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Click here to subscribeA diamond demi-parure, late 19th century and later, comprising: a brooch, designed as a spray of wild rose, set with circular-cut, cushion-shaped and rose-cut diamonds, length 7.5cm, mounted in silver and gold, later rhodium plating and brooch fitting, and a pair of 20th century earrings of similar design, set with brilliant- and single-cut diamonds, diameter 2.1cm each, post fittings
A Victorian pearl, enamel and diamond bangle, mid 19th century, designed as a snake applied with blue enamel, its hinged body winding around the wrist, set with rose-cut and cushion-shaped diamonds and three pearls, its eyes set with cabochon rubies, mounted in silver and gold, inner circumference 14.5cm, expandableA verbal report from GCS stated that the pearls are natural saltwater
A Victorian ruby, pearl and diamond brooch, circa 1890, designed as a crescent moon set with cushion-shaped rubies and circular-cut diamonds, encircling a pearl, to a bar brooch claw-set to each end with a cushion-shaped ruby, mounted in silver and gold, length 4.7cm, pearl untested
A pearl, enamel and diamond brooch, circa 1900, designed as a heart, applied with deep blue and white enamel, centring on a half pearl within a border of circular-cut diamonds, surmounted by a ribbon bow motif set with additional circular-cut diamonds, mounted in silver and gold, length 2.7cm, pearl untested
An enamel and diamond brooch, early 20th century, designed as a ribbon bow set with circular-cut diamonds, suspending a heart-shaped locket pendant applied with green guilloché enamel, centring on a cushion-shaped diamond, mounted in silver and gold, measuring 2.4 x 2.3cm, case
A pair of paste shoe buckles, late 18th century, and a collection of buttons, 18th-early 20th century, comprising: a pair of silver shoe buckles set with cushion-shaped colourless pastes, length 5cm each, later brooch fittings; an additional paste shoe buckle; a glass moulded intaglio brooch; and a collection of buttons, including examples of cut steel, mother of pearl, gilt metal and enamel, and glass; and a set of six silver Art Nouveau buttons, British hallmarks for 1907, fitted case
A Belle Epoque emerald, pearl and diamond pendant, circa 1900, of ribbon bow design, mounted in silver and gold, set with rose-cut diamonds and cushion-shaped and step-cut emeralds, accented with pearls, to a fine link platinum chain, pendant length 5.9cm, chain length 42cm, pearls untested
A collection of rings, comprising: two ruby rings, an onyx signet ring; two turquoise rings; a sapphire and diamond ring; a gold buckle ring set with a colourless paste; a garnet and seed pearl cluster ring; a pale blue chalcedony ring; three garnet rings; a cabochon moonstone ring; a ring set with a cabochon moonstone and circular-cut garnets; two seed pearl cluster rings; a black enamel memorial ring reading 'Memory'; a gold ring of knotted design; a gold and elephant hair ring; a synthetic ruby ring; a lapis lazuli intaglio ring; and a garnet intaglio ring, each mounted in gold, sizes K-S1/2, nine with British hallmarks for gold; together with a silver ring set with cushion-shaped pastes, size N1/2
Boucheron, a rare enamel, ruby and diamond desk timepiece, early 20th century, the circular white enamel dial inscribed '8 Jours', with black enamel indicators and gold hands, within a border of rose-cut diamonds to a gilt silver case designed in the Rococo revival style on four cabriole legs, applied to the front and sides with pink guilloché enamel, accented by floral motifs set with cabochon rubies, measuring 8.5 x 5.6 x 2.4cm, reverse signed Boucheron, French sponsor's mark LK with cockerel, French assay marks for silver, stamped 900, gilt metal winding key, original fitted case stamped Boucheron
Charles Rivaud, an Art Nouveau silver, gold and enamel pendant, France, circa 1900, the oval pendant with a depiction of the Madonna and Child in shallow relief in silver, within a foliate openwork mount applied with dark blue enamel, accented with half pearls, length 4.8cm, French assay mark for gold and partial French maker's mark for Charles RivaudCf.: Beatriz Chadour-Sampson & Sonya Newell-Smith, Tadema Gallery London Jewellery from the 1860s to 1960s, Arnoldsche Art Publishers, Stuttgart 2021, p. 175, for a similar example
A Victorian diamond pendant/brooch, late 19th century, designed as an openwork flower, set with circular-cut diamonds, mounted in silver and gold, to a later 9ct gold chain necklace, pendant length 2.9cm, chain length 52cm, later brooch fitting, chain with British hallmark and Italian maker's mark
GT Marsh & Co., a silver and carnelian bracelet, designed in the Chinoiserie style, set with panels of carnelian carved with designs of birds among flowers, spaced by geometric openwork links in silver, length 17.5cm, signed GT Marsh & Co.GT Marsh & Co. was established in San Francisco in 1876 by George Turner Marsh, an Australian who had emigrated to America via Japan. One of the earliest US galleries specialising in Japanese art, by the 1930s GT Marsh & Co were also producing highly distinctive Art Deco jewels, famed for their unique blackened metal and strikingly modern aesthetic, and jewels such as the present bracelet, infused with the founder's passion for East Asian decorative arts.
An unusual Art Nouveau silver and gem-set pendant, early 20th century, designed as a standing bird, possibly a shoebill, amongst abstract foliate scrolls intermingled with human faces, set with a step-cut emerald and cushion-shaped rubies, suspending a mask pendant, length 9.5cm, mask pendant possibly later
A group of jewellery, 19th and early 20th century, comprising: a ruby and diamond cluster ring, mounted in gold, size O; a bar brooch designed as a swallow, set with rose-cut diamonds, mounted in silver and gold, length 4.7cm, one stone replaced with paste; an enamel and seed pearl horseshoe bar brooch, fitted case; an amethyst cluster ring; a shell cameo ring; a garnet cabochon and gold ring; a gold and smoky quartz fob seal; a pair of mourning earrings; a rock crystal pendant; an enamel and simulant pearl brooch; a carnelian and gilt metal hook pendant; a mourning brooch with vacant glazed compartment; three gilt metal locket pendants; an Arts and Crafts silver and enamel brooch, stamped 800 Silver; and three watches
A group of cultured pearl jewels, comprising: a brooch, set with three cultured pearls of gold, grey and white tint, connected by lines of brilliant-cut diamonds in white gold, accented with circular-cut pink sapphires, length 5.8cm, 750 18K; a brooch and a ring, each set with cultured mabé pearls, the brooch set with brilliant-cut and baguette diamonds, each mounted in white gold, brooch length 3.9cm, ring size K; a cultured pearl and silver ring, size I1/2; a gilt metal ring designed as interconnected hoops, size H1/2; a pair of cultured pearl stud earrings; and four cultured pearl necklaces, one with a gold clasp, length 43cm, stamped 14K
A group of jewellery, including a Tiffany & Co. demi-parure, comprising: a hematite, cultured pearl, gold and onyx necklace, suspending a heart-shaped gold and onyx pendant, length 41cm, pendant length 4cm, signed KMcD for Kiki McDonaugh, partial British hallmark; a pair of gold, citrine and onyx earrings by Kiki McDonaugh, length 3.1cm each, clip and post fittings, signed KMcD, British hallmarks for 9ct gold; a ruby and diamond turtle brooch, length 4.3cm; an oval citrine and half cultured pearl brooch, length 3.2cm, two cultured pearls deficient; a silver 'X'-shaped demi-parure of brooch and earrings by Paloma Picasso for Tiffany & Co., brooch length 6.2cm, earrings each 3cm, each signed Paloma Picasso and Tiffany & Co., stamped 925 for silver, a gilt metal watch by Chanel, length 18cm, quartz movement; and a bicoloured platinum and gold ring, size L1/2
λ A pair of Royal portrait miniature rings, Portugal, circa 1785, each of elongated rectangular outline, containing an ivory miniature of Dom João, later King John VI of Portugal (1767-1826) and his mother, Queen Maria I of Portugal (1734-1816), each outlined with cushion-shaped diamonds, mounted in silver and gold, each size M, miniatures measuring approximately 3.0 x 1.9cm, original fitted presentation caseIt is possible that these rings were made around 1785 or shortly after, possibly as a diplomatic or personal gift, as the young prince can be seen wearing the Order of the Golden Fleece, bestowed upon him on the occasion of his marriage into the Spanish royal family that year, to the Infanta Carlota Joaquina of Spain. The two figures also wear the early green and red sash of the Three Military Orders, the design of which was changed in 1796. In 1788, Dom João's older brother Dom José died of smallpox, and Dom João became heir to the Portuguese throne. He took over from his mother as regent in 1799, and succeeded to the throne in 1816. The portrait of the Dom João is possibly an embellished version of a painting by Giuseppe Troni, a copy of which can be seen in the British Royal Collection, ref. RCIN 406047, and the portrait of Queen Maria is based on a painted likeness of her dated to circa 1785/6, reproduced by the engraver Gaspar Fróis Machado, a copy of which can be see in the Biblioteca Nacional de Portugal, ref. E. 236 A.
An unusual convertible diamond bangle/pair of brooches, late 19th century, the hinged gold bangle of knife wire construction, centring on a pair of floral openwork clusters set with rose-cut and cushion-shaped diamonds, detaching to form a pair of brooches, mounted in silver and gold, inner circumference of bangle 15.8cm, brooches each 2.5 x 2.3cm
Cartier, two lady's wristwatches, 'Must de Cartier', comprising: a gilt silver Vendôme ref.1851, case width 2.4cm, quartz movement, signed Cartier, numbered CC113462, Swiss assay marks, Cartier maker's mark, original box and papers; and a stainless steel Ronde ref.2933, case width 2.9cm, signed Cartier, quartz movement, pouch stamped Cartier
An attractive Victorian garnet and diamond pendant/brooch, late 19th century, of floral design, centring on a cushion-shaped pyrope/almandine garnet weighing approximately 4.00 carats, within a border of circular-cut diamonds totalling approximately 4.00 carats, mounted in silver and gold, length 4.6cm including diamond bail fitting, brooch fitting detachable
An Art Nouveau peridot and diamond pendant, circa 1900, of negligée design, set with a cushion-shaped peridot and suspending two pear-shaped peridot pendants, circular-cut diamonds and a pearl, mounted in silver and gold, pendant length 6.3cm, chain length 32cm, pearl untested, case
A spinel and diamond bracelet, France, late 19th century, composed of scrolled and pointed links in alternation, set with cushion-shaped diamonds and red spinels, mounted in silver and gold, length 20.4cm, French assay mark for gold, indistinct French maker's mark, numbered 798, together with back chain enabling it to be worn as a choker, fitted case stamped Tessier
A collection of jewels and accessories including a turquoise and pearl charm, possibly retailed by Cartier, early 20th century, comprising: a charm pendant designed as a bird in carved turquoise, surmounted by a pearl, length 1.6cm, unsigned, pearl untested, case stamped Cartier Ltd; an Art Deco eight-day travel clock in a folding leather display case by LeCoultre, dial 5.3 x 4.6cm; another by Malcolm; dial 5.5cm diameter, glass detached, case initialled EL beneath a marquess' coronet; a foiled blue paste and seed pearl wreath brooch, 3.1cm diameter, case stamped Asprey; a similar seed pearl and foiled yellow paste cluster brooch, 2.9cm diameter, case stamped W Phillips; an Egyptian revival flexible coiled snake bracelet applied with blue and orange enamel; a gold pendant necklace designed as an owl perched within a hoop, suspended by chains from a pearl, to a fine chain necklace, length 36cm, pendant length 3.7cm, stamped 9CT, pearl untested, case stamped Vickery; a silver flask, height 8.9cm, British hallmark for silver, 1916; an amethyst and seed pearl brooch, fittings deficient; and an oval amethyst pendant, pendant length 2.7cm, stamped 14CT, on a black cord
Royal Marines Hollow Silver Regimental Crescent Moon Sweetheart Brooch This example with silver hallmarks for Birmingham 1905. Complete with hook and pin fitting ... Accompanied by hollow silver anchor brooch "RND" Royal Naval Division. Complete with pin and hook stamped Sterling Silver ... Also a WW1 period Royal Marine Artillery white faced enamel and gilt brooch. Complete with pin and hook fitting. (3 items)
1918 Royal Air Force Officer’s 1st pattern RAF cap badge by Gaunt. A scarce example introduced in April 1918. Silver gilt crown, eagle and laurel spray on black felt ground with metal backing plate. Reverse bears circular brass seal of "JR Gaunt & Son Ltd, London & B’ham. Patent Applied For". GC
German Third Reich cased 1939 War Merit Cross 1st Class with swords by Rudolf Souval, Wien. Fine scarce die-cast silvered example with hinged flat tapered pin impressed L/68 and securing hook. Housed in original back fitted case, the lid impressed with silver outline of the award and lined with simulated cream silk, the base in black flock. Case hinge weak otherwise VGC
Scottish Highland Light Infantry Silver Trinket / Cigarette Box. This box is decorated to the lid with an Officer's Victorian shoulder belt plate (fittings removed). This has been mounted into a Birmingham 1934 Hallmark silver frame, with maker's details SML LTD (S.M.Levi Ltd) . GC. Size 4 1/2 x 3 1/2 x 1 1/2 inches.
German Third Reich WW2 cased War Order of the German Cross in gold by C.F. Zimmermann, Pforzheim. A fine and scarce eight pointed silver star with slightly smaller dark overlay. Mounted on the star, set on a red enamel ground, a gilt laurel wreath with 1941 at the base. Within the wreath, a silvered edged black enamel swastika set on a matt silver ground. The front secured with four open rivets, complete with hinged vertical tapered flat pin, the underside of which is stamped 20, and securing hook. Minor service wear and light scuff marks to enamel otherwise VGC. Housed in original back leatherette case, the fitted interior with simulated black velvet and cream silk, the sided of the lid with gilt line. GC Instituted by Adolf Hitler for the Wehrmacht on 29th September 1941 and designed by Professor Klien of Munich.Provenance. Found in the effects of 1805815 AC2 George Henri Wood who served from 6.5.1942 in the RAF then transferred to the Royal Signals in May 945 until demobbed in September 1947.
German Third Reich WW2 Luftwaffe Operational Flying Clasp with pendent for Day Fighters. A good scarce post 1942 die-cast 1st class unmarked example with bronze pendent (awarded for 500 operational flights). Within golden oak leaf sprays, an oak wreath with swastika to base; applied silver upward winged arrow to centre of voided wreath. Hinged horizontal tapered pin complete with hook. VGC Instituted 26th June 1942.
German Third Reich Tank Destruction arm badge / tape. Fine rare example awarded for the single-handed destruction of a tank. Magnetic Panzer MK IV mounted on silver braid strip edged on the top and bottom by black rayon line. Back plate to tank which is secured with three prongs. Back plate with some corrosion otherwise generally VGC. Established 9th March 1942.
Imperial German/ Third Reich Iron Cross group of four medals Iron Cross 1914 2nd Class (magnetic centre) ... Saxony Fredrich August Medal in silver ... 1914-18 Hindenburg Honour Cross with swords for combatants (85 R.V. PFORZHEIM)) ... Faithful Service Decoration 25 years. Mounted Germanic style, pin to reverse’. VGC (4 medals)
East Surrey Regiment attributed 1878 pattern Officer's helmet. A good post 1901 example of an Officer’s Home Service Pattern blue cloth helmet complete with gilt metal cross piece, spike and rose head bosses supporting a velvet backed chin chain. To the front, a post 1901 gilt metal helmet plate, within the Garter, the star and Arms of Guildford set on a black velvet ground. To the base of the wreath an applied silver tri-part scroll inscribed "The East Surrey Regiment" The interior with leather sweatband, with crimson silk edging and quilted lining. The leather sweatband with an ink name of G.M. ROE ESQ. Overall good clean condition. Helmet retaining all the original gilt finish. ... Contained in a correct pattern metal storage tin. Attributed to Lieutenant Colonel G.A.M. Roe who at the outbreak of the Great War was serving as a Major with the 1st Bn attached to the 1/5th Bn East Surrey Regiment and landed in France with this Battalion in August 1915. He later was promoted to the rank of Lieutenant Colonel.
Victorian / Edwardian Yeomanry Regiment Officer's Tunic. Attributed by the vendor to the Queens Own Dorset Yeomanry. Good scarce Hussar pattern full dress tunic of dark blue melton cloth,with scarlet facings to the collar and cuffs. To each breast six silver bullion gimp cord drop loops with gimp purl buttons, loop and olivettes also with concealed hook and eye fasting. Gimp cord is repeated to the back of the tunic. The interior with quilted silk lining (age wear). The tunic with some age wear, shoulder cords absent and moth damage. Bullion remains good.
German Third Reich WW2 Luftwaffe Operational Flying Clasp for Day Fighters. A good scarce die-cast 2nd class unmarked example (awarded for 60 operational flights). Within silvered oak leaf sprays, an oak wreath with swastika to base; applied silver upward winged arrow to centre of voided wreath. Hinged horizontal tapered pin complete with bant hook. GC Instituted 19th November 1941.
Austrian Officer's tunic, possibly of a Train (supply) unit A scarce dark brown tunic with deep blue facings. Two rank stars to ends of collar, and plain silver plated convex buttons. Small shoulder-button and one other missing. Minor moth damage and some fraying to cuffs. 1 button absent
German Third Reich 1939 Bar to the Iron Cross 1st Class. Fine scarce die-cast silvered example. Eagle and swastika resting on a tablet inscribed 1939. Hinged flat pin and securing hook. Housed in original case, the fitted interior with simulated black velvet and cream silk, the lid impressed with silver facsimile of the award. VGC ... associated buff cardboard outer for Iron Cross 1st Class by Steinhauer & Luck.
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