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A clear blown glass perfume bottle, applied green glass detail, engraved thistle decoration, silver collar, Birmingham 1902; a pair of cut glass bottles, silver scoops, John Grinsell & Sons; an Art Deco style cut glass perfume bottle, silver collar, marks rubbed; a cut glass perfume bottle (5)
A Zell Fifth Avenue square compact, top leather covered bearing Scottie dog motif, soft pouch; a Melissa mother-of-pearl set circular compact, gold tone, soft pouch; a Margaret Rose gold tone circular compact, engine turned effect set with central green stone, sifter; a Dubarry square compact, silver tone bearing coat of arms; a Regent of London compact, 1950s, original sifter and puff; a Stratton gold tone compact, floral design; another similar; an English blue enamel paste set compact; an enamelled circular compact (9)
An Edwardian lady's silver manicure set by Levi and Salaman comprising nail and thread scissors, rouge pots, cuticle pusher, tweezers, nail buffer, toothbrush, files, Birmingham 1902, in original fitted case, green silk and velvet lining, retailed by Mappin and Webb
Hatpins and stands - a quantity of hatpins to include Charles Horner style silver topped pin, citrine coloured glass set; a Scottish silver topped pin set with green agate clover leaf; a guilloche enamel topped pin; an Art Deco lucite bird's head pin; a pair of facet cut glass pins; a mother of pearl and diamante set pin; etc; all in two ceramic stands
Hatpins, stands, stock pins and pin cushions - quantity of hatpins to include French Jet set pins; beaded pins; faux pearl topped pins; paste set pins; a silver fox head stock pin; an insect form stock pin; others similar; a ceramic hatpin stand, floral decoration; another similar; a pewter pin cushion in the form of a shoe; another similar, velvet etc
Taxidermy: Victorian Birds of Prey, Hobby (Falco subbuteo) Merlin (Falco columbarius) by J T Storrs, No 6, Silver St, Doncaster, both full mounts perched upon a lichen encrusted branch issuing from tall grasses and moss, the Merlin with a Chaffinch prey under it's foot, the interior having a gritted base with white painted panels, enclosed within a period ebonised single-glass display case, 61cm by 14.5cm by 42cm, taxidermists paper trade label to verso
Schmied (François-Louis).- Mardrus (Joseph Charles, translator) Le Paradis Musulman, number 52 of 157 copies on Japon signed by the artist/designer, frontispiece, pictorial title, 6 plates and numerous illustrations, head-& tail pieces, initials and decorations by Schmied throughout, all wood-engravings printed in colours, some heightened with gold and/or silver, two bookplates on front free endpaper, bound in blue morocco, by Marcel Hugon, covers with partial circles of inlaid navy morocco and gold & silver calf across foot of covers and spine, spine titled in gilt, turn-ins with inlaid strips of silver calf, g.e., pale brown calf endpapers, marbled flyleaves, original wrappers bound in (upper wrapper printed with interconnecting circles in blue, black, gold and grey), very slight scuff to one gold inlay on upper cover, half blue morocco chemise with yapp edges, spine faded, board slip-case (a little rubbed), 4to, Paris, F.L.Schmied, 1930.
Two leaves from an early Isaiah manuscript, decorated manuscript on parchment, in Latin, double column, 31 lines, written in a Romanesque bookhand, with a few Carolingian distinctive elements, five initials painted in red (a few oxidised to silver), one later paragraph mark '¶ .xli.' added in the 13th or 14th-century, a few later emendations and short additions, the note 'P70' written in red in a sixteenth-century hand, both leaves trimmed at outer and lower edges, with loss of one or two lines and a few single letters, some scuffs and tears, a few areas of leather adhering to surface, mostly on verso of leaves, 4to, each 250 x 190 mm., Germany, 11th century. ⁂ Two leaves from an early manuscript containing the passages 39:2-40:10-26 and 40:27-41:26 from the Book of Isaiah.The original codex was produced in the German area in the eleventh century. The handwriting reveals similarities with some contemporary manuscripts copied at the Imperial Benedictine Abbey of Fulda, one of the most celebrated German scriptoria. The short additions for liturgical reading, which are visible on the leaves, indicate the use of the (now dismembered) manuscript throughout the Middle Ages.
Irish Heraldry.- Wilkinson (Sir Neville James Balfour, herald, King of Arms of All Ireland, 1869-1940) Grant of arms to Guy Hamilton Acheson of the arms of Joseph Acheson in the County of Wexford, Ds. "Neville Wilkinson Ulster" & another, manuscript on vellum, large watercolour coat of arms decorated in gold, silver and blue, decoration in left margin, without seal, 480 x 530mm., 1930; and 3 others, grants of arms, v.s., v.d. (4).
Indian pale blue silk and metal thread robe, second half 19th century, elaborately and exquisitely embroidered in silver coloured metal threads with columns of birds in graceful flight alternating with columns of flowers and foliage. ; the collar, front facings and edgings of braided pale blue silk with bobble and loop front fastening. Lined with fine undyed cotton; the collar with sewn in hand written exhibition or museum label, numbered 40527.1.19/1. Measurements: 26in. 66cm. Across the back from underarm to underarm; sleeves, 18in. 46cm. Underarm to cuff edge ; 59in. 150cm. Long down the back from collar to hem. Some time discolouration in places.
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2475480 item(s)/page