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Galerie Bassenge
Lot 4103

Bucovich, Mario von -- Female nude. Circa 1925. Vintage toned matte gelatin silver print. 20,5 x 13,5 cm. Mounted to board (a few light foxing spots, minimal traces of use), signed by Bucovich in pencil below image on right, annotated Atelier Schenker below image on left, number label in lower left corner; Atelier Karl Schenker, Berlin W. 62, Budapesterstraße 6 stamp and Swedish exhibition label 1926 on mount verso.Minimal spot in mid left area, small retouched spots, otherwise a fine print in very good condition.

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Galerie Bassenge
Lot 4109

Cattanao, Mario -- Children laughing. 1962. Vintage ferrotyped gelatin silver print on doubleweight Gevaert paper. 29,7 x 40 cm. Photographer's stamp, exhibition stamp and annotated in ink/pencil on the verso.Traces of previous mounting on the verso, corners bumped with some emulsion loss, some handling marks, otherwise in very good condition.

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Galerie Bassenge
Lot 4110

Cattanao, Mario -- Boy in crowd. 1964. Vintage ferrotyped gelatin silver print on doubleweight Agfa paper. 40 x 29,5 cm. Photographer's stamp, exhibition stamp and annotated in ink/pencil on the verso.Corners bumped, some handling marks, otherwise in very good condition.

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Galerie Bassenge
Lot 4111

Chaldej, Jewgeni -- "Atop the Berlin Reichstag, May 2, 1945". 1945/printed later. Gelatin silver print. 30,5 x 41 cm. Signed by the photographer in pencil on the verso.An interesting document, which Chaldej himself commented on: "Early in the morning on May 2, 1945, I entered it (the Reichstag). I was surrounded by horrendous noise, Russians and Germans were all shouting in horrible confusion ... A pleasant young soldier came up to me. I had a red flag in my hand. He said, 'Lieutenant, davai, let's hurry up and climb onto the roof with the flag' ... We started out, but all the stairs were badly damaged. When we finally got up the Reichstag was on fire. ...We found a long pole. I spent lots of time trying out different compositions. I took one picture from the left, but that wasn't any good. I wanted Berlin to be clearly visible in the picture. Then I said, 'Boys, go and stand over there and raise the flag ... then try over there'. There were three of them. One was from the Ukraine, the other from Machatshkala in Dagestan and the third was a Russian. ... I shot a whole roll of film, 36 shots." (cited in Volland/Krimmer, p. 151). – In excellent condition.Lit.: Ernst Volland/Heinz Krimmer (eds.). Von Moskau nach Berlin. Bilder des russischen Fotografen Jewgeni Chaldej. Berlin 1999, ill. p. 65.

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Galerie Bassenge
Lot 4114

China -- Industrial views of China. 1940s. 10 vintage gelatin silver prints. Various sizes, most circa 20 x 16 cm, some larger. Mounted to board (toned and some foxing).Three photos in this lot show Sichuan's gas and salt wells. Both mineral resources were used together, with the gas fire being available for the salt evaporation plants. Around the conveyors one can see the settlements or the so-called "wheel and buffalo quarters". These animals used wooden wheels to transport the brine upwards, where it was evaporated in the "furnace quarters”. – Most in good to very good condition.

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Galerie Bassenge
Lot 4117

Dada Berlin -- Photographer unknown. Opening of the "Erste Internationale Dada-Messe" (First International Dada Fair) held at the Otto Burchard Gallery, Berlin. 1920. Vintage gelatin silver print. 12 x 16,5 cm. Photothek agency stamp and typed French press text label: Exposition d'art des "Dadaistes" à Berlin, vue generale de l'exposition on the verso.Only a few photographic documents exist today of the International Dada Fair, which opened in Berlin in June 1920. Nonetheless, they succeeded to etch their way into the historic cultural memory. The spectacular show took place at the Kunsthandlung Dr. Otto Burchard, Lützowufer 13. The photo offered here shows the following visitors: from left to right Raoul Hausmann, Hanna Höch, Dr. Burchard, Johannes Baader, Wieland Herzfelde and his wife, Dr. Oz, George Grosz, John Heartfield. On the far left the now missing painting "Kriegskrüppel" by Otto Dix is seen (see also lot 4264). A figure in military uniform with a pig mask dangles from the ceiling, which involved Otto Burchard in a lawsuit. A total of circa 200 exhibits hung on the walls, including printed Dada slogans such as "Nieder die Kunst!" (Down with art!) and "Dada ist die willentliche Zersetzung der bürgerlichen Begriffswelt" (Dada is the willful destruction of the bourgeois conceptual world). – Faded, some buckling from glue on verso, some mirroring in edges/corners, otherwise in good condition.

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Galerie Bassenge
Lot 4118

Dada Berlin -- Photographer unknown. Johannes Baader next to his object "The Great Plasto-Dio-Dada-Drama: Germany's Greatness and Decline" at the opening of the "Erste Internationale Dada-Messe" (First International Dada Fair) held at the Otto Burchard Gallery, Berlin. 1920. Vintage gelatin silver print. 16,5 x 11,5 cm. Photothek agency stamp and typed French press text label: Exposition d'art des "Dadaistes" à Berlin, "la grandeur et la décadance de l'Allemagne" architecture monumentale dadaiste de Johannes Baader on the verso.This photo document is a particularly rare specimen. Only very few prints exist. The creator of this unusual installation was the eccentric Johannes Baader, who later also organized Dada exhibition tours with Richard Hülsenbeck. Some press photos, like this and the previous photo were sent to Paris at the time to promote the Berlin event there as well. Despite the French inscription on the verso of each photo, it is not known whether these photos were published in France at the time. – Faded, some buckling from glue on verso, some mirroring in edges/corners, otherwise in good condition.

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Galerie Bassenge
Lot 4119

Dance Photography -- Photographer unknown. Various teaching and dance scenes of the "Günther Schule", Munich. 1924. 36 vintage gelatin silver prints. Various sizes, most circa 7,5 x 11 cm, some smaller. Inserted in window slits, bound in paper album with cord binding (tear on spine, cord loose).The Günther School was founded on the initiative of Dorothea Günther and Carl Orff. The school quickly became known and subsequently expanded. It existed from 1924-1944, with an extensive teaching program, such as gymnastics, rhythmic dance and physical education, modern artistic dance, singing, anatomy, pedagogy, psychology, drawing and much more. – A few photos with mirroring in edges, otherwise strong photos in very good condition.

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Galerie Bassenge
Lot 4120

Dance Photography -- Photographer: Charlotte Rudolph (1896-1983). Mary Wigman in various dance poses. Circa 1925. 3 vintage brown-toned gelatin silver prints. Each circa 23,7 x 18 cm. Each with photographer's name and dancer's name in upper/lower corner in the negative.Photos in very good condition. – With: Brochure Mary Wigman: Komposition. Überlingen 1925. Signed and dated by Mary Wigmen in ink on front flypaper. - Cover time-stained.

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Galerie Bassenge
Lot 4121

Dance Photography -- Photographer: Ilse Jahn and unknown. Scene from the dance performance "Totentanz II" '(Danse Macabre), choreographed by Mary Wigman; Portrait of Mary Wigman. 1926. 1 vintage ferrotyped gelatin silver print, 1 toned gelatin silver print. 16,5 x 23 cm and 10 x 7,5 cm. Portrait mounted to board (time-stained), signed and dated by the photographer in pencil below the image on the mount.First photo with mirroring in edges, a few nicks in edges, second photo with mirroring in upper left corner, otherwise in good condition.

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Galerie Bassenge
Lot 4122

Dassonville, William E. -- "Charcoal Black". Sample album of various charcoal black photographic papers. 1920s. 10 vintage gelatin silver prints. Various sizes between circa 20 x 15 cm and 11 x 13,5 cm. Each sandwich-mounted in album page with printed paper descriptions on mount (edges of mounts and inner covers slightly soiled), bound in black full canvas boards (edges/corners rubbed, some scratch marks), stamped title Dassonville Charcoal Black on front cover. Dassonville Co. Ltd., San Franciso n.d. William Dassonville, also a chemist and one-time neighbor of Ansel Adams, made his own photo papers and emulsions for artistic effects in his prints, later expanding to producing photo paper, such as his famous "Charcoal Black", which Adams used himself in his printing up until 1933. The present book shows examples of the different papers and effects created by Dassonville with his beautiful charcoal black papers. It includes several well-known images such as: "San Francisco from Telegraph Hill" (1925), Ships, San Francisco Bay (c. 1925) and Cypress Trees (positive and negative image). – Some photos with mirroring in edges, a few faded/slightly discolored, otherwise several photos in good to very good condition.

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Galerie Bassenge
Lot 4126

Durieux, Tilla -- Portraits of the actress Tilla Durieux. 1920s-1960s. 4 vintage gelatin silver prints. 28,5 x 21 cm and 26 x 19,5 cm. 2 mounted to board (traces of use).The portraits show Tilla Durieux in various phases in her career.For other photos of Tilla Durieux, see lots 4123-4125 and 4314. – Three prints with some mirroring, one with spots, otherwise in good condition.

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Galerie Bassenge
Lot 4133

Enrie, Giuseppe -- "Santo volto del Divin Redentore" (Detail of the Shroud of Turin - negative). 1931. Vintage gelatin silver print. 29 x 23 cm. Photographer's and reproduction limitation blindstamp in lower left/right corners, mounted to original board (corners bumped, small loss in upper left corner), with title and date printed above/below the image on the mount (41,5 x 31,5 cm).The Shroud of Turin is believed to bear the imprint of the face and wounds of Christ. The first historical record of the Shroud goes back to the 15th century when it was given to the House of Savoy by a French noblewoman. Since the 17th century, it has been housed in a chapel connected to Turin’s cathedral. The first photograph of the Shroud was made during its public display in 1898 by the amateur photographer Secondo Pia. Because that photograph was produced with the Shroud under its protective glass, its use as evidence was increasingly questioned. Thus, when the Shroud was displayed publicly in 1931, in honor of the wedding of Umberto II to the Belgian princess Maria José, a new set of photographs was commissioned.Accompanied by a French scientist, a priest and Secondo Pia, Enrie made twelve negatives of the Shroud. He recorded his methodology in great detail, which was published in 1933. Enrie’s photographs of the Shroud were widely distributed. The print offered here includes its original mount, which features printed signatures and insignia of church officials, attesting to the official sanction of the image. – A few scuff/scratch marks in upper left as well as light silvering in edges, more visible at an angle, one stronger dent to left of face, retouched spot in upper right corner, otherwise in very good condition.Lit.: Maria Bugli/Cristina Gardini. Fotografia Italian dell Ottocento, Milan 1979, ill. p. 118.

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Galerie Bassenge
Lot 4136

Film Photography -- Stills from the film "Die Drei von der Tankstelle", directed by Wilhelm Thiele. 1930. 60 vintage matte gelatin silver prints. Each circa 21,5 x 27,5 cm. Most with Ufa logo in the negative in lower right corner, mounted to album pages (isolated foxing more at beginning and end of album), bound together in contemporary color silk album, signed and dedicated by Erich Pommer in ink to Werner Richard Heymann, Christmas 1930 on front flypaper, gilt-stamped title page.A comprehensive album with a wide selection of film stills and publicity portraits of the main stars Lilian Harvey, Willy Fritsch, Heinz Rühmann and Oskar Karlweis. The German musical film was a large success and even outgrossed "The Blue Angel". Some of the songs were performed by the Comedian Harmonists and remain popular today. The album is dedicated by the producer Erich Pommer to the composer of the film music Werner Richard Heymann. In this very good condition, it is an exquisite and rare piece of German film history. – Some photos slightly faded, especially at beginning of album, some photos with mirroring in edges, otherwise most in very good condition.Provenance: From the estate of Werner Richard Heymann.

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Galerie Bassenge
Lot 4138

[*] Film Photography -- Film still of Marlene Dietrich in "Der blaue Engel". 1930. Vintage ferrotyped gelatin silver print on double weight paper. 24 x 30 cm. Film title in lower margin, letter stamp on verso.Pinholes in corners, some indentation marks/surface scratch marks, a few creases, scratch in emulsion in upper right.

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Galerie Bassenge
Lot 4140

[*] Film Photography -- Photographer: Eugene Robert Richee (1896-1972). Portrait of Marlene Dietrich. 1932. Vintage ferrotyped gelatin silver print on double weight paper. 20,5 x 25,5 cm.A few minimal handling marks, slight oxidation mirroring in edges, otherwise in good condition.

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Galerie Bassenge
Lot 4143

[*] Film Photography -- Photographer unknown. Portrait of Hedy Lamarr for "Dishonored Lady". 1947. Vintage ferrotyped gelatin silver print. 25 x 21 cm. Typed press text label on the versoSome irregularities to ferrotype surface, otherwise in very good condition.

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Galerie Bassenge
Lot 4147

French Foreign Legion (2ème régiment étranger de parachutistes) -- Five souvenir albums of a German member of the French Foreign Legion during the Algerian War. Mid 1950s-1961. Circa 300 impressive gelatin silver prints. Various sizes between circa 9 x 12 cm and 7,5 x 10,5 cm and larger. Photos inserted in photo corners to album pages, some annotated in ink on mounts, some photos annotated in pencil on verso, bound in 5 contemporary leather albums with Arabic design and some with colored leather (some with traces of use, some pages use).These albums are from the property of the German member of the French Foreign Legion Sgt. Wolfgang Eiche. He was in combat during the Algerian War as a parachutist. One souvenir album begins with a documentation of his training camp on Corsica. Later images in other albums show the traumatic combat missions of the parachutists and other special forces during the Algerian war. Many images show combat mission in the mountains around Constantine and the desert. – Most photographs in good to very good condition. – With: Circa 20 certificates, attestations, diplomas and other military documents from the 2ème régiment étranger de parachutistes.

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Galerie Bassenge
Lot 4148

Bergemann, Sibylle -- Untitled. 1980s. Vintage gelatin silver print. 10,7 x 16,3 cm (19,5 x 30 cm). In very good condition.Lit.: Hans-Dieter Schmidt/Evelyn Richter. Entwicklungswunder Mensch. Leipzig 1980, ill. p. 220.

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Galerie Bassenge
Lot 4149

Bergemann, Sibylle -- Plaster model for the Marx-Engels-Forum by Ludwig Engelhardt in his studio. Late 1970s. 2 chromogenic prints and 1 gelatin silver print. Each circa 39,5 x 29 cm. Each annotated in ink on the verso.Some creases in corners, edges curled, color prints faded.

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Galerie Bassenge
Lot 4151

Christel, Detlef B. -- Industrial workers, Berlin. 1980s. 2 vintage ferrotyped gelatin silver prints. 17 x 24 cm. Each with photographer's stamp on the verso.A few handling marks, otherwise in good condition.Provenance: Estate of the photographer

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Galerie Bassenge
Lot 4152

Christel, Detlef B. -- Berlin. 1980s. 4 vintage (2 ferrotyped, 2 semi-glossy) gelatin silver prints. Various sizes circa 27 x 17 cm. Each with photographer's stamp on the verso.A few handling marks, otherwise in good condition.Provenance: Estate of the photographer

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Galerie Bassenge
Lot 4154

Fischer, Arno -- West Berlin, Kurfürstendamm - Joachimsthaler. 1959/printed later. Gelatin silver print. 27,5 x 42 cm (29,5 x 44 cm). Photographer's stamp, signed, titled and dated by the photographer in pencil on the verso.In very good condition.Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalogue). Ostfildern 2009, ill. p. 40.

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Galerie Bassenge
Lot 4156

Fischer, Arno -- Fashion photo. Late 1960s. Vintage gelatin silver print. 40 x 29,5 cm.Crease in upper left corner, otherwise in very good condition.Provenance: Estate of Arno Fischer

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Galerie Bassenge
Lot 4157

Fischer, Arno -- Fashion photos, Berlin. 1967. 2 vintage gelatin silver prints. Each circa 40 x 30 cm. 1 with Sibylle paper label and cover sheet with layout marks in pencil attached to the verso.In very good condition.Provenance: Estate of Arno Fischer

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Galerie Bassenge
Lot 4161

Hauswald, Harald -- "Drei in der U-Bahn". 1985. Vintage gelatin silver print. 30 x 39,5 cm. Titled (U-Bahn), dated and signed by the photographer in ink and signed by Lutz Rathenow in ink in lower margin.On the occasion of the 30th anniversary of the legendary work "Ost-Berlin," Jaron Verlag published a highly acclaimed new edition of the book in 2017. To complement this, a series of postcards was published in book form, also entitled "Ost-Berlin”. It contains 15 of the best motifs, which photographer Harald Hauswald, together with writer Lutz Rathenow (who also signed this photo), used to create "a monument of a different kind to Ost-Berlin" (according to historian Ilko-Sascha Kowalczuk) in 1987. The image offered here is on the cover, perhaps Hauswald's best-known photo from those years: "Drei in der U-Bahn". – Slight buckling in side edges, creases in lower margin and left edge, scuff marks in lower right, otherwise a strong print in good condition.Lit.: Harald Hauswald/Lutz Rathenow/Ilko-Sascha Kowalczuk. Ost-Berlin: Die verschwundene Stadt. Berlin 2017, ill. front cover.

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Galerie Bassenge
Lot 4164

[*] Hauswald, Harald -- "Berlin, Mai" 1987. Vintage gelatin silver print on RC paper. 20 x 30 cm. Titled, dated and signed by the photographer in ink in lower margin.A fine tonal print in very good condition.

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Galerie Bassenge
Lot 4165

Hensky, Herbert -- Images of post WWII Berlin. 1945/46. 5 vintage ferrotyped gelatin silver prints. Each circa 17 x 24 cm. Each with photographer's stamp and numbers in pencil on the verso.Some with irregularities to ferrotype surface, some with buckling, a few handling creases, otherwise in good condition.

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Galerie Bassenge
Lot 4166

Heyden, Bernd -- Old pallbearer at Mahlsdorf cemetery, Berlin. 1973. Vintage gelatin silver print. 29 x 20 cm. Signed and dated in green ink in lower right corner within the image; photographer's Berlin stamp on the verso.Bernd Heyden was closely connected to and integrated in Prenzlauer Berg, Berlin, where he spent most of his life. The autodidact initially trained as a woman's tailor and worked as an ironer, chauffeur and laboratory assistant, until he was admitted as a photographer in 1974. Since 1967, he worked in the Club junger Fotografen (Club of Young Photographers) founded by Arno Fischer and Sibylle Bergemann. His photographs were rejected by GDR officials as "trash can photography", nonetheless they were highly valued by many of his colleagues. – Some light handling marks, especially in right portion, corners slightly bumped, otherwise in very good condition.

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Galerie Bassenge
Lot 4169

Heyden, Bernd -- Interior. 1980s. Vintage gelatin silver print. 29 x 18 cm. Photographer's stamp on the verso.A rich, dark print in very good condition.Provenance: Estate of Arno Fischer

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Galerie Bassenge
Lot 4170

Marquardt, Sven -- Portrait. 1990. Vintage gelatin silver print. 30,5 x 21 cm. Signed and dated by the photographer in pencil in lower margin; dedicated by the photographer in ballpoint pen on the verso.From East Berlin, Sven Marquardt started his training as a photographer and cameraman at the DEFA studios. After his first publications in the magazines Sonntag and Das Magazin from 1985-1986, he was the assistant of Rudolf Schäfer. He worked as a fashion photographer until the late 1980s for Sibylle together with Roger Melis and Arno Fischer, and he became known for documenting the subculture of the GDR. After the reunification of Germany, he stopped photographing for a period and worked as a bouncer at the Berlin club Berghain, where he soon became a symbolic figure of the club culture. His work has been featured in several exhibitions, and he continues to photograph today. – Crease in upper right, handling dent lower left, stain in upper and lower edge.Provenance: Directly from the photographer to the current owner.

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Galerie Bassenge
Lot 4171

Marquardt, Sven -- Portrait. 1990s. Vintage gelatin silver print. 31 x 21,5 cm. Signed by the photographer in pencil on the verso.Crease in lower left, several light handling marks, otherwise in good condition.Provenance: Directly from the photographer to the current owner.

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Galerie Bassenge
Lot 4173

Marquardt, Sven -- Portrait. 1990s. Vintage gelatin silver print. 31,2 x 21,5 cm. Signed by the photographer in pencil on the verso.A few light handling marks, small stain in lower left corner, otherwise in good condition.Provenance: Directly from the photographer to the current owner.

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Galerie Bassenge
Lot 4175

Paris, Helga -- "Müllfahrer". 1975. Vintage ferrotyped gelatin silver print. 24 x 18 cm. Annotated and with layout marks in pencil on verso, Bildende Kunst publication label affixed to verso.Some creases in corners, some handling marks, small retouched spot in lower right area, otherwise in good condition.

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Galerie Bassenge
Lot 4176

Paris, Helga -- Halle; Berlin. 1983-85, 1986. 2 vintage ferrotyped gelatin silver prints. 17 x 24 cm. Each annotated and with layout marks in pencil, Bildende Kunst publication label affixed to verso,1 with photographer's stamp on the verso.Some creases in corners, some handling marks, otherwise in good condition.

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Galerie Bassenge
Lot 4177

Paris, Helga -- Müllkippe Schwanebeck; Halle. 1983-85, 1986. 2 vintage (1 ferrotyped) gelatin silver prints. 18,5 x 27 cm and 17 x 24 cm. Each annotated and with layout marks in pencil and with photographer's stamp on the verso.Some handling creases/marks, traces of previous mounting on the verso, otherwise in good condition.

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Galerie Bassenge
Lot 4178

Richter, Evelyn -- "Vor d. 'Ausgezeichneten'". 1975. Vintage gelatin silver print. 40 x 26 cm (59,5 x 49,5 cm). Signed, titled and dated by the photographer in ink in lower margin.Handling marks in margins, some crease marks in upper edge, some spots in upper right, otherwise in very good condition.

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Galerie Bassenge
Lot 4185

Schulze Eldowy, Gundula -- "Lothar" from the series "Berlin in einer Hundenacht". 1982. Vintage gelatin silver print. 15 x 22,5 cm (22 x 27,5 cm). Early photographer's stamp on the verso.Traces of previous mounting on the verso, a few small nicks in edges, otherwise a fine print in very good condition.Provenance: Directly from the photographer to the current owner.

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Galerie Bassenge
Lot 4186

Schulze Eldowy, Gundula -- "Tamerlan, Berlin" (series). 1984. Gelatin silver print. 35,5 x 26 cm. 2 photographer's stamp and annotated in pencil on the verso.This image is a classic example of Schulze Eldowy's early black and white work, which was often socially critical with an empathetic portrayal of the sitter. It is part of a series taken between 1979 and 1987 in Berlin. – Some creases on left side and lower right/lef corner, buckled, slight discoloration in lower right edge, otherwise a fine tonal print in good condition.Lit.: Photographie des 20. Jahrhunderts. Museum Ludwig Köln. Cologne 1996, ill. p. 611.

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Galerie Bassenge
Lot 4189

[*] Sewcz, Hans Martin -- "Große Hamburger Straße mit Blick auf die Oranienburger Straße, Berlin". 1979/printed later. Panoramic gelatin silver print. 24,5 x 58 cm (35,8 x 61 cm). Signed, titled, dated and editioned E.A. by the photographer in pencil as well as photographer's stamp on the verso.Light impression mark in upper left, a few light handling marks, otherwise in very good condition.Lit.: Marc Barbey (ed.). Hans Martin Sewcz. Berlin-Mitte, Mai 1979, Berlin 2011, ill. pp. 18-19.

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Galerie Bassenge
Lot 4192

Trabant -- Photographer: Helmut Raddatz. "Fascinosum Trabant". Early 1970s. 4 vintage large-format gelatin silver prints. Circa 48 x 39 cm and 30 x 40 cm. Each with photographer's stamp on the verso.Edges slightly curled, some buckled, otherwise in good condition.

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Galerie Bassenge
Lot 4193

Wüst, Ulrich -- House facade. Late 1970s. Vintage gelatin silver print. 18 x 24 cm. Photographer's stamp on the verso.Traces of previous mounting on the verso, otherwise a fine tonal print in very good condition.

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Galerie Bassenge
Lot 4199

Grimm, Kurt -- Kongresshalle Nuremberg. Circa 1934. 5 vintage ferrotyped gelatin silver prints on Velox paper. Each circa 17 x 23 cm. Each with photographer's label, 2 also with photographer's stamp and 1 with typed press text label on the verso.The images show the model for the Kongresshalle in Nuremberg which, as the one label on verso states, was the: "Modellaufnahme des vom Führer genehmigten und zur Ausführung bestimmten Entwurfs". – Some creases in lower left corner, some handling dents, three with small tear in lower edge/margin, one with small hole near upper edge, otherwise in good condition.

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Galerie Bassenge
Lot 4204

Helbig, Konrad -- Young nude man with grass, Sicily. 1960. Vintage ferrotyped gelatin silver print. 23,5 x 17,5 cm. Photographer's stamp on the verso. Framed under glass in hand gilded frame.Slightly discolored in mid area, otherwise in good condition.Lit.: Boris von Brauchitsch (ed.). Enthüllungen. Berlin 2019, ill. p. 24.

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Galerie Bassenge
Lot 4205

Henschel, Jürgen -- Benno Ohnesorg, Berlin Charlottenburg. June 2, 1967/printed later. Gelatin silver print on doubleweight paper. 26 x 20 cm (30 x 24 cm). Signed and dated by the photographer in pencil on the verso.In very good condition.

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Galerie Bassenge
Lot 4207

[*] Himalayas -- Photographer: Vonderthann, Berchtesgaden. View from the Kangchendzonga with the Siniolchu massif. 1936. Vintage gelatin silver print on Agfa-Brovira paper. 23 x 35,4 cm (29,6 x 39,6 cm). Printed title and photo data and photographer's logo on verso. A beautiful, atmospheric print in excellent condition.

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Galerie Bassenge
Lot 4214

[*] Jacobi, Lotte -- Portrait of the artist Josef Scharl (1896-1954). 1939. Vintage gelatin silver print. 24,5 x 19,5 cm. Dedicated, dated and signed by Scharl in ink in lower right corner; annotated in pencil on the verso.Corners minimally bumped, minimal oxidation mirroring in lower edge, traces of previous framing on the verso, otherwise in very good condition.

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Galerie Bassenge
Lot 4218

Klophaus, Ute -- Joseph Beuys. 1970/printed 1990. Ferrotyped gelatin silver print. 49,5 x 40 cm. Signed, editioned and dated by the photographer in ink in lower right edge; photographer's copyright stamp and editioned 5/15 in pencil on verso, mounted to grey card, editioned 5/15 in pencil below image on mount.In very good condition.

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Galerie Bassenge
Lot 4221

Krolow, Wolfgang -- "Die beiden Mädchen" (The Two Girls). 1980s. Vintage gelatin silver print. 18 x 23,8 cm. Photographer's stamp on the verso.Some emulsion loss in side margins, a few crease marks in upper corners, light fold mark in lower left, otherwise in good condition.Lit.: Wolfgang Jean Stock (ed.). Großstadt Dschungel (exhibition catalog) Munich 1983, ill. p. 83.Les Cahiers du Musée National d'Art Moderne, Centre Georges Pompidou, no. 32 summer 1990, ill. front cover.

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Galerie Bassenge
Lot 4223

Krolow, Wolfgang -- Berlin Wall. 1989. Vintage gelatin silver print. 17,7 x 23,8 cm. Photographer's stamp on the verso. A few indentation marks, otherwise in good condition.

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Galerie Bassenge
Lot 4224

Krolow, Wolfgang -- Photographer: Ernst Volland and Peter Hebler. Portraits of the photographer Wolfgang Krolow. 1984/85. 2 gelatin silver prints. 40,5 x 30 cm and 30 x 40 cm. Each signed, titled and dated by the photographer in pencil and 1 with photographer's stamp (Hebler) on the verso. In very good condition.

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Galerie Bassenge
Lot 4235

Lebeck, Robert -- "Jackie Kennedy and Lee Radziwill, Bob Kennedy's Funeral, New York". 1968/printed 1990s. Large-format gelatin silver print. 58 x 39 cm (60,5 x 50,5 cm). Signed, titled, dated by the photographer in pencil and photographer's stamp on the verso.Light handling marks, otherwise in very good condition.Lit.: Augenzeuge Robert Lebeck. 30 Jahre Zeitgeschichte. Munich and Lucern 1984.

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Galerie Bassenge
Lot 4236

Lehnartz, Klaus -- Berlin, Mauer Potsdamer Platz. 1966/printed 1990s. Gelatin silver print. 30,5 x 40,3 cm. Photographer's stamp and signed, dated and titled by the photographer in pencil on the verso.Slightly buckled in edges, a few handling creases near right edge, otherwise in very good condition.

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Galerie Bassenge
Lot 4240

Leupold, Matthias -- "Rückenakt, Berlin". 1995/printed 2017. Gelatin silver print. 20,6 x 20,5 cm (39,6 x 29,7 cm). Signed, titled, dated, and editioned 8/20 the photographer in pencil on the verso.This image is from the series: "Die Schönheit der Frauen. Photographische Freilichtstudien". – A fine tonal print in very good condition.

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Galerie Bassenge
Lot 4242

Martin, Walter -- "Osterputz". 1939/printed 1960s. Gelatin silver print. 24,5 x 23 cm. Photographer's stamp on the verso. Creases in right edge and upper left corner, traces of previous label on verso.

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Galerie Bassenge
Lot 4244

McBride, Will -- "Two Cats Sleeping in Florence". 1955/printed later. Gelatin silver print on Agfa paper. 30 x 44,2 cm (40,5 x 50,5 cm). Signed, titled and dated by the photographer in pencil on the verso.Stronger crease in upper left corner in margin, handling crease in lower margin, a few minimal handling marks, otherwise in very good condition.Provenance: Directly from the photographer to the present owner.

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Galerie Bassenge
Lot 4245

McBride, Will -- "Russische Panzer gegenüber amerikanischen in der Friedrichstr". 1961/printed later. Gelatin silver print. 30 x 45 cm (40,5 x 50,5 cm). Signed, annotated and dated by the photographer in pencil on the verso.A few light handling marks, small backed tear in left edge, otherwise in very good condition.Provenance: Directly from the photographer to the present owner.

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Galerie Bassenge
Lot 4247

McBride, Will -- "Jungs schmeißen mit Wasser, Schule Schloss Salem". 1963/printed 1990. Gelatin silver print. 53,5 x 36 cm (60,5 x 50,5 cm). Signed, titled, dated and editioned 12 /12 by the photographer in pencil and collector's stamp on the verso.In near excellent condition.Provenance: Directly from the photographer to the present owner

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Galerie Bassenge
Lot 4249

[*] Mies van der Rohe, Ludwig -- Photographer: Hedrich-Blessing (architectural photography studio, 1929 - present). Ludwig Mies van der Rohe. Circa 1960. Vintage gelatin silver print. 25 x 20,5 cm. Photographer's stamp, therein negative number on the verso.Hedrich-Blessing studio was founded in 1929 by Ken Hedrich and Henry Blessing. Hundreds of photographic assistants would learn their craft at the studio. Beginning in the 1950's Hedrich-Blessing Photography became associated with the modernist movement and Ludwig Mies van der Rohe. Mies collaborated with both Bill Hedrich and Bill Engdahl and the firm's archives contain the most extensive photographic record of Mies' works. With a staff of six photographers, Hedrich Blessing also photographed the works of Albert Kahn, Buckminster Fuller, Minoru Yamasaki, Skidmore, Owings & Merrill and Harry Weese. – A few handling marks, otherwise in very good condition. – With: Typed letter from the office of Mies van der Rohe on his stationery, referring to the signed photograph offered in this lot. - Fold marks.

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Galerie Bassenge
Lot 4250

Miller, Martin H. -- Female nude with optic design. 1960s. Vintage ferrotyped gelatin silver print. 25 x 19 cm. Annotated in pencil on the verso.Some surface finger marks more visible at an angle, lower right corner slightly bumped, otherwise in very good condition.

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