There are 2466194 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA Victorian silver bachelor's teapot, mark of Jacob Berman, London 1885, of oval form, the side with panels of vertical corrugated decoration between two vacant and foliate edged shield shaped cartouches, under a band of bright cut engraved decoration, part marked flush fitting domed cover topped with a pineapple finial, brown handle and fluted spout, 11.5ozt
Rolex - A steel 'Oyster Perpetual 31' wristwatch, circa 2017, model number 177200, serial number 9902C5X0, the signed 'red grape' dial, 25mm diameter, with silver and white coloured Roman numerals, hands and centre sweep, mechanical automatic chronometer rated movement with liveried screw down crown, case, 31mm diameter, verso screw down, plain with brushed finish, to a steel 'Oyster' link bracelet with liveried fold over clasp numbered L7S, presented in the original case with outer card box and sleeve, guarantee booklet and card dated 3/6/2017, instruction booklet, seal, price tag, spare link and original receipt form Mappin & Webb, Cambridge dated 3/6/2017
A Victorian silver christening mug, mark of James & Nathaniel Creswick, London 1853, octagonal panelled slightly concave side alternately decorated with repoussé images of children at play, and plain with engraved borders, one with presentation engraving, leaf capped double scroll handle and gilded interior, raised on applied cast scrolled feet, 7cm diameter at the rim, 10cm high, 7.3ozt
A group of three 19th century silver miniature vinaigrettes, each with mark of Thomas Shaw, Birmingham, of rectangular form with gilded interior and hinged and pierced grille with floral decoration; the first, 1823, decorated all over with bright cut engraving, the cover with a central monogrammed rectangular cartouche, suspension ring to the top; the second, 1834, decorated all over with bright cut engraving, the cover with cast foliate border and central vacant rectangular cartouche; the third, 1835, engraved all over with foliate designs, the cover with a central vacant rectangular cartouche (3)
A George II silver communion cup, mark of Thomas Whipham, London 1756, the plain bowl of campana form, knopped column and circular pedestal foot, gilded interior, 9cm diameter at the rim, 20cm high, 9.3oztOverall in good condition with no obvious sign of damage. Some surface scratches as to be expected and commensurate with use. Hallmarks a bit rubbed but still readable. Stands well on a flat surface with no wobble.
A Victorian rock crystal, diamond and pearl heart pendant, Circa 1890, a heart shaped slice of rock crystal, surrounded by a border of rose cut diamonds, surmounted by a rose cut diamond and pearl crown (one pearl lacking), verso, a detachable friction fitting bezel, jump ring bale, length including bale 3.3cm, width 2.3cm, unmarked, tested as 9ct gold and silver, suspended from a trace link chain with eight pearls, length 38cm, tested as platinum, gross weight 5.7gOverall condition: Fair to goodOne pearl lacking, all diamonds presentHeavy abrasion to rock crystal, obvious with the naked eyeChipping to diamonds, consistent with ageHeavy tarnishing to settingsLead solder visible on reverse, possible repairHeavy scratches/wear to mountJump ring bale isn't solderedBolt ring clasp opens and closes positively
'The New Elizabethan Age' - A cased collection of twenty six silver commemorative coins, mark of Birmingham Mint, Birmingham 1977/80, obverse of each featuring a different significant event throughout the reign of the late Queen Elizabeth II from her accession in 1952 to her silver Jubilee in 1977, verso of each featuring the Royal crown between laurel wreaths, 1977 under, ribbon below, each in a two piece plastic capsule and presented in the original wooden tiered, lined and fitted case with perspex cover, 36ozt gross weighable silver
A 19th century diamond ring, together with a paste brooch and a pair of ear pendants, the first, a ring with an oval shaped panel, set with a central pear shaped rose cut diamond, surrounded by eight smaller rose cut diamonds, head dimensions 12 x 10.5mm, closed back setting, misshapen flat shank, approximate size J, unmarked, tested as 18ct gold and silver, weight 3g, cased; the second, a brooch set with seven cushion shaped paste, all held within cut down collets with closed back settings, pin and hook fitting, dimensions 3 x 2.3cm, unmarked, tested as 9ct gold and silver; the third, a pair of matching ear pendants, unmarked, tested as 9ct gold and silver, gross weight of brooch and ear pendants 11.8g (3)
A 41-piece set of Victorian silver flatware with 5 additions, mark of John Round & Son Ltd., Sheffield 1897, 'Fiddle & Thread' pattern, engraved with the crest of ANDREWS, comprising 12 table forks, 12 table spoons, 6 dessert forks and 11 dessert spoons, together with a further 5 dessert forks, mark of Thomas Wilkes Barker, London 1812, 109.8ozt gross (46)
A George IV silver seven bar toast rack, mark of Samuel Whitford II, London 1825, simple M shaped wire bars to a rectangular frame engraved with the crest of BOWEN, simple ring handle with decorative support, raised on 4 ball feet, 16 x 10cm, 11.3oztProvenance: From the estate of the late Barry Lock (1934-2021)Overall in good condition with no obvious sign of damage or repair. Some surface scratches as to be expected and commensurate with use. A very minor wobble when on a flat surface. Hallmarks clear and readable. The wires are a little out of shape, but not obviously so. Would benefit from professional cleaning.
A George III silver gilt vinaigrette, mark of Nathaniel Mills, Birmingham 1828, of rectangular form, engine turned engraved decoration and reeded sides, part marked piano hinged cover similarly decorated around a central vacant rectangular shaped cartouche and cast foliate border, gilded interior with decoratively pierced and hinged grille, 3.5 x 2.5cm, 0.8oztOverall in good condition with no obvious signs of repair. Some surface scratches and minor dents and nicks as to be expected and commensurate with age and use. Hallmarks a little worn but still readable. Hinges in good order and both covers open and close well. A little patch of wear to the engine turning on the cover (possibly as the result of over enthusiastic striking of the maker's mark to the other side with subsequent setting back!)
A George III silver vinaigrette, mark of Samuel Pemberton, Birmingham 1810, of rectangular form, the edge with a band of bright cut engraving, underside with bright cut engraved foliate decoration, part marked piano hinged cover with bright cut folate decoration over a textured ground around a monogrammed rectangular cartouche, gilded interior with decoratively pierced and hinged grille, 2.5 x 2cm, 0.3oztOverall in good condition with no obvious signs of repair. Some surface scratches and minor dents and nicks as to be expected and commensurate with age and use. Hallmarks and engraving clear and readable. Hinges in good order and both covers open and close well. Drill hole for suspension loop, but loop itself lacking.
An Indian metalwares card case, apparently unmarked, probably early 20th century, possibly Lucknow, tests as silver, of rectangular form, decorated in repoussé with animals, birds, foliage and a hunting scene over a textured ground, the front with a vacant shield shaped cartouche, piano hinged cover similarly decorated, 10.5 x 8cm, 4.5ozt
Tudor by Rolex - A steel 'Prince OysterDate' wristwatch, circa 1985, model number 74000, serial number 187068, the signed circular silver coloured dial, 30mm diameter, with silver coloured batons, hands, centre sweep, date window under a Cyclops at 3 o'clock and bar minute track, jewelled mechanical automatic movement with liveried screw down crown, case, 34mm diameter, verso screw down, liveried, to a slightly tapering 'Oyster' style Steelinox bracelet with liveried fold over clasp marked J11 (for November 1985), the endlinks marked 361B, presented in a liveried green felt pouch
An early 20th century Indian metalwares presentation casket, mark of Bapalal & Company, no further apparent marks, tests as silver, of rectangular form, the base with repoussé gadrooned border and an applied front and back pierced apron, the front with a cartouche engraved 9/4/30, the back cartouche vacant, central rectangular concave sided section with repoussé foliate decoration around two abstract cartouches, the front engraved PRESENTED TO MR D. MORRISON BLACK BY THE SUPERVISING AND CLERICAL STAFF BURMAH SHELL INSTALLATIONS MADRAS, the back cartouche vacant, piano hinged cover similarly decorated topped with a coat of arms finial, wooden lined interior finished in crimson and purple material, raised on four applied foliate and scroll feet, 31.5 x 15cm, 19cm high, 44.8ozt grossIn 1910, founder, Bapalal Mehta, entered the jewellery business at the age of fourteen. Today, Sheetal Bhat, Bapalal's granddaughter, heads the family business and Bapalal & Company remains a well known jewellers and silversmiths in Southern India. Their showroom is still located on Cathedral Road, Chennai (formerly Madras).Overall in good condition with no obvious signs of repair. Some minor surfaces scratches all over as to be expected and commensurate with age. Hinge is in working order and does not appear strained. Stands well on a flat surface with just a very, very minor wobble. Presentation engraving clear and crisp. Lining in good condition with no obvious signs of wear. Wooden underside a little warped but still fitting well to the base. A minor crease to both ends of the base, easier to see under reflected light, together with a minor crease to the front and back at the base, towards the right hand side.
A set of four Victorian silver gilt mustards with associated spoons, the mustards with mark of Hawksworth, Eyre & Company Ltd., London 1897, each of rectangular form with shell and gadrooned rim, part marked piano hinged cover topped with an urn shaped finial, capped flying scroll handle and raised on 4 applied cast shell and scroll feet, gilded unlined interior; the spoons en suite with mark of Carrington & Company, (John Bodman Carrington), London 1897, each with oval bowl and decorative scrolled handles, 23.8ozt grossProvenance: From the estate of the late Barry Lock (1934-2021)Overall in good condition with no obvious sign of repair. Some surface scratches and minor dents and nicks as to be expected and commensurate with use. Hallmarks a little rubbed but still readable. Hinges a little loose. All lacking liners. Some staining to the interior of one
Two George III silver miniature vinaigrettes, mark of Matthew Linwood, Birmingham marked, the larger 1817, the smaller 1809, each of rectangular form with bright cut engraved decorative border to the side and underside, piano hinged part marked cover with bright cut engraved decorative symmetrical patterns, gilded interior with hinged and pierced grille (2)
A trio of Victorian silver cauldron salts with earlier spoons, mark of Thomas Ellis Seagars, London 1846, each of circular form, decorated with repoussé foliage over a textured ground, gadrooned rim, raised on three shell mask and shell feet, gilt washed interior, 6.5cm diameter at the rim; the spoons each with probable mark of William Eaton, London 1825, 'Kings' pattern with shell back and gilded bowls, 14ozt gross
A 19th century Indian metalwares silver card case, apparently unmarked, tests as silver, the centre with filigree swirls with an outer band of semi circular motifs, friction fitting removable cover similarly decorated, 9 x 6cm, 3ozt, presented in the original wooden fitted case lined in cream satin and blue velvet
A George V silver four-piece tea set, mark of D.& J. Wellby, London 1928, the teapot of squat, circular form with flared parapet, part marked flush fitting piano hinged domed cover topped with a domed finial, simple capped handle with ivory insulators, raised on a rimmed foot, crested to the side, the hot water jug with hinged cover, two handled sugar bowl and milk jug to match, retailer signed to the underside, 67.2ozt gross (4).This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref No: FH7Q5GBY
A Victorian silver wine goblet, mark of Robert Harper, London 1866, the bowl of traditional form, upper with a decorative bright cut engraved band over presentation engraving with additional crest and motto, possibly that of CLARKE, raised on a circular pedestal foot with beaded rim and matching engraved decoration, retailer signed to the underside, 9cm diameter at the rim, 17cm high, 6ozt
A George II silver tea caddy and matching sugar box, each with mark of Samuel Herbert & Company, London 1750, of rectangular bombé form, lavishly decorated with repoussé foliage, scrolls and buildings around 2 cartouches, one engraved with the crest of COLLETON the other with the arms of COLLETON impaling JENNINGS, detachable friction fitting cover similarly decorated with bird and boy finials, raised on four shell and scroll feet, 16.9ozt gross (2) The armorial bearings undoubtedly commemorate the marriage of James Edward Colleton (circa 1709 - 1790), of Haines Hill, Berkshire and of Barbados and his second wife, Francis Jennings (1732 -1805). James and Francis were married at the Parish Church of St Martin in the Field within the Liberty of the City of Westminster, Middlesex on the 1st March 1754. James was the eldest son of John Colleton of Haines Hill and Barbados and his wife, Elizabeth Ernle, whilst Francis was the only daughter of Philip Jennings, of Duddleston, Shropshire and his second wife, Dorothy Clarke. James sat in the House of Commons as the Member of Parliament for Lostwithel (1747 - 68) and for St Mawes (1772 - 75). His great grandfather was Sir John Colleton, the 1st Baronet (styled of London). The baronetcy was created in 1661 as a reward for Sir John’s support for the Royalist cause during the Wars of the Three Kingdoms. The baronetcy fell into extinction on the death of Sir Robert Augustus William Colleton, the 9th Baronet in 1935. Caddy:Body - Some pinholes, mainly on the decoration to the top and bottom of the cartouches. Engraving a little rubbed, but hallmark easily readable. Two of the feet have been pushed up slightly, so the caddy wobbles a little when on a flat surface.Cover - One or two pinholes, particularly to the edge of the scroll decoration. Boy finial pushed in a little. Locating flange a bit out of shape. A little loose with on the body Box:Body - Engraving a little rubbed, but hallmark easily readable. A very minor wobble when on a flat surface.Cover - Boy finial pushed in a little with a minor resultant split. A little loose when on the body.
A George V silver ‘Arts & Crafts’ style dish, mark of A.E. Jones, Birmingham 1919, of circular and rather convex form with hammered finish, decoratively pierced rim and 2 applied and pierced lug handles with rosette decoration, raised on a spread foot, 17cm diameter at the rim, 7cm high, retailer signed to the underside and numbered 709, 11.4ozt
A George V silver ‘Arts & Crafts’ style dish, mark of A.E. Jones, Birmingham 1933, Jubilee marked, of circular and rather convex form with hammered finish, turned rim and 2 applied and pierced lug handles with rosette decoration, raised on a spread foot, 17cm diameter at the rim, 5cm high, underside retailer signed and numbered 1113, 8oztOverall in good condition with no obvious signs of damage or repair. Some minor surface scratches, as to be expected and commensurate with age and use. Hallmarks clear and readable. A very minor wobble when on a flat surface.
A cased set of six early 20th century cast silver 'Art Nouveau' style buttons, mark of William Hutton & Sons Ltd., Birmingham 1902, each of circular form with raised foliate designs, 23mm diameter, 0.7ozt gross, presented in the original gilt tooled fitted case line in blue satin and velvetProvenance:The Peckover family, formerly of Peckover House and Sibald's Holme, Wisbech, Cambridgeshire
Dublin - A 19-piece harlequin set of 18th century and later silver flatware, 'Fiddle' pattern, crested, comprising 6 table forks, mark of James Keating, 1796, 6 tablespoons, (5 with mark not traced {JS pellet between}, 1803, 1 marked ‘Sterling’ and double tandem marked) tandem marked by Toleken and 7 teaspoons (6 with probable mark of John Read, 1831, 1 with probable mark of Joshua Buckden 1835) tandem marked by Neill, crested, 33.4ozt gross (19)
A pair of George V silver sauce boats together with a pair of earlier silver ladles, the boats each with mark of Thomas Bradbury & Sons Ltd., London 1913, with gadrooned rim, leaf capped double scroll handle and raised on three shell capped shell feet, retailer signed to the underside; the ladles (one with mark of Chawner & Company (George William Adams) London 1845, the other with mark of Francis Higgins II, London 1861), 'Fiddle & Thread' pattern, each with crest and belted motto of BROWN, 25.3ozt gross (4)
A 146-piece set of early 20th century French metalwares silver cutlery and flatware, mark of Tétard Frères, Paris, circa 1920, Minerva head 1st standard for 950/1000 standard silver, ‘Grecian’ style pattern with threaded edge, comprising 13 table forks, 12 table knives with filled handles and steel blades, 12 tablespoons, 12 dessert forks, 11 dessert knives with filled handles and steel blades, 12 dessert spoons, 12 pairs of fish eaters with silver tines and blades, 10 coffee spoons, 12 egg spoons with gilded bowls, 12 oyster forks, a carving knife with filled handle and steel blade, a pair of cold meat servers, a pair of salad servers, a pair of sugar nips, two sifting spoons with pierced and gilded bowls, a butter blade with silver blade, a soup ladle, a sauce ladle, a gravy ladle, 3 further serving blades and a bottle opener with filled handle and steel tooth, 220ozt gross weighable silver (146)
Andrew Johnston, Kilwinning - A Scottish late 19th century Sterling silver open faced pocket watch, circa 1873, the unsigned white dial, 46mm diameter, with black Roman numerals, blued spade and whip hands, subsidiary seconds register at 6 o'clock and chemin de fer chapter ring, front loading gilt full plate key wind movement signed ANDW JOHNSTON KILWINNING NO. 63740, with engraved winged balance cock, cylinder escapement with chain fusée and 4 pinned cotton reel pillars under a brass dust cover, case, 53mm diameter, verso hinged at 6 o'clock with engine turned engraving around a central vacant and belted escutcheon shaped cartouche, inner with casemaker's mark of William Hubbard and London hallmarks for Sterling silver, 119g gross, presented with the winding key
A Victorian silver hip flask, mark indecipherable, Birmingham 1899, of traditional rectangular form with friction fitting removable cup and captive bayonet cap, 12 x 8.5cm to the shoulder, retailer signed to the underside, 9.5oztSome surface scratches and minor nicks, particularly to the corners, as to be expected and commensurate with use. Bayonet fitting a bit stiff but operational. Hallmarks rather rubbed. Removable cup a good fit with some staining to the inside.
A William III Britannia silver brandy pan, together with another example, the first with mark of William Fleming, London (probably) 1698, of circular form with flared rim and reeded base, the front with a floral vacant cartouche, short tubular socket with shield shaped terminal and turned wooden handle, scratch weight to the underside, 9cm diameter at the rim; the second with indecipherable marks, possibly dated 1720, in a very similar style, engraved to the side with the crest of ALISON, 9.5cm at the rim, 8ozt gross (2)First: Overall in fair to poor condition. Surface scratches and some dents and dings as to be expected and commensurate with age and use. Rim misshapen and base out of shape. Handle loose in the socket. Hallmarks and engraving very rubbed but still readable.Second: Overall in fair condition. Surface scratches and some dents and dings as to be expected and commensurate with age and use. Rim a little misshapen. Marks almost completely worn away. Engraving worn but readable. Handle firm in the socket.
A late 19th century German metalwares silver doppelbecher or double cup, mark of Georg Roth & Company, Hanau, with pseudo Augsburg mark and simulated Tremolierstrich ('zigzag' line), each manufactured as a counterpart, with lobed body and fully marked plain rim, undersides with a medallion, one featuring Maria Eleonora von Brandenburg, later Queen of Sweden (1599-1655), the other featuring her husband Gustav II. Adolf, King of Sweden (1594-1632), 7.5cm diameter, 9.5cm high, 6.5ozt
A Victorian silver freestanding perpetual calendar, mark of Cornelius Joshua Vander, London 1895, of rectangular form, outer border of engine turned decoration, topped with a pierced crest and ribbon of THE 9TH QUEEN'S ROYAL LANCERS, the left-hand side with two applied lances, verso with hinged easel type stand with presentation engraving and retailer's signature of ORTNER & HOULE 18 x 13.5cm
A Victorian silver card case, mark of George Unite, Birmingham 1881, of rectangular form with scrolled edge, both sides decorated all over with engine turned engraving, the front with a monogrammed escutcheon shaped cartouche, piano hinged cover similarly decorated and bordered, 9.5 x 6.5cm, 1.9oztOverall in good condition with no obvious signs of repair. Some surface scratches as to be expected and commensurate with age and use. Hallmarks and engraving clear and readable. Hinge in good order and the cover opens and closes well. Some minor dishing to both sides.
A George III 18th century silver swing handled sugar basket, mark of William Abdy II, London 1792, of navette form with bright cut engraved decoration to the borders and two oval cartouches, one vacant, the other crested, simple reeded swing handle, gilt washed interior, raised on a similarly decorated scalloped pedestal foot, 13 x 9cm, 9cm high, 5oztOverall in good condition with no obvious signs of repair. Some minor surfaces scratches as to be expected and commensurate with age and use. Hallmarks and engraving clear and readable. Hinges to the handle in good order, though the handle itself is a little bent to one side, although not immediately obvious. Stands well on a flat surface with no wobble.
A sapphire and diamond spider brooch, realistically formed, the abdomen set with three rows of graduating oval and round faceted sapphires, and two rows of graduating rose cut diamonds, the cephalothorax set with two faceted sapphires, and the head set with a single rose cut diamond, estimated approximate total sapphire weight 0.80ct, estimated approximate total diamond weight 0.15ct, yellow metal legs (one lacking), mounted to a stock pin with safety chain, unmarked, tested as 9ct gold and silver, weight 5.9g
A cased set of four Victorian silver gilt serving spoons, mark of Elkington & Company (Frederick Elkington), Birmingham 1879, each bowl engraved with foliage and a bird in flight, the stem decorated with scrollwork and the trefoil terminal decorated with a Far Eastern lady holding a parasol, verso monogrammed, 20cm in length, 6.7ozt gross, presented in the original signed and gilt tooled case lined in cream satin and blue velvetOverall in good condition with no obvious signs of damage or repair. Some light surface scratches as to be expected and commensurate with age and use. Hallmarks and engraving clear and readable. Gilding in good order. Case a little scruffy, spotted and scratched to the outer, interior has some staining to the satin.
A Victorian silver novelty vinaigrette in the form of a book, mark of Edward Smith, Birmingham 1846, with ribbed convex 'spine', decorated all over with chequerboard engine turned engraving, part marked piano hinged cover with engraved rectangular cartouche, gilded interior with pierced and hinged grille, suspension loop to the top, 3.5 x 2.5cm, 0.6oztOverall in good condition with no obvious signs of repair. Some surface scratches and minor dents and nicks as to be expected and commensurate with age and use. Hallmarks a little worn but still readable. Hinges in good order and both covers open and close well. Some staining to the interior.
A Victorian silver coffee pot, mark of Charles Stuart Harris, London 1896, of traditional baluster from, the body monogrammed, part marked piano hinged and domed cover with gadrooned rim and topped with decorative finial, wooden handle and swan neck leaf capped spout, raised on a gadroon rimmed spread foot, 25cm high, 20.6ozt
A 20th century French metalwares silver box, by Nisa Chevènement, Paris, Minerva head 2nd standard mark for 800/1000 standard silver, of D shaped form, sides plain and polished, piano hinged cast cover featuring a relief study of a reclining female nude, signed NISA, simple thumbpiece to the edge, 11 x 4cm, 7ozt Provenance: Collection of the late Sir Georg and Lady Solti Nisa Chevènement is a French Postwar & Contemporary artist. She was raised in Egypt and, following her education there, studied at the School of Fine Arts in Cairo. She left Egypt for France in 1965, completing her artistic education in the workshops of Paris.She has exhibited all over the world and is probably best known for her sculptures of the human form. This example is one of only three silver boxes she has made, and the only one to use this particular model.
A George III silver tooth powder box, mark of Richard Lockwood, London 1800, of simple and plain rectangular form, piano hinged across the centre with two part marked covers, peg handle to one end, 9 x 2.5cm, 1.6oztPrior to the use of toothbrushes and the development of toothpaste in the early 19th century, tooth powder was used for cleaning the teeth. A wet finger was dipped in the powder and then rubbed across the teeth, before rinsing with water.Tooth powders were based on three or four components: abrasives such as chalk, orris root, heavy magnesium carbonate or cuttlefish bone; antiseptics and detergents, for example powdered hard soap and borax; and astringents which could be the tannins found in cinchona bark, bayberry leaves, essence of sassafras, and, very commonly, tincture of myrrh. Aromatic substances were often added as breath sweeteners, common ones being cardamom, cloves, peppermint, oil of lemon and aniseed.This example has two compartments, presumably to hold two different flavours. Recipes for tooth powder were zealously guarded by their creators.
A pair of Elizabeth II silver candlesticks, mark of A. Chick & Sons Ltd., London 1970, in the Neoclassical style, each stepped square base decorated with repoussé foliate swags, tapering column and campana shaped sconce similarly decorated with part marked detachable wax pan, 10 x 10cm at the base, 25cm high, 19.4ozt gross (2)Overall in good condition with no obvious signs of repair. Some minor surface scratches and wax residue, as to be expected and commensurate with use. Hallmarks are clear and crisp.Wax pans to both a good fit. One has a minor wobble when on a flat surface, the other stands firm but leans very, very slightly.
Ortner & Houle, London - A late 19th century Sterling silver travelling timepiece & barometer, circa 1893, comprising two square cases each decorated with vertical engine turned stripes, joined with a piano hinge and with raised thumbpiece; the left case featuring a signed aneroid barometer with silvered dial, 47mm diameter, within a polished silver bezel, black printing, blued hand and chemin de fer outer ring; the right case featuring a signed timepiece with silvered dial, 47mm diameter, within a polished silver bezel, black Roman numerals, blued spade and whip hands, subsidiary engine turned seconds register at 6 o'clock and chemin de fer outer ring, case stamped to the top with casemaker's mark of George Richards and London hallmarks for Sterling silver, engraved to the underside REG No. 207196, 6.5 x 6.5cm, 10.7ozt grossCase - No obvious sign or repair - opens and closes satisfactorily, and the hinge does not appear strained. Hallmark a bit rubbed but still readable, engraving clear and readable. One or two very, very minor dents to the barometer side top edges.Timepiece - Winds satisfactorily. Integral key. Ticks for one or two seconds, then stops. Hands move freely in both directions, but lacking the hand adjusting key. Barometer - untested
A George II silver meat platter, maker's mark lost, London 1749, of oval scalloped form with gadrooned border, the rim engraved with the arms of WATSON impaling COPLEY, 50 x 37cm, 71.2oztThese armorial bearings undoubtedly commemorate the marriage of Sir Charles Watson (1751 - 1844), the 1st Baronet of Fulmer, Buckinghamshire and Juliana Copley (1755 - 1834). Charles and Juliana were married at the Parish Church of St George, Hanover Square within the Liberty of the City of Westminster, Middlesex on the 16th July 1789. Charles was the only son of Vice Admiral Charles Watson, Royal Navy and his wife, Rebecca Buller, whilst Juliana was the daughter of Sir Joseph Copley the 1st Baronet of Sprotbrough, Yorkshire and his wife, Mary Buller. Charles was created a baronet by King George II at the age of 8 on account and in remembrance of the eminent services of his father, Vice Admiral Watson, who died at Calcutta on the 16th August 1757 aged 43 whilst in command of His Majesty’s Naval Forces in the East Indies. Charles died at Wratting Park, Cambridgeshire and is buried at the Parish Church of St Andrew's, West Wratting.
A set of 12 Victorian silver plates, mark of John Samuel Hunt, London 1846, each with scalloped border with reed and tie rim, 6 marked to the underside: HUNT & ROSKELL LATE STORR MORTIMER & HUNT 2990, 5 marked to the underside: 2990, 1 with no further markings, 26cm diameter, 237.4ozt gross (12)All are in good condition with no obvious signs of damage or repair. The fields of all are heavily scratched, as to be expected and commensurate with use. A number of the plates are tarnished and all would benefit from professional polishing.
Loading...
