Vincze, Paul (Hungarian, later British, 1907-1994); b. Galagyörk, moved to Italy 1935, then England 1938 U.S.A./ENGLAND, Man’s First Landing on the Moon, 1969, a silver medal by P. Vincze [Roger Reading & Smith], astronaut standing on the surface of the moon, names of the astronauts below, rev. Apollo, holding wreath and caduceus, regarding the rocket launching, progress of the lunar module prior to its landing on the moon in 12 vignettes around, edge impressed fine silver, 43mm, 94.15g (cf. Noble 105, 2248; cf. Cayon e9, 5157). Trifling handling marks, otherwise brilliant; in blue gilt-blocked case of issue titled Apollo – 11 £40-£50 --- Provenance: with Vale Stamps, Blackheath; bt Simmons, February 2004 Apollo XI launched on 16 July 1969 and returned to Earth eight days later. The fifth human space flight in the programme, it was the first to land human beings on the Moon. Over 500 million people around the world watched the televised image of Neil Armstrong and heard his voice as he took his historic first step on the Moon on 20 July. Michael Collins and Edwin Aldrin, Jr. were the other two astronauts.
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Å indeláÅâ„¢, Lunmir (Czechoslovakian, 1925-2010); b. Rejdice CZECHOSLOVAKIA, 150 let železnice na území ÄÅ’eskoslovenska [150th Anniversary of Railways in Czechoslovakia], 1989, a silver medal by L. Å indeláÅâ„¢, steam locomotive pulling train over a viaduct, rev. standing figures waving at an electric locomotive, obv. foundry-marked mk 900, 40mm, 34.41g (cf. Höhn 101, 351; cf. Macho & ChlapoviÄ e22, 3001). Brilliant mint state £50-£70 --- Provenance: H.D. Rauch Auktion e15, 16 June 2014 (1899) The first railway in the country, from Vienna to BÅâ„¢eclav in Moravia, opened on 6 June 1839; the line was extended to Brno later that year.
Wyon, William (British, 1795-1851); b. Birmingham ENGLAND, Sir Francis Chantrey, 1846, a silver medal by W. Wyon for the Art Union of London, bust right, rev. James Watt seated left, a drawing of a plan resting on his lap, on which he rests a compass held in his right hand, from Chantrey’s sculptured memorial in Handsworth Church, Birmingham, edge impressed art-union of london 1843, 55mm, 75.35g (Beaulah 1; BHM 2227; BDM VIII, 683; E 1381). Extremely fine and richly toned, very rare; perhaps only 30 struck and awarded as prizes by the Union in 1847 £300-£400 --- Sir Francis Legatt Chantrey (1781-1841) was the leading portrait sculptor in Regency Britain. Intended as the first medal in the Art Union of London series and sanctioned in 1843, it was not until late in 1846 that Wyon, until then heavily involved in producing Indian campaign medals, was able to finalise a working set of dies. Medals were struck in two batches, in 1846 and 1847.
FAY GODWIN (PHOTOGRAPHER 1931-2005): CALDER VALLEY: 'Top Withens With Man & Dog': 'Cain & Abel, or Mourning & Vanity': gelatin silver prints, each approx 22 x 29cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso. (2)
FAY GODWIN (PHOTOGRAPHER 1931-2005): DROVER'S ROADS, WALES: 'Llyn Irddyn': 'Maenserth, Stormy Weather': gelatin silver prints, largest approx 13.5 x 15cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso. (2)
FAY GODWIN (PHOTOGRAPHER 1931-2005): 'Shags, Western Rocks (Scilly Isles)': 'Avebury, Moonlight (Ridgeway)': gelatin silver prints, each approx 29 x 37.5cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, with spotting to mounts, second named with some stains and smudges round upper margin, with ripples round top edge and marked 'damaged print' to verso. (2)
FAY GODWIN (PHOTOGRAPHER 1931-2005): SCILLY ISLES: 'Scilly Isles From The Air': 'The Old Man of Gugh': gelatin silver prints, 18 x 19cm & 18 x 18cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, spotting to mounts. (2)
ALBUM: AMERICAN ADVERTISING: good album of several hundred late 19thc American trade cards, advertising flyers and greetings, chromolithographic and colour litho, some die-cut examples, including perfumes, cosmetics, sewing requisites, medicines, tobacco products, watchmakers and jewellers, seedsmen, etc, some black American caricature, all neatly arranged and pasted to 36 card leaves (album filled), embossed cloth covers heightened in black, silver and gilt, rubbed to extrems but generally in good condition, folio. (1)
FAY GODWIN (PHOTOGRAPHER 1931-2005): 'Drover's Arms, Eppynt': gelatin silver print, 16.5 x 22.5cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso. Together with: 'Harvesting Near Streatley Warren', 16 .5 x 22.5cm, both toned. (2)
FAY GODWIN (PHOTOGRAPHER 1931-2005): DROVER'S ROADS, WALES: 'Dyffryn Burial Chamber': 'Llyn du Prenteg Road': gelatin silver prints, largest approx 16 x 22.5cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso. (2)
THURSTON HOPKINS (2013-2014): 'Cat in Dockland, London 1950': vintage silver gelatin print, approx 23.5 x 29cm, photographer's stamps to verso, titled and signed in pencil to lower edge: with 5 other vintage photographs by Hopkins, all pencil signed to verso: plus a later strike of 'La Dolce Vita', image approx 20 x 30.5cm. (7)
FAY GODWIN (PHOTOGRAPHER 1931-2005): CALDER VALLEY: 'Hill Farm West of Todmorden': 'Mill Ruins, Jumble Hall Clough': gelatin silver prints, largest approx 27.5 x 27.5cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, spotting to mounts. (2)
FAY GODWIN (PHOTOGRAPHER 1931-2005): SCILLY ISLES: 'End of Small Stone Row, Penninis': 'Hell Bay, Bryher': gelatin silver prints, each approx 17.5 x 17.5cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, spotting to mounts. (2)
FAY GODWIN (PHOTOGRAPHER 1931-2005): RIDGEWAY: 'Prehistoric Sharpening Stone, Fyfield Down': 'Coombe Hill Near Milk Hill': gelatin silver prints, largest approx 19.5 x 27.5cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso. (2)
FAY GODWIN (PHOTOGRAPHER 1931-2005): SCILLY ISLES: 'Sunset, Samson': 'Troytown Maze' and 'White Rocks, Penninis': gelatin silver prints, each approx 18 x 18cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, some spotting to mounts. (3)
SILVER REFERENCE: STARKIE GARDNER: 'Old Silver-Work chiefly English from the XVth to the XVIIIth Centuries..': London, Batsford, 1903: off-tone illustrations from photographs, recent quarter calf, large folio: with 6 other large format volumes, silver and silver plate reference, early 20th century publications, including Jackson's 'History of English Plate'. (7)
SILVER SPOONS: HOW (George & Jane): 'English and Scottish Silver Spoons, Medieval to Late Stuart..': London, privately printed, 1952-57: No.256/550 copies, 3 vols, original cloth with dustjackets, browned and with some tears and marks, large folio: together with a copy of the How Collection catalogue, Woolley & Wallis, 30th Oct 2007. (4)
FAY GODWIN (PHOTOGRAPHER 1931-2005): RIDGEWAY: 'White Horse Detail': two variant images: gelatin silver prints, each approx 16.5 x 22.5cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, one with mount toned and spotted. (2) 54
FAY GODWIN (PHOTOGRAPHER 1931-2005): DROVER'S ROADS, WALES: 'Pont Scethin, With Low Clouds': 'Pains Castle Ramparts': gelatin silver prints, largest approx 20 x 28cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, toning. (2)
FAY GODWIN (PHOTOGRAPHER 1931-2005): RIDGEWAY: 'White Horse, Eye & Mist': 'Avebury, Sunrise': gelatin silver prints, largest approx 20 x 28cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, some toning and spotting to mounts. (2)
FAY GODWIN (PHOTOGRAPHER 1931-2005): 'Maenserth Standing Stone, Stormy Weather': gelatin silver print, 11.5 x 16cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, additionally signed in pencil to verso 'For Ian Murray with Best Wishes Fay Godwin 30.9.77'. (1)
FAY GODWIN (PHOTOGRAPHER 1931-2005): CALDER VALLEY: 'Chimney & Ferns, Lumb Valley': 'Widdop Reservoir': gelatin silver prints, largest approx 21 x 17cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, some spotting to mounts. (2)
FAY GODWIN (PHOTOGRAPHER 1931-2005): CALDER VALLEY: 'Path and Reservoir Above Lumbutts': 'Top Withens': gelatin silver prints, largest 27.5 x 27cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, spotting to mount. (2)
FAY GODWIN (PHOTOGRAPHER 1931-2005): CALDER VALLEY: 'West Laithe, Heptonstall': 'Storm-Light, Alcomden': gelatin silver prints, largest approx 18.5 x 19cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, some light spotting to mounts. (2)
FAY GODWIN (PHOTOGRAPHER 1931-2005): DROVER'S ROADS, WALES: 'Slate Quarries, Tanygrisian, Backlit': 'Slate Quarries, Tanygrisian': gelatin silver prints, both approx 19.5 x 28cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso. (2)
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2466194 item(s)/page