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Two silver topped dressing table jars, one with chased Rococo decoration, Birmingham 1905, the other Colen Hewer Cheshire, Chester 1920, and four pieces of Georgian and later flatware comprising three forks, and a spoon, William Ely, London 1814, approx combined 11ozt (6).
A group of assorted dressing table furniture to include an Edwardian silver-backed mirror decorated with fleur-de-lys, length 26cm with matching brush and jar and a small silver-topped dressing table jar decorated with a Reynolds Angel and inscribed 'Susan Ayers 9.10.48' (4).
A George V hallmarked silver engine turned cigarette case, Sheffield 1925-26, an Edward VII hallmarked silver large vesta case, Birmingham 1904-5, and a white metal engine turned Art Deco compact with rose gold coloured cartouche with monogram 'RMD', approx 3.9ozt (3).
Five Victorian serving spoons, marked Sterling and Hand Wrought, five matching silver grapefruit spoons with monogram to finial, 'Bliss', nine white metal serving spoons, marked Daws Palmer & Co, and others marked Heinemann & Jenks, and J.B. Jones, approx combined 26ozt.
Niels Erik From (Danish 1908-1982); three geometric design sterling silver designer dress rings to include a cube example, size N 1/2, a loop and sphere example, size N 1/2 and a triple sphere example, size O 1/2, each marked 'From 925 S', approx combined 20g (3).
Niels Erik From (Danish 1908-1982); a silver rod and ball cabochon amethyst set brooch, made of five criss-crossing rods of silver, each with spheres at each end, diameter of central cabochon approx 0.7cm, marked 'From 925 S' verso, approx 6.5 x 5cm and a sterling silver dish-mounted elliptical amethyst cabochon ring, width of table approx 2cm, size M 1/2, combined approx 18g (2).
Niels Erik From (Danish 1908-1982); a sterling silver elliptical hoop bracelet with disc and sphere decoration, marked 'N E From Sterling 925 Denmark', length 18cm and a pair of sterling silver cross-over bar and ball clip earrings, marked 'From 925 S' to the top of each, combined approx 27.5g (3).
Three ladies' dress rings; a silver half-eternity ring set with green stones, size S 1/2, a silver gilt half-eternity ring set with baguette-cut green stones, size T and a yellow metal floral-set dress ring with central oval red stone and two tiers of small white stones, size O (3).
Four sterling silver gem-set rings including a 'Hellodor' example, size R-S, a 'Changbai Peridot' example size R-S, a 'Cuamba Garnet' pendant on chain and a 'Cuamba Garnet' and white topaz ring, size R-S, all in original white material pouches with certificates of authenticity (4).
A Tiffany & Co hallmarked silver broad link bracelet with heart shaped pendant marked 'Tiffany & Co 925', in Tiffany cloth bag and Tiffany paper bag, with cards and certificate of authenticity, a silver chain link ring set with brightly coloured stones, a silver chain link cocktail bracelet with cocktail glass charms, a silver and citrine bracelet, and a silver teardrop pendant marked 925 (5).
Two hallmarked silver cuff bangle with foliate engraving, a hallmarked silver bangle, a hallmarked silver stamp case, Chester date mark rubbed, a white metal marcasite set brooch in the form of a peacock, two white metal fobs in the form of pistols, an Edwardian silver circular brooch, a silver oval locket with inset cameo, a white metal Art Deco marcasite brooch, a hallmarked silver Art Deco engine turned small compact, and an early 20th century ivory fob with cigar cutter.
A silver bangle set with nineteen purple stones, a silver chain with silver pendant set with oval topaz-coloured stone and multi-coloured stone surround, a ladies' silver dress ring with opal-effect stone, size N 1/2, a silver ladies' dress ring set with an oval amethyst-coloured stone, size S 1/2, a ladies' silver dress ring floral-set with marquise-shaped green central stone and white stone surround and a marquise-shaped pendant set with purple stones on a silver gilt chain (6).
Five silver pendants and chains to include one pendant with large citrine-coloured stone, an oval pendant with large central green stone and white stone surround, a cross set with blue stones, a small rectangular amethyst-coloured pendant, a starburst pendant set with emerald-cut red stones, also a silver chain and a yellow metal chain, combined silver approx 1.1ozt (7).
Tornieri Arnaldi Arnaldo. La corsa delle slitte in Vicenza nel carnovale 1784. Stanze umiliate agli ornatissimi cavalieri e alle gentilissime dame. Vicenza, Giacomo Leoni, Giambattista Vendramini Mosca, 1784.In-8° (mm 195x128). 32 pagine, con 16 tavole incise all'acquaforte finemente acquerellate a mano, ripiegate. Frontespizio entro cornice silografica, iniziali e fregi incisi su legno. Gore marginali e tracce di polvere alle carte, qualche fioritura. Legatura coeva in cartonato, bordura in oro con ferri angolari ai piatti, tagli marmorizzati. Abrasioni e difetti agli angoli e ai bordi dei piatti, rotture alle cerniere, piccoli strappi e minime mende al dorso. Prima e unica edizione - estremamente rara - di questo interessante volume che descrive, e illustra in 16 splendide tavole acquerellate a mano, l'originale manifestazione carnevalesca svoltasi a Vicenza nell'inverno del 1784. Si trattò di una corsa sul ghiaccio di slitte trainate da cavalli magnificamente bardati, ognuna guidata da un cavaliere appartenente ad una delle nobili famiglie cittadine: sulle tavole i numeri da 1 a 30 servono per identificare proprio i diversi passeggeri delle slitte, quegli "ornatissimi cavalieri" accompagnati da "nobilissime dame" i cui nomi si trovano nel testo (l'intrepido Verlato, il Giovin Velo, L'amabil Volpe, Il prode Orazio, etc.). E' verosimile che, per la preziosità materiale dell'opera che presenta sulle tavole rialzi in oro e argento, un numero limitato di esemplari sia stato stampato, destinati agli aristocratici partecipanti alla corsa. Per il nome dell'Autore - raffigurato nell'ultima tavola a bordo di una slitta sovrastata da un pallone aerostatico - si veda Melzi, I, 258. Manca alle bibliografie di libri di feste e ai cataloghi consultati. Caproni-Bertarelli, 111 (cita la tavola con il pallone aerostatico); Olschki Choix, 8129. 8° (195x128 mm). 32 pages; 16 hand-coloured folding engraved plates. Title-page within a woodcut border, woodcut initials and ornaments. Marginal waterstains and leaves slghtly soiled, some foxing. Contemporary cardboards, gilt-tooled covers, marbled edges. Slightly abraded, damages to the joints, small tears and losses to the spine. The extremely rare first and only edition of this interesting festival account describing the original Carnival festival occurred in Vicenza in 1784, and enriched by 16 watercoloured plates, raised in silver and in gold. The festivity was celebrated with a sled horse racing on ice, and the horses were magnificently harnessed. Each slide was managed by noble horsemen and ladies belonging to aristocratic families, identified by the numbers -1-30 - printed on the plates. Seen the preciousness of the copy, is quite probable that few copies were printed, and given to the partecipating competitors. For the name of the author - portraited on the last plate on a slide dominated by a hot-air ballon - see Melzi, I, 258. Not in catalogues and specific bibliography on festival books. Caproni-Bertarelli, 111; Olschki Choix, 8129.
Vietti Violi Paolo - Cantoni Arrigo. Concorso internazionale per il nuovo ippodromo di S. Siro. Progetto scelto. Milano - Parigi, Coen & C., [1913].In-folio oblungo (mm 310x410). [3] carte di testo stampate solo al recto, [13] carte di tavole in litografia. Carte leggermente brunite. Brossura editoriale in cartonato leggero grigio, titoli in argento (parzialmente abrasi) al piatto anteriore, al piatto anteriore tondo in oro con emblema del cavallo e sigla S.L.C.C. della Societa Lombarda per le corse di cavalli. Dorso mancante, bordi dei piatti con piccoli strappi. Interessante pubblicazione ampiamente illustrata, dedicata al progetto vincitore del concorso internazionale per la realizzazione del nuovo ippodromo di San Siro ad opera degli architetti Paolo Vietti Violi (1882-1965) e Arrigo Cantoni (1877-1953): dopo questo primo progetto, Vietti Violi - durante la sua fortunata carriera - lavorò alla pianificazione e costruì oltre 30 ippodromi sia in Italia che all'Estero. I lavori di costruzione della struttura sportiva milanese, a causa della prima guerra mondiale, saranno terminati solo nel 1920. Folio oblong (310x410 mm). [3] leaves with text printed on recto, [13] lithographic plates. Slighlty browned. Publisher's gray cardboards, silver title (partially rubbed) on the upper cover, gilt illustration (a horse) and symbol of the S.L.C.C. (Lombard Society of Horse Race) on the upper cover. della Societa Lombarda per le corse di cavalli. Lacking the spine, small tears to the extremities of the covers. Widely illustrated work dedicated to the winning design - by the architects Paolo Vietti Violi (1882-1965) and Arrigo Cantoni (1877-1953) - of the International contest, announced for the construction of San Siro hippodrome in Milan. Vietti Violi - during his life - designed and planned over 30 racecourses, not only in Italy. Due to the First World War, The San Siro hippodrome was built only in 1920.
TWO EARLY 20TH CENTURY SILVER FRONTED FRAMES, the first of plain rectangular design, hallmarked Birmingham 1918, length 133mm, the second with a shaped outline embossed around the edges with floral decoration, with a circular enamel disc to the top, hallmarked Chester 1912, length 195mm
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2475480 item(s)/page