Bradshaw & Ryley, Coventry, a silver full hunter pocket watch, the four piece hinged case hallmarked Birmingham 1814, maker`s mark JM (incuse italics), the white enamel dial with black Roman numerals, gilt poker hands, and subsidiary seconds dial, the verge fusee movement no.2953, with pierced and finely engraved balance cock, depicting Minerva and her trophy of arms at the foot, diamond endstone, cylindrical pillars, and Tompion type regulator disc, the case 55mm diameter
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Richard Holland, Coventry, a silver gilt pair cased pocket watch, the two piece hinged inner case hallmarked London 1779, the white enamel dial with black Roman numerals, outer Arabic seconds hands, and gilt spade hands, the lever fusee movement with cylindrical pillars, fusee winding, flat three armed steel undersprung balance, and Tompion type regulator disc, the outer case with maker`s mark VW incuse, engraved to the back with foliate swags, initials to the centre, the case 50mm diameter
* Tiffany & Co, Atlas, a lady`s stainless steel wristwatch, no.060270715, circa 2010, the two piece screw down case with black dial, silver baton hands, raised Roman numerals, and date aperture at 6 o`clock, the six jewel Tiffany quartz movement, cal.ETA 256041, on a black leather strap, the case 35mm including lugs, in its box with outer card packaging
Holland & Holland, a gentleman`s stainless steel wristwatch, no.1185, circa 2000, the two piece hinged case foliate engraved to the reverse, initials ALC at the centre, and onion crown, the engine turned silver dial with black Roman numerals, silvered seconds dial at the centre, and Breguet hands, the Holland and Holland automatic movement no.1185, cal.ETA2892.A2, with fausses cotes decoration, the case 44mm including lugs, on a stitched tan leather strap, in a Holland and Holland leather bound box modelled as a miniature gun case
Rolex, a mid-size silver wristwatch, the two piece cushion shaped case no.64940, import marked Glasgow 1928, the champagne dial with metallic Arabic numerals, cathedral hands, and subsidiary seconds dial, the seventeen jewel Rolex movement with bimetallic oversprung balance, the case 38mm including lugs, on a black lizard strap
Montblanc, Marcel Proust, Writer`s series limited edition fountain pen, 3970/21000, circa 1999, with hexagonal silver barrel engraved with alternate panels of barleycorn and foliage, black resin cap, two colour nib and piston filler, together with matching ball point pen and pencil, in its box with paperwork and outer card packaging
OMAS, Frank Lloyd Wright prototype fountain pen, circa 1999, with hexagonal black resin barrel and cap, and silver plated detail, with 18 carat white gold nib, no piston This pen is a very early design and never reached production. Frank Lloyd Wright (1867-1959) was a prominent American architect and designer. Its design was carefully conceived through the company`s observation and study of Frank Lloyd Wright`s original drawings.
OMAS, Jerusalem 3000 limited edition fountain pen, prototype model D07, 1996, the .925 standard silver barrel and cap overlay designed as a spiralling open work band cast in relief with symbols of the City of Jerusalem, the Jaffa Gate, the Zion Gate, the Lion`s Gate, the Wailing Wall, the ancient star, and the Seal of Solomon, signed OMAS Extra Italy in the manner Simoni signed his first gold pen in 1925, with purpura crimson resin barrel and cap and 18 carat white gold nib, piston filler. The Jerusalem 3000 was designed to commemorate the trimillennium of the ancient City of Jerusalem. Each pen is the product of 108 hours of hand craftsmanship.
OMAS, Return to the Motherland limited edition fountain pen, 5/1997, 1997, with .925 standard silver barrel sculpted in haut-bas relief with the design of a mother and son dragon supporting the emblem of the Chinese pink dolphin (symbol of the love between mother and child) and the Bauhinia flower (symbol of Hong Kong), the band beneath portraying Hong Kong harbour, the cap is decorated with stylised fountains, the cap top engraved `Return to the Motherland` about an enamel Bauhinia flower, with platinum plated 18 carat gold nib, piston filler, in its red leather presentation box, with paperwork and outer card packaging. The Return to the Motherland pen was produced to commemorate the reunification of Hong Kong with China in 1997.
OMAS, UNICEF `Signs for Children` limited edition fountain pen, 11/300, 1996, the .925 standard silver overlay designed by Nicola Trussardi, of open work spiralling design with a blue resin cap and barrel visible beneath, the clip with a lapis roller, and 18 carat white gold nib, piston filler, in blue velvet presentation box, together with mounted poster. The `Signs for Children` series commemorates the 50th anniversary of UNICEF. Trussardi is a fashion designer.
OMAS, UNICEF `Signs for Children` limited edition fountain pen, 30/300, 1996, the .925 standard silver overlay designed by designer Egon von Furstenburg, the cap of open work design cut with the silhouette of a frog, with a blue resin cap visible beneath, the barrel engraved with the image of a frog and signed `Prince Egon`, the clip with a lapis roller, and 18 carat white gold nib, piston filler, in blue velvet presentation box, together with promotional brochures. The `Signs for Children` series commemorates the 50th anniversary of UNICEF.
OMAS, Omaggio ad Armando Simoni limited edition fountain pen and pencil set, 150/500, circa 2000, comprising 11 pieces: the Arlecchino (`Harlequin`) fountain pen; Extra Lucens fountain and pencil sets in blue and in black and gold; Lucens fountain pen and pencil sets in blue and in black and gold; 18 carat gold `Penne del Dottore` fountain pen; and .925 standard silver `Penne del Dottore` fountain pen (150/1500), in a presentation box, with outer card packaging and a booklet on the collection, signed by the actor Bill Cosby. This particular selection of pens was decided on by the daughter of Armando Simoni to commemorate the 75th annivesary of the registration of the OMAS trademark, and could be said to be the last great tribute to the origins of the company before OMAS`s sale to LMVH. These eleven pens represent Simoni`s most innovative and iconic designs from the 1930s, each adapted for the contemporary market. The Harlequin model, inspired by the colourful comic character in the commedia dell` arte, is particularly significant in that very few models were made, and the one that is presented in this collection is based on a pen produced by Simoni exclusively for his wife.
An early Victorian diamond spray brooch, circa 1850, the principal cushion shaped old cut diamond, weighing 1.95 carats, claw set in an open backed cut down collet, to a spray of leaves set throughout with variously cut old cut diamonds, approximately 4.80 carats total, mounted in gold backed silver, 4.7cm long
A late Victorian heart shaped opal and diamond pendant, circa 1890, the central pear shaped opal cabochon claw set above a double surround of old brilliant cut diamonds, suspended from an old cut diamond three stone pendant loop, approximately 2.60 carats total, mounted in gold backed silver, 3cm long overall, in the original brown leather bound Goldsmiths & Silversmiths Company fitted case
A late Victorian pearl and diamond double heart brooch/pendant, circa 1890, the two grey 9mm half pearls claw set within a double heart shaped surround of old brilliant cut diamonds, with a 7mm grey pearl and diamond drop suspended beneath, the bow top set with old cut diamonds around a 5mm bouton pearl, with a diamond three stone pendant loop, approximately 3.59 carats total, mounted in gold backed silver, indistinctly numbered 039, 5cm long overall, in a red velvet S. J. Phillips fitted case, with a modern fine curb link chain. Please note the pearls are untested and unwarranted as natural pearls
A mid Victorian diamond five stone ring, circa 1860, the central cushion shaped old brilliant cut diamond, weighing 1.42 carats, claw set in an open back cut down collet with two cushion shaped old cut diamonds to either side, approximately 1.20 carats total, mounted in gold backed silver on a tapered shank, finger size N
A late Victorian diamond and bouton pearl double sided locket, circa 1890, the central double sided glazed compartment set within a half border of graduated old cut diamonds and a lower swivel border of cushion shaped old cut diamonds, the foliate top set throughout with old cut diamonds to a central 4.5mm bouton pearl, mounted in gold backed silver, 4.7cm long. Please note the bouton pearl is untested and unwarranted as natural pearl
A late 19th century green beryl, emerald, pearl and diamond pendant, circa 1890, the central square cut green beryl millegrain set in a foil backed closed back mount, within an open work swag mount of rose cut diamonds, with a 5mm baroque pearl drop, bouton pearl and small emerald accents, with a rose cut diamond tied bow top, mounted in gold backed silver, attached to a fine link chain, the pendant 9.5cm long. Please note the pearls are untested and unwarranted as natural pearls
A pair of late 19th century pearl and diamond cluster ear studs, the central 7mm pearls set above a surround of eight cushion shaped old brilliant cut diamonds, approximately 3.40 carats total, mounted in gold backed silver, with later post fittings, 1.6cm diameter .Please note the pearls are untested and unwarranted as natural pearls
A pair of late Victorian diamond star brooches, circa 1890, each brooch centrally set with a cushion shaped old brilliant cut diamond above a sixteen rayed star, approximately 6.40 carats total, mounted in gold backed silver, with removable brooch fittings, 3cm long, with additional fittings for ear clips with hoop drop extensions; and a smaller late Victorian diamond star pendant, the central old brilliant cut diamond set above a twelve rayed star set throughout with old cut diamonds, approximately 1.40 carats total, mounted in gold backed silver, with a later pendant bale, 2.9cm long
A late Victorian moonstone and diamond brooch, circa 1890, the oval moonstone carved to depict a running fox in a rub over mount, within a border of old cut diamond set horseshoes at the cardinal points, interspersed with old cut diamond accents, mounted in gold backed silver, 3.1cm long
A star sapphire pendant by Sybil Dunlop, the sugar loaf purple star sapphire cabochon cabochon rub over set in a pierced open work oblong mount, silver hallmarks London 1969, maker`s mark SD, signed S. Dunlop, with a pierced pendant bale, 4.6cm long overall, on a fine curb link chain
A Georgian diamond chandelier brooch, circa 1780, the three pear shaped cluster drops centrally set with pear shaped diamonds in a surround of cushion shaped old cut diamonds, suspended from an old cut diamond foliate cluster centre and old cut diamond circular cluster top, approximately 5.20 carats total, mounted in silver, with a later removable brooch fitting, 5.5cm long, in a red leather bound fitted case
A Georgian sapphire and diamond cluster ring, circa 1800, the central oval mixed cut sapphire mounted in a closed back setting within a double surround of cushion shaped old cut diamonds, approximately 1.40 carats total, mounted in gold backed silver above trifurcated shoulders applied with scalloped detail, on a plain shank, finger size G (with inner sizing ring), with a red leather bound Harvey & Gore case
A Georgian diamond cluster ring, circa 1770, the central cushion shaped old brilliant cut diamond, weighing 1.53 carats, claw set in a closed back foiled mount, within a surround of cushion shaped old cut diamonds above old cut diamond two stone shoulders, approximately 2.40 carats total, in a fluted gold backed silver mount on a graduated ridged shank, finger size N
A Collection of Circus Programmes and Silver Bromide Proofs for Posters, including Bertram Mills from the 1930's and later, Lord George Sanger's Circus 1953, Buffalo Bill's 'Wild West' Official Programme, Robert Brothers Circus, Chipperfields Circus, Billy Smarts Circus, Belle View Circus etc
An oval gold brooch, glazed with a rose diamond monogram within hairwork decoration in a border of seed pearls, two further brooches, a bloodstone set rotating fob, a banded agate set small seal, three intaglios, a hatpin, a pale blue enamelled folding knife, and a Victorian silver small paper knife with engraved decoration, incorporating a pen knife, Chester 1899.
A curblink silver charm bracelet with a boltring clasp, fitted with a variety of charms, including Brighton Pavilion, a hedgehog, and a railway train, a gold, pearl and turquoise set bar brooch in a chainwork design, an RAF brooch, a colourless paste set brooch, a silver neckchain, and two costume bangles.
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