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Lot 1740

An Edwardian silver salver, circular form with scalloped rim and swan crest "Vincit Veritas" (Truth prevails), by Mappin & Webb, hallmarks London 1906, diameter 15.5cm, 4.5ozNo damage or repairs, only light surface wear, hallmarks clear

Lot 1741

A George III silver salver, circular-shaped form with gadrooned rim, by John Crouch and Thomas Hannam, hallmarks London 1775, diameter 16cm, 6.5ozNo damage or repairs, only light surface wear, with engraved swan crest, hallmarks clear

Lot 1742

A George III silver salver, circular form with bead edge, raised on claw and ball feet, by Robert Jones, hallmarks London 1774, diameter 17.5cm, 8ozSalver has several edge solder marks, feet probably later addition, centre has engraved swan crest, hallmarks clear

Lot 1743

An Irish George III silver salver, circular form with cast foliate rim, raised on 3 feet, by George Hill, no Dublin date letter, with engraved armorial crest, diameter 22.5cm, 11.5ozUnderside has a re-enforcement repair, centre has several flat dents, hallmarks rubbed

Lot 1744

A George V silver salver, circular form with piecrust edge and foliate border, with engraved armorial crest, by William Hutton & Sons Ltd, hallmarks Sheffield 1922, diameter 27cm, 19.2ozNo damage or repairs, general wear and light abrasions in centre, hallmarks clear

Lot 1745

A large George V silver salver, circular form with piecrust edge and cast foliate rim with scrolled feet, by James Dixon & Sons Ltd, hallmarks Sheffield 1928, diameter 42cm, 53.8ozNo damage or repairs, centre has remains of presentation inscription, light wear to high points, hallmarks clear

Lot 1009

TUDOR - a Vintage stainless steel Oyster mechanical wristwatch head, ref. 4463, circa 1962, silver dial with eighthly Arabic numerals and sweep centre seconds hand, 17 jewel movement, serial no. 366352, case width 34mm, not currently workingMovement – not currently working and needs attention Dial - discoloured and tarnishedGlass - a few very minor surface abrasionsHands - slightly pitted and rustedCase - light wear and abrasions mainly on casebackCrown – screw-down working, hands adjust smoothlyBracelet - noneNotes – no box or papers

Lot 1043

An Art Deco silver Jump Hour mechanical wristwatch, circa 1930s, double enamel dials with Arabic numerals, 15 jewel movement with calibre 210, patent no. 104593, case no. 577687, case width 21mm, not currently workingMovement – not currently working and needs some attention Dial - both discoloured, minute dial has a few tiny chips near centre columnGlass - cleanCase - general wear and a few very minor dentsCrown – dials adjusting smoothlyBracelet - unassociated brown leather strap, near newNotes – no box or papers

Lot 1065

A Swiss sterling silver open-face key-wind pocket watch, white enamel dial with Roman numeral hour markers, blued steel hands and engine turned case, case no. 300734, case width 39mm, not currently workingMovement – not currently working and probably needs a serviceDial - cleanGlass - cleanHands - goodCase - light surface wear

Lot 1070

2 silver-cased open-face key-wind pocket watches, including J G Graves of Sheffield, both not currently working (2)Unnamed model has hairline cracks on dial, both have bent hands, cases very worn with minor dents, movements not currently working

Lot 1071

6 pocket watches, including Swiss silver fob watch, silver full hunter pocket watch etcLot sold as seen unless specific item(s) requested

Lot 1080

MAPPIN & WEBB - a 19th century silver miniature carriage clock, white enamel dial with Roman numeral hour markers and blued steel hands, hallmarks London 1891, case height 7cm, working orderMovement – currently working, movement is slightly loose inside caseDial - surrounding enamel for centre column has been re-gluedGlass - cleanHands - goodCase - light wear to high points, a few small dents on corners and 1 foot appears to have been re-soldered, personalised engraving on caseback

Lot 1081

An early 20th century silver and tortoiseshell mounted leather travelling pocket watch case, with strut backing and gun metal pocket watch by Charles Boyton & Son Ltd, hallmarks London 1913, case height 12cm, working orderMovement – currently workingDial - cleanGlass - cleanHands - goodCase - 1 silver pin missing, leather hinge has been re-covered, light wear to high points of silver, hallmarks slightly rubbed

Lot 1108

A large late 19th century Austro-Hungarian silver ruby pearl and enamel figural pendant necklace, depicting lady and fish, hand painted on both sides with enamel swivel bale and 800 silver chain, pendant width 54.3mm, chain length 44cm, 47.8gEnamel has several surface chips mainly to face and hair bun, 1 fish fin has a split, all stones present, no broken links, clasp working, marks clear

Lot 1110

A late Victorian ruby and diamond swallow bird brooch, 3-dimensionally formed and pave set with rose-cut diamonds, in unmarked silver and gold settings, wingspan 44.3mm, 8.1gAll stones present, diamonds relatively bright, a few tiny spots of solder on backing underneath brooch fitting and tail join, brooch fitting working, unmarked

Lot 1133

A George III silver-gilt fob watch case combination vinaigrette-locket, by Thomas Newbold, circular form with front and back applied with turquoise and garnet flowerheads, chased foliate border and double compartments containing foliate grille and photo locket, diameter 27.1mm, 19.7gNo damage or repairs, all stones present, garnets have abraded surfaces, high points slightly worn, hinges and catches working perfectly, hallmarks slightly rubbed

Lot 1148

An early 20th century 9ct rose gold curb link charm bracelet, with 15 x 9ct charms, 1 x 1913 half sovereign charm, and 1 x 9ct gold and silver Masonic ball charm, bracelet hallmarks Chester 1920, bracelet length 17cm, 121.6g grossNo obvious damage, general wear to high points, no broken links, clasp working, hallmarks clear, stamped 375

Lot 1169

A Chinese silver and jade Good Fortune brooch, relief embossed and pierced with bat and flower decoration, brooch length 40.3mm, 4.8gNo damage or repairs, general wear to high points, brooch fitting working, mark clear, stamped silver

Lot 1179

A large Art Deco gem set leaf brooch, unmarked gold and silver settings, gemstones include emerald ruby sapphire diamond citrine and blue topaz, unsigned, brooch length 72.5mm, 14.5gNo damage or repair, all stones present, some minor abrasions on facet edges, settings lightly abraded, brooch fitting is slightly bent but still working, unmarked

Lot 208

A hallmarked silver teapot 267g gross weight

Lot 209

A Georgian hallmarked silver sauce boat 186g

Lot 210

A Chester hallmarked silver bowl 91g

Lot 211

A hallmarked silver cream jug 99g

Lot 212

A Chester hallmarked silver cream jug 59g

Lot 213

A continental silver lidded pot on three feet (tests for silver) 180g

Lot 214

A job lot of assorted coins including some silver

Lot 216

A selection of hallmarked silver spoons 35g

Lot 227

Antique sterling silver sugar tongs

Lot 237

A selection of simulated pearl necklaces including silver clasps

Lot 240

A job lot of 925 silver charms

Lot 241

A boxed Pandora silver ring

Lot 242

A Links of London silver bracelet

Lot 245

A selection of continental silver jewellery items

Lot 248

A 925 silver bracelet

Lot 251

Six silver plated table place name holders (golf themed)

Lot 262

A hallmarked silver cigarette case 138g (dedication on the inside)

Lot 264

A set of Silver proof Royal Standards

Lot 349

A large Spanish silver plated candelabra

Lot 350

A large Spanish silver plated candelabra

Lot 76

A vintage silver toned floor lamp, collection only

Lot 784

SCOTLAND Autographed Scoredraw replica shirt of the shirt worn by Scotland in their memorable 3-2 victory over England at Wembley in 1967, signed by the 3 goalscorers - Denis Law, Bobby Lennox and Jim McCalliog in silver marker. Good

Lot 802

STOKE CITY Autographed 12 x 8 photo of players celebrating with the League Cup in front of photographers following a memorable 2-1 victory over Chelsea in the 1972 Final, signed by Banks, Greenhoff, Eastham, Smith, Conroy and Conroy in silver marker. Good

Lot 808

TREVOR BROOKING Three autographed 12 x 8 photos of Brooking celebrating at Wembley after the Hammers 1-0 victory over Arsenal in the 1980 FA Cup Final, all 3 photos signed in silver marker. Good

Lot 1276

MANCHESTER UNITED Autographed 16 x 12 montage-edition of images relating to United's memorable 4-1 victory over Benfica in the 1968 European Cup Final, signed by Tony Dunne, Pat Crerand, Alex Stepney, John Aston and David Sadler in silver marker. Good

Lot 252

FOOTBALL AND CRICKET MEDALS 1902 - 1907 Thirteen silver hallmarked medals, 2 cricket and 11 football medals. Some are engraved on the front with AJW which we believe is A.J. Wilson. The only references to a club is Crown United for both football and cricket. We also believe that S.C.L. is the Southern Counties League which is not the Southern League. Every medal has a silver hallmark and is engraved on the reverse. Good

Lot 81

LUIS DE MADRAZO Y KUNTZ (Madrid, 1825 - 1897)."Portrait of a Lady with a Cat.Oil on canvas. Re-coloured.With restorations.Provenance: Private Collection of Luis García Berlanga.Signed in the lower right corner.Measurements: 81 x 54 cm; 100 x 72 cm (frame).Like the rest of his family, Luis de Madrazo cultivated the portrait. The quality of the master responsible for the painting is clear: first, for the economy of means, which keeps the spectator's attention focused on the lady (something to which the neutral background of the painting and the tonal play between the dress and the pale skin of the lady also contribute); second, for the quality of the drawing used, above all, in the face (drawing which predominates over the colour and the brushstroke, as it was usual in the art of the 19th century derived from the Neoclassicism of the Fine Arts Academies).The son of José de Madrazo and brother of Federico and Pedro, Luis de Madrazo enjoyed great prestige during his lifetime, first as a teacher (professor of Old and Ropajes Drawing) and later as director of the Madrid School of Painting, Sculpture and Engraving, and was recognised with honours such as the appointment of Commander of the Order of Isabella the Catholic, as well as a full member of the San Fernando Royal Academy of Fine Arts. He was a cultivator of religious and historical themes, although he was particularly praised as a portraitist. He began his training with his father and later furthered it at the San Fernando School in Madrid. As early as 1845 he was already working as an illustrator for "El Semanario Pintoresco". Later he also worked as a draughtsman for the "Semanario Pintoresco Español". In 1848 he went to Rome to further his artistic studies at the National Academy of St. Luke and the French Academy of the Villa Medici. In Rome he came into contact with Friedrich Overbeck through Antonio Solá. He received a powerful Nazarene influence from the German Romantic painter, which can be seen in his work from then on. Later he travelled to Paris, Venice, Munich and Berlin before returning to Italy in the 1890s, settling in Pompeii with the painters Bernardino Montañés and Francisco Sáinz. He finally returned to Spain to begin his teaching career in San Fernando and was introduced into the artistic circles of Madrid by his father and brother Federico. He worked with the latter at the Prado Museum. As a painter, Luis de Madrazo devoted himself almost exclusively to portraiture, working for official bodies and also for the nobility. He made his work, characterised by the purity of lines and the sharpness of colour and light typical of the strictest Nazarene aesthetic, known through various competitions and official exhibitions held both in Spain and abroad. In 1855 he was a major success at the Universal Exhibition in Paris, and the following year he won the first medal at the National Fine Arts Exhibition in Madrid for his work "Pelayo en Covadonga" ("Pelayo in Covadonga"). He was also awarded a silver medal at the Franco-Spanish Exhibition of 1864. Luis de Madrazo is currently represented in the Prado Museum, the Royal Academy of History in Madrid, the Lázaro Galdiano Museum in the same city and other important public and private collections.

Lot 90

VICENTE MARCH Y MARCO (Valencia, 1859 - 1927)."Country scene".Oil on panel.Provenance: Private Collection of Luis García Berlanga.Signed and located (Rome), in the lower left corner.Measurements: 28,5 x 18 cm; 52 x 40 cm (frame).A Valencian painter trained at the San Carlos School of Fine Arts, Vicente March completed his studies in Rome at the Chigi Academy. Later he also travelled to North Africa, where he began to paint orientalist themes. During his lifetime he received numerous prizes and honours, such as the silver medal at the Valencia Regional Exhibition (1881), prizes at the Berlin and Munich exhibitions at which he regularly presented his work from 1888 onwards, the silver medal at the Rome International Exhibition (1893) and, to round off his career, the appointment as Knight of the Order of Charles III by the Spanish government shortly before his death. In 1994 the town council of Subiaco dedicated a retrospective exhibition to him. The bulk of March's work is distributed in Germany, Belgium, Brazil, England, the United States, Argentina, France and Sweden. In Spain his work is little represented, and is concentrated in the hands of private individuals.

Lot 269

ARTS & CRAFTS SILVER AND ENAMEL BROOCH,maker Constantine & Floyd Ltd., Birmingham 1907, of heart form with pierced detail and central Tudor rose motif, 4.8cm high, approx. 17g

Lot 270

PAIR OF ART NOUVEAU SILVER PLATED SWEETMEAT BOWLS,each of oval form, embossed with stylised foliage and lily heads, with twin tendril handles, on four trefoil feet, unmarked, 16.5cm wide (2)

Lot 275

DANISH MODERNIST SILVER PLATED THREE-PIECE COFFEE SERVICE,circa 1960s, comprising coffee pot, sugar bowl and cream jug, each of tapered form with shaped handle, stamped Atla to base, the coffee pot 19.5cm high

Lot 288

AUSTRIAN ART DECO SILVER PLATED FIVE-BRANCH CANDELABRUM,the sconces over tapered columns, issuing from a central ball to domed circular base, stamped ARGENTOR and with further marks to base, 18.7cm high, 23.2cm wide

Lot 380

NORMAN GRANT (SCOTTISH, BORN 1943), SILVER AND ENAMELLED FLORAL PENDANT,bearing Edinburgh hallmarks and N. G. initials, 2.3cm diameter, suspended on an unmarked white metal chainCondition generally good. Some light wear, including to the enamel. Minor area not covered by enamel, though this doesn't appear to be a chip. Additional images now available.

Lot 527

WMF SECESSIONIST SILVER PLATED FRUIT BASKET,the upright handle with fan detial, the circular bowl pierced and embossed with stylised motifs, on a spreading circular foot embossed with tulips, stamped marks, with original cut glass liner, 24cm diameter

Lot 535

COLLECTION OF MODERNIST SILVER JEWELLERY,including a brooch by Avi Soffer, a pendant by Andreas Daub, and another by N. E. From

Lot 555

ATTRIBUTED TO LOETZ, ART NOUVEAU SILVER OVERLAID IRIDESCENT GLASS VASE,of tapered form, twin-handled with sunflower motif, unmarked, 14.2cm highCondition generally good. Light wear to base and slight tarnish to silver.

Lot 586

JONATHAN HARRIS (BRITISH CONTEMPORARY), STUDIO GLASS SCENT BOTTLE WITH STOPPERwith trailed detail against a silver included pale blue ground, signed Jonathan Harris Ironbridge 2003, 13cm high, together with a further scent bottle with stopper, signed M. Andres [?] (2)

Lot 717

Schachfiguren. Amerika. Schachspiel aus Marmor und Stein mit dazugehörigem Brett aus Marmor. Die eine Partei aus weißbraunem Marmor, die andere aus schwarzem Stein. Arbeit aus dem Ende des 20. Jahrhunderts. Höhe: König 7,5 cm; Bauer 4 cm. Größe Brett: 25,5 x 25,5 cm. (22)* Reizvolles komplettes Schachspiel aus Marmor und Stein, das nach stilisierten indianischen Motiven gearbeitet ist. Die Rückseite ist nicht bearbeitet. Das Brett hat einem Kreis mit Verzierung nach indianischen Motiven. Zustand: Mit kleineren materialbedingten Benutzungsspuren, Fehlstellen und Defekten. Beiliegt: Griechenland. Schachfiguren aus Metall - Figuren aus der griechischen  Mythologie. Beide Parteien gleich, eine Partei ist silberfarben, die andere bronzefarben. Produktion der Firma Forma aus der zweiten Hälfte des 20. Jahrhunderts. Höhe König 5,2 cm; Bauer 4,0 cm. Komplettes Metallschachspiel. Die Figuren haben geringe Benutzungsspuren. / America. Chess set made of marble and stone with chessboard made of marble. One side of white-brown marble, the other of black stone. Produced at the end of 20th century. King 7,5 cm high; pawn 4 cm high. Board size: 25,5 x 25,5 cm. Complete set of marble and stone chess, according to stylized Native American motifs. With minor chips and damages. / Greece. Metal chess set - Greek mythological figures in historic style. Both sides identical, one side stained light silver, the other light bronze. Produced of Forma in the second part of the 20th century. King 5,2 cm high, pawn 4,0 cm. Complete metal chess set. With minor chips and damages.

Lot 150

A collection of mixed silver plate, to include a Tantalus with 3 crystal glass decanters ( no key)muffin dish, a food warmer, a serving dish and a large brass bell.

Lot 155

A George II oak 30 hour longcase clock by Joseph Baker the younger (Little Appleby, Leicestershire, 1724-1784), 10inch brass dial, silver chapter inscribed with Roman numerals, mounted with scrolling spandrels, 30 hour movement striking to a bell. (A/F) (S/D)

Lot 171

A mixed lot of Pewter, silver plate as well as some brassware, to include a vintage cased blood pressure kit. 

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