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A William De Morgan Late Fulham Period lustre Long-tongued Beast tile, painted in blue and silver lustre on a white ground with red lustre grasses, impressed factory mark, drilled, 15cm. square Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 125 plate 613 for this design illustrated.
A Ruskin Pottery high-fired stoneware vase designed by William Howson Taylor, dated 1926, cylindrical form with flaring rim, glazed with sang de boeuf over silver-grey, the foot with lavender spots, and another Ruskin Pottery orange lustre vase dated 1927, impressed marks, hairline to high-fired vase, 24.5cm. high, (2)
A Ruskin Pottery high-fired stoneware perfume bottle by William Howson Taylor, shouldered form, covered in a sang de boeuf over a silver-grey glaze, a Ruskin Pottery souffle vase covered in a mottled blue glaze dated 1903 and a yellow lustre pot pourri vase and cover, impressed marks, missing cover, and small chips to top rim of main, hairline to blue vase, 10.5cm. high (4) Provenance A private collection of Ruskin Pottery.
A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1923, shouldered form with collar rim, covered in a rich sang de boeuf glaze over silver, with turquoise splashes, impressed factory mark and date, chip to base rim, 15cm. high Provenance A private collection of Ruskin Pottery.
A Ruskin Pottery high-fired stoneware pot by William Howson Taylor with silver cover by A E Jones, the swollen pot speckled mint green with lavender splashes, the silver top with ball finial, painted scissor mark, stamped hallmarks, Birmingham 1912, stress hairline to top rim, 8cm. high
A rare Art Nouveau Guerchet silver mounted enamelled glass vase, baluster form, the silver foot cast in low relief with foliage spray rising to overlay the body with violet flower stems, the glass body enamelled with similar violets in blue and green, highlighted in gilt on a textured ground stamped Guerchet to foot, 12cm. high
A Guild of Handicrafts copper and enamel box by Arthur Cameron and Charles Robert Ashbee, the hammered rectangular box on ball feet, the hinged cover inset with enamel panel of a standing rhinoceros by Arthur Cameron, cedar lining, enamel signed AC monogram, paper John Jesse label, 18 x 11cm, 5cm. high Provenance Charles & Lavinia Handley-Read John Jesse Andrew McIntosh Patrick Literature Alan Crawford C.R.Ashbee Architect, Designer & Romantic Socialist, Yale, page 329 plate IX for three comparable silver and enamel boxes illustrated including one by Arthur Cameron. The illustration also shows an enamel by William Mark of St George on Horseback based on an engraving by Durer. This enamel is also after the Rhinoceros woodcut by Durer dated 1515.
? A fine pair of Artificers' Guild silver and narwhal tusk bowls designed by Edward Spencer, the domed base on five cast feet, with raised columns surmounted with green chrysoprase cabochon, cast stiff leaf and woven vine collar, supporting narwhal tusk stem, the stem supporting teardrop shaped hammered bowl with pierced pendulous flower collar, the bowl rim cast in low relief with foliate panels to the exterior, stamped marks, London 1906, stamped designed by Edward Spencer, 18.5cm. high19cm. wide., (2) Provenance The collection of James Benson. Literature The Studio, 1912 Taschen reprint, page 355 for a bowl and a fruit stand with similar decoration illustrated. Design Since 1860, 11th April 2018 lot 127 Lyon & Turnbull, for a comparable tazza made for the Clyde Corinthian Yacht Club in 1925. This lot is sold with an Article 10 license for Cities (certificate number 588569/01)
An Artificers' Guild silver, copper and wood comport probably designed by Edward Spencer, model no. 2025, the domed silver foot set with red and orange jewels, the tapering, faceted stem supporting shallow wooden bowl, stamped marks to base, 15cm. high, 22.5cm. diam. Literature The Studio, 1912, reproduced by Taschen, page 354 for a comparable silver and walnut fruit bowl illustrated.
An Artificers' Guild Ltd silver-gilt chalice probably designed by Edward Spencer, tapering foot supporting knopped stem and flaring hammered bowl, the knops decorated with roundel and rope borders, dedicated Charles Phillips Obit 11 IV MCMXIV (1914), stamped marks, London 1914, 18cm. high, 7.2ozt
? A pair of Guild of Handicrafts silver-plated copper and ivory tureens designed by Charles Robert Ashbee, the elliptical twin-handled bases pierced and cast with foliate handles, shallow domed top with rope-twist and foliate mounts and ivory handle, unmarked, 35.5cm wide (2) Provenance Arthur Currer Briggs (1855-1906) Mayor of the city of Leeds (1903-04) and Alderman of the City of Leeds (1904-1906) who commissioned his holiday home Broadleys over looking Lake Windermere was designed by Charles Voysey. Literature C.R Ashbee Modern English Silverwork, London 1909, plate 55 for this pierced vine design illustrated.
A Jones and Crompton silver cruet set, each stamped in low relief with simple Art Nouveau tulip flower repeat, comprising two three-handled salts and serving spoons, two pepper pots and a covered mustard pot with blue glass liner, in fitted, velvet-lined presentation case, stamped marks, Birmingham, 1905, 7cm. high (pepper pot) (7)
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2475480 item(s)/page