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* Robert Capa (1913 - 1954) A Bouquet of Flowers for General Montgomery, 1944, Vintage gelatin silver print, annotated in pencil in unknown hand with credit stamp and British News Service Brazil Bureau stamp and a mounted paper caption verso, 12.7 x 12.2cm (5 x 47/8in.)
Norman Parkinson (1913 - 1990) The Iron Road, November, 1947, Gelatin silver print, printed later, signed recto, 49.5 x 39.2cm (191/2 x 153/8in.) This print is of Wenda the photographer’s wife wearing a coat by Aquascutum, and was published in Vogue, November 1947.
Lee Miller (1907 - 1977) Models Wearing Gas Masks, 1940Toned gelatin silver print, printed later, archive blindstamp in margin, titled and dated with the Lee Miller archive stamp, signed in pencil by the artist’s son, Antony Penrose with copyright stamps verso, 26.5 x 25cm (103/8 x 97/8in.) Provenance: Lee Miller Archives.
Walker Evans (1903 - 1975) Fulton Market Area, New York, ca.1934, Vintage gelatin silver print, photographer’s stamp verso, with annotation in pencil, 16.2 x 20.3cm (63/8 x 8in.) Literature: Szarkowski, John, Walker Evans, 1971 p.67. This print was part of the Walker Evans retrospective show at MOMA in 1971.
Erwin Blumenfeld (1897 - 1969) Veiled Beauty, ca.1937, Vintage solarised ferrotyped gelatin silver print, photographer’s copyright stamp and annotated in artist’s hand in black ink verso, 30 x 18.5cm (113/4 x 71/4in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Lilliput magazine, Volume 2, No.6 June 1938 p.597.William. A. Ewing, Blumenfeld: A Fetish For Beauty, 1996, p.134.
Erwin Blumenfeld (1897 - 1969) Untitled, ca. 1940, Vintage solarised ferrotyped gelatin silver print, annotated in blue ink in unknown hand verso, 34 x 27cm (133/8 x 105/8in.) Provenance: Lilliput archives; by descent to the present owner. Literature: William. A. Ewing, Blumenfeld: A Fetish For Beauty, 1996, p.101.
Erwin Blumenfeld (1897 - 1969) The Girl with the Flaxen Hair, ca. 1938, Vintage ferrotyped gelatin silver print, annotated in pencil in unknown hand verso, 34 x 26.5cm (133/8 x 103/8in.) Provenance:Lilliput magazine archives; by descent to the present owner. Literature: Lilliput magazine, Volume 2, No.6 June 1938 p.616.
Erwin Blumenfeld (1897 - 1969) Eyes like the Sea, ca.1938, Vintage ferrotyped gelatin silver print, photographer’s copyright stamp verso, 30 x 24.5 (113/4 x 95/8in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Lilliput magazine, Volume 2, No.4 April 1938 p.368.The photograph is of the artist’s favourite model, Muth.
Brassaï (Gyula Halász; 1899 - 1984) Untitled (City Cats), ca.1938, Unique vintage ferrotyped gelatin silver print, annotated in artist’s hand in blue ink ‘Negatif perdu unique épreuve.’with photographer’s stamp verso, 24.3 x 18cm (91/8 x 7in.) Provenance: Lilliput magazine archives; by descent to the present owner.
Brassaï (Gyula Halász; 1899 - 1984) Untitled (City Cats), ca. 1938, Vintage ferrotyped gelatin silver print, annotated in blue ink in unknown hand with photographer’s stamp verso, 23.5 x 18cm (91/4 x 7in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: The Bedside Lilliput, Hulton Press Ltd., 1950, p.151
Brassaï (Gyula Halász; 1899 - 1984) Untitled (City Cats), ca.1938, Unique ferrotyped gelatin silver print, ca.1960s, annotated in artist’s hand in purple ink, ‘Negatif perdu unique epreuve.’ with photographer’s stamp verso, 14.2 x 9.7cm (51/2 x 37/8in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: The Bedside Lilliput, Hulton Press Ltd., 1950, p.153
Brassaï (Gyula Halász; 1899 - 1984) Le Chat du Fleuriste, ca.1938, Vintage ferrotyped gelatin silver print, annotated in blue ink in unknown hand with photographer’s stamp verso, 22.5 x 14.5cm (87/8 x 53/4in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Patrick Modiano, Brassaï: Paris Tendresse,1990, p.44; Harper`s Bazaar, June 1946, p.93.
Brassaï (Gyula Halász; 1899 - 1984) Le Palais des Papes, ca.1950s, Vintage ferrotyped gelatin silver print, photographer’s stamp with negative number in blue ink verso, 21 x 15cm (81/4 x 57/8in.) Provenance: Lilliput magazine archives; by descent to the present owner.
Brassaï (Gyula Halász; 1899 - 1984) Villeneuve-les-Avignon, Le Fort André, ca.1950s, Vintage ferrotyped gelatin silver print, printed late 1960s, titled and annotated in black ink, ‘ Villeneuve le Avignon, Le Fort Andre,’ with photographer’s stamp and copyright stamp verso, 28.5 x 22.3cm (111/4 x 83/4in.) Provenance: Lilliput magazine archives; by descent to the present owner.
Brassaï (Gyula Halász; 1899 - 1984) The Pont St Benezet and the Chapelle St Nicolas, ca. early 1950s, Vintage ferrotyped gelatin silver print, photographer’s stamp and copyright stamp with negative number in blue ink verso, 24.5 x 18cm (95/8 x 7in.) Provenance: Lilliput magazine archives; by descent to the present owner.
Brassaï (Gyula Halász; 1899 - 1984) View of the River Rhone, ca. 1950s, Vintage ferrotyped gelatin silver print, photographer’s stamp with negative number in blue ink verso, 21.5 x 14.5cm (81/2 x 53/4in.) Provenance: Lilliput magazine archives; by descent to the present owner.
Brassaï (Gyula Halász; 1899 - 1984) Untitled, (Le Midi), ca.1950s, Vintage ferrotyped gelatin silver print, photographer’s stamp with negative number in artist’s hand in blue ink verso, 21 x 14.5cm (81/4 x 53/4in.) Provenance: Lilliput magazine archives; by descent to the present owner.
Manuel Alvarez Bravo (1902 - 2002) Se?or de Papantia, 1934, Gelatin silver print, printed ca 1975, Signed, titled and annotated in pencil verso, 39.5 x 30.5cm (151/2 x 12in.) Provenance: Private collection, London. Literature: S. Kismaric, Manuel Alvarez Bravo, 1997, p.88; Manuel Alvarez Bravo: Photographs and Memories, New York, 1997, cover; Manuel Alvarez Bravo: 100 Years, 100 Days, 2001, pl. 38.
Edouard Boubat (1923 - 1999) Premi?re Neige au Luxembourg, 1955, Gelatin silver print, printed 1980s, signed in ink in margin, signed, titled and dated in pencil verso, 26 x 38.2cm (101/4 x 15in.) Provenance: A gift from the artist to the present owner. Literature: Front cover of La Survivance, Edouard Boubat; Les Boubat de Boubat, Editions Belfond, 1989.
Edouard Boubat (1923 - 1999) Paris, 1948, Gelatin silver print, printed 1980s, signed in ink in margin, signed, titled and dated in pencil verso, 31.5 x 27.5cm (123/8 x 107/8in.) Provenance: A gift from the artist to the present owner. Literature: Edouard Boubat, Editions de la Martini?re. The photograph in the image is a portrait of the artist himself.
Willy Ronis (1910 - 2009) Nu (Nude sitting on bed), 1982, Vintage gelatin silver print, dated in pencil in unknown hand with photographer’s stamp and annotation verso, 22.5 x 15cm (87/8 x 6in.) Provenance: Acquired directly from the photographer by the present owner.
DDS. Lewis Morley (b. 1925) Christine Keeler, 1963, Gelatin silver print, printed in 1977, signed in black ink in the margin with photographer’s blindstamp recto, signed, titled, dated and annotated printed by Lewis Morley, in black ink verso, 25.5 x 22.5cm (10 x 87/8in.) Provenance: Photographers’ Gallery, London. Literature: This image is a variant of the famous portrait of Christine Keeler from 1963, published in Lewis Morley: Photographer of the Sixties, exh. cat., National Portrait Gallery, London, 1989, cover (detail) and pl. 10; Lewis Morley: Black and White Lies, Angus & Robertson, 1992, pp.108–09.
DDS. Terry O’Neill (b. 1938) Raquel Welch: Stone-age sex symbol of the 60s, 1966, Vintage gelatin silver press print, various copyright and press agency stamps with cutting attached, caption reading, ‘A stone-age bikini for Raquel...’, 30 x 21cm (113/4 x 81/4in.)
Robert Mapplethorpe (1946 - 1989) Patti Smith, 1975, Vintage gelatin silver press print, photographer’s, reference library and date stamps (November 1975) and annotations in pencil verso, 26 x 20.3cm (101/4 x 8in.) Press cutting affixed to verso reads: Patti Smith, as an off-beat poet, is blending her lyrics and philosophy into a rock ‘n’ roll format - with little success.
Roger Mayne (b. 1929), Francis Woolf (1908 - 1971)Don Schlitten, (b. 1932) 3 Jazz portraits, c.1955, Three vintage gelatin silver prints by different photographers, all with photographer’s credit stamp verso, 18.3 x 14cm (71/4 x 51/2in.); 16 x 11.3cm (61/4 x 43/8in.); 24.1 x 19.2cm (91/2 x 75/8in.)
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2466194 item(s)/page