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Matchbox - A collection of 6 x boxed 1970s Superfast vehicles including # 4 Pontiac Firebird, # 9 Ford Escort RS2000, # 39 Rolls Royce Silver Shadow II and other similar models. The models all appear Near Mint to Mint in Near Mint boxes with very light storage wear. (This does not constitute a guarantee) (6)
Corgi Toys - A boxed Corgi #53 Massey Ferguson 65 Tractor with Shovel. The model with red bonnet, black and white decals, silver metal steering wheel, cream engine and rams, silver bucket and seat with red plastic hubs, appears to be in Excellent - Near Mint condition with a couple of minute marks and some age related marks to rubber tyres. The model sits in a Very Good yellow and blue picture box with some slight creasing, a small mark one one side and some general wear. (This does not constitute a guarantee)
Imogen Sheeran: Freshwater Pearl Necklace An exquisite green and olive necklace combining handmade Kashmiri metal and pine green polymer clay beads impressed with Tibetan silver findings (made from a non-precious alloy which gives the appearance of aged silver), olive-green freshwater pearls and Tibetan silver spacer beads. The necklace is designed to slip over the head with no clasp required. A beautiful necklace to wear, day or night, and a perfect present to compliment the lucky recipient’s casual or formal wear. Donated by: Imogen Sheeran T&C’s apply: Shipping can be arranged at the cost of the final bidder
Kari Chaudhry: Drop Earrings with laboratory grown green sapphire and diamonds Elegant drop earrings, beautifully handcrafted and made to order, featuring laboratory-grown and created gemstones, including a flawless pear-cut green sapphire and 2 flawless diamonds, a pear cut, and a round cut, using metals that are hypoallergenic lead & nickel free. All of the gemstones are sustainable and conflict free! Specific timeline to be discussed after initial consultation. These stunning drop earrings would make the perfect Valentine’s gift. Average Clarity: Flawless Average Colour: D-E Lab Created Stones: Green sapphire and diamonds Metal: Rhodium plated Sterling Silver. These can be made in 14k or 18k gold for an additional charge. Donated by: Kari Chaudhry http://www.kari-c.com/studio/ T&Cs Initial consultation to be arranged on a mutually agreed date with the final bidder and Kari Chaudhry for the handcrafted earrings to be made to order Rhodium plated sterling silver can be upgraded to 14 or 18k gold for an additional charge Please note colours may differ Shipping can be arranged at the cost of the winning bidder in 2022
Thomas Joshua Cooper (American, b.1946) 'Ceremonial Veil, Nesscliffe, Shropshire, England', 1976 gelatin silver print, titled and dated on label verso 11.7 x 16.5cm Provenance: Christie's, 1 Nov 1990, lot 365.Condition report: Unexamined out of glazed frame, appears to be in good condition.
Thomas Joshua Cooper (American, b.1946) 'Ritual Indication - near Alton, Staffordshire, England', 1977 gelatin silver print, titled and dated on label verso 11.7 x 16.5cm Provenance: Christie's, 1 Nov 1990, lot 364.Condition report: Not viewed out of glazed frame, appears to be in good condition.
Football Free Gifts in Comics (1969-84). Charles Buchan's Football Monthly (May 1969) wfg with Souvenir World Stars Album + insert of 20 Top Players. Scoop 4 page World Cup Bonanza Flyer and Scoop Soccer Game free gift, Champ 1 (1984) wfg Super Soccer Slide Guide and Champ No 1 Flyer, Scorcher (13.10.1973) wfg Football Wheel of Scorcher Super Stars. Shoot (6.9.1969), Shoot (22 & 29 Aug 1970) wfgs Shoot's Soccer Diary and 12 pg Data Sheet, Shoot (22.1.72) wfg Souvenir F.A. Cup Wall Chart. New Shoot (8.9.1984) wfg 2nd Division Team Ladders. Tiger (7-28 Feb 1970) wfgs My Favourite Soccer Stars Album with 24 of the 35 cards. Tiger (16 Oct-6 Nov 1971) with all free gifts Favourite Soccer Stars Album and 40 inserted photocards. Tiger and Scorcher 4 Oct 1975 Anniversary issue, 15 December 1979 Anniversary issue, 22.9.1979 wfg Silver Jubilee photo packed booklet of Sports Stars, Tiger 30th Anniversary (15.9.1984) and Xmas (1984) with Tiger Sports Library No 1 4pg Flyer. Gifts as new, flyers and comics: a few [vg], balance [fn] (22)
Ca. 900–1100 AD. Viking Age. A fine silver, coiled bracelet with overlapping terminals. In Viking society, arm rings and bracelets were not just decorative, but also served to mark bonds of loyalty between a lord and his followers in a culture where honour was a matter of life and death. Such items were also given to young men to mark their coming of age and bracelets of precious metals were also used as currency in a time before the widespread availability of coinage. Good condition. Wearable. For more information on Viking Jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala. Provenance: Private UK collection; From an old Oxford collection formed in the 1990s. Size: L:55mm / W:60mm ; 20.7g
Ca. 700–900 AD. Viking. A beautiful, solid silver neck torc. The torc has a twisted rope-like effect on the body and punched-point motifs on the terminals. Good condition. For more information on Viking jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala & Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 61-65. Provenance: Found before WW2 in East Prussia, modern Kaliningrad area of Russian Federation. In private German collection until 2000, when sold to an English dealer. Size: L: 203mm / W: 200 mm; 162.03 g
Ca. 323–300 BC. Hellenistic. A silver coin (tetradrachm) issued by Alexander III, also known as Alexander the Great, depicting Herakles in right profile on the obverse wearing the lion-head headdress symbolising the Nemean lion. The reverse of the coin shows Zeus seated on his throne holding an eagle and sceptre. The dynasty of Alexander III of Macedon (the Argeads or Temenids) purported to descend from Herakles, hence his presence on Alexander's coinage. The coin is set in a modern handmade circular sterling silver setting made exclusively for Pax Romana Gallery. Worn as a pendant, this coin makes a stunning statement piece necklace. Excellent condition; wearable. Provenance: Private UK collection; From an old British collection formed in the 1990s. Size: L:45mm / W:35mm ; 28.3g
Ca. 664 - 332 B.C. Late Dynastic Period. Egypt. An Ancient Egyptian re-strung necklace made of faience in yellow, green, blue and red disc-shaped beads. A composite amulet in a light blue glazed faience of the dwarf-bodied god Pataikos adorns the necklace. A suspension hole through the neck for suspension. In ancient Egypt, amulets were believed to have positive properties, that magically, would bestow upon its owner and wearer. Throughout Egypt’s long history, people wore amulets to avoid disease and other forms of misfortunate. Amulets were used as a magical talisman to ensure well-being and good fortune. Amulets were made in huge abundance and were inexpensive to most when crafted in faience, which was available to nearly everyone. However, other forms of amulets were made of expensive materials such as gold, silver and semi-precious stones, which were believed to be more durable and everlasting. Aside from wearing amulets during daily life for health and well-being, they were also used for the dead and were placed on the mummy or inside the bandages of the deceased. Amulets were often small, varying between mm to a 2 1/2 “. Pectoral scarabs and other forms of amulets were larger than the average funerary amulet. For amulets of Pataikos see Carol Andrews, Amulets of Ancient Egypt 1994. William Flinders Petrie, Amulets, 1914. The Brooklyn Museum https://www.brooklynmuseum.org/opencollection/objects/117565 Accession Number: 37.988E Provenance: Private UK collection; From an old Oxford collection formed in the 1990s. Size: L:255mm / W:mm ; 9.1g
136 BC. Roman Republican. A silver coin within a modern handmade circular sterling silver setting made exclusively for Pax Romana Gallery. The obverse of the coin depicts the right-facing helmeted head of Roma; to her right, the legend reads 'GRAG', which stands for Lucius Anestius Gragulus, i.e. the moneyer. The obverse shows a right-facing Jupiter in quadriga, holding sceptre and reins in his left hand and hurling thunderbolt with his right hand; below, the inscription reads 'AES ROMA'. For a very similar Roman Republican coin in the collection of the British Museum, see https://www.britishmuseum.org/collection/object/C_R-7580. See also Ghey, Leins & Crawford (2010). A catalogue of the Roman Republican Coins in the British Museum, with descriptions and chronology based on M.H. Crawford, Roman Republican Coinage (1974) (238.1.4). Provenance: Private UK collection; From an old Oxford collection formed in the 1990s. Size: L:35mm / W:25mm ; 9.8g
Ca. 400 - 200 BC. Hellenistic . A beautiful silver cup with a hemispherical bowl and an added conical foot. The rim is decorated with a band of incised motifs in the shape of concentric horizontal triangles; below, a band of vertical upside-down triangles marked with dots are reminiscent of stylised grapes. For a Hellenistic cup of similar shape recently sold at Bonhams, see https://www.bonhams.com/auctions/24251/lot/95/?category=results. Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s. Size: L:100mm / W:105mm ; 120g
Ca. 900–1100 AD. Viking Age. A beautiful twisted silver ring made by interweaving four circular silver hoops and applied twisted wire detailing with ends coiled around the shank coming together at the ring’s base. The middle of the shank features wires that twist around one another and gradually taper down to form the narrow terminals that coil around the opposite arms. Viking men and women wore silver accessories like this example as signs of wealth. They were often used as currency or deposited in rivers as offerings to the gods, though they were also buried with their owners upon death. For more information on Viking jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala & Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 61-65. Provenance: Found before WW2 in East Prussia, modern Kaliningrad area of Russian Federation. In private German collection until 2000, when sold to an English dealer. Size: L:40mm / W:30mm ; 19.7g
Ca. 300–100 BC. Celtic Iron Age. A beautiful silver ring with a thick circular band and pointed tapering terminals whose extremities rest on each other. The ancient Celts were various tribal groups living in parts of Western and Central Europe in the Late Bronze Age and through the Iron Age (c. 700 BCE to c. 400 CE). Celtic art was influenced by that of the earlier indigenous Iron Age cultures and by neighbouring cultures or trading partners like the Thracians, Scythians, Greeks, Etruscans, and Romans, and through these peoples, ideas from the Near East. Metal objects like this exquisite ring were cast, engraved, punched, traced, inlaid, and worked on using repoussé (grooving the material from behind to create a relief on the other side). Aside from jewellery, other typical Celtic art objects include ornate cauldrons, sandstone or wooden human figures, bronze shields, and animal figurines to be used as votive offerings. To find out more about the Celts and their material culture, see Aldhouse-Green, M. J. (1995). The Celtic world. London; New York: Routledge. Provenance: Private UK collection; From an old London collection formed in the 1990s. Size: D: 16.5mm / US: 6 / UK: M; 4.5g
Ca. 945 - 332 B.C. Third Intermediate Period to Late Period. Egyptian. A group of Egyptian faience antiquities including a composite /statuette of the torso of the Ibis-headed god Thoth who was patron of scribes and the recorder of the decision of the deceased in the weighing of the heart ceremony in the Book of the Dead. Richly formed in a dark green glazed faience upon a trapozeidal base. Arms raised at the chest holding writing implements. In the centre, a long light blue faience composite amulet of the crocodile god Sobek with his long stretched tail and scales depicted moulded to a high standard. A suspension hole through the head to provide the attachment to a necklace or bracelet. Lastly, a shabti figure formed of a glazed faience of an overseer, one hand seen outretched at his side.In ancient Egypt, amulets were believed to have positive properties, that magically, would bestow upon its owner and wearer. Throughout Egypt’s long history, people wore amulets to avoid disease and other forms of misfortunate. Amulets were used as a magical talisman to ensure well-being and good fortune. Amulets were made in huge abundance and were inexpensive to most when crafted in faience, which was available to nearly everyone.However, other forms of amulets were made of expensive materials such as gold, silver and semi-precious stones, which were believed to be more durable and everlasting. Aside from wearing amulets during daily life for health and well-being, they were also used for the dead and were placed on the mummy or inside the bandages of the deceased. Amulets were often small, varying between mm to a 2 1/2 “. Pectoral scarabs and other forms of amulets were larger than the average funerary amulet.These funerary amulets would provide magical properties to the deceased, ensuring an eternity of good health and well-being. A few examples of popular amulets were the heart scarabs, usually larger than the average naturalistic scarabs. These were usually formed of rich hardstone with a chapter from the book of the dead asking its heart not to tell of his or her misdoing through life, during the weighing of the heart ceremony. The heart would be placed on the scales and weighed against the Maat feather. This is where our modern-day saying light as feather derived.The Ib heart, an amulet in the shape of a heart, was believed to hold the deceased essence and thought and feeling. The Four Sons of Horus plaque amulets used to protect the organs of the deceased; these were Imsety, the human headed deity protector of the liver; Duamutef, the jackal-headed deity, protector of the stomach; Hapi, the baboon headed deity, protector of the lungs; and finally, Qebehsenuef, the falcon-headed deity, protector of the intestines. These were placed lovingly in the bandages to protect the deceased organs for use in the afterlife.Amulets of similar forms see: Carol Andrews, Amulets, 1994.William Flinders Petrie, Amulets, 1914. Provenance: From a London private family collection, formerly acquired on the UK art market in the 1960s - 1970s; then passed by descent. Size: L:Set of 3; 45-65mm / W:44489mm ; 20g
Ca. 664 - 332 B.C. Late Period. Egyptian. A group of amulets and beads including Bes, the dwarf headed deity of the household and protector of motherhood and children; a deep blue amulet of goddess Nephthys, she was associated with deceased and protectress in the afterlife; The faience beads include an Amarna Period mandrake amulet. In ancient Egypt, amulets were believed to have positive properties, that magically, would bestow upon its owner and wearer. Throughout Egypt’s long history, people wore amulets to avoid disease and other forms of misfortunate. Amulets were used as a magical talisman to ensure well-being and good fortune. Amulets were made in huge abundance and were inexpensive to most when crafted in faience, which was available to nearly everyone.However, other forms of amulets were made of expensive materials such as gold, silver and semi-precious stones, which were believed to be more durable and everlasting. Nephthys, mother to Anubis, sister of Osiris, Isis and Seth. She is closely associated with the mourning of the deceased and protectress in the afterlife. She is frequently depicted in funerary context, most notably canopic jars.Carol Andrews; Amulets of Ancient Egypt for similar.William Flinders Petrie; Amulets.Museum of Fine Art Budapesthttps://www.mfab.hu/artworks/amulet-of-the-goddess-nephthys/Accession Number: 51.2292 Provenance: From a London private family collection, formerly acquired on the UK art market in the 1960s - 1970s; then passed by descent. Size: L:Set of 21; 10-35mm / W:5-10mm ; 20g
Ca. 900–1000 AD. Viking Age. A beautiful twisted silver torc made by interweaving four circular hoops coming together at the torc’s base and punched-point motifs on the terminals. Torcs are found in many European cultures c. the 8th century BC to the 3rd century AD. However, these elaborate items of jewellery made a reappearance during the Viking period ca. 900-1100 AD perhaps due to their twisting nature which recalls Loki’s snake/dragon son Jormungand who lives in the ocean that surrounds Midgard. Torcs such as this one would also have served as important symbols of rank and wealth. Good condition, wearable. Provenance: Found before WW2 in East Prussia, modern Kaliningrad area of Russian Federation. In private German collection until 2000, when sold to an English dealer. Size: L:180mm / W:190mm ; 143.5g
Ca. 900–1100 AD. Viking Age. A fine silver, circular bracelet with gently flaring terminals. In Viking society, arm rings and bracelets were not just decorative, but also served to mark bonds of loyalty between a lord and his followers in a culture where honour was a matter of life and death. Such items were also given to young men to mark their coming of age and bracelets of precious metals were also used as currency in a time before the widespread availability of coinage. Good condition. Wearable. For more information on Viking Jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala. Provenance: Private UK collection; From an old Oxford collection formed in the 1990s. Size: L:55mm / W:80mm ; 9.7g

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2720344 item(s)/page