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Lot 236

Silver items to include a pair of salts and spoons, a pepper shaker, a decanter label 'Whisky' and a silver handled fish knife and fork set boxed, weight of silver 360g, together with some silver plated cutlery cased Location:PORT

Lot 294

A mixed lot to include picture plates, candlesticks to include Nordic example, silver plate Mappin & Webb ashtray, glass candles and paperweights, lanterns and others along with a treen box with applied copper decorationLocation:

Lot 301

A mixed lot to include a 19th century cut glass decanter, a later purple glass decanter having silver plated collar, Wade Natwest Piggie banks and a Singer Sewing machineLocation:

Lot 328

Brassware to include a Japanese teapot, a candelabra, a lamp, door knocker, and other items, silver plate, collectables, and condiments Location:

Lot 358

A large Walker & Hall Sheffield silver plate twin handled tray together with an Arts & Crafts Celtic style bowlLocation:

Lot 366

Mixed metal wear to include silver plated trophy cups related to the National Rally motorcycling and other together with silver plated cutlery, flatware, a silver plated basket, pewter tankard and others.Location:

Lot 404

A mixed lot of mainly silver plated items to include a tea pot and muffin dish, together with a compass, lizard brooch and other itemsLocation:

Lot 405

A group of pocket watches to include a sterling silver pocket watch hallmarked 1879 London, along with a silver cased pocket watch and three others along with a chain A/FLocation

Lot 417

Silver plate to include a set of six teaspoons and sugar tongs, a pair of bear pepper pots, salts and other itemsLocation:

Lot 420

Silver plate to include cutlery and flatware, trays, candlesticks, tea ware, silver handled knives and forks, coins to include part silver examples and other itemsLocation:

Lot 424

Siler and silver plate to include a silver backed mirror 139g and two silver backed brushes along with manicure items, cutlery and flatwareLocation:

Lot 434

A Victorian walnut military style vanity box with silver plated and glass bottlesLocation:

Lot 435

Silver, silver plate and other cutlery and flatware to include a set of silver cherry sticks, silver handled Kings pattern knives and other itemsLocation:

Lot 438

A mixed group of coins to include Queen Victoria 1858 penny and half penny, a pair of silver Switzerland 'Shooting Thaler' 5 francs, St Gullen Shooting Festival dated 1874, a Maria Theresa Thaler style coin, USA examples, a cased silver proof silver Jubilee crown, 1964 Bermuda crowns in cases, seven 'Britain's First Decimal coins' and a group of commemorative crownsLocation:

Lot 491

A quantity of silver plated items to include a WMF oval tray, gallery tray with a three-piece tea set, a pair of tureens and one other, a ladle, cruet sets and other items Location:

Lot 492

A George VI silver christening mug, Birmingham 1949 marks for John Rose, 87.1g; a George V silver sauceboat, Birmingham 1930 marks for Barker Bros, 91.65g; and a pair of small silver filled candlesticks, Birmingham 1971, weight 163.95g Location:

Lot 494

A group of silver and white metal items to include a caddy spoon, Victorian mustard pot, silver hallmarked golfing spoon, and a Continental white metal stand with Georgian style cut glass salt liner Location:

Lot 495

A Gindrat & Cie Geneve key-wound open faced fine silver cased pocket watch, the Roman dial marked 4727, the inner case inscribed E A Batts 1886, along with a small silver plated oval photograph frame/brooch Location:

Lot 499

Two modern Richard Carr 925 silver photograph frames, and a smaller Italian silver strut photograph frame Location:

Lot 500

Two machine threaded glass and silver rimmed match strikers, and a cut glass match striker with silver rim, inset into a circular silver base, some marks rubbed and indistinct Location:

Lot 502

A Tiffany 925 sterling silver footed bowl with everted top rim, stamped marks to base, number 23614, weight 141.15g Location:

Lot 504

A quantity of silver plated and stainless steel cutlery to include Viner's Shape pattern cutlery, pair of salad servers with wooden handles, King's Pattern spoons, fish knives and forks, and others Location:

Lot 516

Silver plate to include a tray, a trophy, cutlery and flatwareLocation:

Lot 518

A collection of silver plated items to include spirit kettle, cutlery, hot water pot, wine holder, Elkington twin handled pot and other items Location:

Lot 519

A mixed collection of coins to include a silver proof Guernsey 2003 Horatio Nelson commemorative £5 coin, together with post 1947 half crowns, florins, shillings and six pence, mixed pennies and half pennies, Canadian and others, and a reproduction copy of 'The Times' Newspaper, Nov 1805Location:

Lot 62

An early 20th century oak Tantalus with silver plated mounts, Location:

Lot 69

A mixed lot of china and glass to include part teaset, decanters etc, along with silver plated cutlery, Worcester Evesham china handled spoons, commemorative china and other items, Location:

Lot 74

Viners silver plated Kings Royale cutlery set in wooden case Location:

Lot 82

A mixed lot to include a silver pill box, compass in the form of a ships wheel, glassware and other items, Location:

Lot 89

A Mappin & Webb George VI silver cigarette case with machine turned decoration to the lid, wood lined interior, Sheffield 1937, total weight .397g

Lot 172

William Wood (British, 1769-1810)A portrait miniature of Lieutenant Colonel Henry Davis (born 1763), wearing the uniform of the Light Dragoons, his French Grey coatee with silver lace and buttons, his red collar outlined with silver, his white leather shoulder belt secured with a silver lace shoulder cord. Watercolour on ivory, signed on the reverse, By/ Will: Wood/ of Cork Strt,/ Lond. and inscribed beneath, now/ dead, backed with card signed, E W Thomson/ Miniature Painter/ New Bond Street/ Enquire at Mr Orme's Print Seller, gold frame, the reverse glazed to reveal a ground of plaited brown hair within a surround of plaited blond hair. Oval, 85mm (3 3/8in) highFootnotes:ProvenanceSold Bonhams, London, 23 November 2005, lot 94LiteratureWilliam Wood, Memorandum of Miniatures Painted and Finished by William Wood, 1790-1808, vol.III, folio 5824 or 5830William Wood produced two portrait miniatures of Davis in 1801. The first finished on 14 February and delivered on 22nd February (costing £5 and £5/10/- for the frame). The second began on 15 February, finished on 21 February and delivered on 28 February (costing £10/10/- presumably for both miniature and frame). Both miniatures were framed by Flower. The overlapping time frame of the two miniatures implies that Wood was commissioned right from the beginning to paint two versions. In his fee book, Wood describes the sitter as, 'about 38 years old, shows chiefly right side and looking on'.In this portrait miniature, Henry Davis is wearing his Lieutenant Colonel uniform - a rank he obtained in the 25th Light Dragoons in January 1800. In May of the same year he was promoted to Major. In June 1799 Colonel Arthur Wellesley, later the Duke of Wellington, raised a military force in the north of Mysore, comprising the 25th Light Dragoons and the 73rd and 77th Regiments of Foot. Details of Lieutenant Colonel Davis' military history are limited but it is fair to assume, he served as part of this operation. The regiment disbanded in 1819, when the 25th Light Dragoons returned to Portsmouth on HMS Mangles from Madras.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

Lot 178

George Engleheart (London 1750-1829)A portrait miniature of a lady called, Mrs Manette, wearing a pearl choker and a white dress with a frilled trim and blue and yellow detail, her powdered hair worn à la conseilleur. Watercolour on ivory, the frame with an old brilliant-cut diamond surround, approximately 1.40 carats total, the reverse engraved, Mrs Manette/ Engleheart, mounted in silver and gold. Oval, 52mm (2 1/16in) highThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

Lot 186

John Smart (British, 1742-1811)A portrait miniature of a gentleman called, Wimburn Sudden Horlock, wearing a brown coat, green waistcoat, white stock and lace cravat, his powdered wig worn en queue and tied with black ribbon. Watercolour on ivory, signed on the obverse and dated, J.S./ 1777, within a cushion-shaped diamond surround, diamonds approximately 1.00 carat total, bracelet clasp mount with later brooch fitting, pin deficient, mounted in silver and gold. Oval, 38mm (1 1/2in) highSaleroom notices:Please note the lot depicts Wimburn Suddell Horlock and not as previously stated.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

Lot 100

A FRENCH GILT BRASS GORGE CASED REPEATING CARRIAGE CLOCKHENRI JACOT, PARIS, CIRCA 1865The eight-day two train gong striking movement with silvered platform lever escapement regulated by sprung bimetallic balance, the frontplate stamped 283 to inside lower edge and the backplate with oval trademark MEDAILL'S EX'IONS UNIVER'ES 1855 & 1862, H. JACOT, PARIS to centre over serial number 174 to lower left corner, the rectangular white enamel Roman numeral dial with blued steel moon hands, the frosted gilt brass gorge case with hinged carrying handle over full-width top glass, trip-repeat button to front rail and channel-moulded uprights, on ogee-outline base; with original tooled Morocco leather covered protective travelling case.13cm (5.125ins) high with handle down, 9cm (3.5ins) wide, 7.5cm (3ins) deep. Henri Jacot is recorded by Allix as working from 31 Rue de Montmorency, Paris as well as possibly having a factory in Saint-Nicolas-d'Aliermont. The business was awarded Bronze Medals at the Paris 'Exposition' in 1855 and in London 1862; Silver in Paris 1867, 78 and 89 and Gold, again in Paris, 1890. Although Charles Allix notes that Henry Jacot senior died in 1868 and was succeeded by his nephew of the same name further research by Leigh Extence has revealed that after his death Henri's business was actually continued by his brother Julien who was essentially only 'keeping the bench warm' until his son, and Henri's nephew Albert, was able to take over and move the concern forward in 1874. The business is thought to have continued until around 1920.  Condition Report: Movement is in clean fully working condition with no visible evidence of alteration or noticeable replacements. The dial is free from any visible defects except for a very small scratch to the centre (only visible on close examination). The case is in very good condition with no discernible wear/tarnishing to the gilt finish and there are no visible chips to the glasses. The travelling case has wear and degradation to the leather covering however the strap is present and secure. The interior is slightly faded with with some wear/fraying near the top edges.Clock has a winding key.Condition Report Disclaimer

Lot 101

A FRENCH GILT BRASS GORGE CASED REPEATING CARRIAGE CLOCKDROCOURT, PARIS, FOR RETAIL BY E. WHITE, LONDON, CIRCA 1875The eight-day two train gong striking movement with slivered platform lever escapement regulated by sprung bimetallic balance, the frontplate stamped 11132 to inside lower edge and the backplate with Drocourt D C trademark to left hand margin over engraved retailers signature E. WHITE, 20, Cockspur Street, LONDON towards the lower edge next to repeat serial number 11132, the rectangular white enamel Roman numeral dial with Arabic five minutes beyond the minute track and with blued steel moon hands, the frosted gilt brass gorge case with hinged carrying handle over full-width top glass, trip-repeat button to front rail and channel-moulded uprights, on ogee-outline base.14cm (5.5ins) high with handle down, 9cm (3.5ins) wide, 8cm (3.125ins) deep. Pierre Drocourt is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development with further additions and corrections from research undertaken by Leigh Extence (available online) as born in 1819 and setting up in business as a clockmaker in Paris in 1853. He initially worked from Rue Limoges (later called 28 Rue Debelleyme after the rationalisation and merger of Streets in 1865), Paris and was succeeded by his son, Alfred (born 1847), in 1872. The blancs roulants, rough movements, were made in Saint-Nicolas-d'Aliermont, a town outside Dieppe, where Drocourt had workshops until their sale in 1904, being premises purchased from Holingue frères in 1875 who had previously supplied Drocourt. The firm was awarded numerous international exhibition medals and mentions including Silver in Paris 1878 and Gold in 1889. Edward White was a chronometer and carriage clock maker who operated from premises at 20 Cockspur Street, Pall Mall London from 1861 to 1890. He had close connections with Dent and exhibited at the 1862 Exhibition taking a four-page advertisement in the catalogue.  Condition Report: Movement is in clean working condition with no visible evidence of alteration or noticeable replacements. The dial has some very faint hairline cracks to the upper two and lower left hand corners - these can only be seen on very close examination. The case is in very good condition with only slight spotting to the gilt finish across the front skirt. There are no visible chips to the glasses.Clock does not have a winding key.Condition Report Disclaimer

Lot 102

A FRENCH GILT BRASS CARRIAGE TIMEPIECEDROCOURT, PARIS, FOR RETAIL BY D. BOER AND FILS, THE HAGUE, CIRCA 1870The eight-day single train movement with silvered platform lever escapement regulated by split bimetallic balance, the frontplate stamped with numbers 20104 and 10812 and the backplate with Drocourt D C trademark to left hand margin over repeat serial number 10812 to the corner beneath, the rectangular white enamel Roman numeral dial with blued steel moon hands over retailer's signature D. BOER, A LA HAYE to lower margin, the gilt corniche case with hinged carrying handle over oval top glass, cavetto cornice and caddy-moulded corner uprights, the rear with bevel glazed door, on cavetto moulded skirt base with rounded angles; with original Morocco leather covered protective travelling case and conforming numbered winding key.The clock 13.25cm (5.25ins) high with handle down, 9cm (3.5ins) wide, 7.5cm (3ins) deep. Pierre Drocourt is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development with further additions and corrections from research undertaken by Leigh Extence (available online) as born in 1819 and setting up in business as a clockmaker in Paris in 1853. He initially worked from Rue Limoges (later called 28 Rue Debelleyme after the rationalisation and merger of Streets in 1865), Paris and was succeeded by his son, Alfred (born 1847), in 1872. The blancs roulants, rough movements, were made in Saint-Nicolas-d'Aliermont, a town outside Dieppe, where Drocourt had workshops until their sale in 1904, being premises purchased from Holingue freres in 1875 who had previously supplied Drocourt. The firm was awarded numerous international exhibition medals and mentions including Silver in Paris 1878 and Gold in 1889.  Condition Report: Movement is in clean working condition with no visible evidence of alteration or noticeable replacements. The dial appears free from damage although has a small 'smudge' most likely oil residue just below the VII numeral and the retail signature is slightly rubbed. The gilt finish has overall fairly heavy wear/tarnishing; the glasses appear free form visible chips. The travelling case is lacking its strap handle and has wear and losses to the leather; the interior is a faded and frayed at the edges but is otherwise sound.Clock retains its original numbered winding key.Condition Report Disclaimer

Lot 103

A FRENCH GILT BRASS CARRIAGE CLOCKHENRI JACOT, PARIS, CIRCA 1880The eight-day two train gong striking movement with silvered platform lever escapement regulated by split bimetallic balance, the frontplate stamped 771 and the backplate with Henri Jacot H J parrot trademark to centre over serial number 11771 to lower left corner, the rectangular white enamel Roman numeral dial with blued steel spade hands, the frosted gilt corniche case with hinged carrying handle over oval top glass, cavetto cornice and caddy-moulded corner uprights, the rear with bevel glazed door, on cavetto moulded skirt base with rounded angles; with protective travelling case.The clock 15cm (6ins) high with handle down, 9cm (3.5ins) wide, 8cm (3.125ins) deep. Henri Jacot is recorded by Allix as working from 31 Rue de Montmorency, Paris as well as possibly having a factory in Saint-Nicolas-d'Aliermont. The business was awarded Bronze Medals at the Paris 'Exposition' in 1855 and in London 1862; Silver in Paris 1867, 78 and 89 and Gold, again in Paris, 1890. Although Charles Allix notes that Henry Jacot senior died in 1868 and was succeeded by his nephew of the same name further research by Leigh Extence has revealed that after his death Henri's business was actually continued by his brother Julien who was essentially only 'keeping the bench warm' until his son, and Henri's nephew Albert, was able to take over and move the concern forward in 1874. The business is thought to have continued until around 1920. Condition Report: Movement is in clean fully working condition with no visible evidence of alteration or noticeable replacements. The dial is free from any visible defects except for a very small scratch to the centre (only visible on close examination). The case is in very good condition with no discernible wear/tarnishing to the gilt finish and there are no visible chips to the glasses. The travelling case has been recovered in blue leather which now shows signs of overall light wear, the interior has been refurbished in purple velvet which again only shows light wear; there is no glass of front shutter with the outer the case.There is no winding key present. Condition Report Disclaimer

Lot 105

A FRENCH GILT BRASS CANNELEE CASED REPEATING CARRIAGE CLOCK WITH ALARMRETAILED BY BOXELL OF BRIGHTON, CIRCA 1875The eight-day two-train gong striking movement with silvered platform lever escapement regulated by sprung bimetallic balance and alarm mechanism sounding on the hour gong, the inside of the frontplate stamped 14125 and 22-9 and the rear stamped again 22-9 to the lower left hand corner, the rectangular white Roman numeral dial inscribed BOXELL to centre and with blued steel moon hands over Arabic subsidiary alarm setting dial to lower margin, the frosted gilt brass cannelee case with hinged carrying handle over oval top glass, trip-repeat button to front rail and channel-moulded uprights, on ogee-outline base.13.25 (5.5ins) high with handle down, 9cm (3.5ins) wide, 8cm (3.125ins) deep. Thomas Boxell is recorded in Looms, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Brighton 1855-78.  The escapement platform of the current lot can be closely compared to one fitted to a grande sonnerie clock by Henri Jacot (number 825) illustrated in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKs, Their history and development on page 114 (Plate V/14). Furthermore the 'Hands' setting text and arrow stamp to the backplate of the present clock has strong similarities to those seen on clocks by Jacot as sketched on page 442. It is therefore possible that the present clock was supplied by Jacot for retail by Thomas Boxell.Henri Jacot is recorded by Allix as working from 31 Rue de Montmorency, Paris as well as possibly having a factory in Saint-Nicolas-d'Aliermont. The business was awarded Bronze Medals at the Paris 'Exposition' in 1855 and in London 1862; Silver in Paris 1867, 78 and 89 and Gold, again in Paris, 1890. Although Charles Allix notes that Henry Jacot senior died in 1868 and was succeeded by his nephew of the same name further research by Leigh Extence has revealed that after his death Henri's business was actually continued by his brother Julien who was essentially only 'keeping the bench warm' until his son, and Henri's nephew Albert, was able to take over and move the concern forward in 1874. The business is thought to have continued until around 1920. Condition Report: Movement is in clean working condition with no visible evidence of alteration or noticeable replacements. The dial is in fine condition with blemishes limited to a couple of sight scratches and minor edge chipping to the enamel which is not visible except on very close examination from an abnormal angle. The case is in very good condition albeit with minimal rubbing to the gilt finish. The front glass has a small chip to upper left hand corner (again only visible on close examination) otherwise there are no visible chips to the glasses.Clock does not have a winding key.Condition Report Disclaimer

Lot 114

A FINE PATINATED AND GILT BRONZE TABLE REGULATOR WITH SIX-LEGGED GRAVITY ESCAPEMENTSINCLAIR HARDING, CHELTENHAM, CIRCA 1985-90The circular gilt four double-screwed columnar pillar single chain fusee movement with Harrison's maintaining power, external six-legged gravity escapement incorporating jewelled pallets pivoted beneath sub frame mounted on the backplate, and regulated by half-seconds pendulum with wire rod and large diameter heavy gilt brass cylindrical bob, the 6 inch circular silvered dial with eccentric Roman numeral chapter ring interrupted by slender subsidiary seconds ring at six o'clock and with separate outer minute track, applied onto the frosted silvered ground over two curved plates signed SINCLAIR, HARDING to lower margin, with blued steel spade hands within canted gilt circular surround, the case with fluted urn finial to the gilt line bordered stepped cavetto moulded panel upstand over keystone latch for the full-height bevelled front glass and rectangular section patinated bronze corner uprights incorporating horizontal gilt line details at the base of the arch, the sides with curved glasses following the profile of the arch over gilt rail and further rectangular windows, the rear matching the front, the interior with gilt floor applied with silvered pendulum beat scale calibrated 5-0-5 and engraved with serial number 869, on stepped black marble plinth base with chamfered edges and canted angles over brass ball feet.56cm (2ins) high, 26cm (10.25ins) wide, 23cm (9ins) deep. The Cheltenham based clockmaking firm Sinclair Harding was established by Bill Sinclair and Mike Harding in 1967. Between 1971 and around 1995 the business evolved from being initially focussed on restoration and repair to designing and building their own clocks including chiming longcase and table clocks, their design of 'sea clock', giant and perpetual calendar carriage clocks. In 1995 Mike Harding retired leaving the firm in the hands of Robert Bray; the following year Sinclair Harding were commissioned to make the clock for the Oval cricket ground and the business was relocated to North Yorkshire. In 1999 their first scale version of John Harrison's sea clock was produced adding to their ever increasing catalogue of complex timepieces, and 2010 saw Robert Bray awarded the Barrett Silver Medal by the British Horological Institute as well as being appointed Vice President. The firm have always been regular attendees at Baselworld and in 2017 exhibited their Harrison H1 timepiece at Salon QP. The Gravity escapement in the current lot has its roots in the exploratory designs of some of the leading late 18th and early 19th century makers such as Berthoud, Mudge, Cumming and Hardy. Bloxam had come close to perfecting the design in 1853 however was still plagued by the fault encountered by earlier attempts in that the pallets tended to bounce off the escapement locking surface; known as 'tripping'. Edward Denison (later Lord Grimthorp) perfected the gravity escapement in 1860 by eliminating the tripping problem. He did this through the connection of a fly (air brake), directly to the escape arbor via a friction clutch. It allows the fan to advance slightly after the escapement engages the pallet. The inertia provided by the weight of the fly keeps the escapement seated against the pallet during locking; in essence acting as an 'energy sink'. This escapement provides a nearly detached pendulum from the rest of the clockwork and, as there is no sliding friction, there is no need to oil the escapement. These features made the escapement perfect for use in turret clocks where a high degree of accuracy can be maintained with minimal maintenance. There are two principal designs of gravity escapement the first is the double three-legged type the second in the four-legged design. The former uses two pairs of three legs for the pallets and three impulse pins at the centre whilst the second has four legs and four pins. The disadvantage of both of these designs is that the escape arbor revolves either 1/6 (double three legged) or 1/4 (four legged) for each beat of the pendulum hence the train of the timepiece needs suitable long gearing to maintain a reasonably long duration. The current movement is unusual in that it utilizes a six-legged arrangement which has no doubt been employed to facilitate running with a half-seconds pendulum.   

Lot 127

A FINE FRENCH GILT REPEATING CARRIAGE CLOCK WITH MULTI-COLOURED PATINATED RELIEF CHINOISERIE PANELSACHILLE BROCOT, PARIS, CIRCA 1880The eight-day two train gong striking movement with silvered platform lever escapement regulated by sprung split bimetallic balance and stamped with central AB within a star trademark over serial number 904 to lower left-hand corner of the backplate, the rectangular dial with stylised rosette decorated in gilt, copper and silver onto a pewter-grey background to centre within a recessed silvered Roman numeral chapter ring, with steel spade hands within conforming multi-coloured panel infill to upper and lower margins decorated with game birds and flowering foliage, the gilt case with part-silvered hinged reeded baton carrying handle and thick bevelled top glass to the canted-edge projecting top, over caddy moulded cornice and rectangular section uprights to angles, the sides inset with panels decorated in silver and gilt with figures in oriental dress seated within trellis garden landscapes incorporating pseudo Chinese text, with pewter-grey background for the sky and copper-coloured borders, the rear with bevel-glazed door, on generous cavetto moulded skirt base.176m (6.25ins) high with handle down, 11.5cm (4.5ins) wide, 9cm (3.5ins) deep.  Achille Brocot is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development as born in 1817 and died in 1878. The Museums Victoria (Australia) website notes that Achille patented several improvements in clock mechanism escapements, and invented the 'Brocot Suspension', an adjustable pendulum spring which enabled time keeping to be regulated by altering the length of the pendulum suspension spring by a key turned in the dial. He also introduced a jewelled deadbeat escapement, sometimes called a visible escapement as it was often mounted in the middle of the dial. Achille was awarded a first class medal at the Paris Exhibition in 1855, and in 1856 was appointed Treasurer to La Société des Horlogers in Paris. He published a 'Calculation of the Wheels by Approximation' in 1862. His sons Achille and Paul continued the business following Achille senior's death 1878. The firm was taken over by rival clock maker Gustave Gibaudet in 1889.  The highly decorative panels of the current lot employs a series of differing techniques to gild, silver, copper and chemically patinate the finely finished relief cast and engraved scenes to provide depth and contrast. This rare form of decoration is normally only seen on a select few high-end carriage clock cases with an example illustrated in Roberts, Derek CARRIAGE and other Travelling CLOCKS on page 160 (Fig. 9.38) where the decoration is described as 'quite outstanding' and 'must have been one of the most time-consuming methods of decorating a carriage clock'. Condition Report: Movement is complete and appears all original with no visible evidence of alteration or noticeable replacements. The movement is essentially in full working order however is generally somewhat dirty/neglected hence a gentle clean/service is required. The dial is in fine condition with only a couple of spots of slight discolouration to the finishes. The case is in fine condition with blemishes limited to a small corner chip to the top glass (only visible on close examination) some patchy tarnishing to the silver highlights of the handle, and some slight wear/rubbing to the lacquer coat protecting the gilt finish (gilding itself is essentially unworn). The side panels are in fine condition with no discernible wear or discolouration and the front and rear door glasses are free from visible damage.Clock has a winding key.Condition Report Disclaimer

Lot 129

A FRENCH GILT BRASS REPEATING CARRIAGE CLOCK WITH PARCEL SILVERED ENGRAVED PANELSPROBABLY BY JULES BRUNELOT, PARIS, LATE 19th CENTURYThe two train eight-day gong striking movement with silvered platform lever escapement regulated by split bimetallic balance and the lower left hand corner of the backplate stamped with trademark of B within a circle, The rectangular dial panel with fine silver-highlighted floral engraved decoration on a gilt matted ground to centre within gilt Roman numeral chapter ring, with gilt and blued steel spade hands and fine conforming silver highlighted floral bloom infill to the upper and lower margins, the bevel glazed case with geometric outline hinged carrying handle over horizontal rectangular glass and repeat button towards the leading edge of the top, above cavetto cornice and square section corner uprights, the sides inset with further silver highlighted floral spray engraved gilt matted panels set behind bevelled glasses, the rear with hinged glazed door, on cavetto moulded skirt base incorporating integral shallow squab feet.16.5cm (6.5ins) high with handle down, 9.5cm (3.75ins) wide, 8.25cm (3.125 ins) deep. The trademark stamped to the lower left-hand corner of the backplate of the current lot (letter B within a circle) is noted in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development as possibly being for Jules Brunelot although no evidence has been found to confirm this.  Condition Report: Movement is complete and appears all original with no visible evidence of alteration or noticeable replacements. The movement is essentially in full working order however is generally somewhat dirty/neglected hence a gentle clean/service is required. The Roman numerals to the chapter ring have been retouched and show signed of rubbing/wear; the dial panel itself exhibits slight oxidation otherwise is in fine condition. The case is in good original condition however most of the gilding has been rubbed-off (probably through successive years of polishing). Both side glasses have very slight corner/edge chips (only visible on close examination) otherwise glasses are free from visible damage.Clock has a winding key.Condition Report Disclaimer

Lot 132

AN EDWARDIAN SILVER CASED CARRIAGE TIMEPIECETHE CASE BY WILLIAM COMYNS AND SONS, LONDON, 1901The rectangular eight-day single train movement with platform lever escapement regulated by sprung split bimetallic balance and stamped with lion trademark for Duverdry and Bloquel to the backplate, the 2 inch circular cream enamel Roman numeral dial with blued steel spade hands set behind a convex glass with moulded bezel and collar to interior, the rectangular case with rounded angles, hinged C-scroll handle and rear door occupying the full width of the case including the angles and enclosing a silver-gilt interior, on compressed bun feet, Hallmarks for London 1901 (maker's mark W.C. within an oval lozenge for William Comyns and Sons Limited).12cm (4.75ins) high with handle down, 7.5cm (3ins) wide, 7cm (2.75ins) deep.  The clockmaking factory of Duverdry and Bloquel is noted by Leigh Extence as originally founded by Albert Villon in the town of Saint-Nicolas-d'Aliermont in 1867. Paul Duverdry joined the firm as a director in 1887 followed by Joseph Bloquel in 1910.  Condition Report: The movement is in working condition and appears free from visible alteration or noticeable replacements. The dial is free from visible defects. The case is generally in very good condition but has some noticeable denting to the front top edge - this could probably be removed by a good silversmith for little cost. Otherwise faults are limited to a few very small dings and age related rubbing/wear. The silver gilt interior has some slight oxidation and a few spots of discolouration.Timepiece does not have a winding key. Condition Report Disclaimer

Lot 133

A RARE SWISS MINIATURE SHAGREEN MOUNTED SILVER PETIT SONNERIE STRIKING AND REPEATING CARRIAGE CLOCKUNSIGNED, CIRCA 1900The frosted gilt eight-day two train movement ting-tang striking the quarters on a graduated pair of gongs and sounding the hour on the larger if the two, the strike train winding through the base of the case and the going train with platform lever escapement regulated by sprung bimetallic balance, the 1 inch circular white enamel Arabic numeral dial with blued steel spade hands and Arabic five minutes beyond the minute track set within a silver bezel fitted with convex glass, the case with 'whiplash' curve hinged carting handle and convex cornice over shagreen panel infill around the dial and to the sides, the also lined with shagreen and incorporating a hinged door inscribed E. A. Willmott, Warley Place, Essex to inside surface, on generous convex moulded skirt base.7.5cm (3ins) high with handle down, 5.5cm (2.125ins) wide, 4.5cm (1.75ins) deep. Provenance:Purchased (unrestored and in dirty condition) at Chorley's sale Spetchley Park, The Attic Sale 28th January 2020 (lot 636) for £1,400 hammer.  The inscription to the backplate indicates that the present lot was once the property of Ellen Willmott, one of the most significant female horticulturalists of the late 19th century and early 20th centuries. Born in 1858 Willmott, together with her parents and sister, built Warley Place within extensive landscaped grounds after benefitting from a substantial inheritance from Ellen's Aunt, Countess Helen Tasker, who died in 1888. Ellen's skill and dedication in developing the gardens at Warley led her to support plant-hunting expeditions and collect new species for planting; it was the introduction of non-native specimens, such as Veronica prostrata 'Warley Blue', Potentilla nepalensis 'Miss Willmott', and Syringa vulgaris 'Miss Ellen Willmott', that she became best known for. The gardens at Warley were held in such high regard that they were subsequently visited by Queen Mary, Queen Alexandra, and Princess Victoria. Ellen Willmott was also further recognised for her talent by her peers, receiving the Royal Horticultural Society's Victora Medal in 1897, the 'grande medaille Geoffroi St. Helaire' (from the Societe d'acclimation de France) in 1912 and the Hean Hole medal (from The National Rose Society) in 1914. Sadly, heartbreak in her personal life led Ellen to first spend time away in France, before returning to continue with her passion for the garden and music but in a more reclusive manner. Despite this at one point she employed 104 gardeners at Warley Place, purchased and developed extensive gardens both in France and Italy, and published two books (Warley Garden in Spring and Summer 1909 and The Genus Rosa in two volumes 1910-14). Latterly Ellen's behaviour became more erratic and by the late 1920's her inherited fortune had waned causing her to sell he French and Italian properties; died alone in 1934.Ellen Willmott's younger sister, Rose, married into the Berkeley family of Spetchley Park, Worcestershire. Both sisters worked together in developing the Gardens at Spetchley where Rose lived until her death in 1922. It is most probable that the present clock was left at the estate by Ellen Willmott, whist staying there to assist her sister with the gardens. The current lot belongs to a varied series of montre pendulette de voyage carriage clocks and timepieces made in Les Ponts-de-Martel, Neuchatel, Switzerland, by makers such as Mathay-Tissot, during latter years of the 19th century up until the late 1920's. Most of these were either sub-miniature, or mignonette sized. 'Mignonette' translates as 'little darling' with the standard French models coming in three differing heights; at 3.5 inches (with handle up) the size of the present clock sits between mignonette No. 2 and No. 3. UPDATED 13/09/2023 9:15am - Please note that during winding the mainspring to the going train has let go hence requires attention or possibly a new mainspring. The striking train is still fully operational. Condition Report: UPDATED 13/09/2023 9:15am - Please note that during winding the mainspring to the going train has let go hence requires attention or possibly a new mainspring. The striking train is still fully operational.Movement is in clean fully working condition retaining original frosted gilt finish to the plates and with no visible evidence of alteration or noticeable replacements. The dial is in fine condition with no visible damage or evidence of restoration. The case is in fine condition exhibiting only a few extremely minor minor/tiny scuffs and scratches to the silverwork.Unfortunately we do not have a winding key for this clock. Condition Report Disclaimer

Lot 233

A FINE AND RARE PAIR-CASED VERGE FUSEE STRIKING CLOCK-WATCHTHOMAS TOMPION, LONDON, CIRCA 1697, THE DIAL AND CASES LATERThe gilt full plate movement with three tulip and two narrow vase pillars pinned through the backplate, the fusee going train with scroll-pierced stop-iron block and verge escapement regulated by sprung three-arm balance with Tompion type regulation, the locking plate controlled strike train with fine scroll pierced and engraved standing barrel, foliate sculpted steel detent gates and sounding via a hammer positioned beneath the spring barrel on a bell fitted to the interior of the case, the backplate with symmetrical foliate scroll pierced and chased cock decorated with a female mask at the junction with the conforming pierced foot, flanked by silvered regulation disk set within further applied engraved fretwork opposing silvered countwheel with concentric leaf engraved centred and numbered divisions, next to signature Tho: Tompion, London with number 83 engraved just above the concentric ring-turned blued steel strike stop-work wheel partly concealed by the balance cock, now with slightly convex white enamel Roman numeral dial incorporating twin gold collected winding holes to centre and arcaded minute ring with Arabic five minutes above the hour numerals, with fine sculpted gold beetle and poker hands, now in silver-gilt inner case with pierced and engraved scrolling foliate decoration to rear, suspension post and ring at twelve o'clock and fitted with convex glass to bezel, with a leather covered gilt brass outer case with crisp mouldings to bezel surround and waist.The pillar plate 35mm (1.375ins) diameter; the outer case 5.5cm (2.125ins approx.) diameter. Provenance: The property of a private collector, purchased Sotheby's New York sale of The Thielmann Collection of Watches, Clocks and Scientific Instruments 26th June 1989 (lot) 301 for $2,750 USD. Previously in the Wertheimer Collection. Thomas Tompion has often been referred to as the 'father of English clock and watchmaking'. When considering the legacy of his work and influence on subsequent generations, such a compliment is justly deserved. Born in Ickwell, Suffolk in 1639 Thomas Tompion appears to have developed an affinity for metalworking from his father, also named Thomas, who worked as a blacksmith. By 1670 Tompion had moved to London and was working in the clock and watchmaking trade. Although there is no record of his apprenticeship or whether he received any formal training prior to moving to London, he quickly became established and obtained his freedom of the Clockmaker's Company in late 1671. His early clocks demonstrate a close working relationship with the Fromanteel, East and Knibb workshops. Around this time Tompion became friendly with eminent mathematicians and scientists such as Robert Hooke and Jonas Moore - perhaps the most progressive and inventive minds of the day. Such associations lead to Royal commissions, firstly from Charles II for whom Tompion is known to have made one of the earliest balance-spring watches in 1676 and later William III who ordered numerous clocks to furnish his various palaces throughout his reign. As well as being an extremely talented artisan Tompion was also commercially minded, cleverly introducing serial numbering for his watches and clocks from around 1681/2. This, as well as maintaining a high degree of refinement in both the design and construction of his clocks and watches, ensured the highest level of exclusivity for clients purchasing from him. In around 1701 Thomas Tompion took a former apprentice, Edward Banger, into partnership. Banger was originally apprenticed to Thomas Ashby in 1687 but was transferred over to Tompion and gained his freedom of the Clockmaker's Company in 1695. He was clearly a talented maker (when considering the few examples signed by Banger alone) however a serious problem between him and his former master caused the partnership to come to an abrupt end in 1707-8 for reasons unknown. On Banger's departure Tompion reverted to working alone until he found confidence in George Graham who had been engaged as a journeyman for Tompion since 1696. Graham's character had already been given the seal of approval by Tompion who allowed him to marry his niece, Elizabeth, in 1704; however it still would be a few years before Tompion would take Graham into partnership which he eventually did in 1711. Thomas Tompion died in November 1713 leaving the business to George Graham who maintained the same exacting standards and became famous in his own right with notable achievements including the development of the deadbeat escapement for pendulum clocks and the cylinder escapement for watches. Of Tompion's known surviving work as recorded by Jeremy Evans in Evans, Jeremy, Carter, Jonathan and Wright, Ben THOMAS TOMPION, 300 YEARS only twenty-one clock-watches are noted. Three of these are signed by Tompion in partnership with Edward Banger and of the remaining eighteen only around four retain their original dials and cases. An almost identical movement, The Bridgeman Tompion Clock-watch (numbered 73 and dating to 1696), is illustrated by Evans, Carter and Wright on page 58. Condition Report: Movement is in fine clean fully working condition having being recently conserved with following work done (as per the watchmaker's worksheet):Movement overhauled, cleaned, lubricated; case and dial cleaned.Replacement locking lever spring and screw made and fitted using existing crew and steady pin holes.New mainspring fitted.New strike spring fitted.Various screws renewed with hand-made replacements.Fusee pivot upper bushing re-bushed, wear in strike train addressed.Central bell-mounting boss repaired and fitted with new securing screw.Cracked blade to the locking gate renewed with a hand-made replacement.All the above work has been executed to the highest standard hence with any replaced screws matching the originals in shape and quality and repairs very sensitively executed. The dial enamel has a slight crescent-shaped crack to the edge above the X numeral otherwise is free from visible faults. The inner case is in fine original condition but with overall noticeable thinning to the gilding. The outer case is in good original condition with only minor scuffs to the leather covering and some rubbing to the gilding.Watch has a winding key included. Condition Report Disclaimer

Lot 235

A GEORGE I POCKET WATCH MOVEMENT IN LATER SILVER CASEGEORGE GRAHAM, LONDON, NO. 5078 CIRCA 1725, THE DIAL AND CASE 1795The gilt full plate single fusee movement with four square section baluster pillars pinned through the backplate, scroll-pierced stop-iron block and verge escapement regulated by sprung three-arm steel balance with Tompion type regulation, the backplate with fine symmetrical foliate scroll pierced and engraved balance cock with jewelled endstone and fine female mask at the junction with conforming pierced and engraved foot, flanked by silvered regulation disc set within adjacent applied scroll engraved panel infill opposing signature Geo. Graham, London and numbered 5078, now with a later slightly convex white enamel Roman numeral dial and gilt spade hands, the later silver inner case applied with suspension post and ring at twelve o'clock, fitted with convex glass to bezel and marked for London 1795 maker W.H. for William Howard II, the outer case with marks matching the inner. The pillar plate 3.5cm (1.375ins approx.) diameter; the outer case 5cm (2ins) diameter.  George Graham was born in around 1673 in Kirklinton, Cumberland, but by 1688 he had moved to London and entered into an apprenticeship with Henry Aske. Graham gained his freedom of the Clockmakers' Company in 1695 and went to work for Thomas Tompion, whose niece, Elizabeth, he married at St. Mary le Bow in September 1704. After the Tompion's failed partnership with Edard Banger Graham was trusted to become his successor with the two makers entering into a formal a partnership in 1711. On Tompion's death in 1713 George Graham inherited the business 'on the corner of Water Lane in Fleet Street' and continued there until 1720 when he relocated to 'the Dial and One Crown' further up Fleet Street, nearer Fleet Bridge.George Graham maintained the same exacting standards as his former master and also continued the serial numbering system established in around 1680/81. In 1722 he served as Master of the Clockmakers' Company and went on to establish himself as one of the most important clockmakers of his generation. Amongst his achievements was the further development of the deadbeat escapement, invention of the mercury compensated pendulum and the cylinder watch escapement. As well as clocks and watches George Graham was also a highly accomplished maker of scientific instruments with perhaps his most famous creation being the planetarium made for Charles Boyle, Earl of Orrery. He also produced the great mural quadrant for Edmund Halley at Greenwich observatory, also a fine transit instrument and the zenith sector used by James Bradley in his discoveries. Through his observations in testing his very highly regarded compasses Graham also discovered the diurnal variation in the terrestrial magnetic field in 1722/23.George Graham also became an ardent supporter of John Harrison in the development of his marine chronometers to the extent that he forwarded an interest free private loan of £200 to Harrison to facilitate the building of H1. George Graham died in 1751 and was buried next to his former master in Westminster Abbey, leaving the business in the hands of a former apprentice, Samuel Barclay (who subsequently entered into partnership with Thomas Colley). George Graham's legacy is perhaps best reflected by the subsequent work of another former apprentice, Thomas Mudge, who went on to continue in the development of the marine chronometer after Harrison, and to invent the lever watch escapement. The present watch is noted in Evans, Jeremy, Carter, Jonathan and Wright, Ben THOMAS TOMPION, 300 YEARS as a timepiece in a silver case with no dates provided for the case hallmark. The nearest adjacent watches with recorded dates for their cases are 5065 dated 1724 and 5012 dated 1725. From this the movement of the present watch can be dated to 1724/25. 

Lot 243

†&nbspA GEORGE III EBONISED BALLOON-SHAPED TABLE/BRACKET CLOCK J. LEROUX, LONDON, CIRCA 1795The five knopped pillar twin fusee bell striking movement with rounded angles to the rectangular plates and anchor escapement regulated by long disc bob pendulum with an effective length of approximately 11.5 inches, the backplate signed J. Leroux, London to centre, the 7 inch circular single sheet silvered brass Roman numeral dial signed Leroux, Charing Cross to centre, with fine pierced steel hands and Arabic five minutes to outer track, the waisted case with brass pineapple to the concave sided pyramidal upstand over drum housing the movement applied with hinged convex glazed cast brass bezel to front and brass carrying handles to sides, over hipped concave-sided section forming the base applied with a sunburst mask cast brass mount to front, the rear with keyhole shaped door incorporating fine scroll-pierced sound fret set within the frame of the case, on generous cavetto moulded skirt base incorporating break-arch recess to apron and with ogee bracket feet.35.5cm (21ins) high, 29cm (11.25ins) wide, 18cm (7ins) deep. Provenance:The property of a central London financial institution; acquired prior to 1925 to form part of a collection housed in a purpose-built prestigious Georgian style office building. John Leroux is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as an 'eminent maker' who worked from Charing Cross 1781-1808. He was particularly well known as being one of the first makers to incorporate the lever escapement within his watches and was succeeded by James Rigby. A similar clock by Leroux, albeit with a fired enamel dial, is illustrated in Barder, Richard C.R. The Georgian Bracket Clock 1714-1830 page 147 (plate IV/95). Condition Report: Movement is in fine clean working condition with no visible evidence of alteration or noticeable replacements with the exception of the pendulum which is of 19th century French pattern. The lower edge of the backplate has a spare hole indicating that a pendulum holdfast was fitted at some point (which is no longer present). The dial is in fine condition with nice pewter-silver colouring. The minute hand has probably been repaired. Case is in sound original condition with faults limited to historic veneer shrinkage cracking to the drum-shaped section; veneers however appear stable and the cracking is not disfiguring. The base arch moulding shows evidence of filled worm holes (no structural damage), otherwise faults are very much limited to minor historic bumps, scuffs wear etc.Clock is complete with a pendulum, a case key and winder.Condition Report Disclaimer

Lot 66

TWO SILVER PAIR-CASED VERGE POCKET WATCHESJ. THOMPSON AND CHARLES MORLAND, LONDON 1794 AND 1838 RESPECTIVELYEach gilt full plate single fusee movement with four columnar pillars pinned through the backplate and verge escapement regulated by sprung three-arm steel balance, the first with symmetrical scroll pierced and chased bright cut balance cock, Tompion type silvered regulation disk and signed J. Thompson, London, 368 to backplate, the second with grotesque mask decorated foliate scroll pierced and engraved balance cock, Fast/Slow regulation lever and signed Cha's Moreland, LONDON, 6331, each with slightly convex circular white enamel dial, the first with Arabic numerals and gilt spade hands, the second Roman numeral with similar hands, each inner case applied with suspension post and fitted with a convex glazed bezel, the similar outers both undecorated, hallmarks for London 1794 maker mark JC and 1838 makers mark IAT (for Joseph Abraham Tyas) respectively, (2).The pillar plates 4cm (1.625ins) diameter and 4.4m (1.75ins) diameter respectively; the outer cases 5.3cm and 5.5cm (2.125ins approx.) diameter. Several watchmakers makers with the name J. Thompson are recorded working in London at the end of the 18th century; Charles Moreland does not appear to be recorded in the usual sources. 

Lot 96

A FRENCH ORMOLU AND PATINATED BRONZE SMALL 'PENDULE AU CHEVAL' TIMEPIECEINCORPORTING A VERGE WATCH MOVEMENT SIGNED FOR HUVE, PARIS, EARLY 18th CENTURY, THE DIAL AND CASE MID 18th CENTURYThe gilt full plate single fusee deep 'oignon' type watch movement with four Egyptian pillars pinned through the backplate, foliate scroll engraved chain guard and verge escapement regulated by sprung three-arm brass balance, the backplate with large balance bridge incorporating circular silver insert engraved with Ho-Ho birds and foliate scrollwork onto a matted ground and with curved shaped aperture to view the balance, the upper margin with silvered regulation dial and the lower signed HVVE, A PARIS, now with 2.25 inch circular slightly convex white enamel Roman numeral dial with Arabic five minutes to outer track, with scroll pierced brass hands set behind hinged cavetto moulded convex glazed bezel, in a case cast with gilt rococo foliate scrollwork enveloping the movement set via a cushion saddle onto the back of a standing patinated bronze stallion, the rectangular base with naturalistically cast top surface over rosette-centred repeating oval cast apron frieze flanked by leaf decorated projecting angles with block feet.24cm (9.5ins) high, 7.5cm (3ins) deep, 13.5cm (5.25ins) deep. Huve, Le Fils are recorded in Bailie, G.H. Watchmakers & Clockmakers of the World as working in Paris circa 1700 with a watch by them in the Gelis Collection. 

Lot 1

ZZ Top Antenna -Signed promotional guitar. This guitar was released by ZZ Tops label BMG Records in 1994 to promote the new album Antenna. It is a Fernandes telecaster with ZZ Top Antenna logo printed underneath the laquer. A strictly limited edition used for promo only to media and retail. Only a few of the guitars was personally signed by the band. This guitar was signed by all three with a silver pen. Signed by Billy, Frank and Dusty. The provenance. This was gifted to Eddie Fewtrell for one of his many clubs. Eddie known to many as `The King of Clubs` owned over 20 nightclubs in and around birmingham. Sadly Eddie died in February 2022 at the age of 90. This guitar is accompanied with a signed book by Eddie - `King of Clubs`  This has been consigned by his family. It shows signs of age as it was hanging on the wall in one of Eddies Clubs.

Lot 135

Dire Straits Love Over Gold Signed on the inner sleeve by the band in silver sharpie . Including Mark Knopfler and Alan Clark

Lot 164

MARILLION - Heart of Lothian - UK 7 inch single Signed / Autographed in Person by all band members in Black Sharpie and Fish signed in Silver Sharpie. In very good condition - Cat no MARIL 5.  Marillion formed in Aylesbury, Buckinghamshire, England in 1979. Recording consistently since 1982, their output is generally regarded as comprising two distinct eras, that of original vocalist Fish who helmed the band at arguably their most popular (critically and commercially), and his replacement, former Europeans member Steve Hogarth, who joined the band after Fish's departure in 1989. The band's differing styles between the two vocalists has often been known to divide fans.

Lot 46

Breaking Copyright ! The Beatles say NO you can`t make copies of The Beatles Audition with Decca 1st January 1962 ! Original document from Fere Chomeley, London stating there is no contract made by Decca relating to the performances and therefore the sale of the compact disc is forbidden and a case has been taken out against Charly Records from the High Court ! The applied to all three items .. The Cd Entitled The Ballad Beatles Japan pressing, The Beatles Raw Energy and the Silver Beatles album Picture disc. A great original document dated in 1988 adn signed in person by Fere Chomeley. ( 2 pages ) plus a copy of the Court letter ( 2 pages ) 

Lot 69

Scream 4 - Cult movie horror film - Original double sided film poster New Decade New Rules Signed by 9 of the Cast - Signed in silver Sharpie It measuresapprox 27 x 36 inches.

Lot 71

Indiana Jones and the Kingdom of The Crystal Skull signed by1 in silver sharpie Original Promo poster Coming Soon. It measuresapprox 27 x 36 inches.

Lot 73

Ghostbusters Signed Film Poster signed by 12 in silver sharpieCast and Crew. It measures approx 27 x 36 inches.

Lot 78

Twilight Original Film Poster signed by 5 in silver sharpienot dedicated original 30 x 40 inches.

Lot 87

Apollo 13 Film Poster cast signed and signed by Ron Howard.Original poster signed in silver sharpie by Tom Hanks, KevinBacon, Bill Paxton, Gary Sinise and Ed Harris. It measures approx27 x 36 inches. Signed by 6 numbered in silver by Ron 103/500

Lot 89

The Lord of the Rings the Fellowship of the Ring. 2 x OriginalFilm Posters - One signed by Elijah Wood in silver sharpie The secondposter signed in black sharpie by Elijah Wood, `Greetings fromMiddle Earth Ian McKellan`,  Sean Astin and John Rhys-Davis.Each Measure approx 27 x 36 inches.

Lot 106

925 Hallmarked silver wristwatch with pale blue Guilloche enamelling by G. Stockwell, London assay 1917, with sterling silver expanding bracelet. UK P&P Group 1 (£16+VAT for the first lot and £2+VAT for subsequent lots)

Lot 11

Six 925 silver rings set with agate, mixed sizes. UK P&P Group 1 (£16+VAT for the first lot and £2+VAT for subsequent lots)

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