliput magazine, Volume 2, No.6 June 1938 p.616.

Lot 96

Erwin Blumenfeld (1897 - 1969) Eyes like the Sea, ca.1938, Vintage ferrotyped gelatin silver print, photographer’s copyright stamp verso, 30 x 24.5 (113/4 x 95/8in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Lilliput magazine, Volume 2, No.4 April 1938 p.368.The photograph is of the artist’s favourite model, Muth.

Lot 97

Erwin Blumenfeld (1897 - 1969) Eyes of Youth, ca.1938, Vintage ferrotyped gelatin silver print, 30 x 24.5 (113/4 x 95/8in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Lilliput magazine, Volume 2, No.5 May 1938 p.460.

Lot 99

Brassaï (Gyula Halász; 1899 - 1984) Untitled (City Cats), ca.1938, Unique vintage ferrotyped gelatin silver print, annotated in artist’s hand in blue ink ‘Negatif perdu unique épreuve.’with photographer’s stamp verso, 24.3 x 18cm (91/8 x 7in.) Provenance: Lilliput magazine archives; by descent to the present owner.

Lot 100

Brassaï (Gyula Halász; 1899 - 1984) Untitled (City Cats), ca. 1938, Vintage ferrotyped gelatin silver print, annotated in blue ink in unknown hand with photographer’s stamp verso, 23.5 x 18cm (91/4 x 7in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: The Bedside Lilliput, Hulton Press Ltd., 1950, p.151

Lot 101

Brassaï (Gyula Halász; 1899 - 1984) Untitled (City Cats), ca.1938, Unique ferrotyped gelatin silver print, ca.1960s, annotated in artist’s hand in purple ink, ‘Negatif perdu unique epreuve.’ with photographer’s stamp verso, 14.2 x 9.7cm (51/2 x 37/8in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: The Bedside Lilliput, Hulton Press Ltd., 1950, p.153

Lot 102

Brassaï (Gyula Halász; 1899 - 1984) Le Chat du Fleuriste, ca.1938, Vintage ferrotyped gelatin silver print, annotated in blue ink in unknown hand with photographer’s stamp verso, 22.5 x 14.5cm (87/8 x 53/4in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Patrick Modiano, Brassaï: Paris Tendresse,1990, p.44; Harper`s Bazaar, June 1946, p.93.

Lot 104

Brassaï (Gyula Halász; 1899 - 1984) Le Palais des Papes, ca.1950s, Vintage ferrotyped gelatin silver print, photographer’s stamp with negative number in blue ink verso, 21 x 15cm (81/4 x 57/8in.) Provenance: Lilliput magazine archives; by descent to the present owner.

Lot 105

Brassaï (Gyula Halász; 1899 - 1984) Villeneuve-les-Avignon, Le Fort André, ca.1950s, Vintage ferrotyped gelatin silver print, printed late 1960s, titled and annotated in black ink, ‘ Villeneuve le Avignon, Le Fort Andre,’ with photographer’s stamp and copyright stamp verso, 28.5 x 22.3cm (111/4 x 83/4in.) Provenance: Lilliput magazine archives; by descent to the present owner.

Lot 106

Brassaï (Gyula Halász; 1899 - 1984) The Pont St Benezet and the Chapelle St Nicolas, ca. early 1950s, Vintage ferrotyped gelatin silver print, photographer’s stamp and copyright stamp with negative number in blue ink verso, 24.5 x 18cm (95/8 x 7in.) Provenance: Lilliput magazine archives; by descent to the present owner.

Lot 107

Brassaï (Gyula Halász; 1899 - 1984) View of the River Rhone, ca. 1950s, Vintage ferrotyped gelatin silver print, photographer’s stamp with negative number in blue ink verso, 21.5 x 14.5cm (81/2 x 53/4in.) Provenance: Lilliput magazine archives; by descent to the present owner.

Lot 108

Brassaï (Gyula Halász; 1899 - 1984) Untitled, (Le Midi), ca.1950s, Vintage ferrotyped gelatin silver print, photographer’s stamp with negative number in artist’s hand in blue ink verso, 21 x 14.5cm (81/4 x 53/4in.) Provenance: Lilliput magazine archives; by descent to the present owner.

Lot 125

* George R. Hoxie (1907 - 1984) Solarised Legs in Stockings and Heels, ca. 1940, Vintage gelatin silver print, signed in pencil on the mount, 42.5 x 31.6cm (163/4 x 121/2in.)

Lot 127

André Kertész (1894 - 1985) Chevaux de Bois, Paris, 1929, Vintage gelatin silver print, various annotations in pencil verso, 24.5 x 18.2cm (93/4 x 71/8in.) Provenance: Ex-coll. Harry Lunn., Literature: S.A. Toth, Peintre, Marionnettiste a Montparnasse.

Lot 129

Manuel Alvarez Bravo (1902 - 2002) Se?or de Papantia, 1934, Gelatin silver print, printed ca 1975, Signed, titled and annotated in pencil verso, 39.5 x 30.5cm (151/2 x 12in.) Provenance: Private collection, London. Literature: S. Kismaric, Manuel Alvarez Bravo, 1997, p.88; Manuel Alvarez Bravo: Photographs and Memories, New York, 1997, cover; Manuel Alvarez Bravo: 100 Years, 100 Days, 2001, pl. 38.

Lot 130

* Elliot Erwitt (b. 1928) Heron Necks, 1968, Gelatin silver print, printed ca. 1970, signed in black ink in the margin and annotated in pencil verso, 21 x 31.5cm (81/4 x 123/8in.) Literature: Elliott Erwitt, Elliott Erwitt: Personal Best, 2006, teNeues, p.165.

Lot 133

Edouard Boubat (1923 - 1999) Premi?re Neige au Luxembourg, 1955, Gelatin silver print, printed 1980s, signed in ink in margin, signed, titled and dated in pencil verso, 26 x 38.2cm (101/4 x 15in.) Provenance: A gift from the artist to the present owner. Literature: Front cover of La Survivance, Edouard Boubat; Les Boubat de Boubat, Editions Belfond, 1989.

Lot 134

* Leonard Freed (1929 - 2006) St. Peter’s, Rome, 1958, Gelatin silver print, printed later, photographer’s blindstamp in the margin, signed in pencil and titled in ink verso, 33.2 x 22.5cm (131/8 x 87/8in.)

Lot 135

DDS. Andrea Altemüller (b. 1964) Regenzeit, Zanzibar, 1997, Vintage gelatin silver print, signed, titled and editioned 4/12 in pencil verso, 36 x 47cm (141/8 x 181/2in.) Provenance: Private Collection, London.

Lot 139

Edouard Boubat (1923 - 1999) Paris, 1948, Gelatin silver print, printed 1980s, signed in ink in margin, signed, titled and dated in pencil verso, 31.5 x 27.5cm (123/8 x 107/8in.) Provenance: A gift from the artist to the present owner. Literature: Edouard Boubat, Editions de la Martini?re. The photograph in the image is a portrait of the artist himself.

Lot 155

Cecil Beaton (1904 - 1980) Bernard Berenson, ca.1955, Three gelatin silver prints, photographer’s stamp and numbered in pencil verso, 26 x 24.5cm (101/4 x 95/8in.); 25.9 x 24.8cm (101/4 x 93/4in.); 19.7 x 17.3cm (73/4 x 63/4in.)

Lot 159

* Elliott Erwitt (b. 1928) New York City, 1955, Gelatin silver print, printed later, signed in ink in the margin, signed, titled and dated in pencil verso, 44.7 x 29.4cm (175/8 x 111/2in.)

Lot 160

Willy Ronis (1910 - 2009) Nu (Nude sitting on bed), 1982, Vintage gelatin silver print, dated in pencil in unknown hand with photographer’s stamp and annotation verso, 22.5 x 15cm (87/8 x 6in.) Provenance: Acquired directly from the photographer by the present owner.

Lot 161

DDS. Lewis Morley (b. 1925) Christine Keeler, 1963, Gelatin silver print, printed in 1977, signed in black ink in the margin with photographer’s blindstamp recto, signed, titled, dated and annotated printed by Lewis Morley, in black ink verso, 25.5 x 22.5cm (10 x 87/8in.) Provenance: Photographers’ Gallery, London. Literature: This image is a variant of the famous portrait of Christine Keeler from 1963, published in Lewis Morley: Photographer of the Sixties, exh. cat., National Portrait Gallery, London, 1989, cover (detail) and pl. 10; Lewis Morley: Black and White Lies, Angus & Robertson, 1992, pp.108–09.

Lot 162

DDS. Gered Mankowitz (b. 1946) Marianne Faithfull, The Salisbury Pub, London, 1964, Gelatin silver print, printed later, signed and numbered 5/50 in yellow ink, with blindstamp in the margin, 48 x 48cm (183/4 x 183/4in.)

Lot 165

DDS. Terry O’Neill (b. 1938) Raquel Welch: Stone-age sex symbol of the 60s, 1966, Vintage gelatin silver press print, various copyright and press agency stamps with cutting attached, caption reading, ‘A stone-age bikini for Raquel...’, 30 x 21cm (113/4 x 81/4in.)

Lot 166

Robert Mapplethorpe (1946 - 1989) Patti Smith, 1975, Vintage gelatin silver press print, photographer’s, reference library and date stamps (November 1975) and annotations in pencil verso, 26 x 20.3cm (101/4 x 8in.) Press cutting affixed to verso reads: Patti Smith, as an off-beat poet, is blending her lyrics and philosophy into a rock ‘n’ roll format - with little success.

Lot 170

Bert Stern (b. 1930) Marilyn Monroe, 1962, Vintage gelatin silver print, photographer’s stamp verso, 22.5 x 20cm (87/8 x 77/8in.)

Lot 172

Anonymous, Two film stills from Gentlemen Prefer Blondes, Marilyn Monroe and Rita Hayworth, 1953, Two vintage gelatin silver prints, 25.5 x 20.3cm (10 x 8in.); 16.7 x 13.2cm (61/2 x 51/4in.)

Lot 173

Andre De Dienes (1935 - 1985) Marilyn Monroe in the Bubble Bath, ca.1953, Vintage gelatin silver print, titled and dated in ink with photographer’s stamp and various other stamps verso, 18 x 14cm (71/8 x 51/2in.)

Lot 174

* Josef Breitenbach (1896 - 1984) Edith D’Amara, Munich, 1932, Vintage gelatin silver print, estate stamp verso, 22.5 x 17cm (97/8 x 65/8in.)

Lot 175

Kay Bell Reynal (1910 - 1977) Black hat, New York, ca.1950, Vintage gelatin silver print, titled in pencil recto, signed, titled, numbered and annotated in pencil verso, 34 x 26.7cm (133/8 x 101/2in.)

Lot 180

Roger Mayne (b. 1929), Francis Woolf (1908 - 1971)Don Schlitten, (b. 1932) 3 Jazz portraits, c.1955, Three vintage gelatin silver prints by different photographers, all with photographer’s credit stamp verso, 18.3 x 14cm (71/4 x 51/2in.); 16 x 11.3cm (61/4 x 43/8in.); 24.1 x 19.2cm (91/2 x 75/8in.)

Lot 182

Osvaldo Salas (1914 - 1992) Che with camera, 1962, Gelatin silver print, printed 1985 by Roberto Salas, signed and dated in black ink with artist’s blindstamp in margin, 25.5 x 34.5cm (10 x 131/2in.)

Lot 185

Malick Sidibé (b. 1935) Les Saisonniers á Bamako, 1975, Gelatin silver print, printed 2010, signed, titled and dated in ink in the margin, 42.5 x 42. 5cm (163/4 x 163/4in.) Provenance: Acquired directly from the artist by the present owner.

Lot 190

Bob Carlos Clarke (1950 - 2006) Untitled, 1984, Vintage gelatin silver print, flush-mounted, signed in ink on mount recto, 47.5 x 31.9cm (183/4 x 121/2in.) Provenance: A gift from the photographer to the current owner.

Lot 191

Bob Carlos Clarke (1950 - 2006) Kiss Me, 1984, Vintage gelatin silver print, flush-mounted, signed and titled on mount recto, 31 x 48.5cm (111/4 x 19in.) Provenance: A gift from the photographer to the current owner.

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